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Books on the topic 'Picture editor'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 April 2022

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1

Schneider, Arthur. Jump cut!: Memoirs of a pioneer television editor. McFarland, 1997.

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2

Oldham, Gabriella. First cut: Conversations with film editors. University of California Press, 2012.

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3

Fīlmʹbardārān, āhangʹsāzān, tadvīnʹgarān: Cinematographers, composers, editors. Mūzih-ʼi Sīnimā-yi Īrān, 2004.

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4

First cut 2: More conversations with film editors. University of California Press, 2012.

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5

First cut: Conversations with film editors. University of California Press, 1992.

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6

Cauchi, Nicholas J. Bishop Cauchi: Articles and pictures / [editor, Steve Mallia]. The Bishop Nikol Cauchi Foundation, 2011.

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7

Kerner, Marvin M. The art of the soundeffects editor. Focal, 1989.

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8

Adler, David A. A picture book of Thomas Alva Edison. Holiday House, 1996.

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9

Laurie, Holz, ed. Some cutting remarks: Seventy years a film editor. Scarecrow Press, 2001.

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10

The art of the sound effects editor. Focal Press, 1989.

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11

Lyon, Francis D. Twists of fate: An Oscar winner's international career. Evanston Pub., 1993.

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12

A contraluz. Editorial Oriente, 2005.

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13

Selected takes: Film editors on editing. Praeger, 1991.

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14

1955-, Friend David, ed. Oscar night from the editors of Vanity fair: 75 years of Hollywood parties. Alfred A. Knopf, 2004.

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15

Wētchanukhro̜, Wō̜rawitya. Tūan Yāwapraphāt phūbukbœ̄k kānphāk nang Mư̄ang Thai, phūbukbœ̄k kānkhīan nangsư̄ Dekthai. Khrōngkān Hō̜ngsamut Kātūn læ Nangsư̄ Kao, 1992.

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16

O'Steen, Sam. Cut to the chase: Forty-five years of editing America's favorite movies. Michael Wiese Productions, 2001.

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17

Giornate del cinema muto (16th : 1997 : Pordenone, Italy), ed. Edison motion pictures, 1890-1900: An annotated filmography. Giornate del cinema muto, 1997.

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18

The invisible cut: How editors make movie magic. 2nd ed. Michael Wiese Productions, 2009.

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19

Mark, Cade, and Orapallo Anthony, eds. J2EE 1.4: The big picture. Prentice Hall PTR, 2004.

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20

Behind a velvet light trap: A filmaker's journey from Cinesound to Cannes. Hardie Grant, 2009.

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21

Photoshop CS for nonlinear editors. 2nd ed. CMP Books, 2004.

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22

Thomas A. Edison and his kinetographic motion pictures. Published for the Friends of Edison National Historic Site by Rutgers University Press, 1995.

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23

Reading for a living: How to be a professional story analyst for film and television. Blue Arrow Books, 1990.

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24

Eva, Orbanz, and Museum of Modern Art (New York, N.Y.), eds. Filming Robert Flaherty's Louisiana story: The Helen van Dongen diary. Museum of Modern Art in collaboration with the Stiftung Deutsche Kinemathek, 1998.

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25

A gaudy spree: The literary life of Hollywood in the 1930s when the West was fun. F. Watts, 1987.

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26

1943-, Murch Walter, ed. The conversations: Walter Murch and the art of editing film. Knopf, 2004.

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27

1943-, Murch Walter, ed. The conversations: Walter Murch and the art of editing film. Vintage Canada, 2002.

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28

Cunningham, Megan. The art of the documentary: Ten conversations with leading directors, cinematographers, editors, and producers. New Riders, 2005.

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29

The art of the documentary: Ten conversations with leading directors, cinematographers, editors, and producers. New Riders, 2005.

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30

Ṭhākūra, Rājā. Adhurī eka kahāṇī: Saṅkalaka-digdarśaka Rājā Ṭhākūra yāñce citrapaṭacaritra. Granthālī, 2006.

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31

Oedipe roi de Pasolini: Poétique de la mimèsis. L'Harmattan, 2012.

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32

Are you talking to me?: A life through the movies. HarperCollins, 2003.

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33

Coleman, Lori Jane. Make the cut: A guide to becoming a successful assistant editor in film and TV. Focal Press/Elsevier, 2010.

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34

Hollywood's copyright wars: From Edison to the internet. Columbia University Press, 2012.

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35

Jordan, Larry. Adobe production premium for Final cut studio editors. Focal Press, 2010.

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36

Make the cut: A guide to becoming a successful assistant editor in film and tv. Focal Press, 2010.

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37

Filmschnitt-Bekenntnisse. UVK-Verlagsgesellschaft, 2009.

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38

Ottersbach, Béatrice, and Thomas Schadt. Filmschnitt-Bekenntnisse. UVK-Verlagsgesellschaft, 2009.

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39

Marantz, Kenneth A. Creating picturebooks: Interviews with editors, art directors, reviewers, booksellers, professors, librarians, and showcasers. McFarland & Co., 1997.

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40

Biasi-Richter, Gigliola. Pier Paolo Pasolini e l'amore per la madre: metamorfosi di un sentimento: Indagine psicoanalitica ispirata dai film Edipo re e Medea. Rasch, 2001.

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41

Pasolini, Pier Paolo. Il vangelo secondo Matteo ; Edipo re ; Medea. Garzanti, 1991.

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42

Stephen, Wright H., Fry Stephen M. 1941-, and Society for the Preservation of Film Music (Los Angeles, Calif.), eds. Film music collections in the United States: A guide / H. Stephen Wright, editor; Stephen M. Fry, associate editor. Society for the Preservation of Film Music, 1996.

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43

Schneider, Arthur. Jump Cut!: Memoirs of a Pioneer Television Editor. McFarland & Company, 1997.

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44

Keil, Charlie. Early American Cinema in Transition: Story, Style, and Filmmaking, 1907-1913 (Wisconsin Studies in Film, Kristin Thompson, Supervising Editor; David Bordwell and Vance Kepley, Jr., General Editors). University of Wisconsin Press, 2002.

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45

Early American Cinema in Transition: Story, Style, and Filmmaking, 1907-1913 (Wisconsin Studies in Film, Kristin Thompson, Supervising Editor; David Bordwell and Vance Kepley, Jr., General Editors). University of Wisconsin Press, 2002.

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46

The Birth of a Nation: How a legendary filmmaker and a crusading editor reignited America's Civil War. PublicAffairs, a member of the Perseus Books Group, 2014.

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47

Oldham, Gabriella. First Cut: Conversations with Film Editors. University of California Press, 1992.

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48

CHARLES, MUSSER. EDISON MOTION PICTURES. Smithsonian, 1998.

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49

Out of Order: Storytelling Techniques for Video and Cinema Editors. Peachpit Press, 2014.

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50

Oldham, Gabriella. First Cut 2: More Conversations with Film Editors. University of California Press, 2012.

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