Relevant bibliographies by topics / Photography of cows

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Academic literature on the topic 'Photography of cows'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Photography of cows"

1

Wibowo, Sulistiyo. "‘OVERLOAD’ POTRET TRANSPORTASI ANGKUTAN BARANG DALAM KARYA STREET PHOTOGRAPHY." Jurnal Ilmiah Publipreneur 9, no. 1 (July 1, 2021): 16–29. http://dx.doi.org/10.46961/jip.v9i1.183.

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Humans are creatures that are able to move and move from one place to another. Long before the wheel was discovered as part of the means of human transportation, animals and livestock such as horses, cows, camels and even elephants were used as a means of transportation. Apart from being a tool to speed up and lighten the travel time of these animals, sometimes the burden is attached to the rider. After the wheels were found, humans made transport vehicles that functioned as places for passengers and goods which were then pulled by animals so that the loads carried became more efficient and more efficient. Along with the development of time from time to time until finally motorized vehicles were found, the distance between the movement of people and goods was getting farther, more numerous and faster. Humans can move freely with current road facilities and adequate facilities. Almost everyone today can afford a vehicle from a bicycle to a plane depending on the abilities and needs of each individual. Movement or mobilization is not only human but also goods. Movable goods clearly require transportation assistance and humans as the perpetrators and are supported by the ease of road facilities and infrastructure. Each vehicle created has its own specifications and specifications, be it designation, capacity and recommended load. For example, passenger vehicles are not allowed to carry goods and vice versa. Especially if it is related to the recommended load capacity, whether it is a passenger vehicle or goods, it will clearly affect the safety of both the driver, passengers and luggage. Seeing the tendency in Indonesia, things related to the transportation function and discipline are often violated, the writer and photographer in this study is interested in the theme of 'overload', namely the portrait of transportation, especially freight transport in Indonesia, which is often seen carrying excess burden or over capacity in street / Street photography works. Photography Keywords: Street Photography, Transportation, Street Photography
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HAYASHI, Takashi, and Dai HANAJIMA. "An Analysis on Socio-Spatial Behavior of Dairy Cows Herd by Oblique Aero-Photography Method." Nihon Chikusan Gakkaiho 69, no. 3 (1998): 299–305. http://dx.doi.org/10.2508/chikusan.69.299.

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Kwaśnicki, R., A. Dobicki, A. Zachwieja, and P. Nowakowski. "Interrelationship between thermal imaging data and dairy traits in red-and-white cows." Biotehnologija u stocarstvu 23, no. 5-6-1 (2007): 277–82. http://dx.doi.org/10.2298/bah0701277k.

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The aim of the research was the thermal imaging comparative analysis of milk production traits such as: CFU (number of micro-organism forming colonies ?1 cm-3 of milk), somatic cells count - SCC, content (%) of fat, protein, lactose, DM, no fat dry matter - NFDM and urea (mg?100 cm-3) and the skin temperature at the selected sites on a cow?s body. The research was conducted on 32 cows of Red-and-White breed, with an average milk yield 6797 kg per cow. On two sides of the body (left and right) two fixed temperature measurement sites on the joints (ankle joint, carpal joint) and 3 sites on the mammary glands (fore quarter teat cistern, hind quarter teat cistern and central ligament) were chosen as well as isotherm was drawn for the temperature distribution along the oblique body axis to record the minimal and maximal skin temperatures. Two sessions of thermal imaging photography 4 to 5 hours after morning milking were completed. An analysis demonstrated that the minimum temperatures along oblique body axis of clinically healthy cows measured on left body side relate with SCC (r = - .788; P? 0.05) and milk fat and DM contents (r = +.428 and r = +.450; P? 0.05). Temperature of the skin covering udder central ligament was related negatively with % content of milk fat and protein (r = -.438 and r = -.442; P?0.05 - for the left body side).
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Banerjee, Sandeep. "“NOT ALTOGETHER UNPICTURESQUE”: SAMUEL BOURNE AND THE LANDSCAPING OF THE VICTORIAN HIMALAYA." Victorian Literature and Culture 42, no. 3 (June 6, 2014): 351–68. http://dx.doi.org/10.1017/s1060150314000035.

