Relevant bibliographies by topics / Photography, Industrial / Dissertations / Theses
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Dissertations / Theses on the topic 'Photography, Industrial'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2024

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1

Weber, Matthew John. "Industrial monuments." Thesis, University of Iowa, 2014. https://ir.uiowa.edu/etd/4790.

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While traveling home from work we may glance out our windows at these industrial structures whose fluorescent lights glow throughout the night. These places, often located on the outskirts of the cityscape, leave the viewer with a mix set of emotions. First, our reactions to the height, shape and form, whose towers and beams stretch high into the sky, loom over our tiny human frames. Regardless of the beauty that may be offered to the viewer at first glance, there is an underlying feeling of disgust and disregard, as these manufacturing plants stand as the agents of our environment issues in t
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2

Ilic, Nevena. "Former factory fotokemika as a museum of photography." Master's thesis, Universidade de Évora, 2016. http://hdl.handle.net/10174/21121.

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Au cours du procédé de transmission du médium photographique, du support argentique au support numérique, un phénomène voit le jour à la fin du 20ème siècle: la plupart des fabricants de supports argentiques au fur et à mesure ferment leurs portes. En conséquence, la production de matériel photographique s‘arrête et cette tradition séculaire de la photographie argentique doit faire face à l‘abandon et à la disparition progressive. Dans l'étude de cas du fabricant Fotokemika (1947-2012), une ancienne fabrique de matériel photographique en Yougoslavie et plus tard de la République croate, mon ob
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Bertolini, Florencia Fernández. "Portraits, biographies et fours à chaux : images, mémoire et construction patrimoniale de l'exploitation minière dans une ville d'Argentine à la fin du XXe siècle." Master's thesis, Universidade de Évora, 2021. http://hdl.handle.net/10174/31697.

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Cette recherche est basée sur la photographie d'un anthropologue et le travail d'un groupe interdisciplinaire créé en 1999 dans la ville d'Olavarría, province de Buenos Aires, Argentina. L'étude explore le rôle, l'incidence et l'utilisation de l’image photographique dans les processus d'activation, de resignification et de construction du patrimoine. On verra que la photographie est utilisée dans la recherche anthropologique et la documentation des fours à chaux, des techniques et des savoir-faire des travailleurs. L’image est également un élément central des actions et des activités d'interve
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4

Fein, Zachery E. "The Aesthetic of Decay: Space, Time, and Perception." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1305892741.

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Anthony, Robert D. "Lenses of industry| The rise of industrial photography in the United States and the Lake Superior mining district, 1880-1933." Thesis, Michigan Technological University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10004767.

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<p> This thesis, <i>Lenses of Industry,</i> examines how industrial companies and engineers adapted photography to their needs in the late nineteenth and early twentieth centuries. Innovations in camera and plate technologies marketed to a broad range of people contributed to a steep rise in the number of photographers in the United States. Recognizing the potential that photography held for industrial companies and engineers, a handful of experts advocated the idea that photography had the potential to make many aspects of business faster, and easier, as well as to make visual records more tr
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Meloni, Giaime. "La construction d’une vision paysagère : études des usages de l’action photographique comme outil de projet du paysage." Thesis, Paris 10, 2014. http://www.theses.fr/2014PA100094/document.

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La thèse poursuit comme objectif d’explorer la liaison entre le projet de paysage, conçu comme une intention de transformation soit matérielle soit immatérielle du territoire, en relation à la pratique photographique. Il s’agit d’une enquête interdisciplinaire qui essaie de comprendre les interactions possibles entre les deux matières, évitant une soumission de l’une à l’autre. Se matérialise un champ de recherche sur la culture du projet, orienté à déterminer les possibilités d’utilisation de la photographie comme contribution aux pratiques de conception de l’espace. L’étude problématique pos
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Desole, Angelo Pietro. "La fotografia industriale in Italia. 1933-1965." Doctoral thesis, Università degli studi di Padova, 2014. http://hdl.handle.net/11577/3423801.

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The theme of the research the industrial photography in Italy frome 1933 to 1965. A period of Italian history marked by really significant changes, especially from issues related to the economy. About the methodology, the research considers the photograph not as an aesthetic object , but as part of a broader cultural path followed by the company in those years. In particular, the industrial photography has considered as a whole ideological product of large companies, made for propaganda purposes and to create an identity. The work is divided mainly into four historical chapters that identify a
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Wallenbäck, Karin. "Att Gestalta Gestalt : An approach to product photography as an integrated part of the design process, as opposed to a form of documentation detached from the design process." Thesis, Konstfack, Industridesign, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-2998.

