Relevant bibliographies by topics / Picture of the world

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Picture of the world'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 May 2022

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Journal articles on the topic "Picture of the world"

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Süner, Ahmet. "Frames, World-Pictures and Representations." Idealistic Studies 49, no. 1 (2019): 65–84. http://dx.doi.org/10.5840/idstudies201971998.

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This essay analyzes key aspects of Heidegger’s critique of the picture (Bild) based on an objection to world-pictures as well as a negative understanding of two other related concepts: Gestell and Vorstellen (representation). The restrictive frames of world-pictures, Heidegger claims, must be opposed by instances of thinking and language use associated with poiesis. For him, the revelation of the world in poiesis results in a subject-less experience of things and words, akin to the experience of art and literature, and presumably outside the representational hold of pictures. I argue against Heidegger’s repudiation of the picture by underscoring the inescapability of Vorstellen. Heidegger’s world may be seen as a world-picture as well as a particular system of representation that we associate with affective uses of language, i.e., a literary system similar to the one discussed by Wolgang Iser.
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Alibaeva, Umida Amirjanovna, Shokhnoza Panjievna Imamova, and Sanjar Khasanovich Rakhmanov. "Speech Etiquette In The Language Picture Of The World." American Journal of Applied Sciences 02, no. 09 (September 15, 2020): 25–28. http://dx.doi.org/10.37547/tajas/volume02issue09-04.

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Geuens, Jean-Pierre. "The Digital World Picture." Film Quarterly 55, no. 4 (2002): 16–27. http://dx.doi.org/10.1525/fq.2002.55.4.16.

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For the Hollywood industry, the move from film to digital merely involves the replacement of one medium by another. However, this technological shift potentially changes cinema as we know it. Not only do digital cameras allow for an unprecedented ease in capturing content, but digital nonlinear editing systems make it possible to manipulate the footage retroactively. A vast array of special effects can transform the nature of the image in that each frame can be individually modified. The ability to master every pixel undoubtedly seduces filmmakers to exert absolute and perfectionist control. Yet digital filmmaking also opens up avenues for visual and narrative innovations.
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Schulte, Joachim. "World‐picture and mythology." Inquiry 31, no. 3 (January 1988): 323–34. http://dx.doi.org/10.1080/00201748808602158.

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Spall, Richard F., and David Newsome. "The Victorian World Picture." Albion: A Quarterly Journal Concerned with British Studies 30, no. 3 (1998): 538. http://dx.doi.org/10.2307/4053339.

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Venter, J. J. "World-picture, individual, society." Neohelicon 23, no. 1 (March 1996): 175–99. http://dx.doi.org/10.1007/bf02437008.

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Sitosanova, Ol'ga. "NOTIONS OF THE WORLD PICTURE AND THE LANGUAGE PICTURE OF THE WORLD." Scientific Papers Collection of the Angarsk State Technical University 2020, no. 1 (June 23, 2020): 371–74. http://dx.doi.org/10.36629/2686-7788-2020-1-371-374.

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Gu, Junlin, and Marina Pimenova. "Translation: Mapping and Reconfiguration of the Language World." Russian and Chinese Studies 4, no. 1 (March 31, 2020): 74–83. http://dx.doi.org/10.17150/2587-7445.2020.4(1).74-83.

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The article discusses using the tenets of the linguistic world picture theory in terms of translation by analyzing the methods of interpreting the inscription on a public sign in a Chinese forest park. When the original and translated fragments of the language pictures of the world are the same or similar, the word-based translation is justified from the standpoint of conveying the pragmatic, semantic and grammatical value of the text. When the language pictures of the world are different and do not correspond to each other, the word combinations phrases of the source language cannot be literally translated into the target language. The word-based translation in such cases is a dead translation that will cause translational errors. Using the semantics of the source language, the translator must reconstruct the picture of the world in the target language in order to convey the pragmatic value of the original. The difference between languages is the manner they reflect the picture of the world. Various languages fix various worldviews. The characteristics of each particular language are limited by the linguistic consciousness of people who use the language. This individual worldview is also a unique view of the world. The theory of the language picture of the world contains a linguistic study of the relationship between the language, the thinking and the reality from a cognitive point of view. It begins with linguistic facts and refers to the cultural characteristics of peoples and differences in their thinking, expressed in the linguistic facts. Its essence lies in the cognitive reproduction of the objective world in the human mind, which is the subject of knowledge based on his own perceptual experience and the language of his national culture. The theory of the language picture of the world lies in the fact that it interprets the cultural heritage of the certain people from the point of view of the language. The characteristics of each particular language are limited by the language consciousness of people. Different languages are, in fact, different worldviews, which is an expression of the unique language pictures of the world.
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Jones, Caroline A. "Desires for the World Picture." Journal of Art Theory and Practice 24 (December 31, 2017): 4–26. http://dx.doi.org/10.15597/jksmi.25083538.2017.24.004.

