Relevant bibliographies by topics / Piccinini

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Piccinini'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Piccinini"

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Prelevic, Dusko. "Access granted to Zombies." Theoria, Beograd 60, no. 1 (2017): 58–68. http://dx.doi.org/10.2298/theo1701058p.

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In his ?Access Denied to Zombies?, Gualtiero Piccinini argues that the possibility of zombies does not entail the falsity of physicalism, since the accessibility relation can be understood so that even in S5 system for modal logic worlds inaccessible from our world are allowed (in the case in which the accessibility relation is understood as an equivalence rather than as universal accessibility). According to Piccinini, whether the zombie world is accessible from our world depends on whether physicalism is true in our world, which is something that cannot be answered in a non-question-begging
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Colombo, Matteo. "Gualtiero Piccinini: Physical Computation: A Mechanistic Account." Minds and Machines 26, no. 3 (August 20, 2016): 307–12. http://dx.doi.org/10.1007/s11023-016-9397-y.

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Machery, Édouard. "Replies to Lombrozo, Piccinini, and Poirier and Beaulac." Dialogue 50, no. 1 (March 2011): 195–212. http://dx.doi.org/10.1017/s0012217311000199.

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Fresco, Nir. "Physical Computation: A Mechanistic Account, by Gualtiero Piccinini." Australasian Journal of Philosophy 95, no. 3 (July 21, 2016): 625–26. http://dx.doi.org/10.1080/00048402.2016.1207692.

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Ricciardi, Tonia. "A sharp Hölder estimate for elliptic equations in two variables." Proceedings of the Royal Society of Edinburgh: Section A Mathematics 135, no. 1 (February 2005): 165–73. http://dx.doi.org/10.1017/s0308210500003826.

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We prove a sharp Hölder estimate for solutions of linear, two-dimensional, divergence-form, elliptic equations with measurable coefficients, such that the matrix of the coefficients is symmetric and has unit determinant. Our result extends some previous work by Piccinini and Spagnolo. The proof relies on a sharp Wirtinger type inequality.
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Piloni Petri, Malena, Shalimar Gallon, and Elem Duarte Vaz. "OS SENTIDOS DO TRABALHO PARA DOCENTES DE PÓS-GRADUAÇÃO STRICTO SENSU: UM ESTUDO COM DOCENTES DAS ÁREAS DE ADMINISTRAÇÃO E EDUCAÇÃO." Revista Alcance 25, no. 3(Set/Dez) (February 28, 2019): 366. http://dx.doi.org/10.14210/alcance.v25n3(set/dez).p366-380.

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O objetivo da pesquisa é analisar os sentidos do trabalho para docentes de pós-graduação stricto sensu das áreas de Administração e Educação do Estado do Rio Grande do Sul. A pesquisa realizada é de natureza descritiva com abordagem qualitativa. A coleta de informações foi realizada por meio de 27 entrevistas com roteiro semiestruturado e as informações analisadas com base na técnica de análise de conteúdo. Para os entrevistados, um trabalho que tem sentido proporciona satisfação pessoal, realização e identidade, está organizado de forma que apresente objetivos claros e resultados úteis, que p
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Machery, Edouard. "How to Split Concepts: A Reply to Piccinini and Scott*." Philosophy of Science 73, no. 4 (October 2006): 410–18. http://dx.doi.org/10.1086/516812.

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Hutta, Jan S. "Andere Geborgenheiten: Topophilie jenseits des Authentizitätsdiskurses." sub\urban. zeitschrift für kritische stadtforschung 3, no. 2 (August 14, 2015): 109–24. http://dx.doi.org/10.36900/suburban.v3i2.194.

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Der Beitrag unterzieht Gaston Bachelards Poetik des Raumes einer kritischen Lektüre hinsichtlich ihres humanistischen Essentialismus. Dabei werden zugleich die methodologischen Impulse einer ‚Topo-Analyse‘ hervorgehoben, welche poetische Ausdrucksformen in ihrem konstitutiven Bezug zu ‚Subjektivität-im-Raum‘ zur Geltung bringt. Bachelards Fokus auf ‚topophile‘ Verhältnisse von Subjekt und Raum wird anschließend, mit konzeptionellem Bezug auf Walter Benjamin und Donna Haraway, im Rahmen eines de-essentialisierten Ansatzes nachgegangen. Im Zusammenhang mit Skulpturen der Künstlerin Patricia Picc
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Iacob, Anisia. "Human vs. Non-human in Art: the Posthuman Sculptures of Patricia Piccinini." Journal for Social Media Inquiry 2, no. 1 (July 6, 2020): 87–99. http://dx.doi.org/10.18662/jsmi/2.1/8.