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Digital technology and the Internet has fundamentally reshaped the way photographs are viewed and shared. Today designers can reach out and publish their work via web sites and blogs without having to rely on editorial features or even the objects being in production. Most people will only see the finished products on blogs or in magazines, and it is almost as though the image is more important than the real object. How does this change the role of the image in the field of product design and what new demands does it put on product photography? Through theoretical and applied research, the aim
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Scott, Conohar. "The photographer as environmental activist : politics, ethics and beauty in the struggle for environmental remediation." Thesis, Loughborough University, 2015. https://dspace.lboro.ac.uk/2134/19640.

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This practice-based research study examines two questions in an effort to determine how the photographer can play a role in the promulgation of environmental activism. Firstly, I ask if certain aesthetic approaches to the documentation of industrial pollution can be regarded as antithetical to the values of environmentalism; in particular, I examine the use of the sublime and the role that beauty plays in documenting scenes of environmental despoliation. In response to this question, I describe the problems associated with establishing a counter-aesthetic position in my artistic practice, whic
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Funkhouser, Todd. "Sentinels of The Anthropocene: Investigating an Architecture of The Contemporary Sublime." University of Cincinnati / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1623242131059292.

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Cruz, Ubirajara Buddin. "Fotografia e memória as câmaras frias dos extintos frigoríficos Anglo de Pelotas (Brasil) e Fray Bentos (Uruguay)." Universidade Federal de Pelotas, 2016. http://repositorio.ufpel.edu.br:8080/handle/prefix/3332.

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Dalfito, Daiana. "Esculturas anônimas e a objetividade pós-industrial : um estudo sobre a obra de Bernd E Hilla Becher." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284562.

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Orientador: Roberto Berton de Ângelo<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-21T10:52:21Z (GMT). No. of bitstreams: 1 Dalfito_Daiana_M.pdf: 138418901 bytes, checksum: d3953ad183f849ddb7fd6888d81311b9 (MD5) Previous issue date: 2012<br>Resumo: Este estudo se propõe a observar a obra fotográfica de Bernd e Hilla Becher, um casal alemão que se dedicou ao registro fotográfico de construções industriais por quase meio século. Dividido em três capítulos, o texto busca abordar um pouco da história de vida e do processo
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MELONI, GIAIME. "La costruzione di una Vision Paysagere. Studi sull’utilizzo dell’azione fotografica come strumento di progetto di paesaggio." Doctoral thesis, Università degli Studi di Cagliari, 2014. http://hdl.handle.net/11584/266551.

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The thesis aims at exploring the relationship between the landscape project, conceived as a discipline able to transform the material and immaterial territory, and the photographic practice . It is an interdisciplinary research that attempts to understand the possible interactions between the two branches of knowledge, avoiding the submission of one over the other. It is so conceived a field of research on the design culture oriented to determine the potential use of photography as a contribution to the conception of space. The study highlights some key issues: Can the photography, as re
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Melo, Chanaísa. "Fragmentos da memória de uma fábrica na Coleção Fotográfica Laneira Brasileira Sociedade Anônima." Universidade Federal de Pelotas, 2013. http://repositorio.ufpel.edu.br/handle/ri/1036.

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Made available in DSpace on 2014-08-20T13:20:47Z (GMT). No. of bitstreams: 1 Chanaisa_Melo_Dissertacao.pdf: 7394883 bytes, checksum: 39303ca5d26ed818cd0058af3311e862 (MD5) Previous issue date: 2013-04-13<br>Laneira Brasileira Sociedade Anônima, located at the district of Fragata in the city of Pelotas, Rio Grande do Sul, Brazil, was an important factory for the Pelotas' community. For more than 50 years it helped the social and economical development of the city through activities focused in wool production and commercialization. In 2003 the factory terminated its activities due to
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Santos, Luciana de Sousa. "Análise colorimétrica de faces humanas: uma abordagem para auxílio ao reconhecimento de imagens." Universidade do Estado do Rio de Janeiro, 2013. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=6191.

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A quantificação colorimétrica da pele do rosto humano apresenta uma grande dispersão de valores. Esta dispersão varia de acordo com o espaço de cor (HSV ou YCbCr) adotado para a análise e quanto menor a dispersão mais adequado é o espaço ao reconhecimento facial. O objetivo deste trabalho é analisar a distribuição estatística da colorimetria de imagens de rostos digitalizadas. A análise poderá dizer se as coordenadas de cor, tais como saturação, matiz e valor podem auxiliar em técnicas de reconhecimento de faces. Como resultado da análise, espera-se concluir qual dos sistemas de coordenadas de
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Chance, Helena M. F. "'The Factory in a Garden' : corporate recreational landscapes in England and the United States, 1880-1939." Thesis, University of Oxford, 2010. http://ora.ox.ac.uk/objects/uuid:98e6efda-ea51-4bbd-834d-a606fcd5eec7.

