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Dissertations / Theses on the topic 'Picture’s plane'

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1

Silvers, Robert 1968. "Photomosaics : putting pictures in their place." Thesis, Massachusetts Institute of Technology, 1996. http://hdl.handle.net/1721.1/29135.

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2

Greene, Jason. "New planet." Honors in the Major Thesis, University of Central Florida, 2001. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/278.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Sciences<br>Liberal Studies
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3

Goshorn, John. "The Happiest Place on Earth - The Microbudget Model as a Means to an American National Cinema." Master's thesis, University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5224.

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The Happiest Place on Earth is a feature-length film written, directed, and produced by John Goshorn as part of the requirements for earning a Master of Fine Arts in Film & Digital Media from the University of Central Florida. The project aims to challenge existing conventions of the American fiction film on multiple levels - aesthetic, narrative, technical, and industrial - while dealing with a distinctly American subject and target audience. These challenges were both facilitated and necessitated by the limited resources available to the production team and the academic context of the produc
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4

Weber-Fève, Stacey A. "There's no place like home homemaking, making home, and femininity in contemporary women's filmmaking and the literature of the Métropol and the Maghreb /." Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1148746370.

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5

Fontenelle, Plinio Santos. "Da percepção à visão radical do mundo: a condição de abertura do plano de imagens no percurso de Merlau-Ponty." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-04022015-121548/.

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O presente trabalho objetiva oferecer uma leitura do pensamento de Maurice Merleau- Ponty desde a tese inicial de 1945, Fenomenologia da percepção à obra inacabada O visível e o invisível, no que diz respeito a um percurso sobre as imagens pictóricas nesta filosofia. O foco central pretendido para este itinerário, não só suscita as imagens nas obras de vários artistas citados pelo filósofo francês, tendo a referência essencial às pinturas de Paul Cézanne, como busca justamente compreender certa organização do trabalho pictórico realizada pelos artistas para o ato de criação das obras de arte.
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6

Hartwig, David W. "The place of Shakespeare : performing King Lear and The tempest in an endangered world." Thesis, University of Warwick, 2010. http://wrap.warwick.ac.uk/3909/.

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This thesis brings ecocriticism to Shakespearean performance through an examination of adapted performance worlds. Studying cinematic and theatrical productions of Shakespeare’s King Lear and The Tempest, it develops a strategy of ecopoetic analysis: a critical approach to the creation of worlds in the process of adapting a play for performance. This work developed out of my own environmentalism and experience in performing Shakespeare’s works. My goal is to develop a critical strategy for examining performance that utilises the tools of ecological criticism and furthers the fields of performa
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7

Oluwabusi, Oludare E. "Assessing the In-plane Shear Failure of GFRP Laminates and Sandwich Structures." University of Dayton / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1544528074090494.

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8

Skowno, Andrew Luke. "Woody plant encroachment in arid and mesic South African savanna-grasslands: same picture, different story?" Thesis, Rhodes University, 2018. http://hdl.handle.net/10962/62603.

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Woody plant encroachment in South Africa’s savanna-grasslands has been considered a rangeland management problem since the early 1900s. This phenomenon, which has been observed globally, is particularly important in Africa given the extent of tropical grassy biomes on the continent and their importance for rural livelihoods. In this study, local and regional scale approaches were used to investigate woody cover change in South Africa across the important savanna-grassland rainfall threshold of 650 mm mean annual precipitation (MAP). The aim was to test this threshold using remote sensing and d
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9

Ryohashi, Aiko. "The progressive philosophy of Studio D of the National Film Board of Canada : a case study of To a safer place (1987)." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23360.

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This thesis explores the relationship between the National Film Board and its audiences, with particular attention to the ways in which the NFB has tried to respond to the needs of Canadians for media representations of themselves, through the Challenge for Change program (1967-1978) and Studio D (1974-). The focus of this work will be on the progressive aspects of NFB productions, which have frequently taken controversial stands against official government policy.<br>In the process, the place of the NFB within a politics of representation will be discussed, and its critical contribution to th
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10

Wong, Wei-him Ivan. "Film Academy in Aberdeen." Thesis, Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25949408.

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11

Hume, Lindy. "A bigger picture: Toward a landscape-oriented arts practice." Thesis, Queensland University of Technology, 2021. https://eprints.qut.edu.au/225930/1/Lindy_Hume_Thesis.pdf.