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During his third expedition into the higher Himalaya in 1866, the most ambitious of his three journeys into the mountains, Samuel Bourne trekked to the Gangotri glacier, the source of the Ganges. At that site he took “two or three negatives of this holy and not altogether unpicturesque object,” the first photographs ever made of the glacier and the ice cave called Gomukh, meaning the cow's mouth, from which the river emerges (Bourne 96). These words of Victorian India's pre-eminent landscape photographer, importantly, highlight the coming together of the picturesque mode and the landscape form through the medium of photography. In this essay, I focus on Samuel Bourne's images of the Himalaya, produced between 1863 and 1870, to query the ideological power of this triangulation to produce a specific image of the mountains in late nineteenth-century Victorian India. Situating Bourne's images in relation to contemporaneous material practices of the British within the space of the Himalaya, namely, the establishment of hill stations as picturesque locales in the higher altitudes of the Indian subcontinent, I argue that the landscape form, the picturesque mode, and the photographic medium, inflect each other to tame the sublimity of the mountains by representing them as similar to the Alps.
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Sett, Alisha, and Kajri Jain. "What Renders the Master’s House Unrecognizable? An Interview with Kajri Jain." Master, Vol. 5, no. 2 (2020): 96–105. http://dx.doi.org/10.47659/m9.096.int.

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I spoke with Kajri Jain over Zoom during the early days of the pandemic in 2020. Our conversation began with a discussion of her early fieldwork in the bazaars in India, probing into Jain’s own education and formative experiences. It then detoured into a critical unpacking of art history’s “sacred cows’, the need to fundamentally rethink the discipline’s deep intertwining with colonialism, and the many forms of baggage that non-Western art historians must carry on their shoulders. Jain’s suspicion of medium specific approaches led to a productive dialogue about anthropologist Michael Taussig’s work, theory fetishism, and several facets of contemporary photography in South Asia. We agreed about the need to continue to critique an elitist discourse that misunderstands the importance of religion, and the embedded nature of caste, in any reading of aesthetics and mass culture in the subcontinent. Ending with the question of how to decolonize, provincialize and globalize when engaged in pedagogy, Jain left us with much to contemplate. Keywords: visual anthropology, art history and decolonialization, Indian aesthetics, secularism and religion
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Linkman, A. E. "The Workshy Camera : Photography and the Labouring Classes in the Nineteenth Century." Costume 25, no. 1 (January 1, 1991): 36–52. http://dx.doi.org/10.1179/cos.1991.25.1.36.

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Pinto, Severino, Gundula Hoffmann, Christian Ammon, Wolfgang Heuwieser, Harel Levit, Ilan Halachmi, and Thomas Amon. "Effect of Two Cooling Frequencies on Respiration Rate in Lactating Dairy Cows Under Hot and Humid Climate Conditions." Annals of Animal Science 19, no. 3 (July 1, 2019): 821–34. http://dx.doi.org/10.2478/aoas-2019-0026.

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AbstractThe aim of this study was to evaluate the effects of evaporative cooling at two different frequencies per day on the respiration rate (RR) of lactating dairy cows, considering cow-related factors. Twenty multiparous Israeli Holstein dairy cows housed in a naturally ventilated cowshed were divided randomly into two treatment groups. The cows of both groups were exposed to 3 or 8 cooling sessions per day (3xcool vs. 8xcool, respectively). The RR was observed hourly, with a maximum of 12 measurements per day. Body posture (standing vs. lying) was simultaneously documented. Milk yield was recorded daily. Coat color was determined from a digital photograph. The RR of standing and lying cows was lower in the 8xcool group (60.2 and 51.6 breaths per min (bpm), respectively) than in the 3xcool group (73.1 and 65.6 bpm, respectively). For each increment of five kilograms of milk produced, RR increased by one bpm, and the RR of cows in early days in milk (DIM) was 12.3 bpm higher than that of cows in late DIM. In conclusion, eight cooling sessions per day instead of three lead to a RR abatement in heat-stressed cows under hot conditions, and cow-related factors directly impact the RR during heat stress assessment.
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Battini, Monica, Anna Agostini, and Silvana Mattiello. "Understanding Cows’ Emotions on Farm: Are Eye White and Ear Posture Reliable Indicators?" Animals 9, no. 8 (July 24, 2019): 477. http://dx.doi.org/10.3390/ani9080477.