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Luiza, T. Yuchkovskayz. "Phraseological picture of the world." Yugra State University Bulletin 11, no. 1 (December 15, 2015): 161–64. http://dx.doi.org/10.17816/byusu2015111161-164.

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The article notes that the modern comparative linguistics, the theory and practice of translation should be anthropocentric, that is, assume communication activities and take into account the human factor in the analysis and translation of linguistic material. Such concepts as "world view", "conceptual picture of the world", "linguistic picture of the world", "phraseological picture of the world" are included with this approach. The most essential features of phraseological picture of the world are considered. These features are universalism, anthropocentrism, expressiveness.
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Dissertations / Theses on the topic "Picture of the world"

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Bykova, K. "Concept "nothing". Linguistic world picture." Thesis, Sumy State University, 2015. http://essuir.sumdu.edu.ua/handle/123456789/39101.

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Linguistic researches of the last years are characterized by heightened interest to a question of a linguistic or language world picture. The notion of a linguistic world picture is a part of cognitive paradigm in linguistics. This notion is being actively used in analyzing of natural language.
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Matzkin, Rosalie Greenfield. "The film encounter in the life-world of urban couples : a uses and gratification study /." Access Digital Full Text version, 1985. http://pocketknowledge.tc.columbia.edu/home.php/bybib/10538483.

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Glover, Kristin Lynn. "Connections making sense of the world around us (the use of music in documentary films) /." Thesis, Montana State University, 2009. http://etd.lib.montana.edu/etd/2009/glover/GloverK0809.pdf.

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Thesis (MFA)--Montana State University--Bozeman, 2009.
Typescript. Chairperson, Graduate Committee: Walter Metz. Troubador is a DVD accompanying the thesis. Includes bibliographical references (leaf 31).
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Popova, Aliona. "Discourse-picture of the world and discourse-picture of cortege reciprocity presented in elite media." Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2010. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20100616_132244-53446.

