Academic literature on the topic 'Photography blog'
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Journal articles on the topic "Photography blog"
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Kukielko-Rogozinska, Kalina. "Twelve Insights into the Afghanistan War through the Photographs from the Basetrack Project: Rita Leistner’s iProbes and Marshall McLuhan’s Theory of Media." Arts 10, no. 2 (April 22, 2021): 27. http://dx.doi.org/10.3390/arts10020027.
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This article presents the iProbe concept developed by the Canadian photographer Rita Leistner. This analytical tool is one of the ways to present the image of modern warfare that emerges from messages in social media and photographs taken using smartphones. Utilized to understand the approach are photographs Leistner took at the American military base in Musa Qala (Helmand province, Afghanistan) during the implementation of the “Basetrack” media project in 2011. The theoretical basis for this study is Marshall McLuhan’s media theory, which was used by the photographer to interpret her works from Afghanistan. Leistner is the first to apply the various concepts shaped by McLuhan in the second half of 20th century, such as “probe”, “extension of man”, and the “figure/ground” dichotomy, to analyze war photography. Her blog and book entitled Looking for Marshall McLuhan in Afghanistan shows the potential of using McLuhan’s concepts to interpret the image of modern warfare presented in the contemporary media. The application of McLuhan’s theory to this type of photographic analysis provides the opportunity to focus on the technological dimension of modern war and to look at warfare from a technical perspective such as what devices and communication solutions are used to solve armed conflicts as efficiently and bloodlessly as possible. Therefore, this article briefly presents twelve iProbes that Leistner created based on her experiences from working in Afghanistan concerning photography, military equipment, interpersonal relations, and various types of communication.
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Grama, Vasile, and Andrei Iacovlev. "GEODESY, CARTOGRAPHY AND AERIAL PHOTOGRAPHY." GEODESY, CARTOGRAPHY AND AERIAL PHOTOGRAPHY 92,2020, no. 92 (December 24, 2020): 37–44. http://dx.doi.org/10.23939/istcgcap2020.92.037.
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Abstract. The goal of this research is the assessing of the current conditions of water protection strips in their role as an effective buffer that prevents water bodies from deteriorating due to soil erosion and pollution. In base of this study the action plan is developing to improve the conditions of the water protection strips for the lakes. The approach focused on the idea of an empirical study (based on observations and field measurements) on the environmental quality. Is proposed an integral analysis of the territory of the protection strips, the processes and phenomena taking place within them, in order to obtain a clear picture of the state of the environment. In the scope to administrate, and to assure the visualization and transparency of this study the project blog on the "blogspot.com" platform was created with properly configured geographic interest patterns. Cartographic data were published on Google Maps and integrated in blog. Thus, by accessing the blog, the views of the lake, the points of interest, with the necessary attributes is accessing with the possibility for the spatial analyses. The preliminary results show the positive effects and high interest of the stakeholders concerning of WebGIS technology for the assessment of environmental conditions of water protection strips along the Costesti- Stinca reservoirs. Scientific novelty consists in the optimal combination of the blogspot application on the google maps by integration of spatial data with different software (QGIS, Mapinfo, ArcGIS) and geospatial database - PostGIS. Easy to publish, to visualization and monitoring. The practical significance is expressed by objective reflection of a type of activity that takes place in space, including environmental phenomena, vizualisation and monitoring of them.
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Zambenedetti, Alberto. "Emplacing Time: Photography, Location, and the Cinematic Pilgrimage." Space and Culture 23, no. 4 (October 15, 2018): 548–60. http://dx.doi.org/10.1177/1206331218805381.
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Cinema, arguably the time-based medium most synonymous with modernity, is also an art form of place: cinema records place in time and, in the best circumstances, stores it through time. If, as Michel de Certeau remarked, “space is a practiced place,” then cinema is the memory of that practice; it is the archive of that transformation. Cinema, in other words, “emplaces time.” Moreover, because of its physical properties, film is also an archival object whose very existence is challenged by the passing of time. In recent years, the ways in which cinema emplaces time have become the subject of a dual contemplation on the part of a generation of photographers whose projects re-photograph cinema’s loci, from movie palaces to film locations. This article investigates the relationship between film the work of three “cinematic pilgrims”: British artist Michael Lightborne, whose 2012 installation Interval (After Intervals) included photographs of the locations for Peter Greenaway’s 1969 short film Intervals alongside the original film; Christopher Moloney’s ongoing project FILMography, in which the Canadian photographer travels the world bringing printed reproductions of film stills to the sites where they were originally shot and then re-photographs them in situ; and the travel blog Fangirl Quest by the Finnish Tiia Öhman and Satu Walden, a photographer and a travel expert, respectively, who re-photograph a location while displaying the related movie scene on a tablet practice (a practice they call “sceneframing”). These projects underscore cinema’s innate relationship with place, while they also highlight the changes that occurred in the time that intervened since production, revealing the instability of the filmic object as one of time as well as in time.
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Ramos, Júlia Capovilla Luz. "O RETORNO DA AUTORIA E UMA NOVA CONSCIÊNCIA DOCUMENTAL NO FOTOJORNALISMO CONTEMPORÂNEO." Revista Observatório 4, no. 1 (January 1, 2018): 349. http://dx.doi.org/10.20873/uft.2447-4266.2018v4n1p349.