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The thesis proposes an orientation shift from portrait to landscape as a metaphor for the rearrangement of aesthetic, cultural and social values between metropolitan and regional milieus. Emerging from an analysis of three spheres and their intersections (Artist as Citizen, Practice and Process and the Creative Environment) is a recurring theme of horizontality and a design for a landscape-oriented arts practice. As a way of reframing the arts narrative from a contemporary regional Australian perspective, this new conceptual paradigm offers theorists and practitioners an expansive alternative
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12

吳兆康 and Siu-hong Ryan Ng. "Film Complex: resuscitation of film in commercial society." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31984770.

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13

陸姿恆 and Chi-hang Yvonne Luk. "Hong Kong film centre." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31984757.

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14

Moloney, Donal. "Slippages between the picture plane and the painting surface : an analysis, through my paintings, of specular highlights, proximal spaces and the Lacanian gaze." Thesis, University of the Arts London, 2015. http://ualresearchonline.arts.ac.uk/12069/.

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The aim of this practice-based research project is to examine how specular highlights and proximal spaces, when perceived through the Lacanian gaze, might confound our perception of Cartesian perspectivalism in representational painting. I will analyse and question such a combination of specific visual characteristics identified within three of my paintings and related theories of looking. Specifically, these include Hal Foster’s (1996: 138) reading of the ways in which the Lacanian ‘gaze’ disrupts Cartesian perspectivalism, Norman Bryson’s (1990: 71, 79) writing on the reversal of the ‘Albert
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15

Hodgkinson, Virginia, and virginia hodgkinson@deakin edu au. "Conventions of pictorialism (iconic imagery, perceived space and the picture plane) deconstructed and reconstructed as alternative models of perception, embodied in paintings and drawings." Deakin University, 1993. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20071127.083604.

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This thesis is concerned with conventions of pictorialism, viz. the surface of an artwork or the plane of denotation (in my case paper, canvas or wood); and iconic imagery and the depiction of perceptual space that is connotated by marks, colours and forms upon that surface. Most importantly this thesis is concerned with the relationship between these elements and the deconstruction of them. That the reconstruction of the deconstructed language can create expressive iconic structures that perhaps
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16

Kung, Sze-chung Charles, and 龔詩宗. "Cinema park." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31983388.

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17

Lam, Hei Lawrence, and 林晞. "Hong Kong Film Academy." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31982906.

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18

Jacobs, Rebecca Mary. "On stage." Thesis, Virginia Polytechnic Institute and State University, 1988. http://hdl.handle.net/10919/53169.

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19

Bollon, Florent. "Recognized Cyber Picture et Confiance interpersonnelle : optimiser les activités collaboratives cyber militaires." Thesis, Bordeaux, 2020. http://www.theses.fr/2020BORD0113.

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Depuis le début des années 2000, les réseaux civils et militaires sont confrontés à une augmentation constante du nombre de cyber attaques. Afin d’accélérer le processus décisionnel et de coordonner au mieux les actions en cas d’attaque provenant du cyberespace il devient nécessaire, pour l’armée de l’air française (AA), de mettre en place un système ou un outil permettant d’avoir une représentation partagée de l’état cyber de ses infrastructures. Ce système (ou outil), nommé recognized cyber picture (RCP), n’est actuellement pas totalement défini mais sera probablement placé dans les centres
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20

Sosin, George. "Le rôle et la place de l'anglais de spécialité dans les petites annonces pour l'emploi en milieu scientifique." Thesis, Brest, 2015. http://www.theses.fr/2015BRES0008/document.

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Cette étude en anglais de spécialité s’inscrit dans le domaine de la terminologie du discours des annonces pour l’emploi en milieu scientifique, domaine encore inexploré d’un point de vue linguistique. Le discours des annonces pour l’emploi est la somme de plusieurs discours, notamment discours des ressources humaines, discours publicitaire, discours qu’on peut appeler « touristique » et discours scientifique. Puisque le but primordial de l’annonce est de faire la publicité de l’entreprise ou du laboratoire de recherche, le discours scientifique y est réduit au minimum car il s’avère que ce di
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21

Jessica, Karlsson. "Gestaltningar av genus i förskolemiljö : En kvalitativ text- och bildanalys av hur genus gestaltas i ett bestämt urval av bilderböcker." Thesis, Karlstads universitet, Institutionen för pedagogiska studier, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-66371.

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The study is a qualitative literature analysis with the purpose of examining how children and preschool pedagogues were portrayed in picture books that take place in the preschool environment, based on gender perspectives. To define the material, books that take place in the preschool environment had been selected. The purpose of the study was also to examine how relationships between children and preschool pedagogues were portrayed, from a gender perspective. And whether there was a difference between the gender portrayals depending on the year when the book was published. The picture book an
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22

周漢邦 and Hon-bong Stephen Chow. "Clineplex: city and its cinematicexperience." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31986389.

