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Journal articles on the topic 'Phytomorphed'

Author: Grafiati

Published: 5 June 2025

Last updated: 1 August 2025

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1

Kurochkin, Oleksandr. "Traditional Images Genesis of Folklore Carnival as Ukrainians National World." Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art 1, no. 2 (2018): 47–62. https://doi.org/10.31866/2616-759x.2.2018.153224.

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The purpose of the article. Deep into the archaic layers of the outlook in the ancient Slavs, the author seeks to trace the genesis and the ritual masking institute evolution, the game and ceremonial-etiquette reincarnation, on its basis a motley gallery of traditional images in Ukrainian folk carnival has been formed. Research methods. The historical-genetic method, or the retrospective reconstruction method, which is used not only in the humanities but also in the natural sciences, it is served as a guide. It is based on the idea that the initial stages of the development of certain objects

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2

Kholomeenko, O., and A. Tunik. "PHYTOMORPHIC CULTURAL CODE: MEANS OF REPRESENTATION IN TEXTS OF MODERN FICTION." Russian Studies in Philology, no. 3 (March 10, 2023): 70–81. https://doi.org/10.18384/2310-7278-2023-3-70-81.

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Aim. We consider linguistic ways of representing the phytomorphic code in the texts of modern fiction.Methodology. Use is made of the method of continuous sampling to select examples of phytomorphic metaphors from the texts of modern prose. Using the method of conceptual analysis and the method of metaphorical modeling, cognitive models are identified, for the implementation of which cognitive phytomorphic metaphors are used. Linguistic means representing metaphors are analyzed. Results. The analysis shows that the linguoculturological approach will reveal the features of a certain culture in

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3

Rashidovna, Gulnora Mukimova. "Semantics Of Phytomorph Metafores Classification." American Journal of Applied Sciences 02, no. 09 (2020): 90–95. http://dx.doi.org/10.37547/tajas/volume02issue09-15.

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4

Anvarovna, Abdullayeva Gulandom. "COMPARATIVE PHYTOMORPH UNITS EXPRESSING HUMAN CHARACTER." American Journal Of Social Sciences And Humanity Research 4, no. 10 (2024): 296–99. http://dx.doi.org/10.37547/ajsshr/volume04issue10-23.

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In recent years, in Uzbek linguistics, in particular, in Turkology, the direction of in-depth research of the place of certain linguistic units in the landscape of the world is gaining priority. In this regard , the researches devoted to the border of Uzbek and Karadash Turkic languages are considered important . Because " the history of the Uzbek language, which belongs to the big family of Turkic languages, is closely connected with the centuries-old past of our people , its dreams , sorrows , dreams , triumphs and victories ." In this sense, the comparative study of the phytomorphic compara

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Барбалат, О. В. "ЗНАКОВА СИМВОЛІКА ФІТОМОРФНИХ ОРНАМЕНТІВ ВІЗАНТІЙСЬКОГО ЗОЛОТАРСТВА IV–IX СТОЛІТЬ". Art and Design, № 2 (11 серпня 2021): 63–74. http://dx.doi.org/10.30857/2617-0272.2021.2.6.

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Purpose of the research is to analyse of the peculiarities of the symbolic meaning and specific use of phytomorphic ornamentation in Byzantine goldsmithery of the IV–IX centuries. Methodology.The research is applied historical-cultural and art critic approaches combined with comparative and presentational methods. Results.The results of the research prove the relationship between Eastern and Greco-Roman traditions of using floral ornamentation in Byzantine jewellery in the IV–IX centuries is highlighted. The traditions and application of floral ornamentation in Byzantine jewellery of the indic

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6

HUMENIUK, Bohdana, Oleksandra PANFILOVA, and Ivan TARASIUK. "PHYTOMORPH FRESCO ORNAMENTS OF THE CHURCHES OF POCHAIV LAVRA." Humanities science current issues 1, no. 73 (2024): 177–82. http://dx.doi.org/10.24919/2308-4863/73-1-25.

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Kotliar, Elena Romanovna, and Elena Nikolaevna Alekseeva. "The cultural code "Rimon" in the pictorial semiosis of the Jews of Crimea." Философия и культура, no. 4 (April 2023): 131–54. http://dx.doi.org/10.7256/2454-0757.2023.4.40429.

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The subject of the study is the cultural code "Rimon", covering phytomorphic symbolic images in the Jewish pictorial semiosis. The object of the study is the traditional symbolism in the pictorial practice of the Jews of the Crimea. The article uses the methods of semantic and semiotic analysis in deciphering the meanings of plant symbols of the pictorial semiosis of the Jews of the Crimea, the method of analysis of previous studies, the method of synthesis in structuring groups of signs. The authors consider the following aspects of the topic: the codes of the pictorial semiosis of the Jews o

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8

Justamand, Michel. "“Tree Ritual”: The Magic of Nature-Phytomorphs in PNSC-PI." Anthropology and Ethnology Open Access Journal 5, no. 2 (2022): 1–4. http://dx.doi.org/10.23880/aeoaj-16000184.

