Relevant bibliographies by topics / Piao ju

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  1. Journal articles
  2. Dissertations / Theses
  3. Books

Academic literature on the topic 'Piao ju'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Piao ju"

1

Kiš, Tomislav. "Staroegipatska lopatičasta lutka iz Arheološkoga muzeja u Zagrebu." Prilozi Instituta za arheologiju u Zagrebu 39, no. 2 (2022): 5–19. http://dx.doi.org/10.33254/piaz.39.2.1.

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U radu je po prvi puta detaljnije obrađena staroegipatska lopatičasta lutka iz fundusa Arheološkoga muzeja u Zagrebu. Lopatičaste lutke specifičan su tip grobnih priloga koji se mogu datirati u razdoblje između kraja Staroga i Srednjega kraljevstva, a najveći broj ih dijeli zajedničke oblikovne, dekorativne i ikonografske karakteristike. Važnost zagrebačke lutke leži upravo u tome što ona pojedinim karakteristikama odstupa od većega dijela komparativnih primjera te u činjenici da je to jedini predmet toga tipa čuvan u muzejskim i galerijskim institucijama Republike Hrvatske, ali i šire. Glavni
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Douw, André. "Tōru Takemitsu's A Bird came down the Walk for viola accompanied by piano: An Analysis." Music Theory and Analysis (MTA) 9, no. 2 (2022): 183–222. http://dx.doi.org/10.11116/mta.9.2.3.

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In one of his last compositions, A Bird came down the Walk (1995), Tōru Takemitsu uses numbers to organize all parameters of the work and to create an association between the chords ju and gyo, as produced on the traditional Japanese wind instrument shō, and Messiaen's seven modes à transpositions limitées. With the help of the numbers three, seven, and nine, form and meter build a palindromic architecture around the middle measure of the piece (m. 30), where the piano plays in Messiaen's fourth mode. In Japanese, the words for "four" and "death" are associated because both are pronounced shi,
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Adriel, da Luz de Oliveira, and Mansur Gibran Sandro. "A RECUPERAÇÃO JUDICIAL E SEUS LIMITES CONSTITUCIONAIS." Revista do Mestrado em Direito da UCB 14, no. 1980-8860 (2022): 33–55. https://doi.org/10.18840/20200202.

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Resumo O presente artigo ambicionou examinar o instituto da recuperação judicial criado pela lei 11.101/2005, visando estabelecer o âmbito de aplicação e os limites constitucionais que devem orientar o juiz quando do pedido de recuperação judicial, já que nem todas as empresas merecem ser recuperadas diante do sacrifício imposto à sociedade decorrente do processo de recuperação. Mostra-se essencial e atual o debate diante da quantidade recente de pedidos de recuperação judicial. O presente artigo,
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Santos, Ana, Inês Silva, Mariana Monteiro, Rita Arcanjo, Natália Campelo, and Helena Sousa. "Efeitos da osteopatia em pacientes com dismenorreia primária." RevSALUS - Revista Científica da Rede Académica das Ciências da Saúde da Lusofonia 5, Supii (2024): 98. http://dx.doi.org/10.51126/revsalus.v5isupii.778.

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Introdução: A dismenorreia primária é a patologia ginecológica que afeta mais mulheres em idade fértil estando associada a elevadas taxas de absentismo laboral, pelo impacto negativo que pode ter na qualidade de vida (Ju et al., 2013). Objetivo: Averiguar, através de uma análise crítica da qualidade metodológica, os efeitos da intervenção osteopática na sintomatologia decorrente da dismenorreia primária, bem como o impacto na qualidade de vida em mulheres entre a menarca e a menopausa. Métodos: Através de uma pesquisa, realizada em 25 de abril de 2022, nas bases de dados PubMed, Science Direct
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André, Luis Fazanaro, and Pereira da Silva Uenis. "O direito ao porte de arma de fogo de calibre permitido pelos integrantes de entidades de desporto legalmente no Brasil." ALTUS CIÊNCIA -ISSN 2318-4817. vol. 18. ago. a dez- 2023 DOI 10.5281/zenodo.8144635 18 (July 13, 2023): 213–38. https://doi.org/10.5281/zenodo.8144635.

