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Journal articles on the topic 'Photography Communities'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Yusuf, Tan Sri Zulfikar, and Dea Rifia Bella. "Menangkap Photographic Moments di Pelelangan Ikan Muara Baru melalui Pendekatan Komposisi dan Etnografi Fotografi." JURNALISTIK DAN MEDIA 2, no. 2 (2024): 40–55. http://dx.doi.org/10.32722/jjm.v2i2.7141.

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In photography studies, composition is essential in capturing images to arrange visual elements within the photo frame. These compositions are important for communicating the message the photographer wants to convey to the audience, thus creating a dialogic communication effort. This paper uses traders at the Fish Auction in Muara Baru, Jakarta, as the subject of photography, and the resulting photos become photographic moments in photographic ethnography. By capturing photographic moments through the correct composition, this paper demonstrates that photographs can produce meaning from the mo

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Green, Hilary N. "Teaching Black Educational Philanthropy Through Photography, 1863–1920s." Public Historian 46, no. 2 (2024): 62–78. http://dx.doi.org/10.1525/tph.2024.46.2.62.

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This article explores the use of photography as a strategy for teaching Black educational philanthropy. Ordinary consumer-philanthropists, white and Black, saw value in the production, sale, and circulation of photography for the support of African American schools in the former Confederate states. In reading these historic photographs, students bear witness to the curated photographic collection of liberated children, traveling choirs, and Historically Black College and University (HBCU) campus communities who left little-to-no written records. The materiality and content of the historic phot

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Oscarson, Renee A., Mary T. Bowne, Debra A. DeBates, Julie A. Bell, and Sherri S. Bair. "Assessing Rural Communities through Youth Photography." Journal of Youth Development 7, no. 2 (2012): 87–92. http://dx.doi.org/10.5195/jyd.2012.145.

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Despite frequent concerns about youth and young adult migration from rural to urban areas, most measures used to assess youth in rural community research have been developed by adults. Accurate understanding of youth community perceptions necessitates youth input into the research process. The participatory research strategy described here, using photography to describe community, enables youth to define community and identify what they value about their communities. Photographs and explanations of the photographs indicated that youth value places (schools, churches, as well as locations uniqu

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Morgan, Nicholas C. "Photographic Process as Desire." Afterimage 50, no. 1 (2023): 24–48. http://dx.doi.org/10.1525/aft.2023.50.1.24.

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Between 1986 and his death from AIDS-related causes in 1989, the Boston- and Jersey City–based photographer Mark Morrisroe produced a series of cameraless photographs with heterogenous material including fabric, pornography, and X-rays. This essay argues that these photograms move away from a dominant understanding of photography that celebrates stasis, legibility, and indexicality in favor of one concentrating on activity. Morrisroe’s photograms cast the photograph as a process: the image unfixable and always under development, its matter flexing, sputtering, and shifting over time. For Morri

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Ng, Roy. "Rumah Abu : Death and the Photographic Medium in Straits Chinese Ancestral Halls." Southeast of Now: Directions in Contemporary and Modern Art in Asia 7, no. 2 (2023): 3–45. http://dx.doi.org/10.56159/sen.2023.a916546.

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Abstract: This article seeks to establish ancestral photographs as objects of worship and examines the relationship between death and the photographic medium in Straits Chinese ancestral halls, also known as rumah abu , in the former British colonies of Singapore, Malacca, and Penang. Various scholars have argued for a conceptual link between photography and death, but the case for diasporic communities such as the Straits Chinese have been under-studied and rarely discussed in meta-physical terms. Portraits of Straits Chinese matriarchs and patriarchs are commissioned as not merely images of

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Pedri-Spade, Celeste. "“But they were never only the master’s tools”: the use of photography in de-colonial praxis." AlterNative: An International Journal of Indigenous Peoples 13, no. 2 (2017): 106–13. http://dx.doi.org/10.1177/1177180117700796.

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The majority of anthropological literature around photography of Indigenous peoples has privileged the actions, agency, and intent of the Western photographer. While one cannot ignore the significant colonizing influences that photographs have had on Indigenous peoples, one cannot presume that these individuals were solely the silenced subject or victim in a one-sided, inferior relationship with the camera and its operator. Recent scholarship is now re-examining the relationship Indigenous peoples have had with photography as a culturally productive technology since its development. In this ar

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Börner, Susanne, Juan Carlos Torrico Albino, Luz María Nieto Caraveo, and Ana Cristina Cubillas Tejeda. "Exploring Mexican adolescents' perceptions of environmental health risks: a photographic approach to risk analysis." Ciência & Saúde Coletiva 20, no. 5 (2015): 1617–27. http://dx.doi.org/10.1590/1413-81232015205.11382014.

