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Journal articles on the topic 'Photography, Artistic – Themes, motives'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Colner, Miha. "Bojan Salaj, photographer: The Ambivalent Eclecticism of Contemporary Photography." Membrana Journal of Photography, Vol. 1, no. 1 (2016): 14–19. http://dx.doi.org/10.47659/m1.014.rev.

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The article that aims to analyse the artistic production of photographer Bojan Salaj is based on conversations and reviews of his archive. Among Slovenian photographers, Salaj is the one who has been seen as an embodiment of the decisive shift in perception of the photographic medium that occurred in the late 1980s and early 1990s. He has never worked as documentary photographer or photojournalist; his authorial practice has always been primarily focused on the context of exhibition and against unconventional solutions. Salaj is one of those photographers who are characterized by the deep refl

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Woźniak, Kamila. "Rozkosze czeskiej awangardy. O fuzjach literatury, sztuki i filozofii na przykładach z twórczości Jindřicha Štyrskiego, Toyen, Vítězslava Nezvalai Františka Drtikola." Slavica Wratislaviensia 164 (November 20, 2017): 33–41. http://dx.doi.org/10.19195/0137-1150.164.3.

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The joys of the Czech avant-garde.On the amalgamation of literature, art and philosophy based on the examples from the works of Jindřich Štyrský, Toyen,Vítězslav Nezval and František DrtikolThe article points out some recurrent themes in the literary and artistic works by the repre- sentatives of the Czech avant-garde of the ﬁrst half of the twentieth century. It is primarily about the motives of sleep, life, death and eroticism recognized most often in iconoclastic conventions, often on the borders of pornographic description and violating the taboo of eroticism, pleasures of the ﬂesh and rel

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Polańska, Anna. "Działania artystyczne w gdańskim środowisku fotograficznym promujące fotografię marynistyczną w latach 1948-1981." Porta Aurea, no. 17 (November 27, 2018): 179–217. http://dx.doi.org/10.26881/porta.2018.17.08.

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With Gdansk artists an approach to the subject of the marine photography, was marked on several levels – artistic, documentary, journalistic and usable. Since 1945 to the first half of the 80s, we notice the popularization of maritime theme in the environment throughout artistic exhibition activities, and the program objectives. Maritime photography or maritime themes in photography? An analysis of the photographic medium in terms of belonging to the art can give the answer to this question. It is also worth considering whether there was „Gdansk School of the Maritime Photography”? The phenome

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Colner, Miha, and Ivan Petrović. "Ivan Petrović, Photographer, Archivist and Artist: Interview with Ivan Petrović." Cabinet, Vol. 2, no. 2 (2017): 4–9. http://dx.doi.org/10.47659/m3.004.int.

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Ivan Petrović (1973) has been working in the fields of photography and art for twenty years as a researcher, creator and collector. Since 1997, he has been creating and publishing photographic projects that reflect the spirit of space and time in which they are created, while in his works he uses both documentary approaches as well as research principles. In 2011, together with photographer Mihail Vasiljević, he founded a para-institution, the Centre for Photography (CEF). Despite lacking its own premises, infrastructure or funds for performing its activities, the institution deals with the se

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Wiedemann, Thomas. "Preface." Novos Olhares 9, no. 1 (July 10, 2020): 9–12. http://dx.doi.org/10.11606/issn.2238-7714.no.2020.171983.

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The Dossier entitled “(Audio)Visions: photography, cinema and memory” is edited by Thomas Wiedemann on behalf of the Visual Culture Working Group (VIC) of the International Association for Media and Communication Research (IAMCR). Within IAMCR, VIC focuses on artistic, cultural, socio-cultural and technological studies in visual media and communication—pictures and photography, respectively, but also cinema, audiovisuals and arts—from a critical view point that might enhance the international field of communication studies. In this spirit, after the IAMCR Conference 2019 held in Madrid, Spain,

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LAMBERT, PHILIP. "Brian Wilson’s Pet Sounds." Twentieth-Century Music 5, no. 1 (March 2008): 109–33. http://dx.doi.org/10.1017/s1478572208000625.

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AbstractPet Sounds, the landmark Beach Boys album of 1966, has received wide acclaim as one of rock’s first ‘concept albums’. It also represents a milestone in the artistic evolution of the group’s primary creative force, Brian Wilson. A thorough examination of the texts and music of the songs of Pet Sounds reveals a unified art work projecting a coherent textual narrative. Songs are associated and interrelated via recurrent motives and harmonic patterns, expressing extremely personal themes of romance and heartbreak. The musical ideas are mostly culminations of Brian Wilson’s earlier work – t

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Yahyabala qızı Bağıyeva, Nubar. "Carpet compositions by carpet artist Mammadhuseyn Huseynov." ANCIENT LAND 03, no. 04 (June 30, 2021): 15–18. http://dx.doi.org/10.36719/2706-6185/03/15-18.