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The present work aims to address the recurrences of phytomorphs in the Serra da Capivara National Park, located in southwest Piauí, in the Northeast region of Brazil. The main one of the work is related to the importance of the relationship between flora and human groups located in the place, being evidenced by the rock scenes found in the rocky walls. The objective of this work is to demonstrate the importance of the scenography of the ritual of the tree for the human societies that inhabited the place, the magic of nature may have been a religious power used by local leaders, as a way of mai

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Platinda, Svetlana, and Teodora Hubenco. "The basil – plant pattern with multiple values and significances." Studiul artelor şi culturologie: istorie, teorie, practică, no. 2(43) (April 2023): 135–39. http://dx.doi.org/10.55383/amtap.2022.2.24.

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The content of the article refers to the options of expression of the plant motifs and especially of the basil as a plant-symbol Phytomorphic motifs give special originality to traditional national fabrics. In the most ancient wall carpets and rugs the phytomorphic motifs are very stylized, almost not identified and among the flowers and motifs represented, we find the rose, leaf, tree of life, fir branch, and others. One of the most common decorative motifs found in the ornamental composition of woolen carpets is the basil, which has been observed in some samples since the18th-19th centuries.

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10

Vaganova, E. "REPRESENTATION OF A HEALTHY PERSON IN GERMAN AND ENGLISH PHRASEOLOGY." Scientific Notes of V.I. Vernadsky Crimean Federal University. Philological sciences 10, no. 2 (2024): 143–59. http://dx.doi.org/10.29039/2413-1679-2024-10-2-143-159.

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The article provides a comparative study of German and English phraseological units with a zoonymic or phytonymic component representing a healthy person. The analysis is given according to the following two types of cultural codes: 1) zoonymic and 2) phytomorphic. Consideration of comparative phraseological units containing zoonyms and phytonyms in the context of culture allows us to determine the general and the specific in the imaginative thinking of the Germans and the British about health, to explain the peculiarity of their functioning. Studying phraseological units within the framework

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11

Kаrасh, А. "Transformation of phytomorphic motifs in the art world of poets of the nineties." Science and Education a New Dimension VIII(241), no. 72 (2020): 16–21. http://dx.doi.org/10.31174/send-ph2020-241viii72-03.

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12

Wu, Jingwen. "Zoomorphic and Phytomorphic Images in A. S. Pushkin’s Fairy Tales and Their Translations into Chinese Language." Nauchnyy dialog, no. 8 (2017): 203–14. http://dx.doi.org/10.24224/2227-1295-2017-8-203-214.

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13

Kur-Kononowicz, Jolanta. "On the Metaphorization of the Concept of Cloud in Selected Polish and Russian Poetic Works – A Linguistic Approach." Zeszyty Cyrylo-Metodiańskie 13 (December 19, 2024): 221–40. https://doi.org/10.17951/zcm.2024.13.221-240.

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The aim of the article is to describe the ways of metaphorizing the concept of cloud in selected Polish and Russian poetic works and to determine the frequency of use of a given metaphorical pattern. The monometaphoric pattern is described from a cognitive perspective. Metaphors are divided into: artifactual, anthropomorphic, zoomorphic, naturomorphic and phytomorphic. The features of the source and target domains, on the basis of which metaphorical transfer occurs, have been considered. The work concludes with the presentation of the similarities and differences in the perception of the conce

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14

Gomes, Francisco B. "Phytomorphic carnelian pendants in the Late Bronze and Iron Ages of the Iberian Peninsula: origin, distribution, and significance." Complutum 32, no. 1 (2021): 29–47. http://dx.doi.org/10.5209/cmpl.76447.

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First highlighted as possible markers for early, 2nd millennium BCE contacts between the Iberian Peninsula and the Eastern Mediterranean, phytomorphic carnelian pendants have become a significant part of the discussion on that subject. However, a number of new finds which have taken place in recent years have transformed the available image regarding both the geographic distribution and the chronological setting of these pieces. An updated overview is presented here, which suggests they should now preferably be considered as part of the array of prestige goods introduced in the Far West by Pho

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15

Platinda, Svetlana. "Vegetal motifs in the decoration interior fabrics – sources and research spaces." Studiul artelor şi culturologie: istorie, teorie, practică, no. 2(47) (March 2025): 114–18. https://doi.org/10.55383/amtap.2024.2.19.

