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Relevant bibliographies by topics / Photography in archaeology

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Academic literature on the topic 'Photography in archaeology'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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Journal articles on the topic "Photography in archaeology"

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Markiewicz, Małgorzata. "„Takie jak w rzeczywistości”. Obraz fotograficzny - obiektywne odwzorowanie czy subiektywna kreacja? Fotografia w badaniach archeologicznych." Folia Praehistorica Posnaniensia 28 (December 27, 2023): 207–30. http://dx.doi.org/10.14746/fpp.2023.28.09.

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The article reviews the current state of knowledge on photography and the use of photographs in archaeological research. The discovery of photography was a breakthrough in the history of archaeology. The mechanical method of image registration, considered to be devoid of subjective human intervention, was supposed to guarantee the neutrality and objectivity of the visual representation. Belief in realism of photography has led to it becoming the primary form of documentation in archaeology, for both the research process and the relics themselves. This article will attempt to answer the questio

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Riggs, Christina. "Shouldering the past: Photography, archaeology, and collective effort at the tomb of Tutankhamun." History of Science 55, no. 3 (2016): 336–63. http://dx.doi.org/10.1177/0073275316676282.

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Photographing archaeological labor was routine on Egyptian and other Middle Eastern sites during the colonial period and interwar years. Yet why and how such photographs were taken is rarely discussed in literature concerned with the history of archaeology, which tends to take photography as given if it considers it at all. This paper uses photographs from the first two seasons of work at the tomb of Tutankhamun (1922–4) to show that photography contributed to discursive strategies that positioned archaeology as a scientific practice – both in the public presentation of well-known sites and in

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Kea, Pamela. "Photography, care and the visual economy of Gambian transatlantic kinship relations." Journal of Material Culture 22, no. 1 (2016): 51–71. http://dx.doi.org/10.1177/1359183516679188.

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This article examines transnational kinship relations between Gambian parents in the UK and their children and carers in The Gambia, with a focus on the production, exchange and reception of photographs. Many Gambian migrant parents in the UK take their children to The Gambia to be cared for by extended family members. Mirroring the mobility of Gambian migrants and their children as they travel between the UK and The Gambia, photographs document changing family structures and relations. It is argued that domestic photography provides an insight into the representational politics, values and ae

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Edwards, Elizabeth. "Photography and Archaeology." History of Photography 37, no. 2 (2013): 245–47. http://dx.doi.org/10.1080/03087298.2013.769737.

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Myers, J. Wilson, and D. N. Riley. "Air Photography and Archaeology." American Journal of Archaeology 93, no. 4 (1989): 599. http://dx.doi.org/10.2307/505332.

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Frere, S. S., and D. N. Riley. "Air Photography and Archaeology." Britannia 19 (1988): 530. http://dx.doi.org/10.2307/526231.

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Jagger, Nicholas. "Towards an Archaeology of Photography." Art History 19, no. 2 (1996): 296–300. http://dx.doi.org/10.1111/j.1467-8365.1996.tb00667.x.

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Nicholson, Paul T. "Three-dimensional imaging in archaeology: its history and future." Antiquity 75, no. 288 (2001): 402–9. http://dx.doi.org/10.1017/s0003598x00061056.

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Whilst digital cameras and computer graphics are starting to be used in archaeological recording, stereoscopic photography tends to be overlooked. This technique has been used successfully in three recent projects and could be beneficial as a means of 3D photographic recording.

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Kukanova, Viktoriya V., Aleksandra T. Bayanova та Larisa B. Mandzhikova. "Газетные фотографии: использование приема гиперболизации (на материале публикаций в газете «Хальмг үнн» («Калмыцкая правда») в 1957–1961 гг.)". Oriental Studies 13, № 6 (2020): 1579–93. http://dx.doi.org/10.22162/2619-0990-2020-52-6-1579-1593.

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Introduction. Photography is a visual source of information, and its unique character has been recognized by numerous researchers. Newspaper photographs tend to mirror both a historical era proper and daily life of its inhabitants. Goals. The paper aims at analyzing the ‘essential messages’ of photographs published by Khalmg Ünn (‘The Kalmyk Pravda’) newspaper in 1957–1961. The periodical is an ethnic-oriented print media to have published — and still does — Kalmyk language materials. Materials and Methods. The continuous sampling method was employed to extract photographs from newspaper issue

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Edwards, Elizabeth. "The Marshall Albums: Photography and Archaeology." History of Photography 36, no. 2 (2012): 232–33. http://dx.doi.org/10.1080/03087298.2012.666107.