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Alves, Flávio Macedo, and Ângela Lúcia Bagnatori Sartori. "Nectandra Rol. ex Rottb. (Lauraceae) no Mato Grosso do Sul, Brasil." Acta Botanica Brasilica 23, no. 1 (March 2009): 119–29. http://dx.doi.org/10.1590/s0102-33062009000100015.

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O trabalho apresenta o estudo taxonômico das espécies do gênero Nectandra no Mato Grosso do Sul, Brasil. Baseados na análise morfológica dos espécimes coletados em diferentes regiões do Estado são confirmados oito espécies de Nectandra: N. amazonum Nees, N. cissiflora Nees, N. cuspidata Nees, N. falcifolia (Nees) J.A. Castigl. ex Mart. Crov. & Piccinini, N. gardneri Meisn., N. hihua (Ruiz & Pav.) Rohwer, N. megapotamica (Spreng.) Mez e N. psammophila Nees. É fornecida uma chave de identificação para as espécies e apresentados descrições morfológicas, dados de distribuição geográfica, h
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Dissertations / Theses on the topic "Piccinini"

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Chkhaidze, I. "Posthumanism in the works of Patricia Piccinini, Matthew Barney and Charles Avery." Thesis, University College London (University of London), 2015. http://discovery.ucl.ac.uk/1468812/.

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This thesis conceptualises instances of posthumanism in contemporary art. As an interdisciplinary critique in the humanities and social sciences, posthumanism is set against the anthropocentric discourse of humanism and its speciesist structures that reproduce the normative human subject through the dichotomy of humanity/animality. The analysis focuses on Patricia Piccinini's video work The Gathering, Matthew Barney's Cremaster cycle and Charles Avery's ongoing multimedia project The Islanders. The otherwise diverse works of these three artists similarly combine media such as film, sculpture,
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Sasse, Julie Rae. "Blurred Boundaries: A History of Hybrid Beings and the Work of Patricia Piccinini." Diss., The University of Arizona, 2013. http://hdl.handle.net/10150/311191.

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Hybrid beings have been a part of the artistic imagination since art was first made on cave walls and rock faces. Yet their visual makeup and symbolic meanings have changed over time from deities, demons, and oddities of nature to unconscious states of being and the socially and culturally marginalized. This dissertation will examine a history of hybrid beings and the work of Australian artist Patricia Piccinini. Her silicone sculptures, photographs, installations, and videos are hyperrealistic representations of composite beings that appear to have blended rather than fragmented characteristi
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Kidd, Verity. "Perfection? - Recreating the human : an exhibition of works by Orlan, Patricia Piccinini, Margi Geerlinks and Jake and Dinos Chapman." University of Western Australia. School of Architecture, Landscape and Visual Arts, 2007. http://theses.library.uwa.edu.au/adt-WU2008.0036.

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Perfection? - Recreating the Human is an exhibition of recent works of art by Orlan, Patricia Piccinini, Margi Geerlinks and Jake and Dinos Chapman. Each of the artists engages, in various ways, with issues relating to biotechnology and the body. The convergence of technology and the body arouses both utopian desires and dystopian nightmares; many of these desires and fears are prefigured in ancient myth and legend. The artists and artworks are therefore discussed with reference to reoccurring tropes from both ancient myth and science fiction.
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Thienenkamp, Heike [Verfasser]. "Patricia Piccininis plastisches Werk im Kontext der Biowissenschaften / Heike Thienenkamp." Bielefeld : Universitätsbibliothek Bielefeld, 2014. http://d-nb.info/1046670719/34.

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Piccininni, Marco [Verfasser]. "Herausforderungen der Wahrscheinlichkeitsschätzung in Health Data Science: methodische Überlegungen und Anwendungen / Marco Piccininni." Berlin : Medizinische Fakultät Charité - Universitätsmedizin Berlin, 2021. http://d-nb.info/1241541027/34.

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Maxson, Brian Jeffrey. "Florence, Pius II, and Jacopo Piccinino in 1458: A Case-Study of Gifts and Status in Diplomacy." Digital Commons @ East Tennessee State University, 2017. https://www.amzn.com/2503540384.

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Book Summary: The essays in this collection explore the languages - artistic, symbolic, and ritual, as well as written and spoken - in which power was articulated, challenged, contested, and defended in Italian cities and courts, villages, and countryside, between 1300 and 1600. Topics addressed include court ceremonial, gossip and insult, the performance of sanctity and public devotions, the appropriation and reuse of imagery, and the calculated invocation (and sometimes undermining) of authoritative models and figures. The collection balances a broad geographic and chronological range with a
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Piccini, GiovanniMaria [Verfasser], Joachim [Akademischer Betreuer] Sauer, and Claudia [Akademischer Betreuer] Draxl. "Ab initio free energies of adsorption from anharmonic vibrations / GiovanniMaria Piccini. Gutachter: Joachim Sauer ; Claudia Draxl." Berlin : Mathematisch-Naturwissenschaftliche Fakultät, 2015. http://d-nb.info/1073197611/34.