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The artist has created valuable works of art that attract the attention of the most beautiful traditions of the pre-existing artistic heritage with a choice of different themes and styles. He created expressive images that characterize the environment in which any subject is reflected, and tried to make room for elements of national motives. This is an indication of his rich artistic imagination and delicate taste. The carpets created by the carpet artist are distinguished by the fact that the ornaments are very complex and very versatile. The ornament of these carpets will remain the object o

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Reinhuber, Elke. "The Urban Beautician: a practice of transferring ephemeral interventions in the public space via media into a work of art." Lumina 11, no. 2 (August 30, 2017): 60–81. http://dx.doi.org/10.34019/1981-4070.2017.v11.21442.

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In this artistic research, I argue that a range of artistic practices is capable of addressing relevant issues in our material, specifically our urban, environment. In particular, conceptual interventions or non-theatrical performances, which are in most cases mundane everyday activities that require transformation through media to be understood as art. Yet, as human memory is susceptible, media is also required to provide proof of the action for archives or exhibitions, or simply as a memento of the artwork itself. Lens-based media, such as photography and video-recording, are in most cases t

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Kamitova, Alevtina Vasilevna, and Tatyana Ivanovna Zaitseva. "ARTISTIC ASSIMILATION OF THE WORLD IN THE ESSAY PROSE OF M. G. ATAMANOV (BASED ON THE BOOK “I AM UDMURT. WHY DOES IT HURT?”)." Yearbook of Finno-Ugric Studies 14, no. 3 (October 2, 2020): 459–64. http://dx.doi.org/10.35634/2224-9443-2020-14-3-459-464.

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The paper reflects the specificity of the fundamental ideas of the artistic world of M. G. Atamanov, which includes a wide range of literary facts from the content level of the text of the works to their poetics. A particularly important role in the works of M. G. Atamanov is played by cross-cutting themes and images that reflect the author's individual style and his idea of national-ethnic identity. The subject of the research is the book of essays “Mon - Udmurt. Maly mynym vös’?” (“I am Udmurt. Why does it hurt?”), which most vividly reflected the main spiritual and artistic searches of M. G

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Arzamazov, Aleksei A. "Dolgan Invitation to the Tundra: the Artistic World of Ogdo Aksenova." Polylinguality and Transcultural Practices 17, no. 3 (December 15, 2020): 321–33. http://dx.doi.org/10.22363/2618-897x-2020-17-3-321-333.

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The main purpose of the article is to analyze the poetic texts of Ogdo Aksenova, who is sole representative of the Dolgan national literary tradition. The main themes, key motives and symbols of her artistic world (the image of the northern landscape, the image of the tundra, poetic variations on the theme of the seasons, etc.) are established, the ethnocultural originality of the poetic discourse (linguistic levels of expressiveness, realities of Dolgan culture) is analyzed. Special attention is paid to the genre of the song, which has folklore and mythological roots. It is emphasized that in

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Sheridan, Bridget. "Mapping the Way: The Use of Maps in Artistic Projects, Working with Migrants and Refugees." Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 47, no. 2 (July 10, 2020): 217–31. http://dx.doi.org/10.36770/bp.479.

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This article deals with three art projects which take into account the relationship between maps, migration and memory. We shall analyse how Céline Boyer, Bouchra Khalili and Marie Moreau artistically respond to the diverse waves of migration in Europe. In each of their respective projects, engagement with these themes and with individual participants created opportunities for the transmission of knowledge and experience. The connection between maps and power is explored relative to these artistic projects and related processes. Whether it be photography, writing, video installation or partici

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Kushnirova, T. V., and I. V. Fisak. "Genre originality of R. Riggs’ novel „Miss Peregrine’s Home for Peculiar Children”." Bulletin of Luhansk Taras Shevchenko National University, no. 4 (335) (2020): 142–50. http://dx.doi.org/10.12958/2227-2844-2020-4(335)-142-150.

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The article carries out a systematic study of the genre of R. Riggs’ work „Miss Peregrine’s Home for Peculiar Children”, establishes its genre originality, states the features of different types of genre in the structure of one work, which is manifested in the multi-genre nature of the work. The article thoroughly and consistently proves that the work of R. Riggs „Miss Peregrine’s Home for Peculiar Children” is a novel form, which is characterized by genre syncretism, as the genre structure combines features of fantasy, adventure, social novels and oral folklore, thoroughly decorated with phil

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Barber, Claire. "Mining Textiles:Extracting multi-narrative responses from textiles to rethink a mining past." International Visual Culture Review 1 (February 7, 2019): 33–42. http://dx.doi.org/10.37467/gka-visualrev.v1.1770.

