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Relevant bibliographies by topics / Photography, Artistic / Dissertations / Theses

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Dissertations / Theses on the topic 'Photography, Artistic'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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Consult the top 50 dissertations / theses for your research on the topic 'Photography, Artistic.'

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1

Curtin, Tansy. "Contemporary German photography and American realism : is colour the only link? /." Title page, table of contents and abstract only, 2004. http://web4.library.adelaide.edu.au/theses/09ARAHM/09arahmc9782.pdf.

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2

Oscar, Sara. "Into this wild abyss learning through fabricated photographs /." Connect to full text, 2007. http://hdl.handle.net/2123/3965.

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Thesis (Ph. D.)--University of Sydney, 2007.<br>"Photomedia"--T.p. Title from title screen (viewed February 18, 2007) Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy (Visual Arts) to the Sydney College of the Arts. Includes bibliography. Also available in print form.

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3

Mthethwa, Zwelethu. ""Personal" constructs /." Online version of thesis, 1988. http://hdl.handle.net/1850/11638.

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4

Lai, Kin-keung Edwin. "Hong Kong art photography : from its beginnings to the Japanese invasion of December 1941 /." Hong Kong : University of Hong Kong, 1996. http://sunzi.lib.hku.hk/hkuto/record.jsp?B17593864.

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5

Ai, Linda Ho-Yun. "Identity / the deployment of apple light in considering identity in contemporary portrait photography : this thesis is submitted to the Auckland University of Technology in partial fulfilment of the degree of Master of Arts (Art and Design), 2004." Full thesis. Abstract, 2004.

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6

Turner, Allen Julie. "Touching a sensibility a photographic exploration of haptic experience." Click here to access this resource online, 2007. http://repositoryaut.lconz.ac.nz/theses/1407/.

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7

Lai, Kin-keung Edwin, and 黎健強. "Hong Kong art photography : from its beginnings to the Japanese invasion of December 1941." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hdl.handle.net/10722/210323.

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8

Hudson, Giles. "The feminization of photography and the conquest of colour : Sarah Angelina Acland, photographer." Thesis, University of Oxford, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.711651.

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9

Gregory, Ronald Joseph. "Test target display : an M.F.A. photography portfolio as applied to optical laser disc /." Online version of thesis, 1987. http://hdl.handle.net/1850/10314.

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10

Scheffknecht, Sandra Art College of Fine Arts UNSW. "Doubledeath--the very presence of the absent." Awarded by:University of New South Wales. Art, 2007. http://handle.unsw.edu.au/1959.4/43304.

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The notion of doubledeath, as an idea to generate work, can be seen as both an ironic reflection on the medium of photography and a critical attempt to comment on contemporary culture. In short, the inherent characteristics of the photographic medium and its function within society are combined. Photography embodies both death and the beginning of something autonomous and new in the very moment of the picture-taking process. A photograph is a mere simulation of what was once there, in front of the lens, transformed onto photographic paper. It then opens up a whole range of new possibilities t

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11

Beyer, Deborah Z. "Time puzzle /." Online version of thesis, 1990. http://hdl.handle.net/1850/11332.

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12

Moon, Jen. "Cul de sac /." Online version of thesis, 2007. http://hdl.handle.net/1850/4392.

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13

Lau, Sin-tung Ellen, and 劉倩彤. "Ethics of seeing: when life meets death in Annie Leibovitz's photography." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B46724266.

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14

Morris, Frank William. "Parallax (memory as a torn page)." Virtual Press, 1985. http://liblink.bsu.edu/uhtbin/catkey/491451.

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The purpose of this creative project was to explore the possibilities of words and photographic images in expressing mood. The particular mood that was to be expressed came from the observation of small rituals. These small rituals are an avenue that humans tend to derive meaning and continuity. Beyond this, the use of the Platinum/ Palladium photographic process as an expressive tool was examined.

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15

Motlow, Elizabeth Handley. "Pages from my library /." Online version of thesis, 1985. http://hdl.handle.net/1850/8754.

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16

Ansaldo, Umberto. "Comparative construction in sinitic areal typology and pattern of grammaticalization /." Online version, 1999. http://bibpurl.oclc.org/web/26025.

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17

Super, Andrew. "The experience of grey /." Online version of thesis, 2009. http://hdl.handle.net/1850/10917.

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18

Grinols, Susan. "Mind states /." Online version of thesis, 1990. http://hdl.handle.net/1850/11308.

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19

Blazy, Diane. "Repose /." Online version of thesis, 1990. http://hdl.handle.net/1850/11320.