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Most traditional fabrics contain symbolic, realistic, and highly stylized phytomorphic images. The issue of semantics and symbolic message through the application of vegetation images in traditional textiles is fundamentally complex and still underresearched to its full value. To decipher the content of these motifs, it is necessary to search for their sources, as numerous and ancient as they may be. The answer to these questions must primarily be sought in Romanian mythology, folklore, archaeological sources within the research space, as well as in the history and philosophy of religions with

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16

Goja, Bojan. "Giovanni Vendramin i iluminacije u inkunabulama samostana Sv. Frane u Šibeniku." Ars Adriatica, no. 5 (January 1, 2015): 115. http://dx.doi.org/10.15291/ars.932.

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The monastery of the Conventual Franciscans at Šibenik houses a valuable collection of incunables among which the illuminated examples deserve particular attention. The incunable of John Duns Scotus’ Scriptum in quattuor libros Sententiarum Petri Lombardi (Johannes de Colonia et Johannes Manthen, Venice, 1477) is decorated with high-quality figural and phytomorphic illuminations displaying marked similarities with the works of Giovanni Vendramin, a Renaissance miniaturist from Padua. The edition of Caesar’s Commentariorvm de bello Gallico (Milan, Antonius Zarotus, 1477) features decorative fra

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17

Minina, Iuliia D. "Borrowing and Historical Evolution of Tales and Fables about the Wonderful Hero in the Folklore Traditions of Vietnamese Peoples." Russian Journal of Vietnamese Studies 8, no. 1 (2024): 110–24. http://dx.doi.org/10.54631/vs.2024.81-626077.

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The article is dedicated to the analysis of the fairy-tale plot about a wonderful child in the form of a theriomorphic or phytomorphic creature in the folklore of the Viet, Hmong, Cham, Sedang, Stieng, Thai ethnic groups inhabiting the territory of modern Vietnam, as well as in folklore of other peoples of the Far East. Through the study, the methods of structural, typological and comparative analysis of plots, motives and heroes of folklore narratives are used. Hopefully, this approach will help to make assumptions about the ways of borrowing and transforming significant elements of fairy tal

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18

Luis, Carlos Duarte Cavalcante, and Araújo Rodrigues Andrews. "Arte rupestre e problemas de conservação do sítio arqueológico Caminho da Caiçara I." Arqueologia Iberoamericana 31 (July 26, 2016): 20–26. https://doi.org/10.5281/zenodo.1318347.

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O sítio arqueológico Caminho da Caiçara I está localizado no povoado Cadoz Velho, área rural de Piripiri, estado do Piauí, Brasil. As paredes de rocha arenítica estão decoradas com 205 pinturas rupestres, representando figuras abstratas, ornitomorfos/propulsores de dardos, fitomorfos e antropomorfos, pintados predominantemente em diferentes tonalidades de vermelho, mas também em preto, amarelo, marrom, vinho e alaranjado. Além da elevada densidade de inscrições rupestres, há sobreposições e

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19

Lucineide, Marquis, Carlos Duarte Cavalcante Luis, Maria Campelo Magalhães Sônia, Kelis Sousa Bezerra da Silva Heralda, and Gomes Brito Bruna. "Pinturas rupestres do sítio arqueológico Expulsar I, Quiterianópolis, Ceará, Brasil." Arqueologia Iberoamericana 32 (November 14, 2016): 11–16. https://doi.org/10.5281/zenodo.1318363.

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O sítio arqueológico Expulsar I está localizado no povoado Angical, área rural do município de Quiterianópolis, estado do Ceará, Brasil. Trata-se de um pequeno abrigo sob-rocha arenítica, cujas paredes e teto estão decorados com 140 pinturas rupestres miniaturizadas, representando antropomorfos (em sua maioria segurando propulsores e lanças ou fitomorfos), pegadas de aves (tridígitos), aves, cervídeos, fitomorfos, pé humano e grafismos abstratos (entre os quais bastonetes e conjuntos de dígitos).

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20

Subramaniyan, Lakshmi, Ravichandran Veerasamy, Jeyakumar Prabhakaran, et al. "Biostimulation Effects of Seaweed Extract (Ascophyllum nodosum) on Phytomorpho-Physiological, Yield, and Quality Traits of Tomato (Solanum lycopersicum L.)." Horticulturae 9, no. 3 (2023): 348. http://dx.doi.org/10.3390/horticulturae9030348.

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Biostimulants are innovative organic tools, which promote the growth, plant development, production, and quality of various crops without harming the environment; however, the effects of biostimulants on the production of tomato needed to be explored further under open field conditions. Based on this view, this study’s objective was to assess the impact of Kendal Root, a biostimulant-containing seaweed, Ascophyllum nodosum, and plant extracts on the phytomorpho-physiological, yield, and quality of tomato. Three doses of Kendal Root (2.5, 5.0, and 10 L ha−1) were given as soil drenching, and th

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21

RĂCHIȘAN, Delia-Anamaria. "HEALING HERBS (BELLADONNA, YARROW): THE SCHOLARLY DENOMINATIVE MODEL AND THE FOLK MODEL." Studii și cercetări de onomastică și lexicologie, no. 1-2 (February 12, 2023): 305–13. http://dx.doi.org/10.52846/scol.2022.1-2.18.