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This article is evidence of a practice-based investigation into the imaginative worlds of mining and textiles as a starting point for transforming ways of thinking and creating in the locality. Featuring artist-in-residence and archival processes of research, and performative and site-responsive interventions, a number of recurring themes of enquiry will be developed that combine elements of clothing design, historical studies, nature studies, photography, inflatable construction and social anthropology. The article will draw from the authors artistic practice in the extraction of multi-narrat

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Shchetynsky, Oleksandr. "Valentyn Bibik: reaching artistic maturity." Aspects of Historical Musicology 23, no. 23 (March 26, 2021): 42–64. http://dx.doi.org/10.34064/khnum2-23.03.

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The object of research is the works of V. Bibik written at the beginning of his mature period. The aim of the research is to reveal the main features of Bibik’s style. Methods of research include technical analysis of the works in the context of the innovative tendencies in the Ukrainian music of 1960–70s, as well as comparative research. Research results. Outstanding Ukrainian composer Valentyn Bibik (1940–2003) wrote over 150 works. Mostly they are large-scale symphonic, choral, vocal, and chamber pieces. Among them are 11 symphonies, over 20 concerti for various instruments with orchestra,

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Vorontsova, Galina N. "“Between Heaven and Earth”: A.N. Tolstoy’s Fiction of 1918–1919." Studia Litterarum 6, no. 2 (2021): 128–43. http://dx.doi.org/10.22455/10.22455/2500-4247-2021-6-2-128-143.

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The article is based on the thesis that in the writer’s works it is always possible to trace the existence of periods marked by the emergence of new themes and motives. As a rule, this is due both to external circumstances and the artist’s reaction to them, his internal feeling of the need to change the paradigm of his further development. In the work of A.N. Tolstoy one of such periods was the era of the Russian Revolution of 1917 and, in particular, the first revolutionary years, which are characterized by artistic experiments of the writer, allowing to talk about a definitely new vector of

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Vorontsova, Galina N. "“Between Heaven and Earth”: A.N. Tolstoy’s Fiction of 1918–1919." Studia Litterarum 6, no. 2 (2021): 128–43. http://dx.doi.org/10.22455/2500-4247-2021-6-2-128-143.

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The article is based on the thesis that in the writer’s works it is always possible to trace the existence of periods marked by the emergence of new themes and motives. As a rule, this is due both to external circumstances and the artist’s reaction to them, his internal feeling of the need to change the paradigm of his further development. In the work of A.N. Tolstoy one of such periods was the era of the Russian Revolution of 1917 and, in particular, the first revolutionary years, which are characterized by artistic experiments of the writer, allowing to talk about a definitely new vector of

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Portnova, Tatiana. "Dance in Sculpture of the Early 20th Century." Sculpture Review 68, no. 4 (December 2019): 22–34. http://dx.doi.org/10.1177/0747528420901915.

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This article is concerned with the ratio of plastic arts as exemplified by sculptural works depicting dances of the early 20th century. Special attention is paid to the Greek motives in the Russian art of this period, which became the subject of inexhaustible aesthetic and artistic interest. The representation of ancient dance motifs, their figurative image and the nature of antiquity in sculptural plastics, various approaches to the interpretation of ancient plots and themes, the role and significance of the “antique” component in their artistic structure are considered in the article. The st

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Novitska, Oksana. "Genre and stylistic modifications of realistic essay of Anton Krushelnytsky." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 12, no. 21 (2019): 57–62. http://dx.doi.org/10.34079/2226-3055-2019-12-21-57-62.

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The article deals with genre-style modifications of the realistic essay of the 19th-20th centuries. In the article the author studies Anton Krushelnytsky’s artistic legacy (1878–1937) in the context of the dominant trends of Ukrainian literature at the end of XIX – the beginning of XX century and through the receptive dimensions of modern theory of literature. The paper defines the ideological and axiological background of the writer’s artistic understanding the reality and aesthetic nature of his creativity. The unity of the form and contest of prose texts is determined. The prose of the give

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Siwek, Beata. "Aleksander Barszczewski: uczony i poeta (w 90. rocznicę urodzin)." Przegląd Wschodnioeuropejski 11, no. 1 (June 30, 2020): 209–18. http://dx.doi.org/10.31648/pw.5981.

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This article discloses scientific, organizational, didactic and literary activity of the most outstanding Belarusian scientist, a professor of the University of Warsaw and, for many years, the head of the Department of Belarusian Studies – Alexander Barshchewski. In the article his academic achievements were outlined, the most important directions of his researches were presented and a special attention has been drawn not only to multidimensionality and interdisciplinarity of issues and problems that he had been taking up in his monographs and scientific articles, but also to impressive didact

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Da Câmara, Patrícia Infante. "Como desaparecer sendo todas as coisas: derivação e polimorfia em Francesca Woodman." Jangada: crítica | literatura | artes, no. 9 (April 6, 2018): 34–51. http://dx.doi.org/10.35921/jangada.v0i9.54.