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20

Carter, Peter Ainsworth. "Photographic work 1986-87 /." Online version of thesis, 1988. http://hdl.handle.net/1850/11499.

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21

Sava, Sharla. "Cinematic photography, theatricality, spectacle : the art of Jeff Wall /." Burnaby B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/3632.

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22

Medeiros, Maria Margarida Abreu de Figueiredo. "Fotografia e auto-representação-identidade e imagens do corpo na obra de Cindy Sherman." Master's thesis, Instituições portuguesas -- UNL-Universidade Nova de Lisboa -- FCSH-Faculdade de Ciências Sociais e Humanas -- -Departamento de Ciências da Comunicação, 1997. http://dited.bn.pt:80/29931.

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23

Cohen, Hagit. "Hovering at a low altitude /." Online version of thesis, 1990. http://hdl.handle.net/1850/10903.

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24

Jakubowski, Philip. "Masters thesis /." Online version of thesis, 1992. http://hdl.handle.net/1850/11152.

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25

Jeong, Eun Young. "The early photographic work of Eugène Atget : 1892-1902." Diss., Connect to online resource - MSU authorized users, 2006.

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26

Maree, Christine Fae. "That-has-been a discussion on the body cast as that which fixes a subject in time, in relation to notions surrounding the photograph." Thesis, Rhodes University, 2008. http://hdl.handle.net/10962/d1002208.

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Much like a photograph, a casts creates a replica of its referent, thereby immobilising the subject in time. While the subject continues in time and hence ages and inevitably dies the replica does not. With this basic notion of fixing a subject, I have built an argument to contextualise my sculptures, which are made using casts of elderly people. In this discussion I have looked at my works through the ideas of different theorists. The main theorist I have cited is Roland Barthes, specifically with regards to his notion of the photograph as discussed in his book Camera Lucida. I have also refe

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27

Schnarr, Christopher E. "Moments between the surface : photography and fiction." Virtual Press, 1995. http://liblink.bsu.edu/uhtbin/catkey/935913.

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Architecture exists as shelter, separating space into the inside and the outside. This separation is a crucial point in our experience of architecture. This separation is the first moment of physical interaction with the construct in our penetration of the construct. However, architecture is not only a physical language. It is nonphysical, in that architecture is defined as the art and science of building, etc. This separation, internally, both produces the architecture as well as the ideas that are produced from the architecture. Architecture is held in-between, the movement or passage from o

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28

Minks, Marlin. "Strips /." Online version of thesis, 1985. http://hdl.handle.net/1850/10111.

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29

Druet, Lucile. "KUMONEKOTABI L'art de la relation, la relation comme oeuvre d'art : Japon, emprunts, possibles et nuances comme dispositifs formels pour une figure photographique entre paysage, animal et détour. Passages." Thesis, Saint-Etienne, 2014. http://www.theses.fr/2014STET2202.

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Réfléchir les images pour réfléchir le monde. Entre unité, éclats et nuances, Kumonekotabi est un travail de recherche fonctionnant à la fois sur des images et des écritures qui sont comme autant d’espaces où une figure photographique entretient une relation à la fois simple et pourtant liée avec le Japon. Construites sur des modalités comme le plié, l’encadré, le sériel, les images construisent une logique bricolée mais également performative qui expose le corps capté dans sa relation avec le Japon, ses rêves et ses ancrages. Le travail d’écriture est une analyse de ces mêmes images, mettant

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30

Losee, Christopher. "Mythography /." Online version of thesis, 1986. http://hdl.handle.net/1850/10300.

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31

Dinucci, Gina [UNESP]. "O cinza e a carne: imagens do Conjunto Habitacional Zezinho Magalhães Prado." Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/86895.

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Made available in DSpace on 2014-06-11T19:22:27Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-06-29Bitstream added on 2014-06-13T19:25:55Z : No. of bitstreams: 1 dinucci_g_me_ia.pdf: 1475358 bytes, checksum: 15bb7c47d97a3ab5009e2b53476a907e (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>Universidade Estadual Paulista (UNESP)<br>Esta pesquisa tem como objetivo a apresentação, investigação e leitura da série de fotografias intitulada O Cinza e a Carne, bem como o diálogo entre as referidas imagens e reflexões sobre as capacidades documentais e artístic

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32

Varjabedian, Craig. "The kingdom, the power, and the glory /." Online version of thesis, 1988. http://hdl.handle.net/1850/10423.

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33

Phillips, Michael. "The family album : an extended portrait /." Online version of thesis, 1987. http://hdl.handle.net/1850/8851.