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By referring to a few healing herbs (belladonna, yarrow), using as a reference point both the scientific (scholarly) denominative and the folk (naive) models, we underline the dividing line between scientific thinking and empirical thinking. The scientific name is intended to stop possible confusions that arise when two different plants have identical regional names. Even if most scientific names, related to phytonyms, are of Latin origin, we note that there are also exceptions (for example, a term of Greek origin and another of Roman origin – Atropa belladonna – or a term that reminds us of t

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22

SPÎNU, Constantin. "Peculiarities of plastic image creation in Maria Coțofan’s tapestry." Arta 31, no. 1 (2022): 95–100. http://dx.doi.org/10.52603/arta.2022.31-1.13.

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The creation of the painter Maria Coțofan inscribes in the history of decorative arts of the Republic Moldova an original page in which, significant motifs of everyday reality and important iconographic landmarks, typical of popular plastic creation, blend artistically and harmoniously. It contributes to the conception of works where tradition and contemporaneity work aesthetically together. In some works, the traditional motifs of the popular carpet, such as those of anthropomorphic, aviomorphic, arboreal, phytomorphic and geometric origin, being judiciously revalued, endow the image with dis

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23

Duktava, Liubou G. "To the Concept of “Cultural Code” in the Russian-Belarusian Humanitarian Discourse." Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 70 (2023): 97–108. http://dx.doi.org/10.37816/2073-9567-2023-70-97-108.

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The paper discusses the features of using the concepts of “cultural code”, “linguacultural code” in the studies of Belarusian and Russian authors. It is important to note that many researchers, referring to the concept of a cultural code, take into account the approaches proposed by R. Bart and Y. Lotman. According to R. Barth, the cultural code is considered as a whole, a “macro image”, a matrix of national worldview and self-consciousness. However, there are a number of classifications of cultural codes. According to Y. Lotman, cultural codes may form a system. The paper presents systems of

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ROMERO, Jorge Patricio. "Geometry and Symbolism in the Baptistery of Florence: The Pavement and other Internal Components." International Journal of Conservation Science 16, no. 1 (2025): 43–70. https://doi.org/10.36868/ijcs.2025.01.03.

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The analysis of Florence Baptistery pavement requires qualitative and quantitative research methodologies and diverse architectural survey techniques. The flooring presents possibilities for decoding shape, geometric roots, and symbolism. The research variables—the flooring geometric aspects—lay the groundwork for a hypothesis: "investigating the baptistery's flooring facilitates the reconstruction of its original shape and geometric components and enables an accurate interpretation of its symbolism". Through photogrammetric survey techniques, the symbolism in the baptistery's flooring was scr

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25

Kozakevych, Olena. "Ethnolocal Features of Traditional Shirts “Sorochkas” in Transcarpathian Hutsul Region of the End XIX — Early XXI Centuries: Openwork Décor." Cultural and Historical Heritage: Preservation, Presentation, Digitalization 7, no. 2 (2021): 11–23. http://dx.doi.org/10.26615/issn.2367-8038.2021_2_001.

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In the paper local features o ftraditiona lshirts “sorochkas” insets of clothes in Transcarpathian Hutsul region of the end XIX — early XXI centuries are discussed. Openwork items` universal and unique parameters in the context of Hutsul folk clothing in time dimension slice are defined. Special attention is focused to décor, namely lace. Technique and technological methods of manufacturing textile decorations, ways of forming their artistic and stylistic features, local versions of ornaments are studied. Defined that the folk clothing and their décor in north territories (Yasinia, ChornaTysa,

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Duktava, L. G. "Cultural codes in the art: basic approaches to classification." Proceedings of the National Academy of Sciences of Belarus, Humanitarian Series 68, no. 1 (2023): 44–52. http://dx.doi.org/10.29235/2524-2369-2023-68-1-44-52.

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The article emphasizes the relevance of considering cultural codes in a number of modern humanitarian disciplines, characterizes the main approaches to the definition of the term “cultural code”. First, at the language level. Secondly, an approach that is based on the semiotic concept of culture, when the concept of a cultural code borders on the concepts of an archetype, symbol, sign. Thirdly, the concept of “cultural code” is considered together with such concepts as “national worldview”, “peculiarities of the national worldview” and “national-analytical idea”.The study considers the classif

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Nevolina, Ksenia Viktorovna. "Figurative features of good in Russian and German linguistic cultures." Philology. Theory & Practice 17, no. 11 (2024): 3877–83. http://dx.doi.org/10.30853/phil20240547.

