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Dissertations / Theses on the topic 'Photography sources'

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1

West, S. P. "The influence of the spectral distribution of light sources, used in photography, on the reproduction of colour." Thesis, University of Westminster, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.356464.

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2

Furrow, Ashley D. "Race and Gender Bias in Editorial and Advertising Photographs and in Sources in Sports Illustrated Kids, 2000-2009." Ohio University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1288385066.

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3

Malan, Andre. "The use of historical photographs as source for cultural histor : the Sammy Marks photograph collection." Diss., University of Pretoria, 1996. http://hdl.handle.net/2263/37292.

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During his sojourn on earth man leaves traces behind. Subsequent generations can follow these traces through research in order to find out more about his forebears. The term document can be interpreted much wider than referring to written material so that different types of material can serve as source from which this knowledge can be drawn. Pictorial sources is one subsection underneath which photographic material in turn resorts. This study looks at the use of historical photographs as source from which the cultural historian can draw information .. Historical photographs are often me
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4

Viraben, Hadrien. "Le savant et le profane : documenter l'impressionnisme en France, 1900-1939." Thesis, Normandie, 2018. http://www.theses.fr/2018NORMR095.

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En 1946, la parution à New York de l’Histoire de l’impressionnisme de John Rewald consacra l’aura d’une historiographie scientifique du mouvement, cautionnée par un investissement documentaire. Cette qualité l’opposait à un monde profane, dominé par une tradition orale et en particulier la réputation de certains témoignages. Un examen attentif ne saurait pourtant donner raison au postulat d’une nature exclusivement savante du document. Une documentation impressionniste se constitua en effet, dès le début du XXe siècle, par l’intermédiaire de producteurs hétéroclites, artistes, témoins, héritie
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5

Dreuilhe, Jean-François. "La photographie de Lucien Clergue : essai biographique sur les origines de l’oeuvre." Thesis, Aix-Marseille, 2017. http://www.theses.fr/2017AIXM0167/document.

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Cette thèse propose une étude posant les bases et les origines de l’œuvre photographique de Lucien Clergue afin d’en permettre un meilleur positionnement dans l’histoire de la photographie. Une étude et des recherches qui n’avaient jamais été entreprises jusqu’à présent. Les éléments biographiques de la première partie ont été établis à l’aide de documents inédits issus de fonds privés, celui d’André Bernard particulièrement, mis à ma disposition pour étayer ce travail. Ils permettent de couvrir toute l’enfance de Lucien Clergue jusqu’à ces premières photographies. La seconde partie constitue
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Richards, Daniel L. "Open source UAV platform development for aerial photography." Thesis, California State University, Long Beach, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1587919.

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<p> Aerial photography is an important layer in Geographic Information Systems (GISs), and generally provides the base layer from which many other digital map layers are derived. Capturing these photos from a traditional full-sized airplane is a complex and expensive process. The recent development of Unmanned Aerial Vehicles (UAVs) and associated technology are providing an alternative to the traditional aerial mapping process. UAVs produced by popular commercial vendors are effective at capturing photos, but are highly expensive to acquire, and equally expensive to maintain.</p><p> This re
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7

Laguillo, Manolo 1953. "El fotógrafo como autor." Doctoral thesis, Universitat de Barcelona, 1988. http://hdl.handle.net/10803/669512.

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Este texto solo es una parte de mi Tesis de Doctorado. La otra la constituye un bloque de, aproximadamente, cuarenta fotografías, seleccionadas de entre las más o menos trescientas imágenes, hechas entre 1977 y 1988, que doy por válidas. La necesidad de realizar esta Tesis me ha obligado a resumir once años de trabajo en los que he ido y venido entre un ocuparme de modo, cada vez más reflexivo, con imágenes y un preocuparme, cada vez más a causa de lo visual, con palabras. Dado su carácter de acompañante de una obra fotográfica, creo pertinente comenzarlo con un primer bloque -el formado p
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8

Georgiou, Andriani. "The cult of Flavia Iulia Helena in Byzantium : an analysis of authority and perception through the study of textual and visual sources from the fourth to the fifteenth century." Thesis, University of Birmingham, 2013. http://etheses.bham.ac.uk//id/eprint/4175/.