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23

Lupro, Michael Mooradian. "Space Oddities for the Age of Space Tourism." Bowling Green State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1239723528.

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24

Callon-Wells, Nicole. "L'émergence de l'album de jeunesse contemporain. Ruptures et continuité." Thesis, Paris Est, 2011. http://www.theses.fr/2011PEST0011.

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Le territoire de l’album de jeunesse contemporain, multiforme, inventif paraît fluctuant. Partagé entre l’image et le texte, il se présente comme une forme hybride aux frontières mouvantes entre livre illustré, album de bande dessinée, roman graphique. Notre corpus volontairement restreint concerne, parmi l’album de langue française tel qu’il se développe de 1945 à nos jours, une sélection significative d’œuvres d’auteurs illustrateurs. Il nous permet d’interroger les influences qui ont façonné son visage d’aujourd’hui : statut de l’enfant dans la société, impact de la technologie, des impérat
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25

Callon-Wells, Nicole. "L'émergence de l'album de jeunesse contemporain. Ruptures et continuité." Electronic Thesis or Diss., Paris Est, 2011. http://www.theses.fr/2011PEST0011.

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Le territoire de l’album de jeunesse contemporain, multiforme, inventif paraît fluctuant. Partagé entre l’image et le texte, il se présente comme une forme hybride aux frontières mouvantes entre livre illustré, album de bande dessinée, roman graphique. Notre corpus volontairement restreint concerne, parmi l’album de langue française tel qu’il se développe de 1945 à nos jours, une sélection significative d’œuvres d’auteurs illustrateurs. Il nous permet d’interroger les influences qui ont façonné son visage d’aujourd’hui : statut de l’enfant dans la société, impact de la technologie, des impérat
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26

Shemer, Yaron. "Identity, place, and subversion in contemporary Mizrahi cinema." Thesis, 2005. http://hdl.handle.net/2152/3528.

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27

Ribeiro, Artur Miguel de Campos Lopes Teixeira. ""Picture yourself in my place": Fitzgerald em Hollywood." Doctoral thesis, 2013. http://hdl.handle.net/10400.1/6075.

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Esta dissertação estuda a intertextualidade entre as obras literárias de F. Scott Fitzgerald e a escrita para cinema nos anos formativos de Hollywood das décadas de 1920 e 30, assim como a influência da sétima arte não só nos romances de Fitzgerald, como em alguma literatura norte-americana da época. Por outro lado, considerando o trabalho de Fitzgerald como argumentista em Hollywood, analisa-se alguns dos guiões em que colaborou, comparando a linguagem cinematográfica da sua prosa com a literária do seu cinema. Na experiência e obra de Fitzgerald está representada uma questão paradigmát
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28

謝克駿. "A Study on space-time of picture plane Example of Kalachakra Mandala." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/56288914004179472399.

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碩士<br>高雄師範大學<br>美術學系<br>98<br>Abstract As a Buddhist art, the plane Art of Kalachakra Mandala is different with Realism that three-dimensional image constructed by two-dimensional plane. In the Art of Kalachakra Mandala, it is integrated by many angles of the vision, and the combination of the viewpoints must follows regular way, instead of arbitrary by artist or creative arrangements. Furthermore, the visual symbols that explain the research between time and space is helpful for deduce the universal art of time-space of the Art of Kalachakra Mandala. The picture is constructed on the basis of
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29

HUI-CHU, PAN, and 潘惠珠. "The Study of Picture Books as the Teaching Materials in Preschool Plant Learning." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/4gux23.

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碩士<br>國立臺東大學<br>幼兒教育學系碩士班<br>96<br>Abstract The purpose of this study is to investigate the different types of plant picture books, as well as their characteristics and applications in early childhood science education. In addition, we aimed to understand how picture books as teaching materials affect children’s learning regarding the knowledge of plant, skills in scientific procedure abilities, and attitudes toward science. The research subjects consisted of 30 young children from an elementary school-affiliated kindergarten in Taipei. The research was conducted for 7 weeks, during which the
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Kwong, Maureen. "The Museum of Moving Images, Granville Island, Vancouver." Thesis, 1998. http://hdl.handle.net/2429/8068.