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From the 1880s, a new type of designed green space appeared in the industrial landscape in England and the USA - the factory pleasure garden or park. At the same time, industrialists began to enhance their office and factory buildings with landscaping and planting, and some opened allotment gardens for the children of factory workers. The making of gardens and parks around or near office and factory buildings, designed by professionals, was driven by belief in the value of gardens and parks to recruitment and retention of staff, to industrial welfare, and to advertising, corporate identity and
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17

Elvers, Karen Trepka. "Bacterial-fungal biofilms in industrial flowing water systems." Thesis, University of Exeter, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.244421.

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18

Callens, Anne-Céline. "Création photographique publicitaire et industrie. Le cas des Editions Paul-Martial." Thesis, Lyon, 2016. http://www.theses.fr/2016LYSES031.

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Durant la période de prospérité des années 1920, avec l’accroissement de la consommation résultant de la seconde révolution industrielle, de nouvelles stratégies commerciales se mettent en place. Alors que la publicité moderne en est à ses premiers balbutiements, les Éditions Paul-Martial — qui sont créées à Paris en 1926 — deviennent, grâce à leur fondateur Paul Martial Haeffelin, une des entreprises les plus novatrices dans le domaine. Elles proposent plusieurs types de prestations : la conception de lignes graphiques, de logotypes, d’affiches, d’annonces, d’encarts qui sont publiés dans les
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Paolillo, Costanza. "Ferrania. Un’impresa, una rivista : industria fotografica e lavoro culturale dagli albori della società dello spettacolo italiana." Doctoral thesis, Scuola Normale Superiore, 2019. http://hdl.handle.net/11384/85764.

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Borges, Camila de Moraes Barbosa. "Processo de escolha de bancos de imagens: aplicações no marketing business to business." reponame:Repositório Institucional do FGV, 2007. http://hdl.handle.net/10438/3698.

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Made available in DSpace on 2009-11-18T19:00:49Z (GMT). No. of bitstreams: 1 ACF155.pdf: 526538 bytes, checksum: be4ca3ee68364433f3fecaac30bb476d (MD5) Previous issue date: 2007<br>The general objective of this research is to verify which attributes are most relevant to a stock photography agency that represent the purchaser's standards of choice. For this objective to be accomplished, qualitative interviews with the customers of stock photography agencies had been made in order to raise the attributes considered with relevance in the process of choice for the Brazilian stock photography a
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Blaschke, Estelle. "Photography and the commodification of images : the Bettmann archive and Corbis (ca. 1924-present)." Paris, EHESS, 2011. http://www.theses.fr/2011EHES0086.

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Cette étude se consacre au développement et au fonctionnement des banques d’images des années 1920 à nos jours, à partir du cas formé par deux entreprises liées par leur histoire : le fonds crée à Berlin en 1933 par la bibliothèque, historien et hommes d’affaires Otto Bettmann et le groupe Corbis, agence spécialisée dans le commerce de reproductions numériques fondée en 1989 par Bill Gates, créateur de Microsoft. Les banques d’images développent des méthodes sophistiques et efficaces d’archivage, de gestion et de diffusion des photos. Elles assument un rôle essentiel dans l’industrialisation d
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DEL, ZOTTO LUCIA. "Una piattaforma web per l'indagine storica. Grafici e fotografi pubblicitari in Pubblicità in Italia tra gli anni Cinquanta e Settanta." Doctoral thesis, Università IUAV di Venezia, 2020. http://hdl.handle.net/11578/286436.

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L’oggetto di indagine considerato nella ricerca è il rapporto tra grafici e fotografi in Italia tra gli anni Cinquanta e Settanta all'interno della produzione di artefatti pubblicitari a stampa. Prendere in esame, osservare e indagare tali relazioni ha significato identificare i protagonisti e ricostruire una vicenda lacunosa e dimenticata dalla storiografia ufficiale. L'indagine, svolta grazie alla combinazione di dati quantitativi, fonti secondarie e materiali d’archivio, intende offrire un resoconto ragionato sul dialogo che fotografia e grafica hanno affrontato in ambito pubblicitario. Si
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Dardier, Geneviève. "Etude de la correction locale en densité optique de photos mal exposées lors du processus de tirage. Application en milieu industriel aux laboratoires de développement photographique." Paris, ENST, 1998. http://www.theses.fr/1998ENST0027.