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The objective of this study was to explore Mexican adolescents' perceptions of environmental health risks in contaminated urban areas, and to test the environmental photography technique as a research tool for engaging adolescents in community-based health research. The study was conducted with 74 adolescents from two communities in the city of San Luis Potosi, Mexico. Participants were provided with disposable cameras and asked to take photographs of elements and situations which they believed affected their personal health both at home and outside their homes. They were also asked to describ

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Waldroup, Heather. "Photographs as layered objects in Oceania." Journal of New Zealand & Pacific Studies 12, no. 1 (2024): 7–19. http://dx.doi.org/10.1386/nzps_00183_1.

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Historical photographs from the Pacific were often produced by white photographers, but they nevertheless serve as records of historical and cultural significance to Indigenous communities today. Although scholarship on photography from the Pacific has increased since the 1990s, the field has not entirely kept up with broader critical discussions in visual studies and Pacific Islands studies. This article takes a material approach to photographs, arguing for them (in spite of their flatness) as layered objects, much in the way taonga, or precious heirlooms, might be conserved and displayed thr

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Koureas, Gabriel. "Parallelotopia: Ottoman transcultural memory assemblages in contemporary art practices from the Middle East." Memory Studies 12, no. 5 (2019): 493–513. http://dx.doi.org/10.1177/1750698019870689.

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This article engages with the conversations taking place in the photographic space between then and now, memory and photography, and with the symbiosis and ethnic violence between different ethnic communities in the ex-Ottoman Empire. It questions the role of photography and contemporary art in creating possibilities for coexistence within the mosaic formed by the various groups that made up the Ottoman Empire. The essay aims to create parallelotopia, spaces in the present that work in parallel with the past and which enable the dynamic exchange of transcultural memories. Drawing on memory the

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Currie-Williams, Kelann. "Makers and Keepers: Two Lives, through Photographs." Canadian Journal of History 56, no. 3 (2021): 292–319. http://dx.doi.org/10.3138/cjh.56-3-2021-0044.

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Looking through the pages of family photo albums or the folders of photographic archival fonds can only be described as holding history in your hands. Whether it is in the form of colour or black and white prints, negatives, or slides, these photo-objects carry histories of lives lived that go beyond their frames. Focusing on a set of oral history interviews conducted with two Black women living in Montréal — a community photographer or image “maker” who was most active during the 1970s–1990s and a photo-collector or “keeper” who is currently active in preserving and sharing photographs for he

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Moore, David. "The Lisa and John Slideshow (2017): A Play about Photography." Arts 12, no. 3 (2023): 109. http://dx.doi.org/10.3390/arts12030109.

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The Lisa and John Slideshow is a theatrical response to my own earlier photographic project, Pictures from the Real World. Colour Photographs, 1987–88, interrogating recurring theoretical questions that challenge the discourse of social documentary photography through an expanded practice. As a significant piece of research, devised through participation with those depicted within the image, the forty-five-minute play questions representational methods through an alternate medium. The project evokes what else was knowable from the terrain of possibilities when the sovereign images of the forme

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Hamann, Christoph. "Indeks, ikona i symbol. O stosunku fotografii, historii (czasu) i pamięci." Kultura i Społeczeństwo 55, no. 4 (2011): 107–27. http://dx.doi.org/10.35757/kis.2011.55.4.6.

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The Author starts with a thesis that photography and modern historiography developed at the same time, and then tries to look for relationships between the two. He starts from analyzing a specificity of a photograph which — as a medium — not only represents the past, but can be an energizing impulse both in the presence and the future. By referring to the semiotic classification of Charles Sanders Peirce, the Author describes the importance of a photograph to historical research as an index, an icon and a symbol. This helps understand the way of using a collective resource of photographs and t

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Lehmuskallio, Asko, Jukka Hӓkkinen, and Janne Seppӓnen. "Photorealistic computer-generated images are difficult to distinguish from digital photographs: a case study with professional photographers and photo-editors." Visual Communication 18, no. 4 (2018): 427–51. http://dx.doi.org/10.1177/1470357218759809.

