Relevant bibliographies by topics / Pictorial German wit and humor

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Academic literature on the topic 'Pictorial German wit and humor'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Pictorial German wit and humor"

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Meyer-Sickendiek, Burkhard. "Die Satire als invektive Gattung." Kulturwissenschaftliche Zeitschrift 6, no. 1 (2021): 130–45. http://dx.doi.org/10.2478/kwg-2021-0024.

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Abstract A discussion of satire as borderline case of invectivity will be presented in this paper. The particular focus lies on literary debates in eighteenth-century Britain and in Germany. British satirists like Dryden, Haywood or Pope described ridicule and sarcasm as main features of satire, however, it was viewed as necessary to uphold the distinction between satire and libel resp. lampoon. This distinction was explained by concepts of urban wit or raillery. In German literature Wieland introduced the concept of wit in his satirical writings, however, since romanticism it was replaced wit
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Hempelmann, Christian F. "True German and phony English laughter: Schmidt-Hidding was still Schmidt." European Journal of Humour Research 5, no. 4 (2017): 179. http://dx.doi.org/10.7592/ejhr2017.5.4.hempelmann.

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Schmidt-Hidding’s (b. 1903, d. 1967) lexical field study on the area of Humor und Witz [humor and wit/jokes] (1963b) receives attention in humor research to this day, especially in German-speaking countries. His diamond-shaped illustration of the two dimensions of the field of humor, not least in its aim to distinguish “earthy” German from “courteous” English humor, has become well-known. In view of this continued interest in the final write-up of Schmidt-Hidding’s work on humor (1963a, 1963b), in which he consistently ignores his earlier related publications under the name of Schmidt, this pa
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Townsend, Mary Lee. "The Politics of Humor: Adolph Glassbrenner and the Rediscovery of the PrussianVormärz(1815–48)." Central European History 20, no. 1 (1987): 29–57. http://dx.doi.org/10.1017/s0008938900011559.

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In the postwar search for German national heroes, preferably committed democrats, scholars have rediscovered the Berlin wit and journalist Adolph Glassbrenner (1810–76). In the series of exhibitions about Prussia which flooded West Berlin in 1981 Glassbrenner's memorabilia surfaced with regularity. He even merited a small exhibition of his own and a biography in the seriesPreussische Köpfe. Berlin enthusiasts and aficionados of German folk culture praise him as a quaint, local humorist while others, primarily academic Germanists and historians, point to his activities as a liberal opponent of
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Fomin, Dmitry V. "Otfried Preussler’s Fairy Tales and Their Russian Illustrators." Observatory of Culture 21, no. 2 (2024): 200–213. http://dx.doi.org/10.25281/2072-3156-2024-21-2-200-213.

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The article is devoted to the 100th anniversary of the birth of the German writer O. Preussler (1923—2013), whose works have gained popularity among children in many countries and have been repeatedly translated into different languages, including the language of fine arts. The most important facts of the jubilee’s biography are listed, the peculiarities of his approach to the genre of fairy tales, to folklore images and plots are characterized, and the master’s statements about children’s literature and his own work are given. The aim of this study is to identify and analyze the most signific
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Andersen, Harald. "Nu bli’r der ballade." Kuml 50, no. 50 (2001): 7–32. http://dx.doi.org/10.7146/kuml.v50i50.103098.

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We’ll have trouble now!The Archaeological Society of Jutland was founded on Sunday, 11 March 1951. As with most projects with which P.V Glob was involved, this did not pass off without drama. Museum people and amateur archaeologists in large numbers appeared at the Museum of Natural History in Aarhus, which had placed rooms at our disposal. The notable dentist Holger Friis, the uncrowned king of Hjørring, was present, as was Dr Balslev from Aidt, Mr and Mrs Overgaard from Holstebro Museum, and the temperamental leader of Aalborg Historical Museum, Peter Riismøller, with a number of his discipl
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Hessing, Jakob. "Jewish Wit – In the Original, and in Translation." Naharaim, April 18, 2024. http://dx.doi.org/10.1515/naha-2024-0001.

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Abstract This essay, based on Prof. Hessing’s keynote lecture delivered at the opening of the Gronemann-conference in 2022, explores notions of “Jewish wit” in Sammy Gronemann’s German novel Tohuwabohu (translated as Utter Chaos). It focuses on the incongruities and comic potential of the tensions between German and Yiddish in the novel, questioning notions of “original” and “translation” as applied to the interrelationships between Eastern European and German Jewish cultures. By highlighting the linguistic and cultural shifts experienced by these Jewish communities, Gronemann’s novel serves a
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Dissertations / Theses on the topic "Pictorial German wit and humor"

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Nuñez, Guimerà Cristina. "Estudio comparado de los periódicos satíricos ilustrados Simplicissimus–Strix." Doctoral thesis, Universitat de Barcelona, 2021. http://hdl.handle.net/10803/672143.

