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Relevant bibliographies by topics / Piano music – Bibliography

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Journal articles

Academic literature on the topic 'Piano music – Bibliography'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 January 2023

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Journal articles on the topic "Piano music – Bibliography"

1

Stroud, John, John Gillespie, and Anna Gillespie. "A Bibliography of Nineteenth-Century American Piano Music." Notes 41, no. 3 (1985): 520. http://dx.doi.org/10.2307/941174.

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2

Popiołek-Walicki, Aleksandra. "Cultural Importance of the 4th International Chopin Piano Competition in the Light of Polish Music Life Reviving after the WW II." Edukacja Muzyczna 15 (2020): 327–45. http://dx.doi.org/10.16926/em.2020.15.08.

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The article aims at summarizing different activities undertaken to organize and run the first post- war Chopin piano competition. It is an attempt to collect facts, accounts and memories concerning actions initiated by Polish music culture environment after the Second World War. The author fo- cuses on a detailed description of the organization and proceedings of the 4th International Piano Competition, making use of information that has existed in independent sources so far. The article uses diaries, biographies, autobiographies, private notes, interviews with representatives of Polish cultur

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3

Clark, W. A. "Portuguese Piano Music: An Introduction and Annotated Bibliography. By Nancy Lee Harper." Music and Letters 94, no. 3 (2013): 529–31. http://dx.doi.org/10.1093/ml/gct079.

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Clark, J. Bunker, John Gillespie, and Anna Gillespie. "A Bibliography of Nineteenth-Century American Piano Music, with Location, Sources and Composer Biography-Index." American Music 5, no. 1 (1987): 107. http://dx.doi.org/10.2307/3051871.

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5

Spiridon, Simona. "The symphonic music of the national schools in 20th century Europe in the repertoire of the Philharmonic of Cluj (1955-1989). Creative perspectives of C. Silvestri’s Chants Nostalgiques op. 27 no. 1." Journal of Education Culture and Society 6, no. 1 (2020): 143–52. http://dx.doi.org/10.15503/jecs20151.143.152.

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The present work focuses on the national cultures of the early 20th century in several European countries, such as Czechoslovakia, Poland, Hungary, Spain, Russia and Romania. Since my PhD thesis analyses the evolution of the Philharmonic “Transilvania”of Cluj between 1955-1989, there will be a thorough statistic of the concerts which were held during that period in which the orchestra performed musical pieces of the composers mentioned in this essay. For some concerts, there will also be stated the date when the concert took place, as well as the conductor who was invited to Cluj. There will a

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6

Adderley, Meisha. "■ Thinking as You Play: Teaching Piano in Individual and Group Lessons. By Sylvia Coats. Indiana University Press, 601 N. Morton St., Bloomington, IN 47404; 800-842-6796; fax, 812-856-0415; www.iu press.indiana.edu. 2006. 184 pp. Black-and-white figures, music examples, appendixes, bibliography, index. Paperback, $24.95; hardcover, $60.00." Music Educators Journal 93, no. 4 (2007): 20–21. http://dx.doi.org/10.1177/002743210709300409.

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7

Dawson, William J. "Performing Arts Medicine-–A Bibliographic Retrospective of the Early Literature: An Historical Examination of Bibliographic References Pre-1975." Medical Problems of Performing Artists 28, no. 1 (2013): 47–53. http://dx.doi.org/10.21091/mppa.2013.1008.

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Performing arts medicine (PAM) emerged as a medical specialty around 1985. Prior to this time, relatively few publications addressed the identification and concerns of musicians’ and dancers’ medical problems. To determine what number and types of publications occurred prior to the actual beginnings of PAM as a discipline, and to determine how these original topics compared with present-day publications, a retrospective review of the current bibliographic database of the Performing Arts Medicine Association (PAMA) was undertaken. Out of a total of 12,600 entries to date, 489 references were fo

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8

Bakhmet, Tetiana. "Archive fund of the composer Mark Karminsky." Aspects of Historical Musicology 19, no. 19 (2020): 10–28. http://dx.doi.org/10.34064/khnum2-19.01.

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Mark Veniaminovich Karminskyi (1930–1995) is a composer who, already during his lifetime, was appreciated by his contemporaries as the brightest figure in musical art, in particular, musical theater. Well-known in the country and his native Kharkiv, he was also the constant reader of the Kharkiv ‘K. Stanislavskyi’ Music and Theater Library for many years, taking part in many events that took place within its walls. An excellent lecturer and interlocutor, benevolent and affable person, he found an attentive audience and ardent admirers of his musical talent among the library’s readers and stuff

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9

Yang, Fuyin. "“Passatempi musicali” by GuillaumeLouis Cottrau as the way Neapolitan song actualization in 19th century music." Aspects of Historical Musicology 19, no. 19 (2020): 268–84. http://dx.doi.org/10.34064/khnum2-19.15.

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Background. In 19th century European music has been enriched by national phenomena, such as Polish mazurka, Austrian waltz, Hungarian czardas, which went into the academic genres system, expanded the boundaries of its intonational fund and audience perceptions. The Neapolitan song participated in this process. It was a real discovery for music lovers in different countries. Canzone Napoletana conquered the music salons area in France, from where it spread in all the Europe, and was reflected in the work of many composers. This genre phenomenon is not fully unraveled, probably due to the distor

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Gomez Rodriguez, Jesús María. "Cuatro piezas portuguesas de Miguel Asins Arbó: aproximación analítica y performativa TITLE: Four Portuguese Pieces by Miguel Asins Arbó: analytical and performative approach." DEDiCA Revista de Educação e Humanidades (dreh), no. 16 (August 17, 2019). http://dx.doi.org/10.30827/dreh.v0i16.8287.

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En este artículo se analizan desde el punto de vista armónico y pianístico una de las piezas más características de la obra para piano del compositor español Miguel Asins Arbó (1916-1996). Premio Nacional de la Música en 1950, es un autor conocido internacionalmente por ser el creador de las bandas sonoras de películas de Luis García Berlanga (1921-2010) o Marco Ferreri (1928-1997). Compuso más de cien obras para piano, la mayoría sin editar y con escasa bibliografía en cuanto al análisis y difusión de las mismas. Este ciclo de canciones muestra el dominio del maestro valenciano para captar la

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