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There are strict guidelines on photoediting in newsrooms and serious professional repercussions for any failure to adhere to them, while computer-generated imagery is increasingly used in other areas of visual communication. This article presents empirical research on the ability of professional photographers and editors to distinguish photographs from photorealistic computer-generated images by looking at them on a screen. The results show clearly that those studied ( N = 20) are unable to distinguish one from another, suggesting that it is increasingly difficult to make this distinction, par

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Alwi, Natasha Awra, Nadzri Mohd Sharif, and Shamzani Affendy Mohd Din. "Image Analysis in Visual Anthropology Photography: The Biddy’s Photo." International Journal of Art and Design 6, no. 2/SI (2022): 35–48. http://dx.doi.org/10.24191/ijad.v6i2/si.1128.

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Visual anthropology is the study of humans such as through photographs. Although when appreciating how culture is represented visually and when understanding visual concepts, it is not uncommon but rarely used to recognize culture. The primary purpose of this research is to empirically analyse the concept of visual anthropology in culture employing photography as a medium. This study utilises photography as a cultural signal to explore the significance of visual preservation in culture. In addition, this study’s theoretical framework is based on Terry Barrett’s theory of interpreting photograp

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Brujić, Marija. "Kratak uvod u istoriju antropologije fotografije." Issues in Ethnology and Anthropology 12, no. 1 (2017): 129. http://dx.doi.org/10.21301/eap.v12i1.6.

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The paper represents a short historical overview of key anthropological figures in Anglo-American and French anthropology of photography such are Boas, Malinowski, Evans-Pritchard, Mead and Bateson, Levi-Strauss and (John) Collier till the current visual anthropologists as Banks, Pink, Ruby, Pinney, and Edwards, among many. Furthermore, the major theoretical ideas such are: objectivity and subjectivity of photography, its material, and intangible aspects, its representative potential, ethical issues and reflexive approach are discussed. At the end, several anthropological projects which includ

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Nurdiansah, Doni, and I. Wayan Eka Dharmawan. "Komunitas Mangrove di Wilayah Pesisir Pulau Tidore dan Sekitarnya." Oseanologi dan Limnologi di Indonesia 3, no. 1 (2018): 1. http://dx.doi.org/10.14203/oldi.2018.v3i1.63.

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<strong>Mangrove Community in Coastal Area of Tidore Islands.</strong> Indonesia has the most extensive area of mangrove ecosystem in the world. It bring many direct and indirect benefits for the coastal community. Research on the condition of mangrove communities in Tidore, Halmahera, Ternate Island and surrounding areas was conducted in August 2015, to determine the current condition of mangrove communities in the region. Assessment condition mangrove forest was done by means of analyze the percentage covering canopy with the hemispherical photography methods (photography t

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Brusius, Mirjam, and Trinidad Rico. "Counter-archives as heritage justice: photography, invisible labor and peopled ruins." Journal of Visual Culture 22, no. 1 (2023): 64–92. http://dx.doi.org/10.1177/14704129221146494.

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This article critically engages with photographs, the institutions that archive and curate them, and the uses to which they are put in the work of heritage preservation, with particular attention paid to the ways in which these have been mobilized in Middle Eastern heritage debates. Photographs, often depicting uninhabited rather than populated heritage landscapes, in effect weaponize heritage preservation, ignoring the fact that individuals and communities have always had their own ways of preserving and engaging with the material past. The authors therefore seek to reconsider the disciplinar

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Giles, Keith. "Everybody’s Artist Photographer: Collaborators and creative influences in the work of Charles Peet Dawes." Back Story Journal of New Zealand Art, Media & Design History, no. 7 (December 1, 2019): 73–93. http://dx.doi.org/10.24135/backstory.vi7.50.

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When 1670 glass plate negatives taken by Kohukohu photographer Charles Peet Dawes were gifted to Auckland Libraries in 2018, it was immediately obvious from annotations on the negative envelopes that established ideas of how and when Charlie took up photography needed to be re-examined. Charlie’s notes also revealed the names of some previously unsuspected Hokianga visitors and residents who influenced and assisted him in his artistic endeavours. In addition, buried in the collection was a unique record of the 1898 Dog Tax Rebellion together with invaluable and historically important photograp

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Sheng, Jeff T. "Ethnographic Uncovering: Hidden Communities." Contexts 19, no. 2 (2020): 46–53. http://dx.doi.org/10.1177/1536504220920196.

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Gold, Steven J. "Using Photography in Studies of Immigrant Communities." American Behavioral Scientist 47, no. 12 (2004): 1551–72. http://dx.doi.org/10.1177/0002764204266237.