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La tesis que presento realiza un trabajo comparativo entre dos periódicos ilustrados europeos de carácter satírico-humorístico que se fundaron a finales del siglo XIX. Se trata del semanario alemán Simplicissimus y del sueco Strix. El trabajo comienza con el estudio y análisis de los periódicos satíricos ilustrados europeos precursores de los que son objeto de este trabajo: La Caricature, Le Charivari, Gil Blas Illustré, Le Rire, L’Assiette au Beurre, Punch, Fliegende Blätter, Kladderadatsch y Söndags-Nisse. Tiene el objetivo de encontrar un modelo en su contenido, en su tendencia o en la obra
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Herek, Ann Marie. "The effects of perceived sexism on funniness ratings of cartoons." Virtual Press, 1986. http://liblink.bsu.edu/uhtbin/catkey/451607.

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Humor-evoking events frequently contain aggressive elements. Sex differences have been found for the effects of aggressive content on perceived funniness, (Wilson & Molleston, 1981; Terry & Ertle, 1974; Groch, 1974; Felker & Hunter, 1970) but the findings are not consistent. Sexism is sometimes perceived as a more subtle form of aggression. Sex differences have also been found for the way sexism affects funniness ratings, (Chapman & Gadfield, 1976; Priest & Wilhelm, 1974) but again the findings are inconsistent. The primary purpose of the present study was to determine the relationship between
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Verster, F. P. (Francois Philippus). "'n Kultuurhistoriese ontleding van pikturale humor, met besondere verwysing na die werk van T.O. Honiball." Thesis, Stellenbosch : Stellenbosch University, 2003. http://hdl.handle.net/10019.1/53521.

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Thesis (PhD)--Stellenbosch University, 2003.<br>ENGLISH ABSTRACT: There are vanous definitions of the concept humour, each depending on the perception thereof. Such perceptions are influenced by shared experiences, culture, milieu and individual creativity. Pictorial humour is divided into various sub genres such as the caricature, cartoon and comic strip. Each one of these sub genres portrays an individual process of development, both locally and globally. The work of TO Honiball forms part of this tradition. His artistic personality and sense of humour is unmistakably portrayed in his
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Odumosu, Temi-Tope. "Roaming beggars, errant servants and sable mistresses : some African characters from English satirical prints (1769-1819)." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610347.

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Pereira, Renan Rivaben [UNESP]. "Semana Ilustrada, o Moleque e o Dr. Semana: imprensa, cidade e humor no Rio de Janeiro do 2º Reinado." Universidade Estadual Paulista (UNESP), 2015. http://hdl.handle.net/11449/127692.

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Made available in DSpace on 2015-09-17T15:25:00Z (GMT). No. of bitstreams: 0 Previous issue date: 2015-01-28. Added 1 bitstream(s) on 2015-09-17T15:46:51Z : No. of bitstreams: 1 000847388.pdf: 11210049 bytes, checksum: 853346e779ec5f9a7cc4ffd4e2d909a6 (MD5)<br>A partir de 1860, dois personagens tornaram-se familiares aos leitores da imprensa fluminense: o Moleque e o Dr. Semana, figuras que se transformaram em sinônimo da publicação que lhes deu vida, a Semana Ilustrada. Nas edições semanais, o cenário urbano da corte ganhava traços caricaturais e o jovem escravo alfabetizado e seu senhor
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Pereira, Renan Rivaben. "Semana Ilustrada, o Moleque e o Dr. Semana : imprensa, cidade e humor no Rio de Janeiro do 2º Reinado /." Assis, 2015. http://hdl.handle.net/11449/127692.

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Orientador: Tania Regina de Luca<br>Banca: Silvia Maria Azevedo<br>Banca: Laura Moutinho Nery<br>Resumo: A partir de 1860, dois personagens tornaram-se familiares aos leitores da imprensa fluminense: o Moleque e o Dr. Semana, figuras que se transformaram em sinônimo da publicação que lhes deu vida, a Semana Ilustrada. Nas edições semanais, o cenário urbano da corte ganhava traços caricaturais e o jovem escravo alfabetizado e seu senhor branco circulavam livremente pelas ruas, abordavam os rumos da política imperial, as apresentações artísticas dos teatros e denunciavam as condições precárias d
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Foster, John E. "A critical, social and stylistic study of Australian children's comics /." Title page, contents and introduction only, 1989. http://web4.library.adelaide.edu.au/theses/09PH/09phf755.pdf.