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&nbsp; <strong>Resumo</strong>: O presente trabalho tem como objetivo expor o direito ao porte de arma de fogo sob a &eacute;gide do Estatuto do Desarmamento no Brasil sendo pass&iacute;vel de ser usufru&iacute;do pelos integrantes de entidade de desporto legalmente constitu&iacute;das por ser direito legalmente previsto no artigo que permite portes por fun&ccedil;&atilde;o de modo que n&atilde;o cometam crime. A norma penal em branco heterog&ecirc;nea, mesmo a n&atilde;o incriminadora, que visa dar voz aos especialistas cujas mat&eacute;rias demandam profundo conhecimento, de acordo com o pri
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Ingridy, Luiza Nahun Veloso, and Éric Queirós Ferreira Jany. "MANIFESTAÇÕES SOCIOLINGUÍSTICAS DE ESTUDANTES UNIVERSITÁRIOS SOBRE DIALETOS PARAENSES: PROPOSTA DE ESTUDO." April 17, 2023. https://doi.org/10.5281/zenodo.7834428.

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<strong>Resumo</strong>: N&atilde;o &eacute; incomum observar atitudes lingu&iacute;sticas preconceituosas de falantes que consideram sua forma de falar portugu&ecirc;s &ldquo;superior&rdquo; &agrave; de outras pessoas que possuem dialeto distinto, sobretudo daqueles oriundos de regi&otilde;es mais distantes da cidade ou metr&oacute;pole, que residem em zonas rurais, entre outros. Os dialetos dessas pessoas considerados &ldquo;desprestigiados&rdquo;, em geral, sofrem com a estigmatiza&ccedil;&atilde;o social por parte de falantes ju&iacute;zes. No ambiente acad&ecirc;mico, plural e diverso, qu
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"Acknowledgment of Abstract Graders." Circulation 124, suppl_21 (2011). https://doi.org/10.1161/circ.124.suppl_21.a401.

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We would like to thank the following abstract graders for their invaluable time and effort in reviewing abstracts for Scientific Sessions 2011. Brian Abbott Friederike K. Keating Geoffrey Abbott John Kern Evan Abel Karl Kern Benjamin S. Abella Morton Kern Theodore Abraham Amit Khera William T. Abraham Raymond J. Kim Stephan Achenbach Sue Kimm Michael A. Acker Carey D. Kimmelstiel Michael J. Ackerman Jacobo Kirsch David H. Adams Joel Kirsh M. Jacob Adams Lorrie Kirshenbaum Ted Adams Raj Kishore Philip A. Ades Masafumi Kitakaze Gail K. Adler Andre Kleber Sunil K. Agarwal Neil S. Kleiman Frank Ag
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Dissertations / Theses on the topic "Piao ju"

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Nordmark, Linus. ""Bra musik finns ju redan" : En processbeskrivning av hur man drar nytta av en annan tonsättares mästerverk." Thesis, Luleå tekniska universitet, Institutionen för konst, kommunikation och lärande, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-64034.

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Det här arbetet är en processbeskrivning av hur jag komponerat pianostycket Preludium i Db-dur. Arbetet innefattar en omsorgsfull och omfattande djupdykning i musikaliska teman och utvalda motiviska element från ett preludium av Sergej Rachmaninov, Preludium nr. 4 i D-dur (op. 23, 1903). Valet att göra den här undersökningen grundar sig i ett brinnande intresse för den klassiska pianorepertoaren, såväl som en intensiv fascination över hur ett välkomponerat musikverk är uppbyggt. Som kompositör är det vissa frågor jag ställer mig nästan dagligen när jag lyssnar på musik som tilltalar mig: Varfö
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Fong, Sing-wan. "On the Tragic Dimension of Bai Xianyong's Short Stories Lun Bai Xianyong duan pian xiao shuo zhong de bei ju /." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B41005260.