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McAllister, Kirsten Emiko. "Family Photography and Persecuted Communities: Methodological Challenges." Canadian Review of Sociology/Revue canadienne de sociologie 55, no. 2 (2018): 166–89. http://dx.doi.org/10.1111/cars.12188.

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Torre, Ignasi, Albert Peris, and Lluis Tena. "Estimating the relative abundance and temporal activity patterns of wood mice (Apodemus sylvaticus) by remote photography in mediterranean post-fire habitats." Galemys, Spanish Journal of Mammalogy 17, NE (2005): 41–52. http://dx.doi.org/10.7325/galemys.2005.ne.a4.

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We investigated whether remote photography can be considered a valid method to assess the abundance and the temporal activity patterns of the wood mouse (Apodemus sylvaticus) in two Mediterranean post-fire habitats. We compared the results with those obtained by Sherman live-trapping, a conventional procedure to obtain information on the composition of small mammal communities. We observed a highly significant increase of abundance of wood mice in shrublands (early post-fire stage) in front of pinewoods (unburned during the last 50 years) with both capture methods (G = 104.83; p < 0.0001; d

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NOVEK, SHEILA, TONI MORRIS-OSWALD, and VERENA MENEC. "Using photovoice with older adults: some methodological strengths and issues." Ageing and Society 32, no. 3 (2011): 451–70. http://dx.doi.org/10.1017/s0144686x11000377.

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ABSTRACTPhotovoice is a qualitative research technique in which participants record and reflect on their community through photography. The technique is gaining popularity as a participatory research methodology. Few studies, however, have described the use of photovoice with older adults. This paper examines the application of photovoice in a qualitative, participatory research study examining age-friendly community characteristics in four communities in Manitoba, Canada. Thirty older adults were provided with cameras and took photographs to illustrate how age-friendly their communities are a

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Mahler, Anne Garland. "A Photography of Relation: Indigeneity, Anti-Imperialism, and Tina Modotti's Visual Language of Liberation." Cultural Critique 126, no. 1 (2025): 1–41. https://doi.org/10.1353/cul.2025.a951008.

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Abstract: This essay argues for a reexamination of the work of renowned Italian-born photographer Tina Modotti through the lens of "relational aesthetics." Studying her photography in Mexico alongside her involvement in the Anti-Imperialist League of the Americas (La Liga Antimperialista de las Américas, LADLA), this essay uses LADLA's newspaper El Libertador and personal papers from Modotti and LADLA leaders to outline how Modotti's photography engaged LADLA's organizing across extractive economies and depicted its focus on Indigenous communities. Modotti's work, particularly on extractive an

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Conze, Linda. "Filling the Frame: Photography of May Day Crowds during the Early Nazi Era." Journal of Modern European History 16, no. 4 (2018): 463–86. http://dx.doi.org/10.17104/1611-8944-2018-4-463.

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Filling the Frame: Photography of May Day Crowds during the Early Nazi Era When one thinks of festive crowds under National Socialism, the state-orchestrated events at Berlin's Tempelhofer Feld, the Bückeberg or at the Reichsparteitagsgelände in Nuremberg are what first come to mind. But apart from the huge festival grounds, festive crowds also came together on sports fields and town squares all over Germany. They were certainly smaller in number, yet the presence of the many was clearly also of great ritual importance in small towns and rural communities. Whenever they came together, a camera

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Bates, Maya Jane, Jane Ardrey, Treza Mphwatiwa, Stephen Bertel Squire, and Louis Willem Niessen. "Enhanced patient research participation: a Photovoice study in Blantyre Malawi." BMJ Supportive & Palliative Care 8, no. 2 (2018): 171–74. http://dx.doi.org/10.1136/bmjspcare-2017-001439.

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ObjectivesPatient involvement in palliative care research is a desirable if challenging goal. Photovoice is an action research method in which affected communities gather photographs to document and discuss their communities’ strengths and concerns. Engagement with policymakers is a separately stated goal. Photovoice is increasingly used in health-related research but has not been widely described in the palliative care literature. We report on experiences and lessons learnt using Photovoice in Blantyre, Malawi to encourage its wider use in research and practice.MethodsThirteen co-researchers

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Horn, Christine. "Making sense: Experiential engagements with ethnographic photographs." Museum and Society 15, no. 3 (2018): 301–23. http://dx.doi.org/10.29311/mas.v15i3.2542.