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RESUMO: Este ensaio parte da obra de Francesca Woodman para traçar, sobre a mesma, um fio narrativo sustentado nas ideias de dispersão, metamorfose e construção identitária. Considera algumas das suas principais temáticas, assim como os géneros e movimentos artísticos com que mais tem sido identificada, para alargar alguns posicionamentos críticos daí decorrentes. PALAVRAS-CHAVE: Francesca Woodman, fotografia, corpo, desejo, metamorfose, extravasação. _____________________ ABSTRACT: This essay is based on the work of Francesca Woodman to draw a narrative thread based on the i

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Vorova, T. P. "Peculiarities of the Structure and Distinctive Features of the Interpretation in “Motley Tales with Witticisms” by V. F. Odoyevsky." International Letters of Social and Humanistic Sciences 67 (March 2016): 18–26. http://dx.doi.org/10.18052/www.scipress.com/ilshs.67.18.

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Prince V.F. Odoyevsky (1803-1869) was the Russian writer, philosopher, musicologist and subtle musical critic, public figure, founder of «Society of philosophy-lovers» and author of «Motley Tales with Witticisms», fascinating monument of native culture; the book was published only once during the life of the writer and afterwards was not republished as the cycle. In literary criticism «Motley Tales» as the unified and important cycle by V.F. Odoyevsky were given scant coverage, although this literary work marked the beginning of new period in the writer’s oeuvre; an image of narrator Homoseyko

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Kuznetsov, I. V. "Concept as “Motive” of Theoretic Discourse." Studies in Theory of Literary Plot and Narratology, no. 1 (2019): 80–86. http://dx.doi.org/10.25205/2410-7883-2019-1-80-86.

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The article considers the possibility to interpret motive and concept as two parallel ways of pre-predicative matter of internal speech incarnation. Lev Vygotsky’s doctrine about thought and word, which arose in the philosophical context of neo-Kantianism and dialectics peculiar to the beginning of the 20th century, creates the possibility of such interpretation. The primacy and substantiality of art’s content before its incarnation was recognized and declared by such thinkers and poets of The Silver Age as Andrey Bely and Boris Pasternak. The word “matter” itself was a working concept in the

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Wanderley, Olga da Costa Lima. "“Neither here nor there”: traces of the feminine in the photoperformances of Ana Mendieta." Comunicação e Sociedade 32 (December 29, 2017): 319–30. http://dx.doi.org/10.17231/comsoc.32(2017).2764.

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This article addresses the questions triggered by the work of the Cuban-American artist Ana Mendieta, who has a large part of her work composed exclusively of camera performances and what she termed earth-body-works. Through her strategies of representation based on the disappearance of the female body, Mendieta draws our attention to the legitimized violence and erasures through the establishment of fixed identities – ethnic and gender – within the hegemonic discourses of power. The notions of performance as an instrument for transmission of knowledge and cultural memory, of performativity as

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Fedoseeva, Nadezhda Aleksandrovna. "“TANGYRA” OF MIKHAIL ATAMANOV AND “YUGORNO” OF ANATOLIY SPIRIDONOV: COMPARATIVE AND TYPOLOGICAL ASPECT." Yearbook of Finno-Ugric Studies 14, no. 3 (October 2, 2020): 454–58. http://dx.doi.org/10.35634/2224-9443-2020-14-3-454-458.

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The article examines the artistic and aesthetic parallels in the Mari epic “Yugorno” and the Udmurt “Tangyra” - the heroic legends of the peoples of the Finno-Ugric world. The idea is that the poetic commonality between them is a consequence of folklore and cultural typology and historical connection. The similarity of motives and plots is manifested in the pantheon, in views on the world order, in the nature of the relationship between gods and people, in the types of characters. By their poetic nature “Tangyra” and “Yugorno” occupy a place among the classical European epics, with which they

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Latif CM, Noor. "PERANCANGAN MOTIF BATIK BERBASIS FILOSOFI GERAK PENCAK SILAT CIMANDE." Jurnal Dimensi DKV Seni Rupa dan Desain 3, no. 2 (October 1, 2018): 143. http://dx.doi.org/10.25105/jdd.v3i2.3601.

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<strong>Abstract</strong><br />Designing the Batik Motif Based on the Philosophy of Pencak Silat Cimande’s Movement. For the last three decades, the pencak silat Cimande had progressed more than before. The center of development is the group of Cimande’s art environment. This phenomenon has created the using of silat costume as group identity. The costume includes headband and sarong with batik motives. The lack of textile culture and specific motives become the problem. This reseach’s purpose is to find the solution through designing batik motives based on the philosopy of p

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Ibragimov, Marsel I. "Motifs in Gabdulla Tuqay’s Lyric Poetry (On the Draft Dictionary-Index of Motifs)." Studies in Theory of Literary Plot and Narratology 14, no. 2 (2019): 166–77. http://dx.doi.org/10.25205/2410-7883-2019-2-166-177.