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Piccini, Davide [Verfasser], Joachim [Akademischer Betreuer] Hornegger, and Matthias [Akademischer Betreuer] Stuber. "Respiratory Self-Navigation for Whole-Heart Coronary Magnetic Resonance Imaging / Davide Piccini. Gutachter: Joachim Hornegger ; Matthias Stuber." Erlangen : Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), 2014. http://d-nb.info/1064996965/34.

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Di, Rienzo Margherita. "DIVULGAZIONE SCIENTIFICA E TRADUZIONE Il caso di: Alla scoperta del microbioma umano. Flora batterica, nutrizione e malattie del progresso” di Fabio Piccini." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2017. http://amslaurea.unibo.it/14163/.

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Ogni testo di divulgazione scientifica ha come suo obiettivo principale la diffusione tra un pubblico di non specialisti delle conoscenze ottenute attraverso la ricerca. Per ottenere questo risultato, un testo di divulgazione scientifica deve necessariamente utilizzare un linguaggio accessibile al pubblico al quale è destinato, un linguaggio che renda meno oscuro, meno incomprensibile il linguaggio utilizzato per la comunicazione tra gli scienziati. Esso trasforma il discorso scientifico modificandone il linguaggio, traducendolo nei termini del linguaggio comune . Un testo di divulgazione sci
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Koullapi, Christina. "Le modèle dramaturgique de la Grèce antique dans la tragédie lyrique des Lumières : regards sur la tragédie-opéra de Gluck à la Révolution (1774-1789)." Thesis, Lyon 2, 2015. http://www.theses.fr/2015LYO20064.

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La tragédie-opéra de Christoph-Willibald Gluck réalise les aspirations esthétiques des philosophes des Lumières dont l’influence de l’esthétique de la sensibilité, et la quête des origines en constituent la matrice poétique. Derrière les nouveautés introduites par la tragédie lyrique réformée dans les rapports qu’entretient le texte poétique à l’élément musical, s’émancipe un objet lyrique global qui, se fondant sur la construction organique de la tragédie grecque, s’érige en modèle poétique unitif. Souhaitant se placer au service d’une pluridisciplinarité exigée par les affinités qui s’établi
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Books on the topic "Piccinini"

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Patricia Piccinini: Nearly beloved. Dawes Point, N.S.W: Piper Press, 2012.

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Piccinini, Patricia. Patricia Piccinini: In another life. Edited by Brennan Stella, Winship Ingrid, Bugden Emma 1973-, and City Gallery Wellington. Wellington, N.Z: City Gallery Wellington, 2006.

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Art Gallery of South Australia, ed. Patricia Piccinini: Once upon a time--. Adelaide: Art Gallery of South Australia, 2011.

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Messenger, Jane. Patricia Piccinini: Once upon a time--. Adelaide: Art Gallery of South Australia, 2011.

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Piccinini, Raffaele. La guida naturalistica del Monte Catria di don Raffaele Piccinini. [Cagli?]: Provincia di Pesaro e Urbino, Assessorato beni e attività ambientali, 2002.

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Zacchè, G. Lo stile su misura: La sartoria Piccinini, creatività e maestria nella città del premio. Mantova: Editoriale Sometti, 2013.

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Piccinini, Giovan Francesco. Cronaca della Mirandola di Giovan Francesco Piccinini, 1682-1720: La fine di un ducato nelle memorie del chirugo di corte. Mirandola: Gruppo studi Bassa Modenese, 2010.

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Sand, George. Le Piccinino. Grenoble: Editions Glénat, 1994.

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Ginguené, Pierre Louis. Niccolò Piccinni: Vita e opere. Bari: M. Adda, 1999.

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Ginguené, Pierre Louis. Niccolò Piccinni: Vita e opere. Bari: M. Adda, 1999.

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Book chapters on the topic "Piccinini"

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Gambirasio, Giuseppe. "Büro- und Wohnhaus Bergamo, Rotonda Dei Mille, Via Piccinini, 1969–71." In Italomodern, 278–79. Vienna: Springer Vienna, 2012. http://dx.doi.org/10.1007/978-3-7091-0852-9_73.

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Grehan, Helena. "Otherness and Responsibility in Three Tales by Steve Reich and Beryl Korot and Nature’s Little Helpers by Patricia Piccinini." In Performance, Ethics and Spectatorship in a Global Age, 139–71. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230234550_7.

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Oschmann, Susanne. "Piccinni, (Vito) Niccolò (Marcello Antonio Giacomo)." In Komponisten Lexikon, 464–65. Stuttgart: J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_231.