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In October 1997 The Emily Carr Institute of Art and Design proposed that a Museum of Moving Images be built at the site adjacent to the intended Granville Island Film Center currently under development permit application at The City of Vancouver. ECIAD intended the museum to show "... the magic in which the film was created by..." In addition, the program would comprise a library of books, videos, and compact discs. The starting point of the thesis was the two key words of the program: "moving" and "image". The museum was dependent not only the phenomenal qualities of site but the recog
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31

Weng, Shu-Tzy, and 翁淑姿. "Re- interpretations of a place by picture books ─A design study of Tamshui Town." Thesis, 2002. http://ndltd.ncl.edu.tw/handle/73473760810138909920.

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碩士<br>淡江大學<br>建築學系<br>90<br>There are many ways to know a city. In addition to literal descriptions, pictures can also form people’s cognition toward a city. Pictures not only imitate the appearances of objects, but also evoke people’s feelings to the objects. The whole process is re-annotated and re-presented according to readers’ comprehension and empathy. Using picture books to depict urban experiences and memories shows a rather childhood-like situation in which pictures and words are interlaced. This thesis attempts to discuss how the reality of a local region is construct
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32

Spike, Sara. ""Photos of the school group of this place and others" : an itinerant photographer pictures rural education in Nova Scotia, c1912." Thesis, 2009. http://spectrum.library.concordia.ca/976618/1/MR63061.pdf.

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In June 1912, itinerant photographer Frank Adams travelled northeast through central Nova Scotia, making class portraits at the small rural schools along his way. The resulting photographs and other like them are at the centre of this thesis. School photographs have been the subject of only passing critical interest to historians, yet they are eagerly collected by local historical societies who use them as key tools in their efforts to imagine the pasts of their communities. This avid collection underscores the fact that these seemingly innocuous artifacts speak volumes about community identit
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33

GUO, PIN-HAN, and 郭品函. "The visual representation of building the three-dimensional shape of a picture on a plane by applicating optical illusion of Anamorphosis." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/5jwp3v.

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碩士<br>國立臺南大學<br>視覺藝術與設計學系碩士班<br>107<br>The lifestyle of modern people has changed due to the popularity of the social network. People spend lots of time constructing the photos to record their daily life, and shared it with others by the social network. One of the side effects of this is that people missed the best timing to taste the food due to the time they spent on taking photo. This study use the combination of the Anamorphosis, the illusion technique of deformation art, and the paper placemat or coaster, to restrict the side of the view and the placement of the food in order to reduce th
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34

Chou, Hsiang, and 周祥. "How Would LTE-V Modify Taiwan ITS Picture-with a case of Traffic Signal Timing Plan." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/d2u75b.

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碩士<br>國立臺灣大學<br>土木工程學研究所<br>105<br>With the advance in technology, wireless communications and the upgrading of the Internet makes the transmission of information costs significantly reduced. At the same time, hardware facilities are also more sophisticated. Traditional traffic measurement is often done through a lot of manpower, even if the technology is so advanced, through the image processing can acquire a lot of traffic information, but still cost a lot of costs. The introduction of new technology, substitution are not necessary,it may be a symbiotic coexistence generation, complement fr
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Mwelase, Billy Sanele. "Design of a new Department of Television, Performance and Staging for Durban University of Technology." Thesis, 2008. http://hdl.handle.net/10413/263.

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36

Brito, Isabel Maria Cardoso de. "O álbum ilustrado e o público juvenil : entre as exigências do currículo e a promoção da literacia visual." Master's thesis, 2014. http://hdl.handle.net/10400.2/4401.

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Dissertação de Mestrado em Gestão da Informação e Bibliotecas Escolares apresentada à Universidade Aberta<br>O volume de informação tem aumentado exponencialmente nos últimos anos, exigindo dos cidadãos competências essenciais ao seu tratamento. Esta competência é, habitualmente, sintetizada no termo literacia e refere-se, de um modo geral, à capacidade de processamento da informação através da palavra, escrita ou oral. No entanto, o século XXI afirma-se, cada vez mais, através de outras formas de representação e expressão simbólica, designadamente aquelas que decorrem do contexto comunicacion
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Hills, Paul R. "Neural narratives and natives: cognitive attention schema theory and empathy in Avatar." Diss., 2020. http://hdl.handle.net/10500/26659.

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Text in English<br>This study offers a fine-grained analysis of James Cameron’s film, Avatar (2009), on several theoretical fronts to provide a view of the film from a cognitive cultural studies perspective. The insights gained from cognitive theory are used to situate the debate by indicating the value cognitive theories have in cultural criticism. The critical discourse analysis of Avatar that results is a vehicle for the central concern of this study, which is to understand the diverse, often contradictory, meaning-making exhibited by Avatar audiences. A focus on the construction of e
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