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On considère, dans ce travail, le problème de la qualité des photos délivrées après traitement et tirage en laboratoires de développement rapide. L'application des algo-rithmes développés ne se limite pas au domaine des mini-laboratoires mais concerne aussi les interfaces graphiques dans lesquelles les procédés tels que le tirage ou le ma-quillage sont simulés ou encore la retauration d'images. Notre travail se divise en trois parties principales. La première consiste en la caractérisation de l'environnement de recherche; lors de cette étude, on calibre les différents appareils ayant servi à l
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Muller, Thomas. "Synthèse d’image iso-photographique pour la conception de l’apparence assistée par ordinateur." Electronic Thesis or Diss., Paris, CNAM, 2021. http://www.theses.fr/2021CNAM1289.

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La notion de « Conception de l’Apparence Assistée par Ordinateur » (CA²O), apparue `a la fin des années 90, est une branche de la CAO traitant plus spécifiquement de l’aspect des matériaux. La CA²O pourrait être un outil déterminant pour la prise de décision lors des phases de conception des produits manufacturés. Pourtant, alors que de nos jours la maquette numérique a presque totalement supplanté la maquette physique en ce qui concerne le choix de la forme, la détermination des couleurs et des matières passe encore essentiellement par la réalisation d’un ou plusieurs prototypes réels. Ce tra
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Timby, Kim. "Images en relief et images changeantes : l'invention et la commercialisation de la photographie à réseau en France, 1896-1980." Paris, EHESS, 2006. http://www.theses.fr/2006EHES0140.

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Autour de 1900 paraissent de nouveaux types de photographies, à réseau, qui donnent par elles-mêmes une illusion de profondeur ou d'animation. La première partie de ce travail est consacrée à l'invention et aux sources théoriques de ces procédés, puis à la production jusqu'en 1950 (portraits, notamment). Cette histoire révèle une fascination pour les progrès techniques de la photographie qui tendent vers l'utopie de ce qui peut être appelé le naturalisme perceptif. La seconde partie analyse la commercialisation du réseau après 1950. D'autres formes techniques sont inventées afin de permettre d
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Pitout, Cédric. "Conception et utilisation d'un système d'information géographique pour l'étude et le suivi de sites industriels pollués : Analyse spatiale 2D-3D. Analyse multiparamètre." Lille 1, 2000. https://pepite-depot.univ-lille.fr/RESTREINT/Th_Num/2000/50377-2000-23.pdf.

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Leblanc, Audrey. "L'image de mai 68 : du journalisme à l'histoire." Paris, EHESS, 2015. http://www.theses.fr/2015EHES0142.

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Ces recherches déplient les pans de la médiatisation des événements de mai juin 1968 en France par la presse magazine et les entreprises du photojournalisme au cours des 45 dernières années. L'étude de cas du dit Mai 68 donne la mesure de la construction de l'histoire par le journalisme en faisant le choix de l'analyse à l'échelle de l'événement. Une chaîne éditoriale conduit à l'élaboration des récits médiatiques ; elle n'a pas vocation à être vue, les médias revendiquant leur objectivité, leur transparence. Restituer la place des images dans ces élaborations, les considérer sous l'angle de l
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McClanahan, Bill. "Capturing Appalachia : visualizing coal, culture, and ecology." Thesis, University of Essex, 2017. http://repository.essex.ac.uk/20823/.

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Capturing Appalachia: Visualizing Coal, Culture and Ecology, draws on extensive ethnographic, archival, and ecographic research conducted across Appalachia between 2014-2016 to develop an empirically informed sociological image of the interactions between culture, geography, and industry. Of particular interest are the ways that extractive cultures in Appalachia are constructed and communicated, and so the project includes archival work researching historical images as well as fieldwork focused on the production of images. Drawing on the traditions of cultural and ‘green’ criminologies, geogra
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Blake, Greyory. "Good Game." VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5377.

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This thesis and its corresponding art installation, Lessons from Ziggy, attempts to deconstruct the variables prevalent within several complex systems, analyze their transformations, and propose a methodology for reasserting the soap box within the display pedestal. In this text, there are several key and specific examples of the transformation of various signifiers (i.e. media-bred fear’s transformation into a political tactic of surveillance, contemporary freneticism’s transformation into complacency, and community’s transformation into nationalism as a state weapon). In this essay, all of t
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Guimarães, Pedro Maciel. "Créer ensemble : l'apport des collaborateurs de création à l'oeuvre de Manoel de Oliveira." Thesis, Paris 3, 2009. http://www.theses.fr/2009PA030127.

