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Books on the topic 'Piano – Performance – History'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 February 2022

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1

Kentner, Louis. Piano. Kahn & Averill, 1991.

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2

David, Rowland. A history of pianoforte pedalling. Cambridge University Press, 1993.

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3

Hamilton, Kenneth. After the golden age: The decline of romantic pianism and the dawn of modern performance. Oxford University Press, 2007.

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4

Hamilton, Kenneth. After the golden age: Romantic pianism and modern performance. Oxford University Press, 2008.

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5

Chiantore, Luca. Historia de la técnica pianística: Un estudio sobre los grandes compositores y el arte de la interpretación en busca de la Ur-Technik. Alianza, 2001.

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6

Azizbekova, Mariam. Fortepijono menas Vilniuje: 1863-1915 metais. Vilniaus Dailės akademijos leidykla, 1998.

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7

Skowroneck, Tilman. Beethoven the pianist. Cambridge University Press, 2010.

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8

Off the record: Performing practices in Romantic piano playing. Oxford University Press, 2012.

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9

Company of pianos. Finchcocks Press, 2004.

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10

The piano sonority of Claude Debussy. E. Mellon Press, 1994.

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11

McKay, Elizabeth Norman. The impact of thenew pianofortes on classical keyboard style: Mozart, Beethoven and Schubert. Lynwood Music, 1987.

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12

McKay, Elizabeth Norman. The impact of the new pianofortes on classical keyboard style: Mozart, Beethoven, and Schubert. Lynwood Music, 1987.

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13

No me interesa ser sólo pianista: Fausto Zadra : l'interprete, il didatta, l'uomo. Florestano, 2009.

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14

Piano recital: L'evoluzione del gusto musicale attraverso la storia del programma da concerto. F. Pagano, 1992.

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15

Performance practices in classic piano music: Their principles and applications. Indiana University Press, 1988.

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16

La méthode de piano de Chopin: Essai pédagogique. Editions singulières, 2007.

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17

Beethoven the pianist. Cambridge University Press, 2010.

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18

Skowroneck, Tilman. Beethoven the pianist. Cambridge University Press, 2010.

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19

Dilaghi, Francesco. Gli abbellimenti nella musica per pianoforte: Una sintesi delle fonti principali. Centro di ricerca e di sperimentazione per la didattica musicale, 1990.

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20

Horovyt︠s︡i︠a︡, Fond miz︠h︡narodnoho konkursu pianistiv na chestʹ V. Volodymyr Horovyt︠s︡ʹ ta pianistychna kulʹtura XX-ho stolitti︠a︡: Zbirnyk stateĭ ta materialiv. Osnova, 1996.

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21

Kashkadamova, Natali︠a︡. Fortepʹi︠a︡nne mystet︠s︡tvo u Lʹvovi: Statti, ret︠s︡enziï, materialy. SMP "Aston,", 2001.

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22

Badura-Skoda, Eva. Interpreting Mozart: The performance of his piano pieces and other compositions. 2nd ed. Routledge, 2010.

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23

A Beethoven enigma: Performance practice and the piano sonata, opus 111. P. Lang, 1988.

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24

Auf die Finger geschaut: Von der Werktreue grosser Pianisten : von Arrau bis Zimerman. Staccato-Verlag, 2014.

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25

The keyboard sonatas of Joseph Haydn: Instruments and performance practice, genres and styles. University of Chicago Press, 1995.

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26

László, Somfai. The keyboard sonatas of Joseph Haydn: Instruments and performance practice, genres and styles. University of Chicago Press, 1994.

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27

Paul, Badura-Skoda, ed. Interpreting Mozart: The performance of his piano pieces and other compositions. 2nd ed. Routledge, 2008.

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28

Gorbovet︠s︡, L. O. Khudozhestvennye napravlenii︠a︡ v muzykalʹnom iskusstve Ekaterinburga pervoĭ poloviny XX veka: Na primere fortepiano : monografii︠a︡. Rossiĭskiĭ gos. professionalʹno-pedagogicheskiĭ universitet, 2009.

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29

Stanovlenie i razvitie fortepianno-ispolnitelʹskoĭ kulʹtury Azerbaĭdzhana: Uchebnoe posobie. Mutarjim, 2012.

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30

Haydn's keyboard music: Studies in performance practice. Clarendon Press, 1996.

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31

Shabshaevich, Elena. Fortepiannai︠a︡ muzyka v kont︠s︡ertnoĭ zhizni Moskvy XIX stoletii︠a︡. Moskovskai︠a︡ gosudarstvennai︠a︡ konservatorii︠a︡ imeni P.I. Chaĭkovskogo, 2014.

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32

Moskovskiĭ gosudarstvennyĭ institut muzyki imeni A.G. Shnitke, ред. Muzykalʹnai︠a︡ zhiznʹ Moskvy XIX stoletii︠a︡ i ee otrazhenie v kont︠s︡ertnoĭ fortepiannoĭ praktike. Izdatelʹstvo "Kompozitor,", 2011.

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33

Izbrannye statʹi o muzyke. Monolit, 2000.

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34

Bruhn, Siglind. Images and ideas in modern French piano music: The extra-musical subtext in piano works by Ravel, Debussy, and Messiaen. Pendragon Press, 1997.

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35

Images and ideas in modern French piano music: The extra-musical subtext in piano works by Ravel, Debussy, and Messiaen. Pendragon Press, 2010.

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36

Handbuch der Klavierliteratur: Klaviermusik zu zwei Händen. 5th ed. Atlantis Musikbuch-Verlag, 2001.

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37

Handbuch der Klavierliteratur: Klaviermusik zu zwei Händen. 3rd ed. Atlantis Musikbuch-Verlag, 1985.

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38

Wolters, Klaus. Handbuch der Klavierliteratur: Klaviermusik zu zwei Händen. 4th ed. Atlantis Musikbuch-Verlag, 1994.

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39

Glenn Gould: The performer in the work : a study in performance practice. Clarendon Press, 1997.

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40

Bazzana, Kevin. Glenn Gould: The performer in the work. Clarendon, 1997.

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41

Stefan, Rieger. Glenn Gould, czyli, sztuka fugi. Wydawn. słowo/obraz tetytoria, 1997.

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42

D, Alekseev A. Istorii︠a︡ fortepiannogo iskusstva. 2nd ed. "Muzyka", 1988.

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43

Interpreting Mozart on the keyboard. Da Capo Press, 1986.

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44

Boulanger, Richard. Les innovations de Domenico Scarlatti dans la technique du clavier. Société de musicologie de Languedoc, 1988.

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45

Charles Valentin Alkan: His life and his music. Ashgate, 2006.

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46

Newman, William S. Beethoven on Beethoven: Playing his piano music his way. W.W.Norton, 1991.

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47

Newman, William S. Beethoven on Beethoven: Playing his piano music his way. Norton, 1988.

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48

Voi suonate, amici cari: La musica di Mozart fra palcoscenico e tastiera. M. Valerio, 2005.

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49

Bertoglio, Chiara. Voi suonate, amici cari: La musica di Mozart fra palcoscenico e tastiera. M. Valerio, 2005.

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50

Ferdinand Hiller und das virtuose Klavierkonzert in der Mitte des 19. Jahrhunderts. Merseburger, 2005.

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