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Oschmann, Susanne. "Piccinni, (Vito) Niccolò (Marcello Antonio Giacomo)." In Metzler Komponisten Lexikon, 591–93. Stuttgart: J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03421-2_229.

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"Patricia Piccinini – Vertraute Monster." In Von Monstern und Menschen, 173–86. transcript-Verlag, 2009. http://dx.doi.org/10.14361/9783839412350-008.

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Orning, Sara E. S. "Staging Humanimality: Patricia Piccinini and a Genealogy of Species Intermingling." In Animalities. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474400022.003.0005.

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Orning raises questions about the provocative work of Patricia Piccinini, a contemporary sculptor and artist. Piccinini’s work often stages encounters between what look like human figures and what look like hybrid creatures with both human and nonhuman characteristics. Orning’s focus in these “humanimal” encounters is on the potential they hold for questioning easy distinctions between “the human” and “the animal”, while also drawing attention to the fact that human beings today can already be seen as hybrid, whether we have tissues or organs implanted from nonhuman beings or we recognize that human bodies are made up of cells and micro-organisms that are not necessarily human. Orning connects the uneasiness associated with unsettling what it means to be human to a longer genealogy of putting “monstrous” or “freakish” bodies on display, whether in the form of humans with animal-like features, or animals with human features, particularly in nineteenth-century circus sideshows. But the “species intermingling” that is staged by Piccinini, according to Orning, holds more potential for ethical engagement with “others” of various kinds or species than earlier settings such as freak shows.
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Dubois-Joucla, Leïla. "La figure de l’hybride dans les pratiques de Keith Cottingham, Orlan et Patricia Piccinini : de la reproduction du même au radicalement autre." In Le Monstrueux et l’Humain, 369–74. Presses Universitaires de Bordeaux, 2012. http://dx.doi.org/10.4000/books.pub.12876.

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"The Hybrid: A Conversation with Margarita Zires, Raymundo Mier, and Mabel Piccini." In The Postmodernism Debate in Latin America, 77–92. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822382683-007.

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Bartlett, Alison. "Encountering public art: monumental breasts and the Skywhale." In Social Experiences of Breastfeeding, 205–18. Policy Press, 2018. http://dx.doi.org/10.1332/policypress/9781447338499.003.0015.

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This chapter is grounded in the idea that more visual imagery of breastfeeding will contribute to its normalisation, and counter the commercial sexualisation of breasts. It suggests, however, that this strategy is not just about seeing but also about feeling. To demonstrate this the chapter turns to a controversial piece of public art — Patricia Piccinini's Skywhale — which was launched in Australia in 2013 and has been touring internationally. The Skywhale is a hot-air balloon in the shape of a fantastical creature of the imagination, which features five giant breasts on each side. This unexpected flying mammal provokes responses wherever it goes, and arguably provides productive ways of engaging public responses to breastfeeding and maternity. This chapter examines responses to Skywhale through broadsheet and social media, and then analyses its affective domain through psychoanalytic concepts and its materiality through the tradition of public art and monuments. The extremes of intimacy and monumentality configured through Skywhale offer an object par excellence for seeing breastfeeding writ large in the public domain, and for feeling the return of the maternal. The chapter argues that this is fundamental to a shift in perceiving breasts as maternal, and breastfeeding as normative.
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Żórawska-Witkowska, Alina. "A Granted Royal Wish, or Carlo Goldoni’ s La buona figliuola with Music by Niccolò Piccinni and Il mercato di Malmantile with Music by Domenico Fischietti, Staged in Warsaw in 1765." In Operatic Pasticcios in 18th-Century Europe, 527–38. transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839448854-025.

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Conference papers on the topic "Piccinini"

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Jesus, Anderson Avelino, Felicson Leonardo Oliveira Lima, Alanna Evangelista Santos, and Bruna Rayanne Viana Brito. "AMOSTRA FECAL COMO ESPÉCIME DIAGNÓSTICA PARA A COVID-19 E O RISCO DE CONTAMINAÇÃO PARA OS PROFISSIONAIS DAS ANÁLISES CLÍNICAS." In I Congresso Brasileiro de Parasitologia Humana On-line. Revista Multidisciplinar em Saúde, 2021. http://dx.doi.org/10.51161/rems/752.

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Introdução: A infecção do vírus SARS-CoV-2 está progressivamente sendo objeto de estudo para que haja principalmente, a elaboração de métodos analíticos para a sua detecção, além da interrupção dos meios de contágio. A reação em cadeia da polimerase em tempo real (RT-PCR) tem sido o padrão para o diagnóstico, sob uso de amostras da orofaringe e nasofaringe. Em contrapartida, pesquisas estão sendo realizadas com amostras advindas de outros excrementos, como as fezes ou técnicas utilizando o swab retal. A presença de fezes na rotina de laboratório expõem os profissionais ao risco, com o manuseio
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