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Books on the topic 'Picaresque novel'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 April 2022

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1

Phoebs: A picaresque novel. St. John's, Nfld: Breakwater, 1989.

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2

Elze, Jens. Postcolonial Modernism and the Picaresque Novel. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-51938-8.

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3

Garrido Ardila, J. A., ed. The Picaresque Novel in Western Literature. Cambridge: Cambridge University Press, 2015. http://dx.doi.org/10.1017/cbo9781139382687.

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4

Mokashi-Punekar, Shankar. Nana's confession: A philosophic picaresque novel. Calcutta, India: Writers Workshop, 1992.

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5

Hartveit, Lars. Workings of the picaresque in the British novel. Norway: Solum, 1988.

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6

Workings of the picaresque in the British novel. Oslo Norway: Solum Forlag, 1987.

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7

Driving on the rim: A novel. New York: Alfred A. Knopf, 2010.

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8

Lentz, David B. Bourbon Street: The Dreams of Aeneas in Dixie: A Novel and Pixilated, Picaresque Epic. Philadelphia, PA: Xlibris Corporation, 2002.

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9

Kuffner, Emily. Fictions of Containment in the Spanish Female Picaresque. NL Amsterdam: Amsterdam University Press, 2019. http://dx.doi.org/10.5117/9789462986800.

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This study examines the interdependence of gender, sexuality and space in the early modern period, which saw the inception of architecture as a discipline and gave rise to the first custodial institutions for women, including convents for reformed prostitutes. Meanwhile, conduct manuals established prescriptive mandates for female use of space, concentrating especially on the liminal spaces of the home. This work traces literary prostitution in the Spanish Mediterranean through the sixteenth and seventeenth centuries, from the rise of courtesan culture in several key areas through the shift from tolerance of prostitution toward repression. Kuffner’s analysis pairs canonical and noncanonical works of fiction with didactic writing, architectural treatises, and legal mandates, tying the literary practice of prostitution to increasing control over female sexuality during the Counter Reformation. By tracing erotic negotiations in the female picaresque novel from its origins through later manifestations, she demonstrates that even as societal attitudes towards prostitution shifted dramatically, a countervailing tendency to view prostitution as an essential part of the social fabric undergirds many representations of literary prostitutes. Kuffner’s analysis reveals that the semblance of domestic enclosure figures as a primary erotic strategy in female picaresque fiction, allowing readers to assess the variety of strategies used by authors to comment on the relationship between unruly female sexuality and social order.

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10

Smith, Zadie. The autograph man: A novel. New York: Random House, 2002.

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11

Lindsey, Johanna. A Loving Scoundrel: A Malory Novel, Book 7. New York: Atria Books, 2004.

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12

Lindsey, Johanna. A Loving Scoundrel: A Malory novel. New York: Pocket Star Books, 2005.

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13

On the road to Baghdad: A picaresque novel of magical adventures, begged, borrowed, and stolen from the Thousand and One Nights. London: Virago, 1991.

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14

Gun, Guneli. On the road to Baghdad: A picaresque novel of magical adventures, begged, borrowed, and stolen from the thousand and one nights. London: Picador, 1994.

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15

Gün, Güneli. On the road to Baghdad: A picaresque novel of magical adventures, begged, borrowed, and stolen from the Thousand and one nights. Claremont, CA: Hunter House, 1991.

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16

1891-, Simpson Lesley Byrd, ed. The celestina: A novel in dialogue. Berkeley, Calif: University of California Press, 2006.

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17

Saul, Bellow. The adventures of Augie March: A novel. London: Secker & Warburg, 1985.

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18

Rosa, Navarro Durán, ed. Novela picaresca. Madrid: Fundación José Antonio de Castro, 2004.

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19

Souiller, Didier. La novela picaresca. México: Fondo de Cultura Económica, 1985.

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20

Garet, Leonardo. Viaje por la novela picaresca. Salto, Uruguay: Ediciones Casa de Nuna, 1991.

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21

La novela picaresca y el método maquiavélico. Madrid: Editorial Pliegos, 1998.

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22

Hazas, Antonio Rey. La novela picaresca. Madrid: Anaya, 1990.

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23

La novela picaresca en Europa, 1554-1753. Madrid: Visor Libros, 2009.

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24

Ardila, J. A. G. La novela picaresca en Europa, 1554-1753. Madrid: Visor Libros, 2009.

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25

Hazas, Antonio Rey. Deslindes de la novela picaresca. [Málaga]: Servicio de Publicaciones de la Universidad de Málaga, 2003.

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26

Deslindes de la novela picaresca. Málaga: Universidad de Málaga, 2003.

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27

Rico, Francisco. La novela picaresca y el punto de vista. Barcelona: Seix Barral, 1989.

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28

La novela picaresca y el punto de vista. Barcelona: Seix Barral, 2000.

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29

El léxico de la novela picaresca. Málaga: Analecta Malacitana, 2005.

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30

Morales, Francisca Medina. El léxico de la novela picaresca. Málaga [Spain]: Universidad de Málaga, 2005.

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31

De bufones y pícaros: La risa en la novela picaresca. Madrid: Iberoamericana, 2010.

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32

El ajuar de la vida picaresca: Reproducción, genealogía y sexualidad en la novela picaresca española. Madrid: Visor Libros, 2003.

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33

Flumerfelt, Matt. H: A Picaresque Novel in Verse. Aakenbaaken & Kent, 2017.