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Os fotojornalistas têm vivenciado mudanças na prática e na produção fotográfica desde a adesão das tecnologias digitais pelas empresas jornalísticas. O que para muitos profissionais da imagem representou uma crise sem precedentes, para outros se configura como a possibilidade de explorar temáticas e estéticas não comumente usadas nas coberturas diárias dos impressos. Neste sentido, os blogs de fotografia dos jornais de maior circulação do Brasil aparecem como lugares outros para publicação e circulação desse material imagético originalmente produzido para atender as demandas da produção noticiosa diária. Ao romperem com a suposta objetividade da fotografia, os fotojornalistas que contribuem com estes blogs apontam para a necessidade de incluir a poética em suas produções, provocando um movimento de “retorno da autoria” (FOUCAULT, 2001) e uma “nova consciência documental” (FONTCUBERTA, 2007).
PALAVRAS-CHAVE: Blog de fotografia; Fotojornalismo; Autoria.
ABSTRACT
Photojournalists have experienced changes in the practice and photographic production since the adhesion of digital technologies by journalistic companies. What for many professionals of the image represented an unprecedented crisis, for others it is configured as the possibility to explore thematic and aesthetics not commonly used in the daily coverages of the printed matter. In this sense, blogs of photography of the newspapers of greater circulation of Brazil appear like other places for publication and circulation of imagery material originally produced to meet the demands of the daily news production. Photojournalists who contribute to these blogs point to the need to include poetics in their productions, provoking a "return of authorship" movement (FOUCAULT, 2001) and a "new documentary awareness" (FONTCUBERTA, 2007).
KEYWORDS: Photography blog; photojournalism; authorship.
RESUMEN
Los reporteros gráficos han experimentado cambios en la práctica y la producción fotográfica desde la llegada de las tecnologías digitales por las compañías de periódicos. Lo que para muchos profesionales de la imagen ha representado una crisis sin precedentes para el otro está configurado como una oportunidad de explorar temática y estética no se utiliza comúnmente en la cobertura diaria de impresión. En este sentido, los blogs de fotos de los principales periódicos de Brasil aparecen como otros lugares para la publicación y difusión de estas imágenes producidas originalmente para satisfacer las demandas de producción de noticias al día. Para romper con la supuesta objetividad de la fotografía, los reporteros gráficos que contribuyen con estos blogs apuntan a la necesidad de incluir la poética en su producción, provocando un movimiento de "regreso de la autoría" (FOUCAULT, 2001) y una "nueva conciencia documental" (FONTCUBERTA, 2007).
PALABRAS CLAVE: Blog de fotografía; fotoperiodismo; autoría.
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Siregar, Rachmi Kurnia, and Liza Dwi Ratna Dewi. "ENTERTAINMENT OBJECTIVE TRUSTED CITIZEN JOURNALISM TRAINING FOR YOUTH GROUPS IN SOUTH JAKARTA, JAKARTA CAPITAL CITY." ICCD 1, no. 1 (December 12, 2018): 228–35. http://dx.doi.org/10.33068/iccd.vol1.iss1.35.
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Youth Groups Activities of Pesanggrahan village and Kebayoran Lama village, South Jakarta rarely published the mass media. These youth groups crave their activities can be informed to public as their self-actualization. Likewise, people wanted to know their activity. This community service activity aimed to inflame their spirit to share information of issues and problems in the local level around them. Hopefully this can preventing the youths drowned to negatives activities. This training divided into three steps: First, delivering basic journalism, news and article writing technique, journalism photography, online journalism; Second, field practice of citizen journalism thereby this youth groups members can be citizen journalist beside news consumers; Third, to published their work in mass media and social blog. Output of this social partnership program are: First, to publish these youth groups activities in mass media and social blog; Second, youth of these groups have ability to make journalism work starting from news and features which supported with journalist photography to publish in social blog and mass media. Conclusion: These Youth Groups need sustainable assistance, monitoring and evaluation so that their journalism work to be able to published in social blog and mass media continuously. These partners also need idea development to stimulating their creativities in domain of citizen journalism.
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Savisaar, Remo. "Animal behaviour // Comportamiento animal." Ecozon@: European Journal of Literature, Culture and Environment 6, no. 1 (March 9, 2015): 170–74. http://dx.doi.org/10.37536/ecozona.2015.6.1.646.
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Nature photography has many different categories: there’s no easy or hard one. One might think that taking photos of animals is harder than, for example, doing landscape photography. But all the best photography goes beyond mere documentation to overlay the moment with the artistic vision of the photographer. In the end, knowledge of subject, field craft, approach, patience (a lot of patience), composition and technical ability with the camera are all that matters. We nature photographers search for special moments which sometimes last only for brief seconds. These can be rarely seen moments of light on the landscape, the interesting behaviour of an animal or just the beauty of simplicity. Not every place or moment offers a perfect photographic opportunity. We have to keep on looking, searching, studying. And when the right moment occurs we have to be prepared for it, which means pretty often we have THAT picture in our mind long before we finally see it happen. From over ten years in wildlife photography I have found some fields to be my favourites. Animal behaviour is one of those which offer me most satisfaction. All the following pictures you see here can be placed in that category. More of my work can be seen in my daily blog (blog.moment.ee). Resumen La fotografía de la naturaleza se divide en muchas categorías, no existe ni una fácil ni una difícil. Uno puede pensar que hacer fotos de animales es más difícil que, por ejemplo, hacer fotografía del paisaje. Pero la mejor fotografía va más allá de la mera documentación hasta recubrir el momento con la visión artística del fotógrafo. Al final, el conocimiento del tema, la destreza, el enfoque, la paciencia (mucha paciencia), la composición y la habilidad técnica con la cámara son todo lo que importa. Los fotógrafos de la naturaleza buscamos momentos especiales que a veces sólo duran unos segundos. Estos momentos pueden ser instantes de luz en el paisaje raramente vistos, el comportamiento interesante de un animal o simplemente la belleza de la simplicidad. No todos los lugares o los momentos ofrecen una oportunidad fotográfica perfecta. Tenemos que seguir mirando, buscando, estudiando. Y cuando el momento adecuado ocurre tenemos que estar preparados, lo que significa que a menudo tenemos ESA imagen en nuestra mente mucho antes de que la veamos ocurrir. En cerca de diez años de fotografía de la vida salvaje he encontrado algunos campos que se han convertido en mis favoritos, dentro de los que se enmarcan las fotografías que pueden verse en esta revista. Puede verse más de mi trabajo en mi blog (blog.moment.ee).