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Dissertations / Theses on the topic "Photography in archaeology"

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Hauser, Kitty. "Shadow sites : photography, archaeology, and the British landscape 1927-1955 /." Oxford ; New york : Oxford university press, 2007. http://catalogue.bnf.fr/ark:/12148/cb411636232.

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Hauser, Kitty. "Photography and the archaeological imagination : Britain c.1927-1951." Thesis, University of Oxford, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.275777.

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Brusius, Mirjam Sarah. "Preserving the forgotten : William Henry Fox Talbot, photography and the antique." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609959.

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Anthony, Robert D. "Lenses of industry| The rise of industrial photography in the United States and the Lake Superior mining district, 1880-1933." Thesis, Michigan Technological University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10004767.

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<p> This thesis, <i>Lenses of Industry,</i> examines how industrial companies and engineers adapted photography to their needs in the late nineteenth and early twentieth centuries. Innovations in camera and plate technologies marketed to a broad range of people contributed to a steep rise in the number of photographers in the United States. Recognizing the potential that photography held for industrial companies and engineers, a handful of experts advocated the idea that photography had the potential to make many aspects of business faster, and easier, as well as to make visual records more tr

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Schwartz, Melissa A. "CONSTRUCTING THE REAL: THE NEW PHOTOGRAPHY OF CREWDSON, GURSKY AND WALL." UKnowledge, 2011. http://uknowledge.uky.edu/gradschool_theses/97.

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A new class of photographs that relies on digital processes, best exemplified by the works of Gregory Crewdson, Andreas Gursky and Jeff Wall all exhibit a ‘not quite right’ quality that calls into question some of the most closely held truisms of photographic thought. Through novel technological processes combined with the elements of the new photography—new scale, fabulist imagery, and implied narrative—these images challenge the nature of photography as a documentary process and, beyond that, the nature of what we understand to be ‘the real’ that is supposedly documented. A visual analysis o

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Weiner, Eva. "Photography and Mourning: Excavating Memories of My Great-Grandmother." Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1096.

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This paper explores how photographs have affected mourning processes in the past and how photo-technology may be able to change the way in which we mourn in the future. It includes an overview of the history of post-mortem photography and discusses the perspectives of well-known media theorists such as Roland Barthes and Susan Sontag. It engages with psychologists by including their perspectives on the effect that photographs have on the mourning process. A project was created to investigate how photo-technology can affect the bereaved. The project places photographs of a mother into pictures

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Gallagher, Meghan M. "Claiming Images: The Production and Preservation of Desire in Richard Prince's Re-Photography." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/679.

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This thesis explores the re-photography of contemporary artist, Richard Prince. Using Lacanian theories of the gaze and of the drive cycle, it attempts to establish desire as the central theme of Prince's work. It looks primarily at the Cowboys, Girlfriends, and New Portraits, in order to combat the dominant perception of Prince's work as critical commentary on contemporary consumer culture.

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Boasso, Lauren. "Viewing Victorian Prisoners: Representations in the Illustrated Press, Painting, and Photography." VCU Scholars Compass, 2016. https://scholarscompass.vcu.edu/etd/4087.

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Victorian prisoners were increasingly out of sight due to the ending of public displays of punishment. Although punishment was hidden in the prison, prison life was a frequent subject for representation. In this dissertation, I examine the ways Victorian illustrated newspapers, paintings, and photographs mediated an encounter with prisoners during a time when the prison was closed to outsiders. Reports and images became a significant means by which many people learned about, and defined themselves in relation to, prisoners. Previous scholarship has focused on stereotypes of prisoners that defi

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Aqdus, Syed Ali. "Airborne multispectral and hyperspectral remote sensing techniques in archaeology a comparative study /." Thesis, Thesis restricted. Connect to e-thesis to view abstract, 2009. http://theses.gla.ac.uk/812/.

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Thesis (Ph.D.) - University of Glasgow, 2009.<br>Ph.D. thesis submitted to the Faculty of Physical Sciences, Department of Geographical and Earth Sciences and the Faculty of Arts, Department of Archaeology, University of Glasgow, 2009. Includes bibliographical references. Print version also available.

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Falk, Rickard. "Jordnära : Erfarenheter från ett röse." Thesis, Södertörns högskola, Institutionen för historia och samtidsstudier, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-29678.

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The purpose of the essay is to see (1) how being a bricoleur works within the framework of academic discourse, specifically an archaeological one, (2) if, by usinga bricoleur approach, incorporating object-oriented philosophy, phenomenology, aesthetic theory and photography, one can get at different interpretations of an archaeological place and material; specifically the cairn at Skårby and how it ”should” be approached, and (3), if the incorporation of a photography that’s not aimed at textual illustration or representation, along with a looser language, can make an academic text like this o

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Books on the topic "Photography in archaeology"

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Dorrell, Peter G. Photography in archaeology and conservation. 2nd ed. Cambridge University Press, 1994.