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The symbolic role of Helena throughout the Byzantine period has never been considered in any detail. Many of the literary sources, particularly historiographical and hagiological texts, are not easily accessible and have not been translated. The visual sources referring to Helena, such as works of late Roman and Byzantine art, coinage, illustrated manuscripts, reliquaries, and wall paintings, have never been collected. My thesis collects and re-evaluates the textual and visual evidence from the fourth to the fifteenth century in order to explore the origins and development of Helena's cult; th
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9

Réra, Nathan. "Rwanda, de l'archive à la représentation : La photographie et le cinéma à l'épreuve du génocide des Tutsi (1994-2012)." Thesis, Aix-Marseille, 2012. http://www.theses.fr/2012AIXM3081.

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Au Rwanda, d'avril à juillet 1994, les photographes et les cameramen des agences d'information internationales eurent de grandes difficultés à documenter le génocide des Tutsi, recouvert par la guerre civile entre les Forces armées rwandaises et le Front patriotique rwandais et par l'exil massif des civils Hutu dans les camps de réfugiés des pays voisins. Les reporters rencontrèrent de nombreux obstacles pour prendre, envoyer et diffuser leurs images en Occident : avaries techniques, censure militaire et politique, relative indifférence des rédactions, etc. Après l'événement, quelques photojou
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10

Maréchal, Denis. "La photographie, quelle source pour l'histoire ? : l'étude du cas français." Paris, Institut d'études politiques, 1986. http://www.theses.fr/1986IEPP0006.

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La photographie représente une source iconographique d'une ampleur tout a fait considérable. Cette profusion documentaire se retrouve aussi bien au sein des dépôts d'archives publics que privés. Le cabinet des estampes de la bibliothèque nationale, l'établissement cinématographique et photographique des armées, la Bibliothèque de documentation internationale et contemporaine, des agences de presse : Keystone, Magnum et Sygma regorgent de documents photographiques et l'on mesure ainsi la difficulté de maitriser un tel corpus fort de plusieurs dizaines de millions de clichés. Dès lors deux direc
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11

Harris, Michael. "Crowd-sourced data and its applications for new algorithms in photographic imaging." Thesis, University of East Anglia, 2015. https://ueaeprints.uea.ac.uk/53393/.

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This thesis comprises two main themes. The first of these is concerned primarily with the validity and utility of data acquired from web-based psychophysical experiments. In recent years web-based experiments, and the crowd-sourced data they can deliver, have been rising in popularity among the research community for several key reasons – primarily ease of administration and easy access to a large population of diverse participants. However, the level of control with which traditional experiments are performed, and the severe lack of control we have over web-based alternatives may lead us to b
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Mathieu, Patrick. "Réenchanter le monde par le voyage et la photographie : une quête narrative." Paris 4, 2003. http://www.theses.fr/2003PA040257.

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La photographie a changé le rapport de l'homme à son environnement, ses notions d'espace-temps, et par conséquent, sa façon de la dire. En brisant le cadre fictif de la temporalité et de l'espace, la photographie a détrôné les mythes, a apporté à la littérature un nouveau regard, descriptif et morcelé : la perception du monde est devenue plus objective. L'évolution de la littérature montre une perte de sa charge référente au profit d'une représentation toujours plus indicielle : les écrivains ont subi l'influence de la photographie, et ont essayé de retranscrire des notions de vitesse. En reto
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Fuller, Stephen. "NEW PATRIARCHIES: A TURBULENCE OF SOURCE AND SUBJECT." VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3889.

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Experiencing a turbulence of source and subject in the variable inversions and supports of one source to another--the wreck of the U-352, Carpeaux’s Ugolino and his Sons, a movie poster for J.A. Bayona’s The Impossible, and Cassiopeia mythology--these four sources as sons, in sacrifice to and surviving by way of “daddy” documentation, are here refigured to reenact and critique the patriarchally recreational, monumental, cinematic, and mythological infrastructures supporting the sources of this work and thereby serving to critique the newer patriarchies to which these sources and their subjecti
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14

Choi, Kai-san. "Automatic source camera identification by lens aberration and JPEG compression statistics." Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B38902345.