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This article examines the role of embodied and performative knowledge in the museum environment, with a particular focus on ethnographic photographs. The study is based on the return of several hundred ethnographic photographs from the Sarawak Museum to Indigenous communities in rural Malaysia, where they had been taken by museum photographers from the early 1950s onwards. Aside from the oral narratives that emerged during the discussions and interviews, contextual knowledge was provided in embodied form. The return of the photographs to people in the source communities prompted the re-enactme

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Germano, Christine. "Through Our Eyes: Mapping the Effects of Relocation due to Nuclear Testing in the Marshall Islands through Arts Based Research." Re:Locations - Journal of the Asia-Pacific World 3, no. 2 (2020): 85–112. http://dx.doi.org/10.33137/relocations.v1i1.33482.

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    Arts Based Research (ABR) provides a fresh lens on the effects of relocation. Personal narratives and photography (Photovoice) from Marshallese youth allow for an analysis of the effects of relocation on the Pacific Islanders from Bikini and Kwajalein Atolls due to the results of nuclear testing. The narratives and photography were collected during the Marshallese Arts Project led by Dr Michelle Keown from the University of Edinburgh from 2017 to 2018. The Through Our Eyes project was facilitated with the descendants of these Atolls, from five schools, in the reloca

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Prieto-Blanco, Patricia. "Visual Mediations, Affordances and Social Capital." Membrana Journal of Photography, Vol. 3, no. 1 (2018): 76–80. http://dx.doi.org/10.47659/m4.076.art.

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Spatial dislocation of migrants is a catalyst for early, heavy and informed media use (Ponzanesi & Leurs 2014); as well as a motif for transnational families to form families of choice (Beck-Gernsheim 1998; Weston 1997). This text reports on how Irish-Spanish families living in Ireland manage this situation. It argues that (digital) photographic exchanges give rise to mediated third places (Oldenburg, 1989), where (dis)affect and belonging are negotiated. Transnational families visually mediate their domestic spaces regularly. The double visual mediation of presence and space forms part of

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Irwandi, Irwandi. "Penyuluhan Penyajian karya dan Persiapan Pameran Fotografi Forum Komunikasi Fotografi Mahasiswa Yogyakarta (FORKOM Jogja)." Jurnal Pengabdian Seni 1, no. 1 (2020): 32–41. http://dx.doi.org/10.24821/jas.v1i1.4700.

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Di Yogyakarta terdapat sejumlah UKM Fotografi yang rutin menyelenggarakan pameran foto dalam periode tertentu, biasanya tahunan. Kegiatan ini menambah dinamika dunia fotografi serta turut memajukan fotografi Indonesia. Karya foto perlu ditunjang dengan cara penyajian yang baik agar pesan yang hendak disampaikan dalam karya dapat terseberangkan. Selain itu, penyajian yang baik akan meningkatkan nilai karya berikut apresiasi dari penonton pameran. Sayangnya, penyajian karya yang dilakukan oleh UKM-UKM Fotografi yang tergabung dalam FORKOM Jogja ini masih kurang diperhatikan. Untuk itu, diperluka

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Tritz, Julie. "Promoting Civic Engagement, Critical Thinking and the Science of Photography through Photovoice." Journal of Youth Development 6, no. 4 (2011): 62–67. http://dx.doi.org/10.5195/jyd.2011.165.

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Photovoice is part of a growing interest in using creative tools with youth groups as a means to increase involvement in the positive development of local communities. The goal of Photovoice is to allow youth to record, reflect and act on issues of importance to them through the production of still photographs. The methodology holds promise for youth development professionals in several ways. It teaches soft skills such as teamwork and critical thinking; fosters civic engagement and engages youth in learning about the science of photography. The article concludes with considerations and ideas

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Pratama, Sandi Fransisco, Reki Kardiman, Rijal Satria, et al. "Fun Fotografi on Biodiversitas: Pelatihan Fotografi sebagai Upaya Pelestarian Biodiversitas di Nagari Kasang, Kabupaten Padang Pariaman." PengabdianMu: Jurnal Ilmiah Pengabdian kepada Masyarakat 10, no. 3 (2025): 734–40. https://doi.org/10.33084/pengabdianmu.v10i3.8499.