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Hannouch, Hanin. Gabriel Lippmann's Colour Photography. Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463728553.

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Physicist Gabriel Lippmann’s (1845–1921) photographic process is one of the oldest methods for producing colour photographs. So why do the achievements of this 1908 Nobel laureate remain mostly unknown outside niche circles? Using the centenary of Lippmann’s death as an opportunity to reflect upon his scientific, photographic, and cultural legacy, this book is the first to explore his interferential colour photography. Initially disclosed in 1891, the emergence of this medium is considered here through three shaping forces: science, media, and museums. A group of international scholars reasses

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Edward, Ranney, Benson Christopher 1960-, Spitler Priscilla A, Fisher Press, and Hands On Bookbinding, eds. Archaeology and the shape of time. The Fisher Press, 2011.

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Martín, Julio del Olmo. Arqueología AéreA en Castilla y León: Villas romanas, urbanismo celtíberico, edificación y urbanismo romano. publisher not identified, 2016.

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1948-, Nepomuceno Eric, Salgado Lélia Wanick, and Philadelphia Museum of Art, eds. Workers: An archaeology of the industrial age. Aperture, 1993.

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Lawton, Joseph. Archaeology and photography: The early years 1868-1880. National Trust Sri Lanka, 2009.

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Ismeth, Raheem, National Trust-Sri Lanka, and Carson Cumberbatch PLC (Firm), eds. Archaeology and photography: The early years 1868-1880. National Trust Sri Lanka, 2009.

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Birger, Stichelbaut, ed. Images of conflict: Military aerial photography and archaeology. Cambridge Scholars Pub., 2009.

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Howell, Carol L. A practical guide to archaeological photography. Institute of Archaeology, University of California, 1992.

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NATO Advanced Research Workshop on Aerial Archaeology--Developing Future Practice (2000 Leszno, Poland). Aerial archaeology: Developing future practice. IOS Press, 2002.

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Book chapters on the topic "Photography in archaeology"

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Gomes, Sérgio. "Archaeology, Photography and Poetics." In Archaeology and Photography. Routledge, 2020. http://dx.doi.org/10.4324/9781003103325-6.

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Alves-Ferreira, Joana. "Parafictions: A Polaroid Archaeology." In Archaeology and Photography. Routledge, 2020. http://dx.doi.org/10.4324/9781003103325-5.

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Ceraudo, Giuseppe. "Aerial Photography in Archaeology." In Natural Science in Archaeology. Springer International Publishing, 2013. http://dx.doi.org/10.1007/978-3-319-01784-6_2.

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Derbyshire, Samuel. "Photography, Archaeology and Visual Repatriation." In Archaeology and Photography. Routledge, 2020. http://dx.doi.org/10.4324/9781003103325-10.

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Baird, J. A. "Exposing Archaeology: Time in Archaeological Photographs." In Archaeology and Photography. Routledge, 2020. http://dx.doi.org/10.4324/9781003103325-4.

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Klamm, Stefanie. "Reconfiguring the use of photography in archaeology." In Hybrid Photography. Routledge, 2021. http://dx.doi.org/10.4324/9781003157854-12.

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McFadyen, Lesley, and Dan Hicks. "Introduction: From Archaeography to Photology." In Archaeology and Photography. Routledge, 2020. http://dx.doi.org/10.4324/9781003103325-1.

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Aldred, Oscar. "The Aerial Imagination." In Archaeology and Photography. Routledge, 2020. http://dx.doi.org/10.4324/9781003103325-11.

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Hicks, Dan. "The Transformation of Visual Archaeology (Part Two)." In Archaeology and Photography. Routledge, 2020. http://dx.doi.org/10.4324/9781003103325-12.

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Hicks, Dan. "The Transformation of Visual Archaeology (Part One)." In Archaeology and Photography. Routledge, 2020. http://dx.doi.org/10.4324/9781003103325-2.

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Conference papers on the topic "Photography in archaeology"

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"Photography in Indonesian Archaeology of the 19th to the Early 20th Century | Fotografi dalam Arkeologi Indonesia pada Abad ke-19 sampai Awal Abad ke-20 Masehi." In The SEAMEO SPAFA International Conference on Southeast Asian Archaeology and Fine Arts (SPAFACON2021). SEAMEO SPAFA, 2021. http://dx.doi.org/10.26721/spafa.pqcnu8815a-28.

