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1

Bennett, Terry. Early Photography in Vietnam. GB Folkestone: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9781912961047.

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Early Photography in Vietnam is a fascinating and outstanding pictorial record of photography in Vietnam during the century of French rule. In more than 500 photographs, many published here for the first time, the volume records Vietnam’s capture and occupation by the French, the wide-ranging ethnicities and cultures of Vietnam, the country’s fierce resistance to foreign rule, leading to the reassertion of its own identity and subsequent independence. This benchmark volume also includes a chronology of photography (1845–1954), an index of more than 240 photographers and studios in the same period, appendixes focusing on postcards, royal photographic portraits, Cartes de Visite and Cabinet Cards, as well as a select bibliography and list of illustrations.
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2

Creating world-class photography: How any photographer can create technically flawless photographs. Buffalo, NY: Amherst Media, 2001.

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3

Shaw, Bernard. Bernard Shaw on photography: Essays and photographs. Wellingborough: Equation, 1989.

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4

Inka, Schube, Brade Helmut 1937-, Sprengel Museum Hannover, and Brandenburgische Kunstsammlungen Cottbus, eds. Fotografien =: Photographs. Hannover: Sprengel Museum, 2004.

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5

Liam, Kelly. Photographs and photography in Irish local history. Dublin: Four Courts Press, 2008.

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6

Moreau, Jeffrey. Muni photographs: The photography of Jeffrey Moreau. Orangevale, CA: Carbarn Press, 1991.

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7

Photographs and photography in Irish local history. Dublin: Four Courts Press, 2008.

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8

Photography: The new complete guide to taking photographs. London: Collins & Brown, 2003.

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9

Wim, Melis, Fries Museum (Leeuwarden Netherlands), and Noorderlicht (Foundation), eds. Nazar: Photographs from the Arab world. New York: Aperture, 2005.

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10

Felix, Thürlemann, ed. Meisterwerke der Fotografie. Stuttgart: Reclam, 2011.

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11

Printing, London College of. BA Photography thesis 1990: As photographs become epitaphs. London: LCP, 1990.

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12

Todd, Maitland Margaret, and Minneapolis Institute of Arts, eds. Photographs beget photographs. Minneapolis, Minn: Minneapolis Institute of Arts, 1987.

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13

1852-1934, Käsebier Gertrude, ed. Gertrude Käsebier: The photographer and her photographs. New York: H.N. Abrams, 1992.

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14

Freeman, John. How to take great photographs: A practical photography course. New York: Smithmark, 1995.

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15

Chalker, David. 100 views of Canberra. Griffith, ACT: PhotoAccess, 2013.

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16

Fieled, Adam, ed. Hand In Glove: Photographs and Essays. Conshohocken, Pa: Internet Archive, 2013.

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17

John, Freeman. How to take great photographs: A practical photography course. London: Lorenz, 1995.

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18

The power of photography: How photographs changed our lives. New York: Abbeville Press, 1991.

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19

Mitteldorf, Klaus. Photographs. Germany: Art Forum, 1992.

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20

Wilson, Michael G. Pictorialism in California: Photographs, 1900-1940. Malibu, Calif: J. Paul Getty Museum, 1994.

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21

Andrew and Andrew. Photographs. London: Hamilton, 1985.

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22

Photographs. Boston: Bulfinch Press, 1995.

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23

Faller, Marion. Photographs. [Buffalo, N.Y: s.n., 1998.

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24

Smith, Paul M. Photographs. Frankfurt: Goliath Verlag, 2004.

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25

David, Hockney. Photographs. Washington, D.C: The Foundation, 1986.

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26

Leonard, Zoe. Zoe Leonard: Photographs. Göttingen: Steidl, 2007.

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27

Photographs. Chicago, Ill: Heinemann Library, 2012.

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28

LaChapelle, David. Photographs. Wien: Museums-Betriebs-Ges.mb, 2002.

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29

Bill, Smith. Designing a photograph: Visual techniques for making your photographs work. New York: AMPHOTO, 1985.

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30

Photographs. Washington: Smithsonian Institution Press, 1990.

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31

Newlander, Frank. Photographs. Santa Fe, N.M: Mountain Road Art Ranch, 2001.

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32

Photographs. London: Hamilton, 1985.

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33

Ray, Man. Photographs. London: Thames and Hudson, 1987.

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34

Genevieve, Field, ed. Photographs. Santa Fe, N.M: Arena Editions, 2000.

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35

Concert photography: How to shoot and sell music-business photographs. San Francisco: Humble Press, 1997.

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36

Smith, Bill. Designing a photograph: Visual techniques for making your photographs work. USA: Amphoto, 1985.

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37

Johnson, Robert Flynn. The face in the lens: Anonymous photographs. Berkeley: University of California Press, 2009.

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38

Johnson, Robert Flynn. The face in the lens: Anonymous photographs. Berkeley: University of California Press, 2009.

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39

1948-, McCall Smith Alexander, ed. The face in the lens: Anonymous photographs. Berkeley: University of California Press, 2009.

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40

Johnson, Robert Flynn. The face in the lens: Anonymous photographs. Berkeley: University of California Press, 2009.

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41

Thomas, Isabel. Photographs. London: Raintree, 2012.

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42

Himmel, Paul. Photographs. New York: Assouline, 1999.

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43

Gallery, Vadehra Art, Sridharani Gallery, and Sakshi Gallery, eds. Photographs. New Delhi: Vadehra Art Gallery, 2007.

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44

Sandberg, Tom. Photographs. Oslo: Astrup Fearnley Museum of Modern Art, 2000.

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45

Photographs. London: Raintree, 2012.

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46

Dvitva: An essay of photographs in India. Nugegoda: Studio Twenty Seven, 2001.

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47

The photograph. Oxford: Oxford University Press, 1997.

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48

Guibert, Hervé. Ghost image. Copenhagen: Green Integer, 1996.

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49

Australasian Nature Photography 10. CSIRO Publishing, 2013. http://dx.doi.org/10.1071/9781486300648.

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The bioregion of Australia, New Zealand, Antarctica and New Guinea possesses a unique natural heritage stretching back over 80 million years since the break-up of the great southern continent of Gondwana. The South Australian Museum and Australian Geographic focus on enhancing a general knowledge of this extraordinary legacy by encouraging photography of the region’s nature and wilderness, and promoting an annual competition to find the Australian Geographic ANZANG Nature Photographer of the Year. Australasian Nature Photography: ANZANG Tenth Collection presents the finest photographs submitted to the 2013 Australian Geographic ANZANG Nature Photographer of the Year competition. Each photograph is accompanied by technical information as well as anecdotes about how the picture was taken, which will stimulate yet further interest in the flora and fauna and their conservation in the region.
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50

Australasian Nature Photography 08. CSIRO Publishing, 2011. http://dx.doi.org/10.1071/9780643106802.

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The bioregion of Australia, New Zealand, Antarctica and New Guinea possesses a unique natural heritage stretching back over 50 million years since the break-up of the great southern continent of Gondwanaland. The South Australian Museum focuses on enhancing a general knowledge of this extraordinary legacy by encouraging photography of the region’s nature and wilderness, and promoting an annual competition to find the Nature Photographer of the Year. Australasian Nature Photography: ANZANG Eighth Collection presents the finest photographs submitted to the competition. Each photograph is accompanied by technical information as well as anecdotes about how the picture was taken, which will stimulate yet further interest in the flora and fauna and their conservation in the region.
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