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By 2050, it is estimated that 45% of the world's species and habitats will be lost. "Fun Photography on Biodiversity" is an initiative aimed at enhancing the knowledge and skills of the biodiversity photography community. The activity was conducted in Nagari Kasang, Padang Pariaman Regency, and included methods such as socialization, delivering materials on biodiversity and photography techniques, and field practice. Participants were introduced to local flora and fauna, including endemic species, and were trained in basic photography techniques and ethical practices for documenting nature. Ev

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D’Ambrosio, Mariangela, Simona Palladino, and Paola Mitra. "Welfare in-between artistic expressions and communities: Deanna Dikeman's exhibition "Leaving and Waving"." WELFARE E ERGONOMIA 9, no. 1 (2023): 75–86. http://dx.doi.org/10.3280/we2023-001006.

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With the intention to investigate the role of photography in addressing social issues and the function that exhibitions play as an engine of collective action, the research focuses on the analysis of Deanna Dikeman's exhibition Leaving and Waving. The photo reportage of nintyeight photographs was conducted over twentyseven years, through which the artist portrayed her parents at the moment of saying goodbye. This is a creative way that captures ageing, death, family bonds, generational relationships, greetings. The study was conducted by administering semi-structured anonymous questionnaires t

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Ilma and Yudhi Andoni. "Representasi Dan Identitas Perempuan Minangkabau Dalam Fotografi Masa Kolonial Tahun 1900-1942." Musãwa Jurnal Studi Gender dan Islam 23, no. 1 (2024): 1–21. http://dx.doi.org/10.14421/musawa.2024.223.1-21.

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Artikel ini menjelaskan bagaimana representasi dan identitas perempuan Minangkabau dalam periode kolonial tahun 1900-1942 melalui analisis fotografi. Tulisan ini mengkaji bagaimana fotografi sebagai medium visual tidak hanya merekam tetapi juga membentuk persepsi dan representasi tentang perempuan Minangkabau oleh masyarakat kolonial dan bumiputera. Melalui tinjauan terhadap koleksi foto-foto yang diambil oleh fotografer kolonial, artikel ini akan menyoroti berbagai aspek kehidupan perempuan, termasuk modernitas, gaya hidup, peran sosial, adat istiadat, dan dinamika keseharian mereka dalam kon

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Dounia, Margarita. "Children’s Clothing in a Picture: Explorations of Photography, Childhood and Children’s Fashions in Early 20th Century Greece and Its US Diaspora." Genealogy 8, no. 3 (2024): 113. http://dx.doi.org/10.3390/genealogy8030113.

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Children’s dress is a constituent element of individual and group identity as well as an indicator of social change. Exploring childhood in three Greek rural communities in Laconia, Kythera, and Crete as well as in their respective diaspora in the United States, this study aims at shedding light on the (re)presentation of children in photographic records through clothing, perceived as the material projection on the self and the group (familial, ethnic, transnational). Drawing from theoretical and methodological approaches of distinct fields, such as history, fashion, photography, material and

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Zhang, Ping. "Dialogical Aperture – Martin Buber’s Philosophy of Dialogue and Lu Nan’s Photography." Journal of Chinese Philosophy 51, no. 2-3 (2025): 150–62. https://doi.org/10.1163/15406253-12340137.

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Abstract This paper explores Martin Buber’s dialogical philosophy and its influence on Lu Nan’s 呂楠 photography. By comparing Lu Nan’s trilogy, which documents marginalized communities in China, with Tyagan Miller’s Covenant: Scenes from an African American Church, the study examines how Buber’s I-Thou concept shapes their practices. It highlights their efforts to transcend the subjectivity-objectivity divide in photography, as suggested by Susan Sontag. Through the “Dialogical Aperture” framework, this research provides insights into the ethical and aesthetic dimensions of documentary photogra

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Ihtadat, Alam Makarima Mainun Lia Nirawati. "Pelatihan Foto Produk Usaha Mikro, Kecil dan Menengah Nizam Jaya." Nanggroe: Jurnal Pengabdian Cendikia 2, no. 4 (2023): 289–93. https://doi.org/10.5281/zenodo.8183801.

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<em>Micro, Small, and Medium Enterprises (MSMEs) are one of the factors driving economic development in Indonesia. The fact that internet development has reached a very fundamental human need enables MSMEs to expand their businesses worldwide. They are, of course, required to understand some basic skills and competencies to survive in the online business, such as electronic market share, e-market ethics, and e-market advertising. The core subjects of e-market advertising are product photography and product design. As smartphones have significantly advanced nowadays, all the mentioned processes

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Simpson, Linda, and Alexis Blair Penney. "My Comrade." Public 33, no. 65 (2022): 231–45. http://dx.doi.org/10.1386/public_00104_7.

