Log in

Relevant bibliographies by topics / Piano quartets – Scores and parts / Dissertations / Theses

To see the other types of publications on this topic, follow the link: Piano quartets – Scores and parts.

Dissertations / Theses on the topic 'Piano quartets – Scores and parts'

Author: Grafiati

Published: 29 July 2024

Last updated: 31 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 16 dissertations / theses for your research on the topic 'Piano quartets – Scores and parts.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.

1

Moran, David W. (David Wayne). "Chaos, Cosmos, and Communion: Three Movements for String Quartet." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc278804/.

Full text

Abstract:

The three movements of this piece are related proportionally in that movements one and two represent three-fifths of the length of the whole. Movement three represents two-fifths of the length of the whole. Another proportional relationship exists between movements one and two. Movement one represents two-fifths of the length of the first two movements, while movement two represents three-fifths of the length of the two. An additional link between the three movements is pitch content. Movements one and two have little in common in this regard, but movement three combines elements of the first

APA, Harvard, Vancouver, ISO, and other styles

2

Wang, Jing. "Cultural and technical perspectives on Winter landscape." Thesis, connect to online resource, 2009. http://digital.library.unt.edu/ark:/67531/metadc12212.

Full text

Abstract:

For flute, piano, erhu, and Max/ISP interactive computer music system. Duration: ca. 15:00. System requirements: Adobe Acrobat Reader. Includes notes for performance. Includes bibliographical references (p. 94-96).

APA, Harvard, Vancouver, ISO, and other styles

3

Young, Kar-fai Samson, and 楊嘉輝. "Internationalism, individualism and Chinese national style: the hybrid-identity composer and the in-between space." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B37095110.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

陳錦標 and Kam Biu Joshua Chan. "Portfolio of original compositions." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B31234094.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

"A portfolio of music compositions." 2006. http://library.cuhk.edu.hk/record=b5896515.

Full text

Abstract:

The giving tree : for soprano, tenor, violin, cello and piano / text by Shel Silverstein -- Duo 《琴笙曲》 : for 2 harmonicas -- Clarinet duet : for clarinet and live electronics -- Playing game : for orchestra -- Sculpture II 《浮塑二》 : for pipa and Chinese orchestra -- Volcanicity 《原・始》 : for sheng and Chinese orchestra.<br>The giving tree : for soprano, tenor, violin, cello and piano / text by Shel Silverstein -- Duo "Qin sheng qu" : for 2 harmonicas -- Clarinet duet : for clarinet and live electronics -- Playing game : for orchestra -- Sculpture II "Fu su er" : for pipa and Chinese orchestra -- Vo

APA, Harvard, Vancouver, ISO, and other styles

6

"A portfolio of three musical compositions." 1997. http://library.cuhk.edu.hk/record=b5896235.

Full text

Abstract:

by Hui Cheung Wai.<br>Thesis (M.Mus.)--Chinese University of Hong Kong, 1997.<br>Chapter 1. --- String Quartet No2<br>Chapter a) --- programme notes --- p.I. i -ii<br>Chapter b) --- music score<br>Chapter ´Ø --- 1st movement --- p.1-15<br>Chapter ´Ø --- 2nd movement --- p.16 -25<br>Chapter ´Ø --- 3rd movement --- p.26-51<br>Chapter 2. --- """Disappearance"" for orchestra"<br>Chapter a) --- programme notes --- p.II. i -iv<br>Chapter b) --- music score --- p.1-46<br>Chapter 3. --- """Wu Wu"" (Sorcery Dance) for piano"<br>Chapter a) --- programme notes --- p.III. i -ii<br>Chapter b) --

APA, Harvard, Vancouver, ISO, and other styles

7

"Portfolio of music compositions." 2002. http://library.cuhk.edu.hk/record=b5895999.

Full text

Abstract:

Quartet -- Bagatelle-Kyrie eleison -- Déploration.<br>Wu Ming-yiu.<br>Thesis (M.Mus.)--Chinese University of Hong Kong, 2002.<br>Abstracts in English and Chinese.<br>Abstract --- p.i<br>Table of Contents --- p.ii<br>Acknowledgements --- p.iii<br>Compositions<br>Chapter 1. --- Quartet --- p.1<br>Chapter 2. --- Bagatelle - Kyrie eleison --- p.34<br>Chapter 3. --- Deploration --- p.47

APA, Harvard, Vancouver, ISO, and other styles

8

"Composition portfolio of Li Kit-yiu, Emily." Chinese University of Hong Kong, 1995. http://library.cuhk.edu.hk/record=b5888413.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

"A portfolio of music compositions." 2003. http://library.cuhk.edu.hk/record=b5891434.

Full text

Abstract:

Quintet for winds and piano -- Preludes and fugues for piano solo -- Variation for string quartet.<br>Wong Kong Yu.<br>Thesis submitted in: December 2002.<br>Thesis (M.Mus.)--Chinese University of Hong Kong, 2003.<br>Includes bibliographical references (leaves ).<br>Abstracts in English and Chinese.<br>Abstract --- p.1 Page<br>Scores with Notes:<br>Chapter 1. --- Quintet for Winds and Piano<br>Note --- p.2 Pages<br>Score --- p.30 Pages<br>Chapter 2. --- Preludes and Fugues for Piano Solo<br>Note --- p.2 Pages<br>Score --- p.31 Pages<br>Chapter 3. --- Variations for String Quartet<br>Note

APA, Harvard, Vancouver, ISO, and other styles

10

Grant, Quentin Stuart David. "Portfolio of original compositions." Thesis, 2008. http://hdl.handle.net/2440/51095.