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Choi, Kai-san, and 蔡啟新. "Automatic source camera identification by lens aberration and JPEG compression statistics." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B38902345.

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16

Boulenguez, Pierre. "Caractérisation multispectrale imageante du champ de lumière de sources et de matériaux pour la photosimulation." Phd thesis, Université Paris-Est, 2010. http://tel.archives-ouvertes.fr/tel-00587367.

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Dans l'ouvrage [DBB06], Dutré et al. énumèrent dix problèmes d'Illumination Globale non résolus. Parmi ceux-ci, huit sont liés à la mesure et à l'intégration de données réelles dans les simulations. Cette thèse, en quatre parties et trois annexes, s'intéresse à cette problématique. Tout d'abord, les simulations de la propagation de la lumière dans les domaines du rendu physiquement réaliste, de l'éclairage, de la télédétection, de la conception de systèmes optiques... sont envisagées comme résolutions numériques d'un problème d'optique, fédérées par la notion de " photosimulation ". Dans le ca
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17

Salmon, Joseph. "Agrégation d'estimateurs et méthodes à patchs pour le débruitage d'images numériques." Paris 7, 2010. http://www.theses.fr/2010PA077195.

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Le problème étudié dans cette thèse est celui du débruitage d'images numériques corrompues par un bruit blanc gaussien. Les méthodes utilisées pour récupérer une meilleure image reposent sur les patchs et sont des variantes des Non-Local Means. Les contributions de la thèse sont à la fois pratiques et théoriques. Tout d'abord, on étudie précisément l'influence des divers paramètres de la méthode. On met ensuite en lumière une limite observée sur le traitement des bords par les méthodes à patchs habituelles. On donne alors une meilleure façon de combiner l'information fournie à partir des patch
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18

Tolbert, Tiffany Monique. "A content analysis of photographic images and gender in The source sports, Sports illustrated for women, Sports illustrated, and ESPN magazine." Virtual Press, 2001. http://liblink.bsu.edu/uhtbin/catkey/1217392.

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This study examined sports photographs in fifty-two issues (thirteen issues each) of The Source Sports, Sports Illustrated for Women. Sports Illustrated and ESPN Magazine for gender differences in the way athletes are visually portrayed. Duncan and Sayaovong's 1990 study was used as the foundation for this new study.The content analysis revealed quantitative differences in photographic depictions of female and male athletes. Like the previous study, gender differences were found in the overall number of photographs of female and male athletes. These photographs were then broken down into one-h
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19

Mellegård, Viveca. "Making craftsmanship visible as a source of social-ecological resilience : From the Swedish Arctic to the Stockholm Archipelago: Sami duodji and Baltic small scale fishing." Thesis, Stockholms universitet, Stockholm Resilience Centre, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-118784.

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Craftsmanship is recognised as a source of practical wisdom that can inform sustainable management and use of natural resources. However, there are many outstanding questions about how the skills and tacit knowledge embedded in craftsmanship can facilitate social-ecological resilience for sustainability. It has also proved difficult to access and articulate the knowledge embedded in craftsmanship. With this study I explore the skill and tacit knowledge components of craftsmanship as a repository of cultural-ecological memory through two case studies: the duodji, or handicrafts, produced by a S
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Schmitt, Laurie. "Dissonnances d'une presse quotidienne en mutation : enjeux de l'intégration des photographies d'amateurs au sein des pratiques journalistiques." Grenoble, 2010. http://www.theses.fr/2010GRENL014.

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L'intégration des photographies d'amateurs dans la presse quotidienne française prend sens au cœur de mutations socio-professionnelles, socio-culturelles, socio-économiques, lesquelles exercent de multiples "pressions", à la fois contraignantes et productives sur les entreprises de presse. Dans ce contexte, les acteurs professionnels de l'information sont amenés à redéfinir leurs pratiques journalistiques. Cette redéfinition ne se réalise pas sans heurts, les "dissonances" qui, au sein de la presse, s'expriment à leur propos, en sont le reflet. Le travail de recherche que nous proposons s'appu
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Silva, Sonia Maria Ferreira da. "Arquivo e memória fotográfica: manifestações populares da Bahia no olhar de Sílvio Robatto." Instituto de Ciência da Informação, 2013. http://repositorio.ufba.br/ri/handle/ri/18175.