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34

Theroux, Paul. Saint Jack: A Novel. Houghton Mifflin Harcourt Trade & Reference Publishers, 2014.

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35

Stahl, Stephanie. Heart of a Parapsychologist: A Picaresque Novel. 3rd ed. Xlibris Corporation, 2002.

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36

Russin, Nicole. The Malevolence Of Men: A Picaresque Novel. Lucky Pineapple Books, 2015.

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37

Transgression and Subversion: Gender in the Picaresque Novel. Transcript Verlag, 2018.

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38

Ríos, Alberto Álvaro. A Good Map of All Things: A Picaresque Novel. University of Arizona Press, 2020.

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39

Elze, Jens. Postcolonial Modernism and the Picaresque Novel: Literatures of Precarity. Palgrave Macmillan, 2018.

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40

Dickie, Simon. Picaresque and Rogue Fiction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199580033.003.0016.

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This chapter studies picaresque and rogue fiction. Though produced in vast quantities, and always entertaining, rogue fiction has rarely been more than a sideshow in serious histories of the novel. At most, fiction scholars acknowledged old stories of thieves and con artists as early attempts at realism. Recent interest in poverty, the justice system, prostitution, and criminal subcultures has led scholars to troves of such texts, but hundreds more have no modern readers. Two categories remain especially neglected: translated rogue literature, so long sidelined by the requirements of national literary history; and the general category of seventeenth-century fiction. Hence this chapter focuses on the two monstrous and forgotten bestsellers of these years, James Mabbe's translation of Guzmán de Alfarache (1622) and Richard Head and Francis Kirkman's The English Rogue (1665–71).

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41

Ardila, J. A. Garrido. Picaresque Novel in Western Literature: From the Sixteenth Century to the Neopicaresque. Cambridge University Press, 2017.

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42

Ardila, J. A. Garrido. Picaresque Novel in Western Literature: From the Sixteenth Century to the Neopicaresque. Cambridge University Press, 2015.

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43

Blackburn, Alexander. Myth of the Picaro: Continuity and Transformation of the Picaresque Novel, 1554-1954. University of North Carolina Press, 2014.

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44

Blackburn, Alexander. Myth of the Picaro: Continuity and Transformation of the Picaresque Novel, 1554-1954. University of North Carolina Press, 2014.

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45

Palescandolo, Frank. Under the Blue Skies of Naples: A Picaresque Novel Set in Pizza Land. Writers Club Press, 2001.

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46

Reed, Walter L. The Continental Influence on the Eighteenth-Century Novel. Edited by Alan Downie. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199566747.013.003.

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The eighteenth-century English novel was influenced by earlier prose fiction from the Continent; the English improved what others had invented. Individual novels from the Continent were imitated by British novelists; particular genres first developed abroad were adapted by them as well. Spanish novels like Don Quixote and the picaresque preceded and influenced novels of Defoe, Fielding, Smollett, and Sterne. Seventeenth-century French romances influenced novels of amorous intrigue by Behn, Manley, and Haywood. These in turn provoked the novel of women’s virtuous resistance created by Richardson. Earlier prose fiction from the Continent was translated into English and widely read throughout the eighteenth century. The transnational traffic in fiction flowed in the other direction as well. Rousseau’s enthusiastic embrace of Richardson popularized the transnational genre of the sentimental novel. From the 1770s onwards German fiction became influential in England, and German-derived tales of terror came to dominate the popular British market.

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47

Discourses of Poverty: Social Reform and the Picaresque Novel in Early Modern Spain (University of Toronto Romance Series). University of Toronto Press, 1999.

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48

Ballaster, Ros. The Rise and Decline of the Epistolary Novel, 1770–1832. Edited by Alan Downie. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199566747.013.017.

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This essay charts the fortunes of a specific genre, the epistolary novel, which delivers plot and character exclusively through letters whether from a single correspondent, a couple, or many. In the shadow of Richardson’s dominance, there are successive attempts to innovate and experiment both of personality (presenting new kinds of voice and main protagonist) and geography (sending letter-writers to parts of the globe ‘new’ to English readers). It opens with the healthy flourishing of letter fiction from 1769 to 1780 and the twin traditions of domestic (Elizabeth Griffith, Frances Burney) and picaresque (Tobias Smollett). The epistolary mode is next experimented with in the 1790s to describe and define both revolutionary turmoil and colonial experience by authors such as Charlotte Smith, Eliza Fenwick, Phoebe Gibbes, and Charlotte Lennox. The early decades of the eighteenth century see the troubled departure from and live burial of epistolary exchange in the novels of Edgeworth, Owenson, and Scott.

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49

Lindsey, Johanna. A Loving Scoundrel: A Malory Novel. Large Print Press, 2005.

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50

Kahn, Andrew, Mark Lipovetsky, Irina Reyfman, and Stephanie Sandler. Prose Fiction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199663941.003.0019.

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This chapter considers the prose genres that developed in the period and their relative artistic success and limitations, recognizing that poetry had been much more open to innovation than prose. Forms such as the memoir (fictional as well as real), autobiography, letter writing, the allegorical novel, and the short story conform to the general pattern of literary norms adapted from European models. The chapter explains that a gap opened between literary fiction in translation and novels written in Russia, arguing that Russian writers chose not to emulate the contemporary European novel, revising instead picaresque and quixotic fictions associated with the seventeenth century and the romance tradition.

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