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Side, Katherine. "Grimaldi’s iconic photograph: Bloody Sunday, Derry 1972." Irish Journal of Sociology 26, no. 1 (2017): 71–93. http://dx.doi.org/10.1177/0791603517741072.

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This article examines the concept of photographic iconicity in relation to Italian press photographer, Fulvio Grimaldi’s photograph of the evacuation of Derry-born marcher, John [Jackie] Francis Duddy, at Bloody Sunday, 1972. This historical photograph continues to instigate remembering and forgetting among nationalists and unionists in the context of Northern Ireland. Its uses, in state-led government inquiries, among nationalist communities and in the form of artistic intersessions, are demonstrated to be consistent with the hallmarks of iconicity, particularly the ability to situate viewers

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Widyantoro, Achmad Oddy, Raynald Alfian Yudisetyanto, and Kusrini Kusrini. "Diseminasi Keilmuan Fotografi dalam Mendukung Pengembangan Potensi Desa Canden, Jetis, Kabupaten Bantul, Daerah Istimewa Yogyakarta." Jurnal Pengabdian Seni 5, no. 1 (2024): 1–8. http://dx.doi.org/10.24821/jps.v5i1.12520.

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Pengabdian kepada masyarakat ini bertujuan untuk meningkatkan pengembangan potensi desa melaluidiseminasi keilmuan fotografi di Desa Canden, Jetis, Kabupaten Bantul, Daerah Istimewa Yogyakarta.Melalui pelatihan fotografi dan pendekatan partisipatif yang intensif guna membantu masyarakatmemahami dan menerapkan teknik fotografi dalam mengembangkan dan promosi potensi wisata, budaya,dan ekonomi lokal di Desa Canden. Metode dalam pengabdian ini menggunakan penyuluhan denganbentuk ceramah, diskusi, praktik, dan evaluasi, dengan pendekatan partisipatif yang melibatkan masyarakatsecara aktif dalam pr

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Lucas, Richard, Peter Bunting, Michelle Paterson, and Laurie Chisholm. "Classification of Australian forest communities using aerial photography, CASI and HyMap data." Remote Sensing of Environment 112, no. 5 (2008): 2088–103. http://dx.doi.org/10.1016/j.rse.2007.10.011.

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Finley, Emily D., Helena Pike Welch, Mary Lindsley, Hailey Leiva, and Rosa Gonzalez-Guarda. "Development and Utilization of the RADx-UP Image Bank: A Digital Photography Repository." Progress in Community Health Partnerships: Research, Education, and Action 19, no. 2 (2025): 255–60. https://doi.org/10.1353/cpr.2025.a965364.

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Abstract: The use of recruitment materials that reflect individuals and their communities increases the likelihood of those individuals participating in research, particularly among underrepresented populations. The Rapid Acceleration of Diagnostics—Underserved Populations (RADx-UP) Image Bank is a digital repository of photographs from diverse communities participating in the National Institutes of Health's RADx-UP initiative, which aims to increase access to COVID-19 testing in communities across the United States. The Image Bank was created to provide representative and accessible imagery t

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Kusrini, Kusrini, and Aji Susanto Anom Purnomo. "Fotografi Konseptual sebagai Media Representasi Sikap Masyarakat Lokal Terhadap Fenomena Udan Salah Mangsa." Rekam 19, no. 2 (2023): 129–42. http://dx.doi.org/10.24821/rekam.v19i2.9355.

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Artikel ini memuat hasil penelitian tentang fotografi konseptual yang digunakan sebagai media representasi sikap masyarakat lokal terhadap fenomena hujan di musim yang salah (udan salah mangsa). Penelitian menggunakan pendekatan fotografis untuk memahami fenomena udan salah mangsa dalam perspektif masyarakat lokal. Bagaimana masyarakat merespon anomali hujan dan peristiwa alam yang ada di lingkungannya dalam kaitan dengan isu perubahan iklim. Pendekatan penelitian yang digunakan adalah kualitatif dengan metode penyelesaian masalah penelitian dilakukan melalui proses berpikir kreatif dengan lan

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Stakle, Alnis. "Domesticated Simulacra: The Dialectics of Power in Family Photographic Archives." European Journal Of Media, Art & Photography 13, no. 1 (2025): 84–91. https://doi.org/10.34135/ejmap-25-01-04.

