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1

Robert Demachy, pictorialist. Paris: Bookking International, 1990.

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2

Manuel, Estebaranz José, ed. Jesús Unturbe: Fotógrafo pictorialista segoviano. [Valladolid?]: Junta de Castilla y León, Consejería de Educación y Cultura, 2009.

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3

Wilson, Michael G. Pictorialism in California: Photographs, 1900-1940. Malibu, Calif: J. Paul Getty Museum, 1994.

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4

1906-1970, Bodine A. Aubrey, ed. A. Aubrey Bodine, Baltimore pictorialist, 1906-1970. Baltimore: Johns Hopkins University Press, 1985.

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5

Mello, Maria Teresa Bandeira de. Arte e fotografia: O movimento pictorialista no Brasil. Rio de Janeiro: FUNARTE, 1998.

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6

Riccardo, Peretti-Griva Domenico, ed. Domenico Riccardo Peretti Griva e il pittorialismo in Italia. Modena: Franco Cosimo Panini, 2012.

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7

Gysegem, Marc van. Désiré Declercq, pictorialist-documentarist: Notaris-fotograaf, Geraardsbergen 1842-1923. Geraardsbergen: Stadsbestuur, 2000.

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8

Pictorialism in the fictional miniatures of Albert Paris Gütersloh. New York: P. Lang, 1996.

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9

Brewster, Ben. Theatre to cinema: Stage pictorialism and the early feature film. Oxford: Oxford University Press, 1997.

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10

Peterson, Christian A. The modern pictorialism of D.J. Ruzicka = Moderní piktorialismus D.J. Růžičky. Minneapolis, Minn: Minneapolis Institute of Arts, 1990.

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11

Peterson, Christian A. The modern pictorialism of D.J. Ruzicka =: Moderní piktorialismus D.J. R°užičky. Minneapolis, Minn: Minneapolis Institute of Arts, 1990.

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12

The visual arts, pictorialism, and the novel: James, Lawrence, and Woolf. Princeton, N.J: Princeton University Press, 1985.

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13

Torgovnick, Marianna. The visual arts, pictorialism, and the novel: James, Lawrence, and Woolf. Princeton, N.J: Princeton University Press, 1985.

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14

Scott, David H. T. Pictorialist poetics: Poetry and the visual arts in nineteenth-century France. Cambridge [Cambridgeshire]: Cambridge University Press, 1988.

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15

Leblanc, Claire. L' effort: Cercle d'art photographique belge (1901-1910). Bruxelles: La lettre vole, 2002.

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16

Ribemont, F., and Patrick Daum. La photographie pictorialiste en Europe, 1888-1918: [l'exposition présentée du 19 octobre 2005 au 15 janvier 2006 au Musée des beaux-arts de Rennes]. Cherbourg: Point du jour, 2005.

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17

Leblanc, Claire. "L' Effort": Cercle d'art photographique belge 1901-1910. Bruxelles: La lettre volée, 2000.

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18

Barton, Emma. Sunlight and shadow: The photographs of Emma Barton, 1872-1938. [Birmingham, England]: Published jointly by Birmingham Libraries and Birmingham Museums and Art Gallery, 1995.

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19

Peterson, Christian A. An annotated bibliography on pictorial photography: Selected books from the library of Christian A. Peterson. Northfield, Minn: Laurence McKinley Gould Library, Carleton College, 2004.

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20

Puyo, Emile Joachim Constant, 1857-1933., ed. Constant Puyo. Lyon: Fage, 2008.

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21

Lafforest, Emma de. Constant Puyo. Lyon: Fage, 2008.

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22

Massalo. Silhuetas. [Luanda]: Afrilarme, 2007.

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23

Hagstrum, Jean H. The sister arts: The tradition of literacy pictorialism and english poetry from Dryden to Gray. Chicago: University of Chicago Press, 1987.

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24

The sister arts: The tradition of literary pictorialism and English poetry from Dryden to Gray. Chicago: University of Chicago Press, 1987.

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25

Sviblova, Ol £ga. Tikhoe soprotivlenie: Russkii piktorializm 1900-1930-kh = Quiet resistance : Russian pictorialism of the 1900s-1930s. Moskva: GUK, 2005.

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26

Gallery, Boston University Art, ed. California dreamin': Camera clubs and the pictorial photography tradition. Boston, Mass: Boston University Art Gallery, 2004.

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27

Eickemeyer, Rudolf. In my studio: Rudolf Eickemeyer, Jr and the art of the camera 1885 1930, catalogue for the exhibition "Pictorialist Pioneer : The Photography of Rudolf Eickemeyer, Jr" held at the Hudson River Museum, Dec .3, 1986 to Feb. 22, 1987. Yonkers, N.Y: Hudson River Museum, 1986.