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The study aims to determine the figurative content of the concept “good” in Russian and German linguistic cultures based on corpus linguistics. The scientific novelty of the work lies in describing the common and specific figurative characteristics of the concept “good” in German and Russian linguistic cultures. The research revealed that the main figurative features of good in Russian and German linguistic cultures coincide. Good is perceived as a powerful force, a warrior, an athlete, waging an eternal struggle against evil. Being an abstract notion that denotes moral value, good acquires th

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28

Satanar, M. T. "The image of earth spirit in the olonkho epic. Part 2: Mythological origins." Languages and Folklore of Indigenous Peoples of Siberia 48, no. 4 (2023): 116–25. http://dx.doi.org/10.25205/2312-6337-2023-4-116-125.

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This article is a logical continuation of a previous study, “The image of the spirit-mistress of the earth in the Olonkho epic. Part 1: Static and dynamic characteristics,” which identified the composition of stable features of the image. The current study aims to verify the ancient roots of the anthropomorphic representation of the mistress of the earth in the context of the archaic worldview. To achieve this, the author utilized structural-semiotic and functionalsemantic types of analysis, as well as empathy and hermeneutics methods. The analysis reveals various historical layers in the imag

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Arsenyeva, I. A., N. V. Pomortseva, and M. B. Shindalieva. "The role of metaphors in the formation of a journalistic picture of the world (based on the materials of the newspaper «Arguments and Facts. Kazakhstan»)." Bulletin of L.N. Gumilyov Eurasian National University. JOURNALISM Series 143, no. 2 (2023): 126–36. http://dx.doi.org/10.32523/2616-7174-2023-143-2-126-136.

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In this paper, on the basis of the method of conceptual analysis, metaphorical models of journalistic discourse and the journalistic picture of the world of citizens of Kazakhstan, which they form, are presented, including their ideas about various spheres of life: political, economic, cultural, social, etc. Metaphorical models with the conceptual spheres «Man», «Society», «Nature», «Artifacts». The selection of material was made on the basis of the publication - the newspaper «Arguments and Facts. Kazakhstan» for 2023. The conceptual analysis of metaphors made it possible to state that the mo

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Turko, Uliana Igorevna. "Metaphorization as a way to comprehend reality." Филология: научные исследования, no. 4 (April 2020): 40–47. http://dx.doi.org/10.7256/2454-0749.2020.4.30606.

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The object of this research is the metaphorical component of text, which allows understanding more profound meanings of information code and determine attitudes of the addressee. The subject of this research is the conceptual metaphors that manifests as the means of categorization, comprehension of the surrounding world, access to mental processes and mechanisms. Establishing associative links between the phenomena of cognizable world, metaphors represent the understanding of reality by an individual and form new knowledge on the world. The text of the article by M. Kiseleva &ldquo;Who ben

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Зенкова, Т. Л. "Godonymy of Sochi: linguistic and cultural aspects." Modern scientist, no. 2 (February 15, 2024): 53–57. http://dx.doi.org/10.58224/2541-8459-2024-2-53-57.

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в работе представлен годонимикон города Сочи в линвокультурологическом аспекте с применением культурных кодов: антропоморфный; топоморфный; физико-географический; социально-идеологический и фитоморфный. Цель работы – провести лингвокультурологический анализ годонимикона города Сочи и выявить особенности и характеристики линейных, адресных объектов. Годонимикон города Сочи во многом обусловлен его рельефом, географическим положением и близостью к Черному морю. Влияние народов и районов, граничащих с городом, климат, рельеф, быт, культура и другое наложило свой отпечаток на годонимию Сочи. Как с

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32

Ю., О. Тимченко. "ДІЄСЛІВНА МЕТАФОРА ЯК ДОМІНАНТА ХУДОЖНЬОЇ ОРГАНІЗАЦІЇ МАРИНІСТИЧНОГО ПЕЙЗАЖУ В НОВЕЛІСТИЦІ М. КОЦЮБИНСЬКОГО ІТАЛІЙСЬКОГО ЦИКЛУ". Лінгвістичні дослідження: Зб. наук. праць ХНПУ ім. Г.С. Сковороди, № 46 (14 листопада 2017): 51–55. https://doi.org/10.5281/zenodo.1048596.

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<em>The article is devoted</em> <em>to the expressive reproduction of the seascape short stories of the Italian cycle by M. Kotsiubynskyi. In linguistics, there is a significant number of metaphors classifications, among which the most popular is the word typology, that indicates the auxiliary subject. Based on this, anthropomorphic, naturemorphic, zoomorphic, phytomorphic, landscape, sociomorphic, and artifact metaphors are distinguished. But there are less studied metaphors that are grouped according to grammatical indices (substantive, adjective, verbal etc.), and syntactic features (geniti

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Gorbovskaya, S. G. "Associative analysis of the painting by G. Moro “Salome, dancing before Herod” in the novel by J.-K. Huysmans “Against Nature”." Nauchnyi dialog 13, no. 2 (2024): 269–85. http://dx.doi.org/10.24224/2227-1295-2024-13-2-269-285.

