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1

Young, Stephen L. "The Role of Pictorials in Environmental Safety Signs." Proceedings of the Human Factors and Ergonomics Society Annual Meeting 41, no. 2 (October 1997): 797–800. http://dx.doi.org/10.1177/107118139704100215.

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The present study examined the role of pictorials in environmental safety signs. Thirty subjects created thirty signs on the computer with the aid of a technician. Subjects had different sign components available to them (e.g., signal words, verbal statements and pictorials). There were three different pictorial conditions in this study: none, generic (e.g., triangle with exclamation point), and specific (i.e., the pictorial's content was related to the hazard being described). Examination of the constructed signs suggests that the primary purpose of pictorials is to convey information and not
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2

Seitz, Christopher M., Kenneth D. Ward, and Zubair Kabir. "Country Participation in the WHO Framework Convention on Tobacco Control Health Warnings Database." Tobacco Use Insights 14 (January 2021): 1179173X2110642. http://dx.doi.org/10.1177/1179173x211064214.

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Background The World Health Organization’s (WHO) Framework Convention on Tobacco Control (FCTC) Health Warnings Database is an online, publicly available resource created for countries to upload and share pictorial health warnings for tobacco packaging. The purpose of this study was to evaluate the extent to which the database is used by countries for the sharing of pictorial warnings. Methods The study’s sample included parties to the FCTC who required graphic health warning labels on cigarette packaging from. Those countries were categorized as having a low, middle, and high Socio-Demographi
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3

Silver, N. Clayton, Michael S. Wogalter, Blair M. Brewster, Barbara L. Glover, La Tondra A. Murray, Cheryl A. Tillotson, and Tallah L. Temple. "Comprehension and Perceived Quality of Warning Pictorials." Proceedings of the Human Factors and Ergonomics Society Annual Meeting 39, no. 15 (October 1995): 1057–61. http://dx.doi.org/10.1177/154193129503901520.

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The present study assessed the comprehensibility and quality of warning pictorials in the presence and absence of explicit context. Context was provided by a photograph and a verbal description of an environmental scene in which the pictorial might appear. A total of 248 individuals performed a comprehension test on a randomly-assigned pictorial from each of three referent categories (Keep Out, Electrical Shock, and Do Not Dig). Following this task, 185 participants were shown five pictorials (four others plus the one they had seen) associated with each of the three referent categories and the
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4

Silver, N. Clayton, Mitchell G. Basin, Carey A. Sexton, and Jennifer L. Fabbi. "Comprehensibility of Pharmaceutical Pictorials among People with Mental Retardation." Proceedings of the Human Factors and Ergonomics Society Annual Meeting 42, no. 9 (October 1998): 656–60. http://dx.doi.org/10.1177/154193129804200902.

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The present study assessed the comprehensibility of pharmaceutical pictorials that are often seen on prescription medication bottles. A total of 30 individuals with mental retardation living in semi-independent environments were asked to provide responses concerning the pictorial connotation. Results indicated that only three of the 42 pictorials presented were within the acceptable range of the ISO 67% comprehension criterion. These pictorials connoted “take with water”, “do not drink alcohol”, and “poison”. None achieved the ANSI 85% comprehension criterion. Furthermore, there were no statis
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5

Sontag, Jennah, Michelle T. Bover Manderski, David Hammond, and Olivia A. Wackowski. "US young adults’ perceived effectiveness of draft pictorial e-cigarette warning labels." Tobacco Control 28, e1 (June 5, 2019): e49-e51. http://dx.doi.org/10.1136/tobaccocontrol-2018-054802.

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SignificanceResearch shows that pictorial warning labels for cigarettes are more effective than text-only warnings, and preliminary work suggests that pictorial warnings could also be considered for electronic cigarettes (e-cigarettes). Pictorial warnings may be important for maximising their effectiveness among young people and enhancing the salience of the single nicotine addiction warning required for e-cigarettes to date in the USA. This study collected pilot data about the perceived effectiveness of draft e-cigarette pictorial warnings.MethodsParticipants were 876 young adults (ages 18–29
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6

Freeman, Kenya, and Michael S. Wogalter. "Evaluation of Pictorial Symbols to Warn Computer Keyboard Users about Carpal Tunnel Syndrome (CTS)." Proceedings of the Human Factors and Ergonomics Society Annual Meeting 45, no. 20 (October 2001): 1468–72. http://dx.doi.org/10.1177/154193120104502004.