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The article is focused on the aspects of the lyrical motive theory connected with the project of the motives’ index of Gabdulla Tuqay’s lyric poetry. The conceptual provisions for the index are formulated on the basis of systematized works on the lyrical motive problem. The lyrical motif is considered as a theme-rematic unity based on the functional identity of the motif and the theme. When analyzing lyrical motifs, it is important to establish the contexts that determine their semantics: biographical, cultural-historical, literary (components of literary tradition (traditional images, motives

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Andreeva, Valeria G. "ESTATES IN LEO TOLSTOY’S NOVEL “RESURRECTION”: FROM DENOUNCING LUXURY TO LIFE ON LAND." Philological Class 26, no. 2 (2021): 144–54. http://dx.doi.org/10.51762/1fk-2021-26-02-12.

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For the first time in literary criticism, the author of the article turns her attention to the image of the estate in Tolstoy’s later artistic work, showing the dynamics of the writer’s views on estate life, the image of an ideal estate, which for Tolstoy was always associated with the motives of work, family life, proper attitude towards the people, etc. It is noted that in 1880–1910, the estate theme in Tolstoy’s creative imagination was directly related to the problems of land ownership, proper management and correct and gradual path of the individual and their spiritual growth. The picture

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Svetlov, Igor. "Hungarian Sculpture of the Late Twentieth Century. At the Intersection of Romanticism and Pop Art." Scientific and analytical journal Burganov House. The space of culture 15, no. 4 (December 10, 2019): 108–35. http://dx.doi.org/10.36340/2071-6818-2019-15-4-108-135.

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Developing intensively and in its own way throughout the 20th century, Hungarian sculpture has gained recognition as one of the leading European schools. Much in its creative image was determined between the two world wars when romantic tonality, combining dynamic activity and plastic flexibility, became a high priority. Romantic pantheism made itself felt in the artistic works of the Hungarians, successfullyshown at the All-Union Art Exhibition in Moscow in 1957-1958. The appeal to the motives and forms of nature enriched the human modulus of Hungarian sculpture.The period between 1960-1970 i

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Teslya, Andrei. "“The Only Pictures in Memory of the Great War”: The Heroic Spirit, Orientalism, and the Problems of Representational Depictions of the Russo-Turkish War of 1877–1878." Sotsiologicheskoe Obozrenie / Russian Sociological Review 17, no. 3 (2018): 240–55. http://dx.doi.org/10.17323/1728-192x-2018-3-240-255.

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The Russo-Turkish War of 1877–1878 spawned a request from both the government and the public for an appropriate pictorial representation to be evaluated in the categories of ‘high art’, a request which revealed the inability of the predominant aesthetics to be satisfied. The paintings on the subjects of the preceding Balkan Crisis of 1875–1876 easily appealed to the existing reserve of descriptive means in primarily appealing to Orientalist motives by using the international Oriental-artistic language. In this case, painters such as K. Makovsky or V. Polenov did not need to resort to some inve

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Kukiełko-Rogozińska, Kalina. "Following the Footprints of Edward S. Curtis: A Tale of the Vanishing Race." Przegląd Socjologii Jakościowej 16, no. 2 (May 31, 2020): 36–45. http://dx.doi.org/10.18778/1733-8069.16.2.03.

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In 2007, Marie Clements, a Canadian playwright, was asked to prepare a play about the cultural history of Canada. She decided to write a play about Edward S. Curtis, the author of an epic series of photographic works titled The North American Indian, published between 1900 and 1930. Clements invited to the project Rita Leistner, a Canadian photographer, who was responsible for the graphic aspect of the play. Her task was to recreate the way taken by Curtis while immortalizing scenes from the life of the indigenous peoples. Both artists took a fascinating journey following the footsteps of Curt

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Frolova, Ekaterina, and Irina Rutsinskaya. "Russian Orthodoxy in documentary projects of the Russian and English photographers." Культура и искусство, no. 7 (July 2021): 27–54. http://dx.doi.org/10.7256/2454-0625.2021.7.34125.

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This article is dedicated to the analysis of distinctive features of the image of Russian Orthodoxy in the works of the contemporary Russian and English photographers. The authors review various aspects of photography as a research tool. They determine the focus of attention of the English and Russian photographers with regards to Orthodoxy, which aspect of religiosity prevail in their works, and which artistic means of photography are used by the photojournalists to express their position. In the course of research of the existing photo projects, the question is raised of whether they seek to

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Markova, Maryana V. "Petrarchan Contexts of John Donne�s Spiritual Lyrics." Alfred Nobel University Journal of Philology 1, no. 21 (2021): 10–18. http://dx.doi.org/10.32342/2523-4463-2021-1-21-1.