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Adhitya, Galant Nanta, and Novi Wulandari. "Colonial Remains in Indonesian Fashion Blogipelago." Journal of Language and Literature 20, no. 2 (October 5, 2020): 181. http://dx.doi.org/10.24071/joll.v20i2.2611.
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<p><em>This article aims to expose the colonial remains in Indonesian fashion blogipelago. It analyzes five Indonesian fashion bloggers: Anaz Siantar’s Brown Platform, Claradevi Handriatmaja’s Luce Dale, as well as Olivia Lazuardy’s, Ayla Dimitri’s and Sonia Eryka’s eponymous blogs. Since fashion blog exists in the interconnected cyberspace, this article is conducted under the scope of Transnational American Studies, approached with postcolonial theory. It then uses descriptive qualitative method in interpreting data gained from the aforementioned data, as well as the secondary ones. The finding comprises that the colonial remains are thus vividly apparent through the use of fashion blog formula by writing in English, wearing seasonal fashion, and shooting street photography abroad. This set of formulae helps Indonesian fashion bloggers to win the audience over. Therefore, the colonial remains in Indonesian fashion blogipelago are equally internalized both by the bloggers and the audience. </em></p>
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Huerta, Ricard, and Ricardo Domínguez. "Las TIC en la formación de docentes de la especialidad de dibujo. La propuesta "aula infinita" para el nuevo master universitario de profesorado en Educación Secundaria." Edutec. Revista Electrónica de Tecnología Educativa, no. 36 (June 20, 2011): a163. http://dx.doi.org/10.21556/edutec.2011.36.399.
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El presente artículo analiza la influencia que tienen las TIC entre los estudiantes del nuevo Master Universitario en Profesor/a de Educación Secundaria. Hemos indagado en la imagen que los estudiantes generan sobre ellos y sobre su papel como educadores. Utilizamos la fotografía y del blog como instrumentos para publicar y comentar las imágenes realizadas por el alumnado en un ambiente de aprendizaje colaborativo que propicia el uso educativo del web.2.0. Aplicamos la metodología cualitativa de los estudios de caso, útiles en el campo de la cultura visual y las pedagogías culturales.ICT uses in drawing secondary school training teachers. The project "infinite classroom" for a new university master in secondary school teachersAbstractThis article introduces certain identity aspects of the students in the Training Teacher Master for Secondary School. We have centred the work on the groups of Visual Arts speciality, searching the image that the future teachers generate on them and on his paper as educators. We focuses in the influence from the ICT in this sector. Students use the photography and the blog as instruments for the publication and comment their images and works. This practice introduces the new environments of collaborative learning that propitiates the educational use of web.2. We have used a qualitative methodology from the case studies, the recent researches on studies in cultural pedagogies.
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Ijuin, Takayuki. "Michelangelo Antonioni’s Blow-Up as Abstract Art Theory." AM Journal of Art and Media Studies, no. 19 (September 15, 2019): 59. http://dx.doi.org/10.25038/am.v0i19.307.
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As is well known, Blow-Up (1966) directed by Michelangelo Antonioni is based on Julio Cortázar’s short story; “Las babas del diablo” (1959). In literary terms, it is very difficult to find similarities between both works, except in their outlines. Many critics, therefore, thought Blow-Up was Antonioni’s own film with no special connection with “Las babas del diablo”. But we should focus on the common outlines of the two. Both deal with ‘vision’. The change of seeing through a viewfinder to seeing through a photographic print gives the protagonists a daydream-like experience.Cortázar was not only a writer but also an amateur photographer, and Antonioni a film director. If both auteurs reveal their interest in ‘vison’ in their works, we can say that Antonioni follows Cortázar regarding this theme and further develops it through his use of abstract paintings. Antonioni was concerned with differences between the vision of the naked eye and photographic vision, and with similarities between the photographic vision and abstract painting. So, what is Antonioni’s understanding of vision?I think there is a key to resolve this question in Blow-Up itself. One can focus on not only the change of the protagonist’s behavior in following the story’s development, but also on photographs, abstract paintings, and landscape paintings that appear in the film. Then we would find the possibility that Antonioni thinks photographs and pointillist paintings are based on the same principle; the retinal mesh-like structure. Article received: April 10, 2019; Article accepted: June 5, 2019; Published online: September 15, 2019; Original scholarly paperHow to cite this article: Ijuin, Takayuki. "Michelangelo Antonioni’s Blow-Up as Abstract Art Theory." Art and Media Studies 19 (2019): 59-68. doi: 10.25038/am.v0i19.307
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Coleman, Lucinda. "Performing Water: Site-specific dance-making as liquid art." Choreographic Practices 11, no. 1 (July 1, 2020): 101–22. http://dx.doi.org/10.1386/chor_00014_1.