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Submitted by Valdinei Souza (neisouza@hotmail.com) on 2015-10-07T19:33:53Z No. of bitstreams: 1 SONIA MARIA FERREIRA DA SILVA-POSICI (2).pdf: 1514206 bytes, checksum: d05e2e92e88824ab79e213761e13a8a0 (MD5)<br>Approved for entry into archive by Urania Araujo (urania@ufba.br) on 2015-10-29T18:28:23Z (GMT) No. of bitstreams: 1 SONIA MARIA FERREIRA DA SILVA-POSICI (2).pdf: 1514206 bytes, checksum: d05e2e92e88824ab79e213761e13a8a0 (MD5)<br>Made available in DSpace on 2015-10-29T18:28:23Z (GMT). No. of bitstreams: 1 SONIA MARIA FERREIRA DA SILVA-POSICI (2).pdf: 1514206 bytes, checksum: d05e2e92e
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LUVIZOTTO, JESSICA. "Caracterização do filme radiocrômico GAFCHROMIC modelo EBT3 para uso em braquiterapia." reponame:Repositório Institucional do IPEN, 2015. http://repositorio.ipen.br:8080/xmlui/handle/123456789/26082.

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Submitted by Claudinei Pracidelli (cpracide@ipen.br) on 2016-04-08T12:52:45Z No. of bitstreams: 0<br>Made available in DSpace on 2016-04-08T12:52:45Z (GMT). No. of bitstreams: 0<br>Dissertação (Mestrado em Tecnologia Nuclear)<br>IPEN/D<br>Instituto de Pesquisas Energeticas e Nucleares - IPEN-CNEN/SP
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Karoui, Moussa Sofiane. "Méthodes de séparation aveugle de sources et application à la télédétection spatiale." Phd thesis, Université Paul Sabatier - Toulouse III, 2012. http://tel.archives-ouvertes.fr/tel-00790655.

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Cette thèse concerne la séparation aveugle de sources, qui consiste à estimer un ensemble de signaux sources inconnus à partir d'un ensemble de signaux observés qui sont des mélanges à paramètres inconnus de ces signaux sources. C'est dans ce cadre que le travail de recherche de cette thèse concerne le développement et l'utilisation de méthodes linéaires innovantes de séparation de sources pour des applications en imagerie de télédétection spatiale. Des méthodes de séparation de sources sont utilisées pour prétraiter une image multispectrale en vue d'une classification supervisée de ses pixels
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Dubravka, Lazić. "Neorealizam u italijanskom filmu i fotografiji - etiologija, interpozicija i specifičnosti dela." Phd thesis, Univerzitet u Novom Sadu, Akademija umetnosti u Novom Sadu, 2013. http://www.cris.uns.ac.rs/record.jsf?recordId=94769&source=NDLTD&language=en.

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Tema ovog rada bazira se na neorealističkom pokretu i istraživanju uzročnika koji su doveli do njegovog nastanka, specifičnostima koje on, kao intenzivan umetnički pokret, poseduje i korelaciji između dela koje čine njegovo jezgro. Poseban osvrt načinjen je ka analizi odnosa i interpoziciji fotografske i filmske umetnosti kao vizuelnim, ontolo&scaron;ki bliskim, medijima.Istraživanje fenomena italijanskog neorealizma, ukazalo je na ogromni izvor raznovrsnog sadržaja koji se mogu istraživati i analizirati na vi&scaron;e različitih principa. Stoga su i ciljevi istraživanja postavljeni prema potr
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Bousquet, Aurélie. "Cartographie et participation : vers une pluralisation des sources de connaissance : application à la Trame Verte et Bleue dans le bocage bressuirais." Thesis, Bordeaux 3, 2016. http://www.theses.fr/2016BOR30011.