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The phenomenon of the “symbolic image” is examined using the example of the flower in Salome’s hand in Gustave Moreau’s painting “Salome Dancing before Herod” and the lotus in Salome’s hand in J.-K. Huysmans’ novel “Against the Grain.” The history of the terms ‘imago’, ‘archetype’, and ‘symbolic image’ in psychoanalysis is traced, as well as the influence of these psychoanalytic concepts on the perception of imagery in literature and painting. The relevance of the study lies in the enduring interest of literary scholars in issues related to the interplay between psychoanalysis and literature,

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Orlova, Yuliia, Nataliya Lemish, Svitlana Matvieieva, Olga Aleksieieva, Iryna Vainorenie, and Nataliia Safonova. "Concept Human Age as Archetypal and Stereotypical Mental Structure in the Consciousness of Ukrainian, Russian, and English Native Speakers." Studies about Languages 41, no. 1 (2022): 62–80. http://dx.doi.org/10.5755/j01.sal.41.1.31960.

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The paper offers a new complex methodology for analyzing the linguocultural concept HUMAN AGE as a multidimensional archetypal and stereotypical mental structure of human consciousness. To recognize the systemic essence of the Ukrainian, Russian, and English native speakers’ world mapping and their cultural stereotypes, the concept HUMAN AGE is studied by considering its realization through lexical, phraseological, and paremiological units. The study assumes the analysis of such concept structure components as an etymological/historical layer that reflects the essential notional features of th

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Satanar, M. T. "The image of the spirit-mistress of the earth in the olohkho epic. Part 1: Static and dynamic characteristics." LANGUAGES AND FOLKLORE OF INDIGENOUS PEOPLES OF SIBERIA, no. 47 (2023): 67–77. http://dx.doi.org/10.25205/2312-6337-2023-3-67-77.

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Currently, there appears to be a significant demand for addressing the image of Mother Earth. This study was intended to identify the main characteristics of the image of the spirit–mistress of the earth, Aan Alakhchyn Khotun, in the olonkho epic. Use was made of the structural, functional, and semantic analysis, as well as of the review and generalization, with the principle of historicism being the key one. The analysis has revealed the following stable signs of the image: being a female, a predominance of white color, nudity of breasts, elegant clothes, localization in the world tree, divin

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Goja, Bojan. "Maestro di Pico i iluminacije u inkunabuli De Civitate Dei (Nicolas Jenson, Venecija, 1475.) u samostanu Sv. Duje u Kraju na Pašmanu." Ars Adriatica, no. 4 (January 1, 2014): 235. http://dx.doi.org/10.15291/ars.497.

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The Franciscan Monastery of St Domnius at Kraj on the island of Pašman houses an incunable edition of Augustine’s The City of God (De Civitate Dei) which was printed in Venice by Nicolas Jenson in 1475. The incunable features beautiful Renaissance multi-coloured illuminations painted in tempera, sepia, ink and water colours while gold foils and gold dust were used on fol. 17 (the page number is not original but was subsequently added in pencil; this folio contains the beginning of Book 1) and a number of other folios. The illumination on fol. 17 consists of two phytomorphic initials, a decorat

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Ivanov, Evgeniy E. "Emanation of L. Tolstoy’s “folk thought” in the work of B. Okudzhava." Neophilology, no. 2 (2023): 338–47. http://dx.doi.org/10.20310/2587-6953-2023-9-2-338-347.

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The issue of the axiological role of Russian literature in creating the humanitarian image of Russia is focused. Attention is focused on the seeming incompatibility of pacifist views and positions of the unconditional need to defend the Motherland in the Patriotic Wars. The positions of L. Tolstoy and B. Okudzhava on this issue are compared in the light of the concept of the synthetic theory of P.N. Sakulin, which determines the continuity of ideas in culture. The diachronic differences in the formation of the image of the Russian people as a defender of their land at the cost of self-sacrific

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Khabotniakova, Polina S., and Vira H. Nikonova. "BIBLICAL IMAGES-SYMBOLS IN FRANK PERETTI’S MYSTICAL THRILLERS: LINGUAL REPRESENTATION AND PRAGMATIC VALUE." Alfred Nobel University Journal of Philology 2, no. 26/1 (2023): 221–31. http://dx.doi.org/10.32342/2523-4463-2023-2-26/1-16.

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The paper aims to clarify the biblical image-symbols in Frank Peretti’s mystical thrillers. The problem of the detailed analysis of the lingual representation of the biblical image-symbols and their pragmatic value is solved in the article by applying a complex of methods of linguistic poetics, cognitive linguistics, stylistics and methodological tools of discourse analysis. The paper considers the biblical images-symbols, used in American mystical thrillers written by the protestant author Frank Peretti, as biblical intertexts depicting not only biblical knowledge but also author’s intentions

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Alberto, Enrique Pérez. "Representaciones fitomorfas de «Latua pubiflora» en artefactos ornamentales de cobre en el área centro-sur de Chile hacia el 1000 AP." Arqueologia Iberoamericana 47 (May 10, 2021): 153–60. https://doi.org/10.5281/zenodo.4743251.