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The Remnant Dance Project, Culaccini, developed site-specific dance movement in response to the waters of the Taleggio Valley, Italy, during the Nature, Art and Habitat Residency (NAHR) (2018). The intention was to respond to the Enna River system through documenting dance movement made in the region via film, photography and reflective writing. The practice-led research process was shared on the daily blog, ‘The drop of the day’. At the close of the NAHR, a short dance film, Performing Water, was made to further interrogate the nature of site-specific dance-making in water and the notion of what constitutes ‘site-dance’ in this context. In our journey of water-dance discovery, unique marks have remained on each other, the site and on things we have made, like the traces of a water vessel: culaccini. The dance made for the project was immersive and focused, constructed to invite interpretation through the use of symbolism and imagery. Progetto Culaccini sviluppa un movimento di danza site-specific in risposta alle acque dei torrenti della Val Taleggio, Italia (2018). L’intenzione è quella di rispondere al sistema del torrente Enna documentando il movimento di danza fatto sul luogo attraverso film, fotografia e scrittura riflessiva. Questo processo di ricerca guidato dalla pratica venne condiviso quotidianamente sul blog: La goccia del giorno. Al termine della residenza Natura, Arte e Habitat, la produzione di un cortometraggio di danza ha permesso l’analisi e approfondimento della danza site-specific in acqua e la nozione di ciò che costituisce la ‘danza’ in questo contesto. Nel nostro viaggio di scoperta della danza nell’acqua, segni unici rimangono impressi uno sull’altro, il luogo e le cose che abbiamo fatto, come le tracce di un vessello d’acqua: i culaccini. La danza fatta in questo contesto è stata immersiva e focalizzata; costruita per invitare l’interpretazione attraverso l’uso di simbolismo e immagini.
Dissertations / Theses on the topic "Photography blog"
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Blache-Comte, Kristell. "Le blog de mode comme médiateur transculturel - Paris, New York, Tokyo. : questionnement d’une anthropologie sans nom." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH126/document.
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Cette recherche menée en anthropologie, questionne le monde global au travers de l'étude des blogs de mode issus de Paris, New York et Tokyo.En tant que support de l’Internet qui permet de se raconter au travers de la mode, le blog de mode est à la fois expression personnelle et partage à l’autre, il donne ainsi à voir la construction d’une image de soi sous-tendue par des processus mimétique et de distinction. L’établissement du soi au travers du blog de mode est une porte d’entrée privilégiée pour pouvoir étudier au travers de celui-ci et à partir des motivations à pratiquer le blog, le rapport qu’entretient une bloggeuse à elle-même mais aussi aux autres. La compréhension de la pratique du blog de mode par les bloggeuses est le premier axe de cette recherche.Le blog de mode est aussi des images. Des images spécifiques dont les mécanismes s’établissent au travers de l’Internet, des images dites, dans cette recherche, bloggées. Celles- ci posent le décor au blog mais représentent surtout la matérialisation d’un transfert d’une expérience faite de la mode préalablement vécue dans la ville de Paris, New York ou Tokyo, à une expérience de la mode enrichie, prolongée et vécue autrement sur le blog de mode. Le constat de la reconfiguration de cette expérience cristallisée dans les images bloggées, impose comme second axe de recherche à cette thèse, de comprendre la possibilité du passage de la ville au blog, et la particpation de ces deux dimensions à un paysage global. Le paysage ingoldien dans sa réalité spatiale, matérielle et temporelle, permet alors d’appréhender un processus d’incorporation du paysage de la ville à celui du blog et permet de comprendre la constitution de l’un par l’autre, dans le partage d’un réel commun.Le blog de mode enfin, porte en lui des éléments communicationnels. Dans le contexte de l’Internet, ces éléments ont la particularité de se situer dans une logique majoritairement interactionnelle. Au travers de mécanismes mettant en jeu des flux et reflux s’établissant entre les trois villes de l’étude, il est alors nécessaire de comprendre la circulation des images sur ces supports, autant au travers des actions menées par les bloggeuses que par les structures et fonctionnalités qui portent et encadrent cette action. Au travers d’une approche compréhensive du blog de mode et des mécanismes de circulation, il est alors possible d’envisager sa participation à une médiation transculturelle et plus généralement de formation d’un lien social.Tout au long de cette approche compréhensive du blog de mode, cette recherche établie sur quatre ans vise à faire ressortir des éléments d’actualisation dans la pratique du blog et dans ce qui le compose (bloggeuse, paysage, circulation). C’est sur le constat à la fois des actualisations spécifiques du blog de mode et de sa participation à un monde global dans lequel il s’insère et auquel il prend activement part, que cette recherche permet in fine de dégager plus largement les particularismes naissants d'un monde reconfiguré, qui se recompose et repense son existence à chaque instant.En prenant le blog de mode pour objet de recherche et s’inscrivant en anthropologie, cette thèse questionne en arrière plan, l’absence d’une anthropologie de la mode comme champ de recherche établi et spécifiquement nommé. Une réflexion est ainsi menée sur la nécessité d’emprunt à des champs multiples de l’anthropologie et à d’autres disciplines pour questionner l’objet mode, et laisse à penser une anthropologie de la mode comme étant encore une anthropologie sans nomThis research conducted in anthropology, questions the global world through the study of fashion blogs from Paris, New York and Tokyo. As a medium of the Internet that allows you to tell yourself through fashion, the fashion blog is both personal expression and sharing with the other, it gives to see the construction of a self-image under extended by mimetic and distinguishing processes. The establishment of the self through the fashion blog is a privileged entry point to study through it and from the motivations to practice the blog, the relationship that a blogger maintains to itself but