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Discourse of elite media is my research field. Elite media define outlets or programmes having a (inter)national impact, although their audience may be relatively small and geographically limited; these media are opinion leaders; they are an elite group that affects the decisions made in other media (Jamieson, Kathleen Hall 1992). There are three case studies covered in the research paper. The case studies are based on different in size and volume printed elite media texts, and they are: one of the articles published in the Sunday Supplement Domenica to Italian newspaper Il Sole 24 Ore; one of the sections published in the Harvard Business Review magazine; one of the issues of The Lion magazine. The Harvard Business Review is pre-eminent in the financial and top-management community [www.harvardbusinessreview.com]. The Il Sole 24 Ore is considered to be a professional setter of standards in Italy; it is trusted, respected, and used by other journalists [www.giornalilocali.it/quotidiani/il-sole-24-ore.htm]. The Lion magazine is an international club magazine and is distributed on subscription basis exclusively among members of the Lions Club International which is the largest elite charity organization in the world. Causal-genetic theory representing Belarusian school of discourse-analysis is a core methodology used in my research (Oukhvanova, Popova, Markovich, Savich, Kurchak). Causal-genetic theory (hereinafter CGTh) is a contribution to the study of functional and... [to full text]
Tyrimo objektas: elitinės žiniasklaidos diskursas (elite media – terminas, vartojamas anglų literatūroje (Jamieson 1992)). Darbe nagrinėjami trys „atskiri atvejai“ (case studies), trys skirtingo dydžio turiningos kalbos ženklų erdvės – laikraštinio leidinio straipsnis, žurnalo rubrika ir atskiras leidinio leidimas. Tai yra: vienas iš straipsnių, išspausdintų italų leidinio „Il Sole 24 Ore“ sekmadieniniame priede „Domenica“; viena iš angliško žurnalo „Harvard Business Review“ rubrikų; vienas iš angliško žurnalo „The Lion“ leidimų. „Harvard Business Review” – pats autoritetingiausias angliškas žurnalas apie vadybą [www.harvardbusinessreview.com]. „Il Sole 24 Ore“ – įtakingas politinis, finansinis ir teisinis Italijos laikraštis [www.giornalilocali.it/quotidiani/il-sole-24-ore.htm]. Pasirenkant žurnalą „The Lion” buvo papildyta tyrimo medžiaga – tai klubinis uždaro tipo žurnalinis leidinys, platinamas pagal prenumeratą tik klubo nariams (Lions Club International – didžiausia pasaulio elitinė labdaros organizacija). Tyrimo metodologinis pagrindas: kauzalinė-genetinė teorija, reprezentuojanti baltarusių diskurso analizės mokyklą (žr. Uchvanovos-Šmygovos, Popovos, Markovič, Savič, Kurčiak darbus). Kauzalinė-genetinė teorija skirta tyrinėti sudėtingų kalbos ženklų daugiaplanį funkcinį turinį; pagal ją turinio branduoliui priklauso referentinė (informacija apie bendravimo dalyką) ir kortežinė (informacija apie komunikacijos dalyvius – bendravimo kortežą), ženklinė-referentinė ir... [toliau žr. visą tekstą]
Объект исследования: дискурс элитарных средств информации (от англ. elite media ― термин, зафиксированный в англоязычной специальной литературе (Jamieson 1992). В работе исследуются три «отдельных случая» (case studies), три разных по объему содержательных пространства таких языковых знаков как статья газетного издания, рубрика журнала и отдельный выпуск издания. А именно: одна из статей, опубликованных в воскресном приложении «Domenica» к газетному итальянскому изданию «Il Sole 24 Ore»); одна из рубрик англоязычного журнала «Harvard Business Review»); один из выпусков англоязычного журнала «The Lion»). "Harvard Business Review" — самое авторитетное англоязычное журнальное издание по менеджменту [www.harvardbusinessreview.com]. "Il Sole 24 Ore" — влиятельное политико-финансово-правовое газетное издание Италии [www.giornalilocali.it/quotidiani/il-sole-24-ore.htm]. Выбор журнала "The Lion" дополняет выборку исследования и является международным клубным журнальным изданием закрытого типа, распространяемое по подписке исключительно среди членов клуба (Lions Club International – самая крупная элитарная благотворительная организация в мире). Методологическая основа исследования: каузально-генетическая теория, репрезентирующая белорусскую школу дискурс-анализа (см. работы Ухвановой-Шмыговой, Поповой, Маркович, Савич, Курчак). Каузально-генетическая теория ориентирована на изучение функционального многопланового содержания сложных языковых знаков; включает в ядро содержания... [полный текст, см. далее]
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Meeuf, Russell W. "Wayne's world : John Wayne, transnational stardom, and global Hollywood in the fifties /." Connect to title online (ProQuest), 2009. http://proquest.umi.com/pqdweb?did=1883679191&sid=1&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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Johnston, Jacob H. "The Sherwood Method creating an independent Christian feature film /." Lynchburg, Va. : Liberty University, 2009. http://digitalcommons.liberty.edu.

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Грошева, Анна Романівна. "Interconnection of science and art and their role in changing the world picture." Thesis, Київський національний університет технологій та дизайну, 2019. https://er.knutd.edu.ua/handle/123456789/13056.

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Tang, Barry Chia Wei. "Creating the picture(s) of the world-class university in Taiwan : a Foucauldian analysis." Thesis, University of Bristol, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683917.