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The article is devoted to the connection of the famous English poet, prose writer and preacher John Donne�s (1572�1631) works with the Petrarchan discourse of the European literature. The purpose of the investigation is to reveal and interpret the elements of Petrarchism in spiritual lyrics of the author on the basis of systematic approach with the use of the genealogical and comparative typological methods. The most prominent cases of the traditional Petrarchan themes, motives and images usage in John Donne�s religious texts and the specifity of their functioning have been examined in this ar

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Sharonov, Alexander Markovich, and Elena Alexandrovna Sharonova. "“MASTORAVA” AND “DORVYZHY”: POETIC PARALLELS." Yearbook of Finno-Ugric Studies 14, no. 1 (March 27, 2020): 65–74. http://dx.doi.org/10.35634/2224-9443-2020-14-1-65-74.

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The article discusses the artistic and aesthetic parallels in the Erzya epic “ Mastorava ” and the Udmurt epos “ Dorvyzhy ”, which are heroic epics of the peoples of the Finno-Balto-Ugric world. The idea is being made that the poetic community between them is a consequence of the folk-cultural typology, although historical ties are also not excluded. The similarity of motives and plots is manifested in the pantheon, in views on the world order, in the nature of the relationship between gods and people, types of characters. It is stated that by the poetic nature Dorvyzhy takes a place among the

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Snigovska, Oksana, and Andriy Malakhiti. "“RED” ODESSA IN THE EYES OF N. KAZANDZAKIS: DOCUMENTARY-ARTISTIC TWO of the AUTHOR’s worlds (based on the travelogue «Traveling: Russia»)." Studia Linguistica, no. 15 (2019): 235–49. http://dx.doi.org/10.17721/studling2019.15.235-249.

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The article explores the features of documentary works of art, in particular letters, articles, travel notes, newspaper publications, photo and video materials, which formed the basis of the travelogue «Travelling: Russia» by the Greek writer Nikos Kazantzakis. It describes his trips to the Soviet Union in the 20s of the XX century. A complex of themes and motives typical of travelogue, topos is considered, topographic plots focused on the presentation of facts and situations are highlighted. The subject of the image in travel notes and feature articles by N. Kazantzakis is practically everyth

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Karasik-Updike, Olga B. "Contemporary Jewish Prose in the USA." Literature of the Americas, no. 10 (2021): 100–134. http://dx.doi.org/10.22455/2541-7894-2021-10-100-134.

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The essay presents an overview of Jewish American prose of the second half of the 20th — first two decades of the 21st century within the context of multicultural literature of the USA. The definition of Jewish literature remains a matter of debate. The author of the essay based on the opinions of critics concludes on the criterion for assigning a writer to Jewish literature. It is the artistic embodiment of the personal Jewish experience and identity in the works of literature, the view “from inside,” the perspective of collective memory and the connection to history and culture. Jewish liter

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Ruiz Sánchez, Héctor Camilo, Paulina Pardo Gaviria, Rosa De Ferrari, Kirk Savage, and Patricia Documet. "OjO Latino: A Photovoice Project in Recognition of the Latino Presence in Pittsburgh, PA." Contemporaneity: Historical Presence in Visual Culture 7 (October 30, 2018): 53–71. http://dx.doi.org/10.5195/contemp.2018.243.

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In recent years, the Latino population has increased rapidly in areas with traditionally low concentration of Latinos. In these emerging communities, Latinos often live scattered, confronting social isolation and social services not tailored to serve their cultural and linguistic needs. Latinos’ invisibility in Pittsburgh is evidenced by the absence of records of the Latino presence in the city’s museums and public archives. OjO Latino, a community engaged project, sought to advance the inclusion of the Latino community in Pittsburgh through Photovoice. This participatory expression methodolog

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Babenko, Leonid, Andrew Babenko, and Larysa Haidai. "THEORY AND PRACTICE OF INTRODUCTION OF MUSICALS IN THE TRAINING SYSTEM OF FUTURE TEACHERS OF ARTS." Academic Notes Series Pedagogical Science 1, no. 195 (2021): 52–55. http://dx.doi.org/10.36550/2415-7988-2021-1-195-52-55.

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The article deals with the introduction of performances of theatrical musicals into the educational process of preparing future art teachers on the artistic faculty of the Centralukrainian State Volodymyr Vynnychenko Pedadogic State University. Illuminated positive impact of such an introduction on the quality of professional training of students. The motivational approach to the meaningful responsibility of students for training is revealed when they carry out self-control over the process of acquiring the necessary knowledge and skills and become fully responsible for the quality of learned

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Milanovic, Biljana. "Musical shaping of the nation: Ethno-symbolism of Mokranjac’s garlands." Muzikologija, no. 16 (2014): 211–26. http://dx.doi.org/10.2298/muz1416211m.

