Academic literature on the topic 'Pictorial Synonyms'

The article is devoted to the isolation and analysis in the poetic texts of D. Kremen, groups sacred concepts, microconceptospheres, the discovery of conceptual meanings in nature which clearly feels the spiritual, linguistic and cultural and individual-authorial components. The relevance of the chosen topic is due to the increasing attention of linguists, on the one hand, to the problems of linguoculturology and linguoconceptology, on the other - to the set concepts filled with religious, sacred meaning in general. The aim of the article is to trace how in the modern scientific paradigm one of the concepts "sacred" is interpreted, connected with the thematic concept of the conceptosphere of the sacred; demonstrate new trends in the implementation of the conceptosphere sacred, whose representatives are concepts to denote God and all that is holy in the understanding of the Divine, to identify by verbalization of microconceptospheres "biblical characters", "biblical loci", "church organization and cult", "sacred-chthonic beings". The subject of research is LEXICAL MEANS OF VERBALIZATION OF THE CONCEPTOSPHERE OF THE SACRED in poetic texts. The object is the microconceptosphere in the realization of the conceptosphere of the sacred in the poetic idiosyncrasy of D. Kremen. The methodological basis is the basic provisions of linguoconceptology, in particular the problems of interaction between language and culture. Research methods: the method of continuous sampling, which is used to collect the actual material; descriptive method, which allowed to analyze the results in a certain aspects; method of contextual and interpretive analysis associated with decoding units of secondary nomination, identification of symbolic and metaphorical and individual-authorial meanings and functional-semantic load. It was found that in the poetic idiostyle of D. Kremen the dominant of theonyms in the poetic idiostyle of D. Kremen is one of the most important cultural universals, the basis of all world religions is God. From the point of view of linguocognitology, the conceptual sphere, the conceptual image of "God", is a multifaceted, multifunctional, hierarchical structure, which is realized by multilingual connections and oppositions. The analysis of the isolated units shows that in the concept is dominated by meanings relevant to the Christian scenario, but also recorded in relation to certain pagan and ancient notions of the supreme deity. Nuclear concepts-images "Jesus Christ", "Virgin Mary" in the studied texts are characterized by a clear syncretism, due to the intersection of the manifested in its structure biblical and mythopoetic meanings. Linguistic means are singled out and characterized, which reveal both its traditional canonicity and symbolic-metaphorical representation in D. Kremen's poetic idiosyncrasy. The specificity of the linguistic representation of the concept is represented by the actual poetic semantic individual-authorial and expressive-pictorial properties in poetic speech.against the background of preserving the traditionally established means of its verbalization. The concept of God and other specified conceptual quantities are represented in the language through the corresponding tokens by a wide range of names of different linguistic nature and stylistic specificity, used with direct and figurative meaning, synonyms, paraphrases, etc.

Recent research has investigated methods based on design-by-analogy meant to enhance concept generation. While these analogies can be developed in different ways and can come from many different areas, one of the most common methods is to use key customer needs or key functions as the starting point. One approach uses these key terms to seed a search for grammatically similar words. While these methods are promising, they can be cumbersome and difficult to apply in engineering classrooms or industrial product development settings. This paper presents further evaluation of the Analogy Seeded Mi