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1

Photograph God: Creating a spiritual blog of your life. North Charleston, SC: CreateSpace Independent Publishing Platform, 2015.

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2

Nuez, Iván de la, writer of introduction, ed. Blow up Blow up. Cáceres: Editorial Periférica, 2010.

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3

1965-, Harris Lyle Ashton, Appiah Anthony, and Scottsdale Museum of Contemporary Art., eds. Lyle Ashton Harris: Blow up. Scottsdale, Ariz: Scottsdale Museum of Contemporary Art, 2008.

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4

Blow up: Photography, cinema and the brain. New York: D.A.P./Distributed Art Publishers, 2003.

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5

Neidich, Warren. Blow up: Photography, cinema and the brain. New York, NY: D.A.P./Distributed Art Publishers, 2004.

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6

Bomal, Nicolas. Accommodations complètes: Blow up. Crisnée: Yellow now, 2004.

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7

Focus on food photography for bloggers. Burlington, MA: Focal Press, 2013.

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8

Faces in places. London: Ammonite, 2010.

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9

Blom, Gertrude Duby. Inventario del Archivo Fotográfico Gertrude Duby Blom: Na Bolom, Chiapas. [Oaxaca] México: Fundación Alfredo Harp Helú, 2009.

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10

Juliusz, Sokołowski, Zalewski Maciej, Coleman A. D, Koalicja Latarnik, and Pałac Kultury i Nauki w Warszawie., eds. Festiwal Fotografii Czarno-Białej: Black & White Photography Festival, Zakopane-Warszawa, 2002 : powiększenie - blow up ; fotografie w czasach zgiełku - photographs in the time of tumult. Warszawa: Pałac Kultury i Nauki w Warszawie, 2002.

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11

Wetherell, Sheri L. Foodista: Best of food blogs cookbook : 100 great recipes, photographs, and voices. Kansas, Mo: Andrews McMeel Pub., 2010.

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12

Rebekkah, Hilgraves, ed. David Busch's quick snap guide to photoblogging with wordpress: An instant start-up maunal for creating and promoting your own photoblog. Boston, MA: Course Technology, 2010.

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13

Blow Me a Kiss. powerHouse Cultural Entertainment, Incorporated, 2014.

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14

Tilman, Osterwold, and Württembergischer Kunstverein, eds. "Blow-up" Zeitgeschichte. Stuttgart: Württembergischer Kunstverein, 1987.

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15

Blogging For Photographers Showcase Your Creativity Build Your Audience. Ilex, 2013.

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16

Blogging for Photographers: Explore Your Creativity or Build Your Business. Taylor & Francis Group, 2013.

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17

Neidich, Warren. Warren Neidich: Blow-Up: Photography, Cinema and the Brain. D.A.P./UCR/California Museum of Photography, 2003.

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18

Build Buzz-Worthy Video Blogs: 4D an Augmented Reading Experience. Capstone, 2019.

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19

Luce, T. P. Tha Bloc: Words, Photographs and Baltimore City in Black White and Gray. Obie Joe Media, LLC, 2004.

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20

Photography 1839-1939: A highly important collection of books, pamphlets and periodicals on the first 100 years of photography offered en bloc. Essex, England: K.&J. Jacobson, 1989.

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21

Ken, Jacobson, Jacobson Jenny, Chanan Noel, and Charles B. Wood III Inc, eds. Photography 1839-1939: A highly important collection of books, pamphlets and periodicals on the first 100 years of photography offered en bloc. Essex, England: K.&J. Jacobson, 1989.

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22

(Editor), Andrew Long, ed. fotolog.book: A Global Snapshot for the Digital Age. Thames & Hudson, 2006.

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23

Street Style: An Ethnography of Fashion Blogging (Dress, Body, Culture). Bloomsbury Academic, 2016.

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24

Fuck yeah menswear. New York: Touchstone Book, 2012.

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25

Petho, Ágnes, ed. Caught In-Between. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474435499.001.0001.

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This collection of essays explores intermediality as a new perspective in the interpretation of the cinemas that have emerged after the collapse of the former Eastern Bloc. As an aesthetic based on a productive interaction of media and highlighting cinema's relationship with the other arts, intermediality always implies a state of in-betweenness which is capable of registering tensions and ambivalences that go beyond the realm of media. The comparative analyses of films from Hungary, Romania, Poland, the Czech Republic, Bosnia and Herzegovina, and Russia demonstrate that intermediality can be employed in this way as a form of introspection dealing with complex issues of art and society. Appearing in a variety of sensuous or intellectual modes, intermediality can become an effective poetic strategy to communicate how the cultures of the region are caught in-between East and West, past and present, emotional turmoil and more detached self-awareness. Through different theoretical approaches and thematic focuses, the book attempts to contribute to the understanding of intermedial phenomena in contemporary cinema as a whole by mapping meaningful areas of in-betweenness including the intermedial and interart relations in-between cinema, music, theatre, photography, painting, sculpture, literature, language and the new, digital technologies of the moving image.
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26

Regines Book A Teen Girls Last Words. Zest Books, 2012.

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27

Tighe, Shirley M. Brooks. Instrumentation for the Operating Room: A Photographic Manual (Instrumentation for the Operating Rooom, 5th ed). 5th ed. Mosby-Year Book, 1999.

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