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This article investigates the power dynamics present in family photographic archives from the Soviet Union, spanning from World War I to Stalin’s death in 1953. An analysis of discovered family photographs, alongside additional artistic interventions, assesses how family photography serves as a multifaceted tool of ideological power, manifested through what appear to be impartial acts of domestic documentation. The study presents the concept of “domesticated simulacra” to clarify how family photographs gain authenticity through their role in home rituals while concealing collective trauma. By

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Kong, Chao, and Arthit Petchsasithon. "Information Acquisition and Seismic Damage Prediction of Masonry Structures in Rural Areas Based on UAV Inclined Photogrammetry." Journal of Information Systems Engineering and Management 9, no. 1 (2024): 25183. http://dx.doi.org/10.55267/iadt.07.14315.

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Using a novel methodology that integrates incremental dynamic analysis (IDA) and unmanned aerial vehicle positioning (POS) analysis, this study aims to assess the seismic risk of brick structures in rural China. This method can collect a lot of data and accurately anticipate seismic damage by combining UAV oblique photography with IDA analysis. Because rural China has many masonry structures, the project will design unique seismic risk mitigation strategies. High-resolution cameras on Unmanned Aerial Vehicles capture realistic photographs of rural brick buildings. The collected data is careful

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НИКИТИНА, А. К., and С. В. НИКИФОРОВА. "The story of one photo (experience of visual anthropological analysis)." Vestnik of North-Eastern Federal University. Series "Economics. Sociology. Culturology", no. 1(17) (November 19, 2020): 29–40. http://dx.doi.org/10.25587/svfu.2020.17.1.002.

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Рассмотрена проблема документальности на материале фотографического снимка неизвестной, датированного 1914 г. Предложен анализ события фотографирования, имевшего место в Сунтарском улусе Вилюйского округа, выполненного в историко-культурном контексте. В рамках комплексного подхода использованы визуально-антропологический анализ, опрос, интервью и др. методы. В ходе анализа контента фотоисточника мы опирались на классификацию, предложенную специалистом Музея антропологии и этнографии Российской академии наук Е. Б. Толмачевой. Реконструирована легенда фотографического снимка. Проведена идентифик

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Seppänen, Janne. "Community Photographs." Nordicom Review 26, no. 1 (2005): 49–62. http://dx.doi.org/10.1515/nor-2017-0246.

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Abstract The research subject of this article is formed by a project with the title Two Pictures of My Town. The project was carried out during spring 2002 in the town of Tampere, Finland, when town district or suburb communities, and in one case a sixth-form class, were asked to ‘get to the bare essentials’ of their town district and present them in two photographs with short captions. The following research questions were asked: What kinds of visual orders can be found in the paired photographs? What kind of politics of representation is included in these orders? What kind of identity work i

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Rusmadi, Arya Harditya. "HYBRID LEARNING IN PHOTOGRAPHY CLASS AMIDST PANDEMICS." ALAM CIPTA International Journal Of Sustainable Tropical Design & Practice 2, no. 15 (2022): 87–94. http://dx.doi.org/10.47836/ac.15.2.paper10.

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Arguably, recreating virtual space has been a slow-developing concept to many skeptical creative media communities and scholars. With the rapid growth of new media technologies, analogue or digital, society must exercise critical thinking in how these realizes the former impossibilities. Contemporarily, technologies are embedded in our everyday life, and yet we were not certain if these strongly transformed us. Unexpectedly, the COVID-19 pandemic radically disrupted every aspect of life, including education, and as a result educational institution demanding for new systems and structures that

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Karagiannis, Arthur, and Henry Newland. "Mobile retinal photography: A means of screening for diabetic retinopathy in Aboriginal communities." Australian and New Zealand Journal of Ophthalmology 24, no. 4 (1996): 333–37. http://dx.doi.org/10.1111/j.1442-9071.1996.tb01604.x.

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Di Napoli Pastore, Marina. "Play, create, transform: a pluriverse of children and childhoods from southern Mozambique." Journal of the British Academy 10s2 (2022): 111–32. http://dx.doi.org/10.5871/jba/010s2.111.

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This article discusses the understanding of children as sociocultural beings and active agents in three communities in southern Mozambique as part of doctoral research from 2014�2018. This research study aimed to understand play as comprising meaningful activities for children and examine the possibilities for transformation and reinterpretation of possible worlds. An ethnographic framework was used drawing on methods such as participant observation, photographs, videos, informal conversations, and open interviews. Through the scenes observed, all of which foreground play, this paper addresses

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