also to others. The bloggers' understanding of blogging is the primary focus of this research. The fashion blog is also pictures. Specific images whose mechanisms are established through the Internet, images said in this research as "blogged". These set the scene for the blog but mostly represent the materialization of a transfer of an experience made of fashion previously experienced in the city of Paris, New York or Tokyo, an experience of fashion then enriched, extended and lived otherwise on the fashion blog. The observation of the reconfiguration of this experience crystallized in the images blogged, imposes as a second line of research to this thesis, to understand the possibility of the passage of the city to the blog, and the participation of these two dimensions in a global landscape. The Ingoldean landscape in its spatial reality, material and temporal, allows then to apprehend a process of incorporation of the landscape of the city to that of the blog and allows to understand the constitution of one by the other, in the sharing of a common real. Finally, the fashion blog carries with it communication elements. In the context of the Internet, these elements have the particularity of being situated in a logic that is mainly interactional. Through mechanisms involving ebb and flow between the three cities of the study, it is necessary to understand the circulation of images on these media, as much through the actions of bloggers as by the structures and features that carry and frame this action. Through a comprehensive approach of the fashion blog and circulation mechanisms, it is then possible to consider its participation in a transcultural mediation and more generally the formation of a social link. Throughout this comprehensive approach of the fashion blog, this research established over four years aims to bring out elements of actualization in the practice of the blog and in what composes it (blogger, landscape, circulation). It is on the observation of both the specific updates of the fashion blog and its participation in a global world in which it is inserted and in which it takes an active part, that this research ultimately makes it possible to identify more widely the emerging particularities of a reconfigured world, which recomposes itself and rethinks its existence at every moment. Taking the fashion blog as a research subject and registering in anthropology, this thesis questions in the background, the absence of an anthropology of fashion as an established and specifically named field of research. A reflection is thus conducted on the necessity of borrowing from multiple fields of anthropology and other disciplines to question the fashion object, and suggests an anthropology of fashion as still being a nameless anthropology
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Ramos, Júlia Capovilla Luz. "Heterotopias fotojornalísticas: os blogs de fotografia dos jornais impressos de maior circulação do Brasil como espaços de produção e reflexão dos saberes e das práticas fotojornalísticas na contemporaneidade." Universidade do Vale do Rio dos Sinos, 2017. http://www.repositorio.jesuita.org.br/handle/UNISINOS/6549.
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A partir da disponibilização dos jornais de maior circulação do Brasil na Internet, e suas posteriores reconfigurações no espaço virtual, percebemos que os blogs de fotografia de O Globo (FotoGlobo), O Estado de S. Paulo (Olhar sobre o Mundo), Zero Hora (FocoBlog), Diário Gaúcho (Diário da Foto) e Correio do Povo (FotoCorreio) despontam como lugares de comentário das práticas fotojornalísticas. Os fotojornalistas, ao postarem nesses blogs, acabam repetidas vezes, realizando monitoramentos das rotinas profissionais e mobilizando saberes mútuos e compartilhados entre seus pares; ora tentando extrair-lhes regras, ora deixando-se levar por elas. Para Foucault (1986, p.136), todas as práticas são discursivas e deixam transparecer um conjunto de regras anônimas e históricas capazes de condicionar as ações dos sujeitos ao mesmo tempo em que são recriadas por eles, num movimento contínuo de autorreflexão e monitoramento reflexivo dos diferentes atores sociais. Podemos dizer, portanto, que há um saber contido nestes blogs, que não se encontra em estado bruto, mas que se anuncia por meio de reflexões acerca do fazer fotojornalístico e que se mostra específico e localizado, praticado por fotógrafos atuantes na imprensa, principalmente a diária. Este material nos oportuniza acessar à atividade para tentar entendê-la, funcionando como um dispositivo de revelação do saber fotojornalístico, bem como nos possibilita perceber como os próprios repórteres fotográficos pensam ser suas rotinas, as mudanças na profissão e seu papel social na atualidade. É, portanto, a partir da recorrência produtiva e discursiva dos fotógrafos nas postagens destes blogs que chegaríamos a um primeiro entendimento sobre que profissão é essa, qual a sua especificidade e quais as transformações sofridas ao longo do tempo. Isso, contudo, somado a outros movimentos de pesquisa, como a aplicação de enquetes e a realização de entrevistas, além do acompanhamento das rotinas produtivas na redação de dois dos principais jornais do Rio Grande do Sul. Este conjunto de enunciados nos ajudou a tencionar o próprio espaço dos blogs como lugar de reflexão das práticas, observando as mudanças na utilização da plataforma e seu ciclo de vida na web de 2009 a 2015. Um espaço que se diferencia tanto dos manuais e dos livros de fotografia no que se refere à discussão da práxis, quanto dos próprios jornais aos quais estão ligados ao serem percebidos pelos fotógrafos como lugares livres da tirania cronoespacial, temática e estética dos impressos, tornando-se sítios heterotópicos capazes de suportar narrativas poéticas. É justamente nesta aparente lacuna bibliográfica, portanto, que se insere a proposta de investigação “Heterotopias fotojornalisticas: os blogs de fotografia dos jornais impressos de maior circulação do Brasil como espaços de produção e reflexão do saber e das práticas fotojornalísticas na contemporaneidade”. Ao fim e ao cabo, com ela pretendemos, sobremaneira, entender como os próprios fotojornalistas que compõem o quadro desses jornais discutem o exercício da profissão dentro do espaço dos blogs de fotografia aos quais estão ligados institucionalmente, produzindo um discurso de si e da atividade, e como isso reverbera nas bases disciplinares do campo fotojornalístico até hoje.