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Un film est une œuvre de collaboration qui se nourrit des différentes sensibilités des professionnels qui le font et qui épaulent, de manière plus ou moins significative, son auteur. Notre réflexion se situe au moment charnière de toute œuvre artistique, sa création. L’étude de la poétique du film, des processus de sa fabrication, permet d’en comprendre plus profondément les enjeux esthétiques. En abordant spécifiquement les relations de collaboration chez le réalisateur portugais Manoel de Oliveira, il s’agit d’enquêter sur la façon dont les rapports idéologiques, personnels et professionnels
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Sapirstein, Ray Julius. "Out from behind the mask : the illustrated poetry of Paul Laurence Dunbar and photography at Hampton Institute." 2005. http://hdl.handle.net/2152/9769.

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This dissertation contextualizes and interprets several hundred photographs illustrating six books of poetry by Paul Laurence Dunbar. Although their significance as cultural landmarks is largely unrecognized today, they rank among the largest and most widely distributed bodies of photographs of African Americans in American visual culture. Published between 1899 and 1906, the images in the Dunbar books represent a counterpoint to the much-emphasized publicity photographs made concurrently for the school by Frances Benjamin Johnston, complicating simplistic conclusions about the nature of Hampt
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Bonnetta, Elizabeth M. "reInterpret deIndustrial Dominion Bridge." 2008. http://hdl.handle.net/1993/3001.

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This project explores a reinterpretation process of a deindustrial site through landscape architecture. By using the industrial process to guide the formation of the landscape, spaces, and experiences, a semi-abandoned industrial site is transformed into a cultural park. The purpose of the project is to articulate the intriguing qualities of a deindustrial site and respond to them through a design process that is sensitive to the history and character of the site, while allowing contemporary uses and experiences to evolve.<br>February 2008
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Herz, Nicole. "Photographic culture in two industrial cities : Manchester and Lille, 1839-1914 /." 2003. http://wwwlib.umi.com/dissertations/fullcit/3091162.

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Yeh, Su-Wan, and 葉素婉. "A Study on Advertising Performance Assessment in Cross-Straits Bridal Photography Industries." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/09185653335095746294.

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碩士<br>大葉大學<br>國際企業管理學系碩士在職專班<br>97<br>Businesses can affect the consumer behaviors and transmit the product informa-tion via the advertisement. The research focuses on how the research variables affect the advertising effects. The research variables include advertising types, types, wedding photographs types and vital statistics variables. The advertising effects consist of adver-tising attitudes, product attitudes, advertising recalling and purchasing intentions. The advertising types involve billboards, magazines, radio, mails, Internet and flags. The wedding photographs types contain weddin
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Chen, Hsiao-ou, and 陳曉鷗. "Take the Example of “Bridal Photography Industry” for Discussing the Key Success Factors in Industrialization of Cultural and Creative Industries." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/20573877148819090704.

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碩士<br>國立中山大學<br>企業管理學系研究所<br>94<br>Abstract The economical pioneer of new era ─ The cultural and creative industries become the chief pattern in New Economy. I take the example of “bridal photography industry” which is deep into the Chinese culture, and still act as a role model after going through industry life cycle, to found a successful pattern for cultural and creative industries. The applications to the cultural and creative industries from the key success factors in bridal photography Industry are as follow： 1. The cluster effect is shown not only in the “bridal photography street” b
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Trpkovski, Aleksandar. "Tourist Interest Mining From Online Hotel Photos." Thesis, 2018. https://vuir.vu.edu.au/37815/.

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The Internet has been serving as an effective marketing tool in tourism. It provides both the business and the customers with a valuable tool for information sharing, communication, and online purchasing. Photos posted along traveling are fast and up to date, and as they are available everywhere, and they have become the word of mouth of the digital age. Research accomplished throughout the last couple of decades has demonstrated that the photo is an essential concept for understanding the process of selection of a destination by tourists. They are easily recognised and remembered by cu
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Pandey, Dinesh. "Multidimensional medical image analysis with automatic segmentation techniques." Thesis, 2019. https://vuir.vu.edu.au/40059/.

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The advancement of medical imaging techniques such as fundus photography and breast magnetic resonance imaging (MRI) has shown tremendous improvement in the quality of multidimensional image produced. The image segmentation technology is used to partition the medical image into different regions for accurate identification and segregation of diseased area. Hence, the medical image is a vital entity to diagnose several pathological conditions. However, Multidimensional medical image analysis with automatic segmentation techniques these medical images have problems such as: 1. lack inhere
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