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MELO, Emanoel do Espirito Santo Mendes de. "Avalia??o do conte?do org?nico e mineral de polpa de ju?ara (Euterpe edulis Martius) submetido ao congelamento lento e r?pido." Universidade Federal Rural do Rio de Janeiro, 2012. https://tede.ufrrj.br/jspui/handle/jspui/1728.

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Submitted by Jorge Silva (jorgelmsilva@ufrrj.br) on 2017-06-02T18:56:26Z No. of bitstreams: 1 2012 - Emanoel do Espirito Santo Mendes de Melo.pdf: 855000 bytes, checksum: 426f96c993c2b69febc20ecfd51c0ac9 (MD5)<br>Made available in DSpace on 2017-06-02T18:56:26Z (GMT). No. of bitstreams: 1 2012 - Emanoel do Espirito Santo Mendes de Melo.pdf: 855000 bytes, checksum: 426f96c993c2b69febc20ecfd51c0ac9 (MD5) Previous issue date: 2012-07-17<br>CAPES<br>The ju?areira (Euterpe edulis Martius) is a plant of the family Arecaceae (palmae), which develops next to streams, rivers, wetlands and foreste
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Chou, Meng Ju, and 周孟儒. "Meng-Ju Chou Piano Recital Program Notes." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/09546100701438915845.

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Kung, Kuan-ju, and 龔冠如. "Kung, Kuan-Ju Piano Recital Program Notes." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/75445157942879547696.

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碩士<br>國立屏東教育大學<br>音樂學系<br>100<br>Two parts in this research are as follows: one is “solo recital” program notes; another is “performance recital” program notes. The program in the solo recital : The first composition is Fantasia in B major for Piano, Op.77 by Ludwig van Beethoven (1770-1827). The second one is Estampes by Claude Achille Debussy (1862-1918).The third one is Ballades Op.10 No.2,3 by Johannes Brahms (1833-1897).The last one is Rhapsody In Blue by George Gershwin (1898-1937). The program in performance recital : The first composition is Piano Concerto No.3 in c minor, Op. 37 by
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Chen, I.-Ju, and 陳怡如. "Chen, I-Ju Piano Recital Program Introduction, Analysis and Interpretation." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/27858601070423044436.

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碩士<br>國立屏東教育大學<br>音樂學系碩士班<br>101<br>This thesis consists of three parts：(1) the program notes of the “Solo Recital”written by the researcher (2) the program notes of the “Performance Recital”written by the research (3) the research paper presented by the researcher in the Graduate Students’ Conference. The program of the Solo Recital includes：J. S. Bach《Chromatic Fantasy and Fugue in d minor, BWV 903》, L. v. Beethoven《Sonata in E Major, Op. 109》, W.A. Mozart《Fantasy in c minor, K. 475》, F. Chopin 《Fantasy, Op. 49》. The program of the Performance Recital includes：S. Rachmaninoff 《Rhapsody On a
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Chen, Yen-Ju, and 陳彥如. "The Analysis and Interpretation of Mozart Piano Sonata in D major,KV.576/Yen-Ju Chen Piano Recital." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/70229608225038343024.

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碩士<br>東吳大學<br>音樂學系<br>102<br>The purpose of this thesis is to discuss Mozart piano sonata in D major, KV.576. From the point of view of a learner, analysis and discuss the interpretation of several modern pianists, to find the right way of interpreting classical Mozart’s style. It includes five chapters: the first chapter describes the style of Mozart’s last four piano sonatas and the evolution of sonata form from classical to Mozart’s time. The second chapter analyzes the compositional techniques of structure, harmony, melody and rhythm. The third chapter is the interpretations, give the perf
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Chen, Chia-Ju, and 陳佳汝. "A Research and Interpretation of William Bolcom’s Three Ghost Rags for Piano/ Chia-Ju Chen Graduate Recital." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/bug8z9.