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This article deals with Stevan Mokranjac?s fifthteen garlands (rukoveti), which are commonly regarded as the national project in Serbian art music that was accomplished through the producing of the tradition of the Serbian folk song. The garlands are examined by employing the concept of ethno-symbolism, theoretically associated with Anthony Smith. The elements of ethno-symbolism, and especially those aspects of this theory through which the articulation of a national identity activates connections with pre-modern myths, recollections and collective symbols, have proven useful in contextualizat

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Nikitin, Andrii. "Philosophical context in the work of Sergei Zoruk." Research and methodological works of the National Academy of Visual Arts and Architecture, no. 29 (December 17, 2020): 46–53. http://dx.doi.org/10.33838/naoma.29.2020.46-53.

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S. Zoruk was a bright representative of the artistic circle with an original view and individual ap- proach to art. His innovative methodological theories on academic drawing are organically included in the concept of scientific and methodological base of the Department of Drawing NAOMA and drawing school in general. S. Zoruk constantly studied and improved the technique of drawing, built his personal style. It is in the pictorial compositions that his authorial style with an emphatically refined aesthetic and philosophical subtext is most vividly revealed. The line, the stroke, the spot are c

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Shcheviova, Uliana. "Mural paintings in the decoration program of the residential buildings entrance spaces in Eastern Galicia at the end of the XIXth – first third of the XXth century." Bulletin of Lviv National Academy of Arts, no. 42 (December 27, 2019): 79–87. http://dx.doi.org/10.37131/2524-0943-2019-42-11.

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Background. Mural paintings occupy a special place in the ensemble decoration program of the residential buildings entrance spaces in Eastern Galicia at the end of the XIXth – first third of the XXth century. They are at the same level with decorative sculpture, exquisite staircase forging, ornamental floor decor, and polychrome stained glass. Not only do the decorative compositions in the entrance spaces mural paintings serve as a stylistic feature of decoration, but also are a component of owner's self-identification, testify to their aesthetic preferences and cultural level, demonstrate the

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Savchenko, Hanna. "Combinatorics as a constant principle of I. Stravinsky’s orchestral writing." Aspects of Historical Musicology 21, no. 21 (March 10, 2020): 180–93. http://dx.doi.org/10.34064/khnum2-21.12.

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Background. I.Stravinsky’s orchestration is quite an original phenomenon; its essential characteristics are influenced not only by objective intra-musical factors (reconfiguration of musical language on the verge of XIX–XX centuries) or by subjective individual and stylistic determinants, but also by the changes, which occurred in the cultural context of the first half of XX century under influence of scientific and technical progress (Arkadev, 1992; Gerasimova-Persidskaya, 2012). The first two decades of XX century became the time, when the new generation of composers emerged, who reflected c

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Chystiakova, Katerina. "Dramaturgical function of the orchestra in song cycle by Hector Berlioz – Théophile Gautier “Summer Nights”." Aspects of Historical Musicology 16, no. 16 (September 15, 2019): 190–206. http://dx.doi.org/10.34064/khnum2-16.11.

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Background. In recent scholar resources musicologists actively study the problem of typology of chamber song cycle. The article cites analytical observations of M. Kolotylenko on works in this genre by R. Strauss (2014), of I. Leopa – on G. Mahler’s (2017), of N. Vlasova – on A. Schoenberg’s (2007). It is stated, that unlike Austro-German phenomena of this kind have been studied to a certain degree, song cycle “Summer Nights” by H. Berlioz hasn’t received adequate research yet, although it is mentioned by N. Vlasova as on of the foremost experiences of this kind. It allows to regard the French

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Alonso Sanz, Mª Amparo. "Desvelando invisibilidades en el ámbito de la cognición situada. La formación inicial del profesorado en Educación Artística." REVISTA IBERO-AMERICANA DE PESQUISA EM EDUCAÇÃO, CULTURA E ARTES, September 30, 2012, 57–70. http://dx.doi.org/10.24981/16470508.3.7.

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This research aims to contribute to the improvement of initial teacher training in Art Education. For this purpose Arts-Based Educational Research methodology is used to unveil invisibilities that occur in the field of situated cognition. We will approach to three main themes that are developed in the university classrooms by using photography and also by using text fragments associated with pictures. Those themes are: artistic activities, interpersonal relationships, situations and environments.

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Mena de Torres, Jaime. "La fotografía artística como referente en la visualización del espacio escolar." REVISTA IBERO-AMERICANA DE PESQUISA EM EDUCAÇÃO, CULTURA E ARTES, September 30, 2012, 91–106. http://dx.doi.org/10.24981/16470508.3.10.