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En 2007, lors du Grenelle de l’environnement, la France décide de mettre en place la Trame Verte et Bleue (TVB). L’approche réticulaire retenue pour cette politique environnementale d’un genre nouveau doit faciliter la lutte contre « l’érosion de la biodiversité » (loi n°2009-967 août 2009). Le déploiement de la TVB sur le territoire français passe par l’identification des continuités écologiques dans les documents d’urbanismes. Leur intégration dans les documents d’urbanisme suscite de nombreuses interrogations et nous permet de renouveler les questionnements dialectiques associant cartograph
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Silva, Giovano Camargos da. "Levantamento das curvas de isodose de sementes de 125I utilizando filmes fotográficos." CNEN - Centro de Desenvolvimento da Tecnologia Nuclear, Belo Horizonte, 2013. http://www.bdtd.cdtn.br//tde_busca/arquivo.php?codArquivo=270.

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Nenhuma<br>A braquiterapia é uma modalidade de radioterapia em que a fonte radioativa é colocada em contato com o tecido a ser tratado. Na braquiterapia intersticial são utilizadas pequenas fontes radioativas seladas, denominadas sementes. A busca por novos modelos de sementes é constante. O CDTN desenvolveu parcialmente um protótipo para tratamento de braquiterapia que consiste de uma matriz cerâmica porosa capaz de incorporar diferentes radionuclídeos. A etapa seguinte ao desenvolvimento de um novo tipo de semente consiste na sua caracterização dosimétrica, que deve ser realizada em concordâ
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Santos, Thais Helen do Nascimento. "Fontes Iconográficas e memória afrocêntrica: análise da informação étnico-racial a partir do ensaio fotográfico Engenhos e Senzalas." Universidade Federal da Paraí­ba, 2013. http://tede.biblioteca.ufpb.br:8080/handle/tede/3941.

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Made available in DSpace on 2015-04-16T15:23:26Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 7007895 bytes, checksum: 8912d052cbdcb22b7298108d33253001 (MD5) Previous issue date: 2013-03-01<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>Information Science, has gradually assumed greater visibility and accountability in the context of socio-cultural dynamics. In this sense, the ethnic and racial issues are incorporated into the debate in the field, towards the elimination of racial practices, discrimination and black people silencing. In this perspective thoughts
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Achterberg, Robert Alan 1948. "Photographs as primary sources for historical research and teaching in education: the Albert W. Achterberg Photographic Collection." Thesis, 2007. http://hdl.handle.net/2152/3538.

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Photographs contain a wealth of information which may be used effectively in historical research. Visual images may be used as evidence, for illustration, for comparison and contrast, and for analytical purposes. Somewhat perplexing is the relatively minimal use of photographs as primary sources in historical inquiry concerning schooling. Many visual clues exist which can help to explain the activities, methods, resources and quality of schooling, and the people involved in schooling, in selected locations. Visual clues may be coordinated with text and with other artifacts to present a mo
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Данильчук, Євгеній Валерійович. "Фотографія як джерело з історії повсякдення радянської людини". Магістерська робота, 2021. https://dspace.znu.edu.ua/jspui/handle/12345/5150.

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Данильчук Є. В. Фотографія як джерело з історії повсякдення радянської людини : кваліфікаційна робота магістра спеціальності 032 "Історія та археологія" / наук. керівник І. М. Кривко. Запоріжжя : ЗНУ, 2021. 90 с.<br>UA : Кваліфікаційна робота магістра на тему «Фотографія як джерело з історії повсякдення радянської людини» складається з 90 сторінок, містить 24 джерела, 82 монографії та статті. Об’єктом дослідження є фотографічні практики радянських громадян як специфічний різновид людської діяльності від початку їхнього формування, а також еволюція цього історико-культурного явища. Предмето
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Raciborski, Monika Julia. "Drawing Lines." Thesis, 2008. http://hdl.handle.net/10012/3738.

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My work uses process as a course of action that marks the death of moments through a continuous stream of consciousness. I metaphorically link disparate pieces of information to the human condition in order to present multiple readings through juxtaposition. I assemble both abstract and figurative subject matter in a collage-like manner through methods of cropping and fragmentation to symbolize the disjuncture I feel is indicative of how we experience the world through short-lived thoughts, feelings, and actions.
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Guan, Yi-Siou, and 官怡秀. "An Improved Color Constancy Method for the Photographs under Multiple Light Sources." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/95293457977021905309.