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A partir de la revisión y síntesis de un conjunto de conocimientos que implican el desarrollo de tecnologías como la alfarería, el uso de aspectos morfológicos externos, las características etoecológicas, las propiedades toxicológicas de los recursos vegetales y la disponibilidad de materias primas metalíferas como los minerales de cobre en la región centro-sur de Chile, se propone la producción local del morfotipo de aros campaniformes modelados por fundición identificados en el sitio Villa JMC-1 Labranza. Est

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Terskikh, Marina V. "Polycode metaphorization in social advertising of health." Current Issues in Philology and Pedagogical Linguistics, no. 4 (December 25, 2024): 133–51. https://doi.org/10.29025/2079-6021-2024-4-133-151.

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The paper is devoted to the metaphorical modeling specifics of social advertising texts on health problems. The cognitive metaphor theory is taken as the basic methodology, based on the conjugation of two conceptual areas: the source domain and the target domain. The material was more than 300 texts of printed and outdoor Russian and foreign social advertising, collected by the method of directed sampling. The polycode essence of the advertising message also determined the study specifics: the article examines the metaphor of different semiotic codes – verbal and visual. As a result of the ana

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А., Г. Козлова. "МУЗЫКА В ЛИРИКЕ БУЛАТА ОКУДЖАВЫ". Русская филология: Вестник Харьковского национального педагогического университета имени Г.С. Сковороды 3, № 65 (2018): 41–46. https://doi.org/10.5281/zenodo.1493621.

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<em>The article is devoted to the study of musical images in the lyrics of one of the brightest representatives of singer-songwriters of the 1960–80s, Bulat Okudzhava. It is noted that music is a universal, permeating the entire artistic space of his poetry. The lyrical hero, as well as the author himself, is characterized by a reverent attitude to music, its deification, the awareness of its mission that heals the soul. Okudzhava’s music is associated with life itself, with life’s fate, and since life and love in the mind of a lyrical hero are inseparable, the motive of musi

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Гаврилюк, Марина Александровна. "Plant Metaphor in Chinese: semasiological and cognitive aspects." Tomsk state pedagogical university bulletin, no. 1(231) (January 26, 2024): 23–32. http://dx.doi.org/10.23951/1609-624x-2024-1-23-32.

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Исследуются когнитивные основы формирования метафорических значений фитонимической лексики в китайском языке. Данный пласт лексических единиц, фиксируя наиболее важные для носителей языка участки внеязыковой действительности, обладает высокой степенью релевантности для китайского национального языкового сознания, что обуславливает широкие возможности для его метафорического переосмысления. Возникающие в результате этого процесса вторичные образные номинации выполняют важную роль в концептуализации мира, выступая в качестве одного из основных средств реализации фитоморфного кода культуры. Целью

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Kotliar, Elena Romanovna, and Ekaterina Yur'evna Puntus. "The Cultural Code "Bestiary" in the Jewish Pictorial Semiosis." Философская мысль, no. 4 (April 2023): 19–50. http://dx.doi.org/10.25136/2409-8728.2023.4.39946.

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The subject of the study is the cultural code "Bestiary", which combines symbolic images of animals and chimeras in the Jewish pictorial semiosis. The object of the study is traditional symbolism in Jewish pictorial practice. The article uses the methods of semiotic analysis in deciphering the meanings of the elements of the traditional pictorial Jewish semiosis, the method of analyzing previous studies, the method of synthesis in substantiating sets of signs. In their work, the authors consider the following aspects of the topic: the main codes of the Jewish pictorial semiosis are highlighted

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Mykhailova, Olena. "SACRED FUNCTION OF THE FESTIVE PIE AMONG ANCIENT ROMANS: ONOMASIOLOGICAL AND CULTUROLOGICAL ASPECTS." Bulletin of Taras Shevchenko National University of Kyiv. Literary Studies. Linguistics. Folklore Studies, no. 2(34) (2023): 86–89. http://dx.doi.org/10.17721/1728-2659.2023.34.16.

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The article represents evolutional changes in modern culture of celebration, the traits of desacralization of traditional festive practices in comparison with the old ceremonial rites of "serving the deity" appropriate, in particular, to Greeks and Romans. In conformity with V. Turner’s universal theory of rite its multilevel structure was determined (symbolic, valuable, teleological and role-playing) as well as important sacred function that insures the integrity of all components. The rite of sacrifice was described as the most important festive ritual aimed at the creation of the channel of

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RUMYANTSEVA, Marina V. "METAPHORICAL COMPARISONS WITH THE COLOR STANDARD (BASED ON THE MATERIAL OF RUSSIAN LITERARY DISCOURSE)." Tyumen State University Herald. Humanities Research. Humanitates 7, no. 2 (2021): 42–59. http://dx.doi.org/10.21684/2411-197x-2021-7-2-42-59.