Full text

Abstract:

This submission comprises a portfolio of fifteen original musical works and an exegesis that comments on five of these works. Recordings of twelve of the fifteen compositions are included. These pieces demonstrate an ongoing investigation into structure, and the discussion will provide an insight into the constant process of experimentation and consolidation involved in developing such a body of work. In the exegesis I open with a general conversation on the compositional process and then focus on the formal problems inherent in this process. I then discuss the five scores included in the ma

APA, Harvard, Vancouver, ISO, and other styles

11

Grant, Quentin Stuart David. "Portfolio of original compositions." 2008. http://hdl.handle.net/2440/51095.

Full text

Abstract:

This submission comprises a portfolio of fifteen original musical works and an exegesis that comments on five of these works. Recordings of twelve of the fifteen compositions are included. These pieces demonstrate an ongoing investigation into structure, and the discussion will provide an insight into the constant process of experimentation and consolidation involved in developing such a body of work. In the exegesis I open with a general conversation on the compositional process and then focus on the formal problems inherent in this process. I then discuss the five scores included in the main

APA, Harvard, Vancouver, ISO, and other styles

12

Weekes, Diana K. "Twistonality [music] : a personal exploration : portfolio of original compositions and exegesis." 2007. http://hdl.handle.net/2440/57119.

Full text

Abstract:

Title page, table of contents and abstract; v.2: table of contents; v.3: table of contents only. The complete thesis in print form is available from the University of Adelaide Library.<br>This doctoral submission comprises three volumes and is entitled Twistonality: A Personal Exploration. Volume One consists of a portfolio of eleven original compositions, Volume Two is an exegesis and Volume Three contains live and/or computer-generated recordings of the music. The works are scored for a variety of instrumental and vocal combinations. The compositions explore the use of tonality as a basis fo

APA, Harvard, Vancouver, ISO, and other styles

13

"A portfolio of four original music compositions." 1998. http://library.cuhk.edu.hk/record=b5889514.

Full text

Abstract:

Trombone concerto (first movement) -- Post-Zero -- Trio for flute, violin and cello, no. 2.<br>submitted by Tang Pan-hang Benny.<br>Thesis submitted in: December 1997.<br>Thesis (M.Mus.)--Chinese University of Hong Kong, 1998.<br>Abstract also in Chinese.<br>Abstract --- p.i<br>摘要 --- p.ii<br>Acknowledgment --- p.iii<br>Declaration --- p.iv<br>Introduction --- p.1<br>Trombone Concerto (first movement) --- p.2<br>Programme notes --- p.3<br>Remarks --- p.5<br>Instrumentation --- p.6<br>Seating Plan --- p.7<br>Scores --- p.8<br>Post-Zero 零後 --- p.56<br>Introduction --- p.57<br>Progra

APA, Harvard, Vancouver, ISO, and other styles

14

"A portfolio of music compositions." Thesis, 2004. http://library.cuhk.edu.hk/record=b6073653.

Full text

Abstract:

Alien-colour : for woodwind quintet -- Two bagatelles for the solo piano -- Duodecat : for large ensemble -- Moonlight : for solo voice and percussion -- Activation : for orchestra.<br>Yang Jin Fong.<br>"June 2004."<br>Thesis (D.Mus.)--Chinese University of Hong Kong, 2004.<br>Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.<br>Mode of access: World Wide Web.<br>Abstracts in English and Chinese.

APA, Harvard, Vancouver, ISO, and other styles

15

"Conversation, Dark haze, San-shui Xi-nan." 1998. http://library.cuhk.edu.hk/record=b5896306.

Full text

Abstract:

by Ho Tsz-Yan, Rebecca.<br>Thesis (M.Mus.)--Chinese University of Hong Kong, 1998.<br>Abstract also in Chinese.<br>Chapter Part I: --- p.page<br>Chapter ´Ø --- Abstract --- p.1<br>Chapter Part II:<br>Chapter ´Ø --- "Analysis on ""Conversation""" --- p.3<br>Chapter ´Ø --- """Conversation"" (Full Score)" --- p.6<br>Chapter ´Ø --- "Analysis on ""Dark Haze´ح" --- p.25<br>Chapter ´Ø --- """Dark Haze"" (Full Score)" --- p.28<br>Chapter ´Ø --- "Analysis on ""San-Shui Xi-Nan""" --- p.65<br>Chapter ´Ø --- """San -Shui Xi-Nan"" (Full Score)" --- p.69<br>Chapter Part III：<br>Chapter ´Ø --- Biogr

APA, Harvard, Vancouver, ISO, and other styles

16

"A portfolio of music compositions." Thesis, 2011. http://library.cuhk.edu.hk/record=b6075468.

Full text

Abstract:

Dead water : song cycle for tenor and piano -- Shan shui : for string quartet -- Kuang fu : for SSAAATTBB and yangqin -- If life is unknown : for wind quintet -- Symphony II : Marrison for chamber orchestra, male choir, erhu and zheng -- Jazzy illusion of a Chinaman : for clarinet/bass clarinet, piano/electric keyboard, electric guitar, drum set, cello and double bass -- Liao Zhai : Chinese strange tale for recorders , percussions, soprano, tenor and baritone -- A madman's diary : piano solo work.<br>Tam, Chin Fai.<br>Thesis (D.Mus.)--Chinese University of Hong Kong, 2011.<br>Includes bibliogr

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!