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碩士<br>國立中興大學<br>資訊科學與工程學系所<br>101<br>Generally, white balancing algorithm is based on a simplified hypothesis which supposes that the light in a scene comes from one single source and is evenly distributed in space. However, this theory is often against reality because there are different light sources existed in the real world. In this paper, we focus on a practical condition that white balancing for multiple light sources. Firstly, we divide an image into individual patches and assume that the light in each patch comes from one source and is evenly distributed in space. The hypothesis fits t
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Bara, Jana. "The image of Canada : iconological sources of Canadian popular symbolism : nineteenth-century souvenir photographs." Thesis, 1991. http://spectrum.library.concordia.ca/5149/1/NN68786.pdf.

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陳光挺. "Application of multi-source Aeril Photography and Remote Sensed Imagery on different times of river change and settlement security research in Chenyulan River." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/54029387567843135416.

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碩士<br>逢甲大學<br>都市計畫與空間資訊學系<br>102<br>The Chenyulan river is located in Nantoucountry, the mainstream flow from south to north. Owing to steep topography, landslide activity more, alluvial fan area and river terraces are developed. In recent years, natural disasters such as debris flow usually occur after typhoon and rainstorm in Chenyulan river. So the safety of each settlement along the river by impact of river topography changes is very importment. In this study, the study area include Feng-Qiu, Xin-Xiang, Lona, Wang-Xiang and Tong-Fu settlement in Chenyulan river. Because these area is belon
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LAI, CHEN-LING, and 賴貞陵. "A Study of the Effects of Exhibit Light Source on the Ceramic Artefacts — Considering Impressions from Naked Eyes and Representational Media such as Photography." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/497243.

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碩士<br>輔仁大學<br>博物館學研究所碩士班<br>105<br>Abstract The purpose of this research is the understanding of the degree that audiences' vision of the exhibitory setting being affected by the light source on the exhibit objects. The key methodological concern in the research is how to translate audiences' aesthetic feeling and visual impact into representational forms or images that could facilitate the discussion. Henceforth this paper will make use of the imagery properties of photography and painting, wherein exhibited artefacts presented themselves as still life objects, and the effects and aes
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Lakrissa, Fatima-Zahra. "L'image souche : dialectique de la forme et du temps dans Lamento (1998-2005), Pascal Convert." Mémoire, 2012. http://www.archipel.uqam.ca/5083/1/M12586.pdf.

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La transposition de la photographie de presse dans les œuvres du Pop Art jette les bases d'une réflexion sur la question esthétique de la reconstitution de la photographie de presse dans les pratiques artistiques contemporaines. Aujourd'hui, les images de presse sont intégrées aux pratiques contemporaines qui revendiquent certaines prérogatives du photojournalisme, notamment la représentation de l'histoire contemporaine. À titre d'exemple, citons les travaux d'Anno Dijkstra, Wang Du ou encore ceux d'Olivier Blanckart. Ce mémoire porte sur le travail de l'artiste français Pascal Convert, plus p
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Silva, Cecília Carolina Macedo da. "A importância da fotografia na construção do conhecimento histórico sobre os movimentos colaboracionistas e de resistência franceses (1940 – 1945): um estudo com alunos do 9º ano de escolaridade." Master's thesis, 2017. http://hdl.handle.net/1822/57969.

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Relatório de estágio de mestrado em Ensino de História no 3º ciclo do Ensino Básico e no Ensino Secundário<br>O presente relatório decorre do Projeto de Intervenção Pedagógica Supervisionado (PIPS) desenvolvido no âmbito da unidade curricular de Estágio Profissional, lecionada no segundo ano do Mestrado em Ensino de História no 3º ciclo do Ensino Básico e no Ensino Secundário, do Instituto de Educação na Universidade do Minho, no ano letivo 2016/2017, implementado numa turma do 9º ano de escolaridade, numa escola de Braga. O relatório dividir-se-á em três partes fundamentais: a que foca o
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