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Modern linguistic studies of cultural manifestations of different ethnic groups that found their place in the language prove that language affects how a person perceives the world around him or her. The language creates a naive picture of the world, which is based on popular wisdom and knowledge of cultural ethnic or universal human norms and traditions. This picture has its own unique laws, different from the scientific picture of the world, dictates its own categories of space and time, as well as color and function. This article presents a linguoculturological analysis of metaphorical compa

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Merzlikina, Olga V. "Zoomorphic metaphor in the dialect nominations of plants as a fragment of the Galician language picture of the world." Vestnik Tomskogo gosudarstvennogo universiteta. Filologiya, no. 90 (2024): 75–93. https://doi.org/10.17223/19986645/90/4.

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The article studies the cognitive-onomasiological mechanism of motivation of zoomorphic metaphorical nominations of plants in the Galician language. The aim of the article is to analyze the motivation of the folk plants names and to reveal the mechanism of metaphorical rethinking of the conceptual sphere “animals”, as well as to describe the conceptual connection in the motivational bases of phytonyms created on the basis of synthesizing models. The material of the study was the folk plants names in the Galician language. The reason for including a phytonym in the sample for analysis was the p

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Kotliar, Elena Romanovna, and Elena Nikolaevna Alekseeva. "The Jewish Cultural Code in the Visual Semiosis of Crimea." Философия и культура, no. 11 (November 2022): 7–29. http://dx.doi.org/10.7256/2454-0757.2022.11.39195.

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The subject of the study is the cultural code of Judaism in the visual semiosis of the Crimea. The object of the study is the traditional symbolism in the decor of the Jews of the Crimea: Ashkenazi Jews, Karaites and Krymchaks. The article uses the methods of cultural (semiotic, ontological and hermeneutic) analysis in the continuum of signs of the traditional Jewish semiosis, the idiographic method in the concept of the totality of signs, the method of analysis of previous studies, the method of synthesis in substantiating the morphology of signs. The following aspects of the topic are consid

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Kotliar, Elena Romanovna, and Natal'ya Anatol'evna Zolotukhina. "The cultural code of "Numbers" in the Jewish pictorial Semiosis of the Crimea." Философская мысль, no. 6 (June 2023): 14–41. http://dx.doi.org/10.25136/2409-8728.2023.6.40797.

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The subject of the study is the cultural code of "Numbers", covering numerical symbols and their embodiment in the pictorial semiosis of the Jews of the Crimea. The object of the study is the traditional compositions and images associated with the symbolism of numbers in the pictorial practice of the Jews of the Crimea. The research uses methods of semiotic and semantic analysis in deciphering the meanings of numeric symbols and their embodiment in the Jewish pictorial semiosis of the Crimea, the method of analyzing previous research on the topic, the synthesis method in generalizing the meani

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Shestak, Larisa A. "Images: Cognitive Mechanism, Poetics, Semiosphere." RUDN Journal of Language Studies, Semiotics and Semantics 15, no. 1 (2024): 51–63. http://dx.doi.org/10.22363/2313-2299-2024-15-1-51-63.

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The study is devoted to the phenomenon of the image as a concept of many humanities. The cognitive mechanism for creating a linguistic and textual image (apperception, application of frames with a matching slot, basic categorization of the world) is under consideration. A typology of linguistic images is given: an acoustic image as a second channel of meaning, along with a lexical-and-semantic one; the means of figurative derivation; a figurative internal form of a word of a secondary direct nomination ( осточертеть, накостылять ); lexical figurativeness and syntagmatics of direct and figurati

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Luis, Carlos Duarte Cavalcante, and Araújo Rodrigues Andrews. "Fazendinha I: descoberta de um novo sítio pré-histórico e descrição preliminar de suas inscrições rupestres e problemas de conservação." Arqueologia Iberoamericana 30 (May 23, 2016): 44–50. https://doi.org/10.5281/zenodo.1317025.

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O sítio arqueológico conhecido como Fazendinha I, descoberto em 2010, é um abrigo de arenito com inscrições pré-históricas, localizado na área rural de Piripiri, estado do Piauí, Brasil. O abrigo sob-rocha contém uma coleção excepcional de 141 pinturas rupestres e 65 gravuras rupestres. As pinturas rupestres consistem de grafismos geométricos abstratos, carimbos de mãos humanas, zoomorfos (lagartos e ornitomorfos), antropomorfos e fitomorfos, pintados predominantemente em diferentes tonalidades de

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