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Carpal tunnel syndrome (CTS) is an upper-extremity disorder that can cause chronic pain and disability. Although CTS can arise from a wide variety of repetitive tasks with awkward hand/arm positioning, a large percentage of cases are attributed to, or exacerbated by, computer input devices such as keyboards. One potential way to reduce the development of CTS in keyboard users is to warn them about the disease's early symptoms so that corrective actions might be taken before the disease becomes more severe. The present research systematically examines one of the components of a potential CTS wa
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7

Hanna Hamsan, Nurul, Mohd Haniff Mohd Tahir, and Benjamin Loh Hsien Ing. "Pictorial-Based Learning Model for Remote Vocabulary Learning: A Systematic Review." Arab World English Journal, no. 9 (July 24, 2023): 49–66. http://dx.doi.org/10.24093/awej/call9.4.

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This systematic review was conducted to provide inspiration on the development of a learning model for vocabulary learning via the use of pictorials, as well as the omissions and gaps in the synthesized literature on the topic, especially with regards to the use of such a model for remote learning. The significance of this particular study lies in the affirmation of whether this pictorial-based vocabulary learning model is a viable solution for the necessity of remote learning. There are a total of three research questions, which are (1) What are the benefits of developing a pictorial-based vo
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8

Vredenburgh, Alison G., and Ilene B. Zackowitz. "Evaluating the Effectiveness of a Pictorial-Only Warning on a Trolley Coupler." Proceedings of the Human Factors and Ergonomics Society Annual Meeting 45, no. 11 (October 2001): 848–51. http://dx.doi.org/10.1177/154193120104501107.

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Warnings with pictorial symbols are often used because symbols tend to be attention getting. If a text message included in a warning detains readers in a hazardous location, this text message may keep readers in harm's way. Therefore, warnings comprised only of pictorials may be the best solution in some situations. The purpose of this study was to evaluate a pictorial as the sole source of warning information. Eighty-five participants were asked about their comprehension of a warning symbol, both without and with contextual information. Results indicated that 96% of participants over 16 years
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9

Lee, Edward T. "Pictorial knowledge representation using pictorial semantic networks." Robotica 6, no. 2 (April 1988): 155–60. http://dx.doi.org/10.1017/s0263574700003970.

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SUMMARYClassifications of pictures and pictorial knowledge are presented. Pictorial knowledge is divided into three classes – angular pictorial knowledge, side pictorial knowledge, and angular and side pictorial knowledge. A block diagram of these three pictorial knowledge classes and a pictorial knowledge transformation module is also presented with illustrative examples. Pictorial semantic networks which in terms of pictorial nodes, property nodes, “is a” links, “has property” links, and “if and only if” links are introduced. Transitivity, generalization, specialization, inheritance hierarch
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10

Reinhardt-Rutland, Anthony H. "Perceiving the Orientation in Depth of Real Surfaces: Background Pattern Affects Motion and Pictorial Information." Perception 24, no. 4 (April 1995): 405–14. http://dx.doi.org/10.1068/p240405.

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Motion information contributes weakly to veridical depth perception of real stimuli. To test whether background pattern might enhance veridicality, observers judged the orientations in depth of pictorially matched trapezoidal and rectangular surfaces, with and without a rectangular grid of vertical stripes in a frontal plane behind surfaces; viewing was monocular with lateral head motions of 15 cm extent. The grid did not enhance veridicality; instead, surfaces actually or pictorially slanted to the frontal plane were judged more slanted with the grid present. In a second experiment, observers
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11

Poppi, Fabio Indìo Massimo, and Peter Kravanja. "Annuntiatio Domini: Metaphoric conceptualization and gesture analysis in painted representations of the Annunciation." Public Journal of Semiotics 8, no. 1 (December 8, 2017): 26–45. http://dx.doi.org/10.37693/pjos.2017.8.16989.

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In this article, we analyze ten artistic paintings of the Annunciation ranging from the XV century to the XX century in order to describe how the interaction between pictorially represented gestures and other pictorial elements allows them to convey more abstract meanings. Applying a historical approach to the gestures expressed by Mary, we show how — despite the different artistic approaches and sensitivities — her hand gestures always have a primary importance in conveying the meanings of PRUDENCE, CAU¬TION, FEAR, SURPRISE, CONCERN and GRATITUDE. We show how such gestures can be related to o
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12

Basak, Amalesh. "Pictorial CME." Indian Journal of Physical Medicine and Rehabilitation 31, no. 1 (2020): 21. http://dx.doi.org/10.5005/jp-journals-10066-0069.

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13

Korsmeyer, Carolyn. "Pictorial Assertion." Journal of Aesthetics and Art Criticism 43, no. 3 (1985): 257. http://dx.doi.org/10.2307/430639.