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McGuire, Kathleen Diane. "The transatlantic Paddy the making of a transnational Irish identity in nineteenth-century America /." Diss., [Riverside, Calif.] : University of California, Riverside, 2009. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3359906.

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Thesis (Ph. D.)--University of California, Riverside, 2009.<br>Includes abstract. Title from first page of PDF file (viewed February 9, 2010). Includes bibliographical references (p. 339-346). Issued in print and online. Available via ProQuest Digital Dissertations.
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Pinto, Henriques Luís Nuno. "Ilustração. Imagem da Modernidade em Portugal = Ilustración. Imagen de la modernidad en Portugal." Doctoral thesis, Universitat de Barcelona, 2015. http://hdl.handle.net/10803/299802.

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Este trabalho investiga a relação entre a imagem ilustrada e a experiência da modernidade. Nas margens da arte da gravura e de uma nova matriz industrial, a imagem ilustrada torna visível um espectro social abrangente e participa na formação de novos sujeitos da política e da esfera pública. É também uma forma atravessada por impulsos contraditórios — pelo humor e pelo pendor científico; pela visão atomizada e pela produção de séries que procuram recodificar a sociedade. A investigação de imagens recreativas e instrutivas, retratos fisiológicos e carica­turas, publicadas sobretudo na imprensa
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Menegotto, Roberto Rossi. ""Qua comando mi" : a estereotipação do colono italiano no universo de Radicci, do cartunista Iotti." reponame:Repositório Institucional da UCS, 2017. https://repositorio.ucs.br/handle/11338/3189.

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A presente dissertação investiga a construção do estereótipo do colono italiano nos quadrinhos de Radicci, de Carlos Henrique Iotti, com vistas a contribuir para os estudos sobre a identidade regional da Serra Gaúcha. A análise é feita a partir da seleção de três categorias na série de histórias em quadrinhos: a construção dos personagens, a representação dos espaços em que se situam as narrativas e o conflito identitário existente entre os protagonistas. Para tanto, busca-se estabelecer relações com o contexto histórico, social e cultural da Região de Colonização Italiana no Rio Grande do Sul
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Books on the topic "Pictorial German wit and humor"

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Markus. Stationen einer Republik. Lappan, 1994.

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Hanel, Walter. Commedia dell'arte: Der virtuose Strich des Karikaturisten Walter Hanel. Gerstenberg, 1988.

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Heine, Helme. Uhren haben keine Bremse. Diogenes, 1985.

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Rauch, Hans-Georg. Neue Zeitzeichen. Zinnober Verlag, 1990.

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Kretschmer, Matthias. Der Bildpublizist Mirko Szewczuk: Eine kommunikationshistorische Studie über Leben und Werk. LIT, 1999.

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Bernstein, F. W. Der Blechbläser und sein Kind: Graphik, Gritik, Gomik : Zeichnereien, Cartoons und Schmähbilder. Verlag Weisser Stein, 1993.

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Haderer, Gerhard. Haderers Wochenschau: Gezeichnete Kommentare. 2nd ed. Gruner + Jahr AG, 1993.

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Poth, Chlodwig. 50 Jahre Überfluss: Ein Roman. Knesebeck & Schuler, 1990.

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Hans-Georg, Rauch. H.G. Rauch, satirische Zeichnungen. DuMont, 1995.

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Henscheid, Eckhard. Erledigte Fälle: Bilder deutscher Menschen. Haffmans Verlag, 1991.

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Book chapters on the topic "Pictorial German wit and humor"

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Lent, John A., and John A. Lent. "China." In Asian Political Cartoons. University Press of Mississippi, 2023. http://dx.doi.org/10.14325/mississippi/9781496842527.003.0002.

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This chapter is an exploration of Chinese political cartoons. Visual humor through caricature, satire and parody, and wit and playfulness has a long, rich history in dynastic China. Modern cartooning—usually meaning coming from the West—entered China at the juncture of the nineteenth and twentieth centuries through cartoon/humor magazines, pictorial magazines, newspapers, and lianhuanhua (palm-size narrative picture books). Major catalysts for this transformation were the growing dissatisfaction with the Qing Dynasty and increased contact with the outside world. In addition to the history of political cartoons in China, the chapter also explores contemporary government regulation and censorship of cartoons and comics. It also explores the state of cartooning under the Xi Jinping presidency. The chapter concludes with some remarks on the differences between political and news cartoonists.
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