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碩士<br>東吳大學<br>音樂學系<br>102<br>Ragtime, as a musical genre, enjoyed its first popularity peak as early as 1890s. Its role in American major popular music was gradually replaced by jazz. Not many musical genres experienced its revival as ragtime did, which took place between the 1950s and 1970s. During that period of time, some significant ragtime composers emerged, one of the most important being William Bolcom (b. 1938- ). In the following pages, the Three Ghost Rags by William Bolcom will be analyzed regarding its form and development of themes. In addition, I will explore both aspects of the
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Lai, Mei-Ju, and 賴美如. "The composition of Scriabin's harmonic analysis and performance interpretation of Prelude Op.74. / Mei-Ju Lai Piano Recital." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/82749989076525994155.

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碩士<br>東吳大學<br>音樂學系<br>93<br>Prelude Op.74 composed in 1914 was Alexander Scirabin’s last piano work. The thesis studies the purpose of this thesis is to study the influence of the development of Russian music since the 18th century and Europe Romanticism on Scirabin’s music and emphasis on the composition style of his late period, and the harmonic analysis and performance interpretation of Prelude Op.74. This thesis is organized as followed. In chapter 1the introduction of Scirabin’s works and existing studies. In chapter 2 the background of Russian music, Scirabin’s lifetime, and the influenc
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江如韻. "JU-YUN CHIANG PIANO RECITAL WITH A SUPPORTING PAPER TEMPORUBATO IN CHOPIN'S BALLADE NO.4, OP. 52: A STUDY IN PERFORMANCE PRACTICE." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/27800099890176855216.

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碩士<br>國立交通大學<br>音樂研究所<br>100<br>This paper starts by tracing the history of tempo rubato from the earlier rubato (prior to the 19th Century), to the later rubato prevalent in the 19th Century, a freer and extravagant type. Chopin's rubato style has often been misinterpreted as arbitrary, extrememly free and romantic. However, through a survey of historical documentation on Chopin' s performance style and a thorough understanding of the music, the author points out that the origin of Chopin's rubato goes back to the earlier rubato. By also comparing three renowned masters' recordings, the autho
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Books on the topic "Piao ju"

1

Liehua, Zhang, ed. Piao ju fa. Ren min fa yuan chu ban she, 1998.

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China. Si fa bu. Fa xue jiao cai bian ji bu, ed. Piao ju fa. Zhongguo zheng fa da xue chu ban she, 1997.

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1970-, Bian Weigang, ed. Piao ju rong zi yu piao ju shi chang. Zhongguo jin rong chu ban she, 2000.

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Zhong guo gong shang yin hang cai wu kuai ji bu. Piao ju fa yu piao ju jie suan shi wu. Xin hua chu ban she, 1998.

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1937-, Zeng Chen Mingru, and Zeng Wanru, eds. Piao ju fa lun. 3rd ed. Zeng Shixiong, Zeng Chen Mingru, Zeng Wanru chu ban, 2005.

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China (Republic : 1949- )., ed. Piao ju zhi nan. Jin rong ren yuan yan jiu xun lian zhong xin, 1986.

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Wang, Xiaowen. Piao ju fa lun. Beijing zhong xian tuo fang ke ji fa zhan you xian gong si, 2012.

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Zeng, Shixiong. Piao ju fa lun. Zeng Shixiong, 1998.

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Xie, Yiren. Jing ju piao you. Jin dun chu ban she, 2008.

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China (Republic : 1949- )., ed. Zui xin piao ju quan yi pian: Piao ju fa xiu ding hou, piao ju shou shou shi yong yu xiang guan fa wu. Yongran fa lü shi wu suo, 1987.

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