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Understanding the emotions of dairy cows is primarily important in enhancing the level of welfare and provide a better life on farm. This study explored whether eye white and ear posture can reliably contribute to interpret valence and arousal of emotions in dairy cows. The research was conducted in five Italian dairy farms. Four hundred and thirty-six photographs of cows’ heads were scored (four-level), according to the eye white and ear posture during feeding, resting, pasture, and an avoidance distance test at the feeding rack (ADF test). Eye white and ear posture were significantly correlated and influenced by the context (P = 0.001). Pasture was the most relaxing context for cows (67.8% of half-closed eyes; 77.3% ears hung down or backwards). The excitement during ADF test was high, with 44.8% of eye white being clearly visible and ears directed forwards to the approaching assessor (95.5%). Housing and management mostly influenced emotions during feeding and resting (P = 0.002 and P = 0.001, respectively): where competition for feeding places and cubicles was low, the cows showed the highest percentages of half-closed eyes and ears backwards or hung down. This research supports the use of eye white and ear posture as reliable indicators of emotions in dairy cows.
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Harris, H. S. "The Cows in the Dark Night." Dialogue 26, no. 4 (1987): 627–44. http://dx.doi.org/10.1017/s0012217300018217.

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In the far-off days before the first World War, the British journal Mind was full of articles by writers who thought of themselves as “Neoidealists”. So when the enfant terrible of the groves of Academic Oxford in that generation—a “pragmatic Humanist” by the name of Ferdinand Canning Scott Schiller—played his most notorious practical joke upon his colleagues by publishing a mock-issue of the journal (under the title Mind!) he offered as a frontispiece “A portrait of the Absolute in the pink of condition”. Beneath a pale-pink semi-transparent tissue (which, except for its colour, was quite normal for the photographic plates in Victorian memoirs) one found a printed frame that embraced a perfectly blank white sheet of paper.
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Bready, Jennifer, and Sharon Sterken. "Polynomials on Pictures with Different Platforms." Mathematics Teacher 111, no. 2 (October 2017): 144–48. http://dx.doi.org/10.5951/mathteacher.111.2.0144.

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When students are taught to graph functions, they typically are taught using a graphing calculator. But two free online programs, GeoGebra and Desmos, allow students to do much more. This article will show the steps needed to insert a photograph into each program and to create a polynomial to fit the image in the photograph. We will compare the pros and cons of these programs and discuss extensions for their use in a mathematics classroom.
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Books on the topic "Photography of cows"

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Hileman, Carl E. Cows: A rumination. Cincinnati, Ohio: Emmis Books, 2004.

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The secret life of cows. Sydney, NSW: Hodder, 2006.

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3

Self portrait with cows going home. New York, N.Y: Aperture, 2004.

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Plachy, Sylvia. Sylvia Plachy: Self portrait with cows going home. Vancouver: Charles H. Scott Gallery, 1996.

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Till the cows come home: County fair portraits. Heidelberg: Kehrer Verlag, 2008.

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Tortora, Gerard J. A photographic atlas of the human body: With selected cat, sheep, and cow dissections. 2nd ed. [Hoboken, N.J.]: Wiley, 2004.

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A photographic atlas of the human body: With selected cat, sheep, and cow dissections. 2nd ed. New York: Wiley, 2004.

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8

Beken, Kenneth John. Beken of Cowes: A century of tall ships. London: Harrap, 1985.

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Villalba, Darío. Darı́o Villalba: El cos aïllat. [Valencia]: Universitat de València, 2006.

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Smoky, the cow horse. New York: Aladdin Books, 1987.

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Book chapters on the topic "Photography of cows"

1

Ungemah, Joe. "Misdirection." In Punching the Clock, 168–78. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190061241.003.0013.

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This chapter uncovers the psychological tricks used by con men, beginning with the tale of the famous spirit photographer William Mumler, said to have captured an image of Lincoln’s ghost. Playing on his customers’ emotional needs to see a lost loved one, Mumler claimed to be able do the impossible and capture a glimpse of the afterlife. Cons utilize a combination of seven psychological levers, including distraction, social compliance, herding behavior, dishonesty, deception, appealing to needs, and time constraint. An analogy is drawn between understanding the mechanics of cons and the psychology underlying workplace interactions. With understanding, employees and their managers can take action to improve the workplace and prepare for the unprecedented change being experienced in the gig economy.
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Conference papers on the topic "Photography of cows"

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Du, Yuanchao, Xingzheng Wang, Haoqian Wang, and Qionghai Dai. "Compressive photography based on lens array with coded mask." In SPIE/COS Photonics Asia, edited by Qionghai Dai and Tsutomu Shimura. SPIE, 2014. http://dx.doi.org/10.1117/12.2071808.

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