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14

Lopes, Dominic. "Pictorial Realism." Journal of Aesthetics and Art Criticism 53, no. 3 (1995): 277. http://dx.doi.org/10.2307/431353.

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15

Scheffler, Israel. "Pictorial Ambiguity." Journal of Aesthetics and Art Criticism 47, no. 2 (1989): 109. http://dx.doi.org/10.2307/431823.

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16

Galman, Sally Campbell. "Editorial Pictorial." Jeunesse: Young People, Texts, Cultures 12, no. 1 (June 2020): 1–6. http://dx.doi.org/10.3138/jeunesse.12.1.1.

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17

Bunnell, Peter C. "Pictorial Photography." Record of the Art Museum, Princeton University 51, no. 2 (1992): 2. http://dx.doi.org/10.2307/3774688.

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18

Barker, Philip. "Pictorial Pedagogy." International Journal of Online Pedagogy and Course Design 1, no. 1 (January 2011): 1–11. http://dx.doi.org/10.4018/ijopcd.2011010101.

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For sighted people, pictures provide an important mechanism of communication; they are also a valuable learning resource. This paper discusses these issues in context to their use in developing and promoting online pictorial pedagogy through the medium of computers. As the size of an image collection grows, some form of picture repository is needed in order to store, manage, and retrieve images. In this context, the role of a digital object repository is discussed and a case study involving the use of a very large image collection is briefly described.
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19

Fazil Marickar, YM. "Pictorial CME." Kerala Surgical Journal 27, no. 2 (2021): 202. http://dx.doi.org/10.4103/ksj.ksj_31_21.

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20

Fazil Marickar, YM. "Pictorial CME." Kerala Surgical Journal 26, no. 2 (2020): 232. http://dx.doi.org/10.4103/ksj.ksj_34_20.

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21

Boumans, Marcel. "Pictorial Statistics." History of Political Economy 53, no. 6 (August 26, 2021): 207–26. http://dx.doi.org/10.1215/00182702-9414846.

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This essay discusses Francis Galton’s method of inductive inference where the data are photographs of human faces. His aim of induction was to determine the typical characteristics of the natural class to which the individuals belong by composing the relevant photographs in a specific photographic way. The three populations studied by Galton were people suffering tuberculosis, Jews, and criminals. This essay argues that despite the fact that Galton aimed at mechanical objectivity, subjective judgements nevertheless appear to be a necessary part of this kind of inductive inference. At first sig
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22

Barber, Craig. "Pictorial Slippage." International Journal of Arts Theory and History 8, no. 2 (2014): 69–78. http://dx.doi.org/10.18848/2326-9952/cgp/v08i02/36251.

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23

Barber, Craig. "Pictorial Slippage." International Journal of Arts Theory and History 8, no. 2 (2014): 69–78. http://dx.doi.org/10.18848/2326-9952/cgp/v08i02/69-78.

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24

Blich, Baruch. "Pictorial Realism." Empirical Studies of the Arts 9, no. 2 (July 1991): 175–89. http://dx.doi.org/10.2190/lmu5-8vnl-gyx0-kk8u.

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25

Bailey, George. "Pictorial Quotation." International Studies in Philosophy 25, no. 1 (1993): 1–8. http://dx.doi.org/10.5840/intstudphil199325178.

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26

Winters, E. "PICTORIAL VARIATIONS." British Journal of Aesthetics 38, no. 3 (March 1, 1998): 294–306. http://dx.doi.org/10.1093/bjaesthetics/38.3.294.

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27

Charlton, W. "Pictorial likeness." British Journal of Aesthetics 40, no. 4 (October 1, 2000): 467–78. http://dx.doi.org/10.1093/bjaesthetics/40.4.467.

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28

Parmar, Hemant A., Mohannad Ibrahim, Mauricio Castillo, and Suresh K. Mukherji. "Pictorial Essay." Journal of Computer Assisted Tomography 31, no. 3 (May 2007): 329–34. http://dx.doi.org/10.1097/01.rct.0000243449.48857.ec.

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29

Wilkerson, T. E. "Pictorial Representation." Midwest Studies in Philosophy 16 (1991): 152–66. http://dx.doi.org/10.1111/j.1475-4975.1991.tb00236.x.

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30

Aita, Sean. "Pictorial essay." Research in Drama Education: The Journal of Applied Theatre and Performance 17, no. 3 (August 2012): 397–404. http://dx.doi.org/10.1080/13569783.2012.694036.