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34

Silva, Vitor Carvalho 1970. "Fotografia devolutiva." [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285207.

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Orientador: Mauricius Martins Farina<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-26T16:25:57Z (GMT). No. of bitstreams: 1 Silva_VitorCarvalho_M.pdf: 8416535 bytes, checksum: 789dd9936bc383cf3804246a1759268c (MD5) Previous issue date: 2014<br>Resumo: Esta dissertação apresenta o desenvolvimento de um processo criativo autoral. A Fotografia Devolutiva. Um conjunto de ações transgressoras, trabalhando com os paradigmas da fotografia atual, o real e o manipulado. Provocar a dúvida visual, com um sistema descoberto ao ac

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35

Van, Hoy Paul D. "Bystander /." Online version of thesis, 2008. http://hdl.handle.net/1850/6242.

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36

Breger, Alexander J. "Sub-Urbana /." Online version of thesis, 2008. http://hdl.handle.net/1850/7794.

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37

Edwards, Portia. "Mixing media : Cubist painterly practice in Paul Strand's photography (1915-1917)." Connect to resource, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1195168682.

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38

Wood, Susan M. "Seeing into the mirror the reality of fiction in the work of Carrie Mae Weems /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/4900.

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Thesis (M.A.)--University of Missouri-Columbia, 2007.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on November 6, 2007) Includes bibliographical references.

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39

Fuller, David 1960. "The significance of the photographic message." Thesis, The University of Arizona, 1989. http://hdl.handle.net/10150/277233.

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Photographic realism is an effective framework for communicating meaning. In other words, the purpose is to convey an idea--not, for example, to depict a landscape. Misuse of photographic images may arise from a photographer's deliberate attempt to imbue an image with the meaning he or she desires. Thus, we might question photography's objective nature, although this should not be confused with realism. The latter refers to the imitative or representational quality of the subject, the former refers to scientific validity or truth. The issue of objectivity suggests useful concepts for art educa

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40

Stokes, Agnes. "Wire water wood /." Online version of thesis, 1987. http://hdl.handle.net/1850/11466.

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41

Gibney, David Clark. "Thesis report of David Clark Gibney." Online version of thesis, 1989. http://hdl.handle.net/1850/11512.

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42

Rose, Kathleen A. "Environment "atmosphere" /." Online version of thesis, 1989. http://hdl.handle.net/1850/11084.

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43

Lima, Michael Robert Alves De. "Voyage to another city /." Online version of thesis, 1987. http://hdl.handle.net/1850/10421.

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44

McClary, William Michael. "Pictures of pictures and marks /." Online version of thesis, 1991. http://hdl.handle.net/1850/11637.

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45

Toalson, Chris. "True west /." Online version of thesis, 2009. http://hdl.handle.net/1850/11619.

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46

Lenzini, Vanessa Sobrino. "Noções de moderno no Foto-Cine Clube Bandeirante : fotografia em São Paulo : (1948-1951)." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/282034.

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Orientador: Iara Lis Franco Schiavinatto<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas<br>Made available in DSpace on 2018-08-10T11:05:26Z (GMT). No. of bitstreams: 1 Lenzini_VanessaSobrino_M.pdf: 21020362 bytes, checksum: 09ef2c71241d6ab90f34e88ea198be1c (MD5) Previous issue date: 2008<br>Resumo: O presente estudo apresenta uma coletânea de artigos sobre fotografia, publicados entre 1948-1951 no Boletim do Foto-Cine Clube Bandeirante (FCCB), fundado em 1939, em São Paulo. Esses artigos trazem um debate sobre a fotografia enquanto re

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47

Spenny, Anne M. "Portrait of a young woman /." Online version of thesis, 1989. http://hdl.handle.net/1850/11529.

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48

Nevin, Daniel. "Photography and the paradigm of the trace." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2013. https://ro.ecu.edu.au/theses/571.

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The idea that photographs can be explained as traces made by the things they depict has been a recurring paradigm in theories about the nature of the photographic medium. Walter Benjamin, Charles Sanders Peirce, Susan Sontag, Andre Bazin and Roland Barthes are a few of the many theorists who have used the paradigm of the trace to explain the nature of photographs. The paradigm can also be argued to have been a significant influence in the work of prominent artists such as Gerhard Richter, Adam Fuss and Cornelia Parker whose work has explored the photographic medium. Through an exegesis and acc

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49

Smith, Olga. "Between reality and fiction : the art of French photography since the 1970s." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610275.

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50

Petranek, Stefan. "Formulations /." Online version of thesis, 2007. http://hdl.handle.net/1850/6173.

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