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In this paper artistic photography will be presented as a methodological approach to the visual concept of education mainly in two ways: first, we propose photography as an aesthetic value in documentary information within image-based educational research; second, through a visual essay, we will propose different visual compositions about four key issues for the construction of the visual school concept. Artists interested in photography have approached the school and education creating an extensive visual archive since the late 19th century. Beyond the documentary value of these images, we hy

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Ханда, Ом Чанд. "Reviewing Buddhist Ecclesiastic Art." Искусство Евразии, no. 4(15) (December 27, 2019). http://dx.doi.org/10.25712/astu.2518-7767.2019.04.015.

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В статье анализируется буддийское изобразительное искусство. Подчеркивается специфика тибетского буддизма в сравнении с исходным индийским вариантом буддийского вероучения, что наложило отпечаток как на тематику произведений, так и на художественное воплощение основных идей и мотивов. Приводится классификация пантеистической вселенной ваджраянского буддизма, детально анализируется символика, которая образует основу буддийского искусства (символика цвета, жестов-мудр и т.д.), а также принципы иконологии. Делается вывод о том, что для адекватной оценки этого искусства важно понять его интеллекту

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Бороноева, Т. А. "Painting and sculpture by Bato Dashitsyrenov: the unity of national and general cultural images." Искусство Евразии, no. 4(15) (December 27, 2019). http://dx.doi.org/10.25712/astu.2518-7767.2019.04.024.

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Статья посвящена творчеству современного бурятского живописца, скульптора, сценографа Бато Дашицыренова, выставка работ которого состоялась в 2019 году в Художественном музее им. Ц. Сампилова (Улан-Удэ). Произведения художника были представлены на многочисленных выставках России, Франции, США, Нидерландов. Автор ставит целью исследования определить соотношение национальных и общекультурных смыслов в творческом наследии Бато Дашицыренова. Для этого в живописи, графике и скульптуре мастера отмечены образы, мотивы, сюжеты, укорененные в национальной культуре, традициях, обычаях монгольских народо

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Brien, Donna Lee. "Disclosure in Biographically-Based Fiction: The Challenges of Writing Narratives Based on True Life Stories." M/C Journal 12, no. 5 (December 13, 2009). http://dx.doi.org/10.5204/mcj.186.

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As the distinction between disclosure-fuelled celebrity and lasting fame becomes difficult to discern, the “based on a true story” label has gained a particular traction among readers and viewers. This is despite much public approbation and private angst sometimes resulting from such disclosure as “little in the law or in society protects people from the consequences of others’ revelations about them” (Smith 537). Even fiction writers can stray into difficult ethical and artistic territory when they disclose the private facts of real lives—that is, recognisably biographical information—in thei

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Synenko, Joshua. "Topography and Frontier: Gibellina's City of Art." M/C Journal 19, no. 3 (June 22, 2016). http://dx.doi.org/10.5204/mcj.1095.

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Cities have long been important sites of collective memory. In this paper, I highlight the ritual and memorial functions of cities by focusing on Gibellina, a Sicilian town destroyed by earthquake, and the subsequent struggle among its community to articulate a sense of spatial belonging with its remains. By examining the productive relationships between art, landscape and collective memory, I consider how memorial objects in Gibellina have become integral to the reimagining of place, and, in some cases, to forgetting. To address the relationship between memorial objects and the articulation o

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Holmes, Ashley M. "Cohesion, Adhesion and Incoherence: Magazine Production with a Flickr Special Interest Group." M/C Journal 13, no. 1 (March 22, 2010). http://dx.doi.org/10.5204/mcj.210.

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This paper provides embedded, reflective practice-based insight arising from my experience collaborating to produce online and print-on-demand editions of a magazine showcasing the photography of members of haphazart! Contemporary Abstracts group (hereafter referred to as haphazart!). The group’s online visual, textual and activity-based practices via the photo sharing social networking site Flickr are portrayed as achieving cohesive visual identity. Stylistic analysis of pictures in support of this claim is not attempted. Rather negotiation, that Elliot has previously described in M/C Journal

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Lawrence, Robert. "Locate, Combine, Contradict, Iterate: Serial Strategies for PostInternet Art." M/C Journal 21, no. 1 (March 14, 2018). http://dx.doi.org/10.5204/mcj.1374.

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We (I, Robert Lawrence and, in a rare display of unity, all my online avatars and agents)hereby render and proclaim thisMANIFESTO OF PIECES AND BITS IN SERVICE OF CONTRADICTIONAL AESTHETICSWe start with the simple premise that art has the job of telling us who we are, and that through the modern age doing this job while KEEPING UP with accelerating cultural change has necessitated the invention of something we might call the avant-garde. Along the way there has been an on-again-off-again affair between said avant-garde and technology. We are now in a new phase of the new and the technology und

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