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31

Freundlich, Irwin M., and Malcolm H. McGavran. "Pictorial Essay." Journal of Thoracic Imaging 11, no. 1 (1996): 58–65. http://dx.doi.org/10.1097/00005382-199601110-00006.

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32

Desser, Terry S., and Paul Stark. "Pictorial Essay." Journal of Thoracic Imaging 13, no. 1 (January 1998): 27–35. http://dx.doi.org/10.1097/00005382-199801000-00008.

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33

Schwartz, Eric D., Joel E. Fishman, Adam S. Mandel, E. Joseph Bauerlein, Shabbir Ezuddin, and Jorge J. Guerra. "Pictorial Essay." Journal of Thoracic Imaging 13, no. 2 (April 1998): 116–22. http://dx.doi.org/10.1097/00005382-199804000-00006.

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34

NEWALL, MICHAEL. "Pictorial Resemblance." Journal of Aesthetics and Art Criticism 68, no. 2 (May 2010): 91–103. http://dx.doi.org/10.1111/j.1540-6245.2010.01395.x.

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35

Rader, Charles. "Pictorial Maps." Cartographic Perspectives, no. 14 (March 1, 1993): 20–21. http://dx.doi.org/10.14714/cp14.987.

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36

Givon, Uri, and S. Jay Kumar. "Pictorial Essay." Journal of Pediatric Orthopaedics 19, no. 3 (May 1999): 351. http://dx.doi.org/10.1097/01241398-199905000-00012.

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37

Abell, Catharine. "Pictorial Implicature." Journal of Aesthetics and Art Criticism 63, no. 1 (January 19, 2005): 55–66. http://dx.doi.org/10.1111/j.0021-8529.2005.00181.x.

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38

Raza, Maryam. "Pictorial Quiz." ANNALS OF ABBASI SHAHEED HOSPITAL AND KARACHI MEDICAL & DENTAL COLLEGE 29, no. 2 (May 30, 2024): 205. http://dx.doi.org/10.58397/ashkmdc.v29i2.924.

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39

Kulvicki, John. "Pictorial Representation." Philosophy Compass 1, no. 6 (November 2006): 535–46. http://dx.doi.org/10.1111/j.1747-9991.2006.00036.x.

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40

Hammond, Anne. "Pictorial Photography." History of Photography 22, no. 1 (March 1998): 93. http://dx.doi.org/10.1080/03087298.1998.10443932.

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41

Abell, Catharine. "Pictorial realism." Australasian Journal of Philosophy 85, no. 1 (March 2007): 1–17. http://dx.doi.org/10.1080/00048400601185529.

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42

KORSMEYER, CAROLYN. "Pictorial Assertion." Journal of Aesthetics and Art Criticism 43, no. 3 (March 1, 1985): 257–66. http://dx.doi.org/10.1111/1540_6245.jaac43.3.0257.

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43

SCHEFFLER, ISRAEL. "Pictorial Ambiguity." Journal of Aesthetics and Art Criticism 47, no. 2 (March 1, 1989): 109–16. http://dx.doi.org/10.1111/1540_6245.jaac47.2.0109.

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44

LOPES, DOMINIC. "Pictorial Realism." Journal of Aesthetics and Art Criticism 53, no. 3 (June 1, 1995): 277–86. http://dx.doi.org/10.1111/1540_6245.jaac53.3.0277.

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45

Galman, Sally Campbell. "Editorial Pictorial." Jeunesse: Young People, Texts, Cultures 12, no. 1 (2020): 1–6. http://dx.doi.org/10.1353/jeu.2020.0001.

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46

Koenderink, Jan J. "Pictorial relief." Philosophical Transactions of the Royal Society of London. Series A: Mathematical, Physical and Engineering Sciences 356, no. 1740 (May 15, 1998): 1071–86. http://dx.doi.org/10.1098/rsta.1998.0211.

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47

Cole, Thomas B. "Pictorial Quilt." JAMA 312, no. 19 (November 19, 2014): 1952. http://dx.doi.org/10.1001/jama.2013.279853.

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48

Desai, Nagaraj, BV Guru Prasad, and KS Poornima. "Pictorial CME." APIK Journal of Internal Medicine 5, no. 3 (2017): 48. http://dx.doi.org/10.4103/2666-1802.260095.

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49

Fazil Marickar, YM. "Pictorial CME." Kerala Surgical Journal 28, no. 1 (2022): 108. http://dx.doi.org/10.4103/ksj.ksj_25_22.

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50

Premanath, M. "Pictorial CME." APIK Journal of Internal Medicine 4, no. 2 (2016): 35. http://dx.doi.org/10.4103/2666-1802.258299.

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