Taken from the most widely circulated online newspapers in Brazil, the photography blogs from O Globo (FotoGlobo), O Estado de S. Paulo (Olhar sobre o Mundo), Zero Hora (FocoBlog), Diário Gaúcho (Diário da Foto) and Correio do Povo (FotoCorreio) stood out as places where the practice of photojournalism is commented on. When photojournalists post their blogs, they are simultaneously monitoring the routines of professionals and sharing knowledge among their peers. Foucault (1986, p.136) states that all practices are discursive and reflect a set of anonymous and historical rules which shape the actions of subjects while these subjects themselves create new rules in a constant state of self-reflection and reflective monitoring of different social actors. This leads us to the understanding that there is knowledge contained within these blogs, not a raw kind of knowledge, but one that is spread on a daily basis by current press photojournalists as they are practicing photojournalism. This material helped us to understand the practice and provided information about photojournalism as well as giving us some insight as to what photojournalist reporters think about their routines, the changes in the professions and their current role in society. And it is through these photographers’ constant discourse and writing on their blogs that has given us a better understanding of what the profession is, what its specific nature is and what the changes are that have affected it over time. Other forms of research like surveys and interviews as well as accompanying production routines in newsrooms from two main newspapers from Rio Grande do Sul has also brought us to this current understanding. This set of criteria has led us to think of blogs as a space for reflecting on the practice, observing the changes to the platform and its life cycle on the web from 2009 to 2015. This is a space dissimilar to both photography manuals and books (which are related to the praxis) and the newspapers themselves, which photographers view as places free from the chronospatial, thematic and esthetic suppression of printed press, thereby becoming heterotopical sites capable of supporting poetic narratives. It is within this bibliographic gap that the research proposal “Heteropia in photojournalism: photography blogs from the most widely circulated newspapers in Brazil as spaces for producing and reflecting on contemporary photojournalism practices” fits in. Ultimately, we intend to understand what photojournalists from these newspapers think about the profession as it is conducted within institutional photography blogs, thereby encouraging discourse on the activity and on how it is reflected on the disciplines of photojournalism.
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Walton, Shireen Marion. "Camera Iranica : popular digital photography in/of Iran." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:7f6516bf-64c6-4551-b58c-08e42915183f.
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This thesis explores the contemporary genre of popular digital photography, with a specific look at photographs taken in/of Iran. It focuses on the contemporary practice of 'photoblogging' or photography-based weblogging. Photoblogs are the result of the daily posting of digital photographs concerning everyday life in Iran on personal blogs specifically dedicated to photography. The title of the thesis, Camera Iranica, refers to the subject and scope of the study, as well as to its digital-ethnographic field site. I demarcate this as a conceptual and transnational cultural field, encompassing the multitude of places and spaces, on- and offline in which Iranians across the world engage in the practice of producing and viewing popular digital photography. Iranian photoblogs are shown to operate in a manner contingent upon a particular 'visual legacy' of contested cultural identity politics since the Islamic Revolution of 1979, propagated inside Iran and in 'the West'. The thesis traces the social, economic and political implications of developments in photography and digital technologies in Iran in light of this backdrop, and explores how and why Iranians in Iran and abroad are taking up popular digital photography for visual storytelling projects, with 'Iran' as their visual subject. Based on the study's empirical findings, I extrapolate theoretical arguments concerning historical and cultural understandings of digital photographs shown and seen in online environments, and propose innovative methodological strategies for digital-visual anthropologists to continue work in these fields.
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Ritter, Amy B. "My Body In Visual Culture." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1398882692.
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Hsieh, Yu-Tung, and 謝宇桐. "The Study of Blog Word-of-Mouth Communication on Photography Blogs." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/80185281328810663397.
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碩士南台科技大學
資訊傳播系
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After appearance of E-mail, BBS and Instant Messaging, Blog has became the most popular internet phenomenon that called the forth internet killer application. With coming of internet, the Word-of-Mouth communication makes a breakthrough of time and regional limits. The WOM communication has been made over into e-WOM communication that brings influence of communication with internet features into play. Therefore, this study selected photography on account of high-involvement product which caused actively attention and formed message of WOM, so as to look for the influences of e-WOM into blog message by both sides of content writing and reading. According to a non-profit website — Blog Look, whose objective statistical rank of Chinese photography blogs, then takes semi-structured interview for five chosen bloggers. As the result of in-depth interview, we get knowledge of specialized field, make up for the lacks of literature, regulate structure of article, assist in designing questionnaire, and find out partial conclusion. In order to guide looking into quantitative, we start internet questionnaire survey on photography bloggers with thinking characteristics of blogs, and picking samples rest on purposive selection. The study invited 967 photography bloggers, so that we received 417 responses as effective samples in 430 questionnaires during November 20 to December 1, 2007. The conclusion of WOM communication study on photography blogs indicated that the relevance of message trust among source credibility, bloggers’ experience, content of reviews and audience sense on photography. Furthermore, explain the value of blog in interaction, affection, and interpersonal context as pre-purchase guide. The blog message of e-WOM communication is certainly the key of marketing strategy. Limitations and suggestions for future research are provided.
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Andresková, Marie. "Novinář jakožto digitální nomád." Master's thesis, 2019. http://www.nusl.cz/ntk/nusl-404647.
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This diploma thesis deals with digital nomadism (modern way of teleworking, enabled mainly by the existence of internet and social networks) and implications of this phenomenon for journalistic environment and media functioning. In the Czech environment, this issue has been explored so far, and digital nomadism is rapidly changing in view of the rapid technological development of the media environment on the internet. The author wanted to add this gap to the thesis, both in theory and in primary research. Through interviews with specific digital nomads (especially Czechs and Czechs), she tries to answer basic questions about how the digital nomads actually happened, their motivation, the specifics of their work and, last but not least, whether it is possible as a digital nomad - actually a journalist to feed. The concept of digital nomadism first captures theoretically, both in general, in the context of the technological development of the media environment (new media and formats) and changes in the labor market in the journalistic environment, and specifically in terms of media theory. Specifically, it analyzes digital nomadism in the context of technological convergence and media hybridization. In particular, on the basis of available, mainly foreign literature, the concept and concept of digital...
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TVAROH, Jiří. "Marketing ve svatební fotografii." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-55562.
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Diploma work analyzes the market of weddings - the structure and needs of customers. Selection of the appropriate mix of communication tools with a focus on Web 2.0 and evaluate the results. Everything a concrete business.