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In Dutch East India, photographic documentation for antiquities was as up-to-date as in Europe that was developed in the last half of the 19th century. Photography became a tool for archaeological surveys which resulted in thousands of enormous resources. In this paper, the historical background regarding how these old photographs were collected and how the material circulated within archaeological activities will be elaborated. The timeline studied is limited to pre-independence Indonesia with the subject mostly focused on Hindu-Buddhist remains. The method used is literature review of both r

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Tikhonov, Igor'. "Role of photography in studies of the history of archaeology." In Monuments of archaeology in studies and photographs (in the memory of Galina Vatslavna Dluzhnevskaya). Institute for the History of Material Culture Russian Academy of Sciences, 2018. http://dx.doi.org/10.31600/978-5-907053-08-3-2018-185-193.

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Daffara, Claudia, Sara Mazzocato, Tullio de Rubeis, and Dario Ambrosini. "A simple method for artworks monitoring by simultaneous speckle interferometry (ESPI) and speckle photography." In Optics for Arts, Architecture, and Archaeology (O3A) VIII, edited by Roger Groves and Haida Liang. SPIE, 2021. http://dx.doi.org/10.1117/12.2593945.

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Calisi, Daniele. "PHOTOGRAMMETRIC SURVEY AND 3D MODELING OF THE FUNERARY URN DEPICTING THE MYTH OF OENOMAUS, FOUND INSIDE THE TOMB OF THE ETRUSCAN FAMILY OF CACNI IN PERUGIA (III-I CENTURY BC)." In ARQUEOLÓGICA 2.0 - 8th International Congress on Archaeology, Computer Graphics, Cultural Heritage and Innovation. Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/arqueologica8.2016.3318.

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The urn, recovered in 2013 by the Cultural Heritage's Police Command along with other 21 and with the funeral set of the tomb of the Cacni family at Perugia, was exhibited at the Quirinale and then moved to Perugia, at the National Archaeological Museum of Umbria. 2014. After a first attempt to survey the laser scanner, the survey, aimed at the graphic documentation and implementation of a virtual model for the study and dissemination, has been performed with photographic processed with software modeling structure from motion.3D model in mesh made with the appropriate software has been cleaned

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Vincent, Matthew L., Tom DeFanti, Jurgen Schulze, Falko Kuester, and Thomas Levy. "Stereo panorama photography in archaeology: Bringing the past into the present through CAVEcams and immersive virtual environments." In 2013 Digital Heritage International Congress (DigitalHeritage). IEEE, 2013. http://dx.doi.org/10.1109/digitalheritage.2013.6743783.

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Tartara, Patrizia. "The Landscape of Ancient Caere through Historic Air Photographs." In Landscape Archaeology Conference. VU E-Publishing, 2016. http://dx.doi.org/10.5463/lac.2014.67.

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Tartara, Patricia. "Aerial photographs and topographical territorial analysis: some case studies in the Vestine area (Abruzzo)." In Landscape Archaeology Conference. VU E-Publishing, 2016. http://dx.doi.org/10.5463/lac.2014.73.

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Gentile, Patrizia. "Neolithic Settlements of the Tavoliere di Puglia (Foggia, southern Italy). Topographic Analysis, Interpretation and Restitution of Archaeological Traces in Aerial Photographs." In Landscape Archaeology Conference. VU E-Publishing, 2016. http://dx.doi.org/10.5463/lac.2014.34.

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Beletskiy, Sergej. "Unknown photographs of Pskov of 1946." In Monuments of archaeology in studies and photographs (in the memory of Galina Vatslavna Dluzhnevskaya). Institute for the History of Material Culture Russian Academy of Sciences, 2018. http://dx.doi.org/10.31600/978-5-907053-08-3-2018-280-284.

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Moiseeva, Nadezhda. "Petr Petrovich Pokryshkin’s trip to Serbia. Photograpphs and postcards." In Monuments of archaeology in studies and photographs (in the memory of Galina Vatslavna Dluzhnevskaya). Institute for the History of Material Culture Russian Academy of Sciences, 2018. http://dx.doi.org/10.31600/978-5-907053-08-3-2018-264-269.

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Reports on the topic "Photography in archaeology"

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Atkinson, Dan, and Alex Hale, eds. From Source to Sea: ScARF Marine and Maritime Panel Report. Society of Antiquaries of Scotland, 2012. http://dx.doi.org/10.9750/scarf.09.2012.126.

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The main recommendations of the panel report can be summarised under four headings: 1. From Source to Sea: River systems, from their source to the sea and beyond, should form the focus for research projects, allowing the integration of all archaeological work carried out along their course. Future research should take a holistic view of the marine and maritime historic environment, from inland lakes that feed freshwater river routes, to tidal estuaries and out to the open sea. This view of the landscape/seascape encompasses a very broad range of archaeology and enables connections to be made w

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