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28

1954-, Faber Monika, Vukovic Magdalena, Mahler Astrid 1972-, Cronin Elizabeth 1978-, and Astelbauer Wolfgang, eds. Rudolf Koppitz: Photogenie. Wien: Christian Brandstätter Verlag, 2013.

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29

Arts, Minneapolis Institute of, ed. After the photo-secession: American pictorial photography, 1910-1955. [Minneapolis, Minn.]: Minneapolis Institute of Arts in association with W.W. Norton, New York, 1997.

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30

Newton, Gael. John Kauffmann, art photographer. Canberra: National Gallery of Australia, 1996.

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31

Bourke-White, Margaret. Margaret Bourke-White: Photographer. London: Pavilion, 1998.

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32

Elroy, Ostman Ronald, and Littell Harry, eds. Margaret Bourke-White: The early work, 1922/1930. Boston: D.R. Godine, 2005.

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33

Sean, Callahan, ed. Margaret Bourke-White: Photographer. Boston: Little, Brown, 1998.

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34

Erwin, Kathleen A. Pictorialism into modernism: The Clarence H. White School of Photography : photographs from the Coville Photographic Art Foundation and Warren and Margot Coville photographic collection : an annotated checklist. [Detroit?]: The Foundation, 1997.

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35

Nicolette, Bromberg, ed. Shadows of a fleeting world: Pictorial photography and the Seattle Camera Club. Seattle: University of Washington Press, 2011.

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36

Heuvel, Maartje van den. In atmosferisch licht: Picturalisme in de Nederlandse fotografie, 1890-1925 / auteurs, Maartje van den Heuvel ... [et al.] = In atmospheric light : pictorialism in Dutch photography, 1890-1925 / authors, Maartje van den Heuvel ... [et al.]. Zwolle: Waanders, 2010.

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37

Zeman, Sonja. Ut Pictura Poesis? The Poetics of Verbal Imagery. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190457747.003.0011.

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How can verbal-cued poetry be “visual,” “pictorial,” and “vivid”? This chapter aims at looking behind such notions by isolating the basic semiotic mechanisms of vision, picture-viewing, and mental imagery and provides a descriptive model to investigate (1) the semiotic dimension of verbal imagery with respect to its visual and pictorial character and (2) its relationship to the reader’s experience of mental imagery. Through exemplary analyses of visual poetry, onomatopoeia, figurative language, the historical present, and ekphrastic descriptions, it is shown that the literary core concepts of “visuality,” “pictoriality,” and “vividness” refer to surface phenomena that are not directly linked to the phenomenal experience of visual perception and image likeness. The results are discussed against the background of recent neurocognitive studies, leading to the conclusion that such notions should be given up in favor of a general model of representation in terms of poetic iconicity.
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38

Bender, John B. Spenser and Literary Pictorialism. Princeton University Press, 2015.

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39

Bender, John B. Spenser and Literary Pictorialism. Princeton University Press, 2015.

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40

Bender, John B. Spenser and Literary Pictorialism. Princeton University Press, 2016.

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41

Horace Gordon. JEFFERIES, Bill, COX. H. G. Cox - British Columbia Pictorialist. Presentation House Gallery, 2004.

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42

Reed, Dennis, and Michael G. Wilson. Pictorialism in California: Photographs 1900-1940. J. Paul Getty Museum, 1995.

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43

McCabe, Mary Kennedy. Clara E. Sipprell, 1885-1975: Photo-pictorialist. 1986.

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44

O, Fundaci. La Fotografia Pictorialista En España: 1900-1936. Fundacio Caixa D'Estalvis I Pensions, 1998.

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45

Johnson, Diana L., and George F. Hofmann. Color in Space: Pictorialism in Contemporary Sculpture. Brown University, David Winton Bell Gallery, 1995.

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46

Fundació "La Caixa" (Barcelona, Spain), ed. La fotografía pictorialista en España: 1900-1936. Barcelona: Fundació Caixa d'Estalvis i Pensions, 1998.

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47

Truthbeauty: Pictorialism and the Photograph as Art, 1845-1945. Vancouver Art Gallery, 2011.

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48

Devine, Nordström Alison, Ackerman J. Luca, Vancouver Art Gallery, and International Museum of Photography and Film., eds. TruthBeauty: Pictorialism and the photograph as art, 1845-1945. Vancouver: Vancouver Art Gallery, 2008.

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49

Torgovnick, Marianna. Visual Arts, Pictorialism, and the Novel: James, Lawrence, and Woolf. Princeton University Press, 2014.

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50

Torgovnick, Marianna. Visual Arts, Pictorialism, and the Novel: James, Lawrence, and Woolf. Princeton University Press, 2014.

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