Books on the topic "Photography blog"
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Photograph God: Creating a spiritual blog of your life. North Charleston, SC: CreateSpace Independent Publishing Platform, 2015.
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Nuez, Iván de la, writer of introduction, ed. Blow up Blow up. Cáceres: Editorial Periférica, 2010.
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1965-, Harris Lyle Ashton, Appiah Anthony, and Scottsdale Museum of Contemporary Art., eds. Lyle Ashton Harris: Blow up. Scottsdale, Ariz: Scottsdale Museum of Contemporary Art, 2008.
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Blow up: Photography, cinema and the brain. New York: D.A.P./Distributed Art Publishers, 2003.
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Neidich, Warren. Blow up: Photography, cinema and the brain. New York, NY: D.A.P./Distributed Art Publishers, 2004.
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Blom, Gertrude Duby. Inventario del Archivo Fotográfico Gertrude Duby Blom: Na Bolom, Chiapas. [Oaxaca] México: Fundación Alfredo Harp Helú, 2009.
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Juliusz, Sokołowski, Zalewski Maciej, Coleman A. D, Koalicja Latarnik, and Pałac Kultury i Nauki w Warszawie., eds. Festiwal Fotografii Czarno-Białej: Black & White Photography Festival, Zakopane-Warszawa, 2002 : powiększenie - blow up ; fotografie w czasach zgiełku - photographs in the time of tumult. Warszawa: Pałac Kultury i Nauki w Warszawie, 2002.
Find full textBook chapters on the topic "Photography blog"
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Nardelli, Matilde. "Blow-Up and the Plurality of Photography." In Antonioni, 185–205. London: British Film Institute, 2011. http://dx.doi.org/10.1007/978-1-349-92506-3_10.
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Leister, Wiebke. "Photographic Installation Strategies En-bloc and In-the-round." In A Companion to Modern Art, 187–207. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2017. http://dx.doi.org/10.1002/9781118639948.ch10.
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Nardelli, Matilde. "The ‘Image-World’ and the Reality of Photography." In Antonioni and the Aesthetics of Impurity, 125–60. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474444040.003.0005.
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This chapter considers Antonioni’s thematisation of photography in and beyond Blow-Up (1966), in the context of the postwar proliferation of media images and image culture. It argues that if photography and what Vilém Flusser more broadly terms ‘technical images’ affect Antonioni’s cinema, his cinema in turn also demonstrates a commitment to reflect on such proliferation, and engage film, as itself a medium of technical images, in a self-critique of the role of the image in mass media culture.
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Humphreys, Lee. "Remembrancing." In The Qualified Self, 73–90. The MIT Press, 2018. http://dx.doi.org/10.7551/mitpress/9780262037853.003.0004.
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This chapter explores the practice of remembrancing. Media traces have long been a tool for remembering activities and experiences. The chapter examines the various ways that people create media traces so-called mediated memories. Historically, one of the most common kinds of diary-keeping are travel journals. This was a way to record new events and experiences to savor at a later time and share with others. Similarly, today travel blogs and social media postings are both a way to share with others as well as relive these traces when returning home. Remembrancing is also a way to create media traces of particularly momentous events in our lives. The chapter explores the role of memorial photography and, in particular, postmortem infant photography as a means of understanding how and why we create traces of difficult experiences in our lives.
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Henry, Laurie A., and Clarisse O. Lima. "Promoting Global Citizenship through Intercultural Exchange Using Technology." In Cross-Cultural Interaction, 798–816. IGI Global, 2014. http://dx.doi.org/10.4018/978-1-4666-4979-8.ch045.
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This chapter presents a critical instance case study that describes the implementation of an international, telecollaborative project between elementary level students in rural Kentucky and those located in Rio de Janeiro. Learning activities focused on the development of cultural knowledge and understanding, with the main goal of increasing the students’ global citizenship characteristics by comparing cultural backgrounds with an emphasis on cultural similarities and differences between the two groups. This was accomplished through the Travel Buddy Project, a new pedagogical approach to learning that combines blog exchanges with photographic documentation couched in culturally oriented lessons.
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Rosenberg, Joseph Elkanah. "Paper Bombs." In Wastepaper Modernism, 117–55. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198852445.003.0004.
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This chapter examines the literary response to the Nazi book-burnings, as well as to the piles of papery waste left behind by bombing raids. It begins with a reading of the now iconic photograph of readers browsing the stacks of the bombed Holland House library. Widely circulated, but entirely staged, the propagandistic photograph embodies a curious Blitz-era fascination with book violence, a fascination that wavers precariously between dread and desire. In novels written during the war, books are grotesquely transformed into weapons that, in Elizabeth Bowen’s words, have the potential to “blow whole places into existence.” This desire has its aftermath in the post-war imagination of new worlds emerging out of the ashes of destroyed books.
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"Blow-Up: Photographic Projection, Dynamite, and the Sculpting of American Mountains." In Scale. Terra Foundation for American Art, 2016. http://dx.doi.org/10.37862/aaeportal.00194.003.
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Nirmala, M. Baby, and Pethuru Raj. "Big Data Computing and the Reference Architecture." In Big Data, 56–72. IGI Global, 2016. http://dx.doi.org/10.4018/978-1-4666-9840-6.ch003.
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Earlier, the transactional and operational data were maintained in tables and stored in relational databases. They have formal structures and schemas. However, the recent production and flow of multi-structured data has inspired many to ponder about the new ways and means of capturing, collecting, and stocking. E-mails, PDF files, social blogs, musings, tweets, still photographs, videos, office documents, phone call records, sensor readings, medical electronics, smart grids, avionics data, real-time chats, and other varieties of data play a greater role in presenting highly accurate and actionable, timely insights for executives and decision-makers. The chapter provides an insight into the big data phenomenon, its usability and utility for businesses, the latest developments in this impactful concept, and the reference architecture.
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Nirmala, M. Baby, and Pethuru Raj. "Big Data Computing and the Reference Architecture." In Advances in Data Mining and Database Management, 22–37. IGI Global, 2014. http://dx.doi.org/10.4018/978-1-4666-5864-6.ch002.
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Earlier, the transactional and operational data were maintained in tables and stored in relational databases. They have formal structures and schemas. However, the recent production and flow of multi-structured data has inspired many to ponder about the new ways and means of capturing, collecting, and stocking. E-mails, PDF files, social blogs, musings, tweets, still photographs, videos, office documents, phone call records, sensor readings, medical electronics, smart grids, avionics data, real-time chats, and other varieties of data play a greater role in presenting highly accurate and actionable, timely insights for executives and decision-makers. The chapter provides an insight into the big data phenomenon, its usability and utility for businesses, the latest developments in this impactful concept, and the reference architecture.
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Owens, Gwendolyn. "Windows on a Broken World." In The Moving Eye, 107–20. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190218430.003.0008.
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This chapter treats the famous incident of December 1976 in which artist Gordon Matta-Clark employed a BB gun to shoot out the windows of the Institute for Architecture and Urban Studies in New York City during the Idea as Model exhibition. Although his photographic piece Window Blow Out was to have been on display, the institute removed it after the shooting. The author analyzes the artist’s gesture as a political statement that reflects the complex relationship of Matta-Clark to architecture and urbanism. She suggests that it anticipates the turn in his career toward urban activism that was cut short by his untimely death.
Conference papers on the topic "Photography blog"
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Passmann, Maximilian, and Stefan aus der Wiesche. "Development and Commissioning of a Supersonic Blow Down Wind Tunnel for Educational Purposes." In ASME 2017 Fluids Engineering Division Summer Meeting. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/fedsm2017-69196.
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A cost-effective test rig is presented that allows for the experimental investigation of supersonic flows for educational purposes. The individual units for the test rig were designed and built by students as part of their degrees. The test rig allows for operating times up to 10 seconds and features a nozzle test section, that can house different test objects. The divergent part of the de Laval nozzle geometry is designed using the method of characteristics for planar two-dimensional supersonic flow. State of the art 3D printing technology has been utilized to manufacture the nozzle geometry. Both optical and pneumatic measurement techniques have been adopted for the current setup. A z-type schlieren setup with two parabolic mirrors is used to perform flow visualization. The entire run can be recorded with a digital high speed camera. Stagnation pressure and temperature are measured in the pressure reservoir. Measurements are used to demonstrate basic thermodynamic effects such as the depressurization of gas-filled pressure vessels. Schlieren photography is used to graphically derive the Mach number and some aspects of Mach waves, oblique shock waves, and expansion waves are discussed. Finally, some effects of surface roughness on the flow field are addressed in this paper. Initial tests with the untreated nozzle geometry led to a fine pattern of very weak oblique shock waves in the supersonic part of the nozzle, that were caused by the finite layer thickness of the printer.
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Adams, Juan C., Peter T. Ireland, Martin Cerza, and James Oswald. "A Detailed Experimental Investigation of a Perforated Heat Transfer Surface Applied to Gas Turbine Recuperators." In ASME Turbo Expo 2003, collocated with the 2003 International Joint Power Generation Conference. ASMEDC, 2003. http://dx.doi.org/10.1115/gt2003-38740.
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An effort is made to explain and improve the understanding of the mechanisms behind the thermo-hydraulic performance of perforated extended surfaces used in compact heat exchangers in the laminar flow regime (ReD = 400–2500). A transient liquid crystal technique, which uses Helium as operating fluid, together with digital image photographic processing have been used to provide measurements of local heat transfer coefficients for this geometry. This work has found that through the use of perforated surfaces there exists a local heat transfer enhancement benefit. It has also been found that although perforations cause a partial restart of the thermal boundary layer, a significant overall surface heat transfer enhancement may not be achieved over plain surfaces. It was also found that the distance between the fin’s leading edge and the point of last significant enhancement resulting from a perforation, linearly depends on Reynolds number. Local heat transfer coefficient measurements were validated by single blow experimentation of similar geometries. The transient single blow technique used the curve-matching method to compare predicted and experimental temperatures.
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Langford, Matthew D., Andrew Breeze-Stringfellow, Stephen A. Guillot, William Solomon, Wing F. Ng, and Jordi Estevadeordal. "Experimental Investigation of the Effects of a Moving Shock Wave on Compressor Stator Flow." In ASME Turbo Expo 2005: Power for Land, Sea, and Air. ASMEDC, 2005. http://dx.doi.org/10.1115/gt2005-68722.
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Linear cascade testing was performed to simulate the flow conditions experienced by stator blades in an axial compressor with supersonic relative Mach numbers at the inlet to the downstream embedded rotors. Experiments were conducted in a transonic blow-down wind tunnel with a nominal inlet Mach number of 0.65. A single moving normal shock introduced at the exit of the stator cascade simulated the bow shock from a downstream rotor. The shock was generated using a shock tube external to the wind tunnel. Pressure measurements indicated that the stator matched its design intent loading, turning and loss under steady flow conditions. Effects of the passing shock on the stator flow-field were investigated using shadowgraph photography and Digital Particle Image Velocimetry (DPIV). Measurements were taken with three different shock strengths. In each case, the passing shock induced a vortex around the trailing edge of the stator. The size and strength of these vortices were directly related to the shock strength. A suction side separation on the trailing edge of the stator was observed and found to correlate with the vortex blockage.