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The Taiwan Ministry of Education put forth the Plan to Develop First-class Universities in 2005 with the aim to improve selected universities' worldwide academic competitiveness and ranking performance with the introduction of competitive funding and a periodic review process. In this context, this study aimed to investigate the impact of this policy on institutional management and academics ' practices as well as how academics have reacted to it. As for the research design of the study, in order to gai n an in-depth perspective into my research questions and also to generate appropriate data for a Foucauldian analysis, I adopted a qualitative single embedded case study design. Qualitative interviews, official policy documents, public media, website resources, and relevant documents were the main sources of my empirical data. Interview data were collected in summer and fall 2012 from 20 interviewees, including 2 Taiwan Ministry of Education officials, 3 university managers, 3 department heads, and 12 academics from three departments. To help myself critically engage with these Issues, decided to apply Foucault's conceptual ideas including power/knowledge/discourse, disciplinary power and governmentality as an analytical toolkit within my research. This study concluded that the PDFU and WCU rankings do have their impact on institutional and department management as well as academics' work; however, this should be understood in a broader, complex power network in which their effects are mediated by varied factors, including institutional and departmental management, discipline groups' cultures, academics ' individual differences and perhaps other higher education stakeholders like students, parents and the general public. The main contribution of this study was to provide a comprehensive, in-depth examination of the effect of PDFU at national, institutional and departmental and to produce a critical reflexivity of the PDFU rationale, legitimacy and its real impact on academic work and management.
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吳晶. "杜琪峯的電影世界 : 香港電影作者個案研究 = The cinema world of Johnnie To : a case study of auteur in Hong Kong." HKBU Institutional Repository, 2008. http://repository.hkbu.edu.hk/etd_ra/906.

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Chang, Hsin-Ning. "Viewing the Long Take in Post-World War II Films: A Cognitive Approach." Ohio : Ohio University, 2008. http://www.ohiolink.edu/etd/view.cgi?ohiou1227302639.

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Books on the topic "Picture of the world"

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1945-, Greenwald Roger, ed. Picture world. Toronto: BookThug, 2011.

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Cynthia, Lacroix, ed. Picture my world. Toronto: Owlkids Books, 2012.

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World picture atlas. [United States]: Qeb, 2009.

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Tillyard, E. M. W. The Elizabethan world picture. London: Penguin in association with Chatto and Windus, 1990.

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The Elizabethan world picture. New Brunswick, N.J: Transaction Publishers, 2011.

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Burns, Bryan. World cinema. Trowbridge: Flicks Books, 1996.

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United States. National Aeronautics and Space Administration., ed. The picture world of astronauts. New York: F. Watts, 1990.

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Stephen, R. J. The picture world of BMX. London: F. Watts, 1989.

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Stephen, R. J. The picture world of submarines. London: F. Watts, 1990.

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Dillow, John. Picture atlas of the world. Loughborough: Ladybird, 1994.

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Book chapters on the topic "Picture of the world"

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Iczkovits, Yaniv. "World-Picture and World-View." In Wittgenstein's Ethical Thought, 114–46. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137026361_5.

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Ignatieff, Yurie A. "Picture Selection." In The Mathematical World of Walter Noll, 90–99. Berlin, Heidelberg: Springer Berlin Heidelberg, 1996. http://dx.doi.org/10.1007/978-3-642-79833-7_8.

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Stearns, Peter N. "Epilogue: Big Picture." In Gender in World History, 204–8. 4th ed. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003230168-105.

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Samli, A. Coskun. "The Dismal World Picture." In Globalization from the Bottom Up, 1–15. New York, NY: Springer US, 2008. http://dx.doi.org/10.1007/978-0-387-77098-7_1.

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Couprie, Dirk L. "The Archaic World Picture." In Heaven and Earth in Ancient Greek Cosmology, 3–14. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-8116-5_1.

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D. Dowden, Stephen. "Painting the World Picture." In Modernism and Mimesis, 101–50. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-53134-8_3.

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Chazan, Michael. "Putting the Picture Together." In World Prehistory and Archaeology, 34–55. Fourth edition. | Milton Park, Abingdon, Oxon; New York, NY : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315208183-4.

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Lutkewitte, Claire. "Picture, Preform, and Present." In Writing in a Technological World, 377–94. London ; New York : Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9780429507014-27.

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Carroll, Michael. "The Worlds Around Us." In Picture This!, 166–74. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-24907-0_8.

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Schwartz, Robert. "Two Paradigms of Picture Perception." In Perception and the Physical World, 255–70. Chichester, UK: John Wiley & Sons, Ltd, 2005. http://dx.doi.org/10.1002/0470013427.ch10.

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Conference papers on the topic "Picture of the world"

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Xie, Lexing, and Xuming He. "Picture tags and world knowledge." In the 21st ACM international conference. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2502081.2502113.

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De Cock, Jan, and Anne Aaron. "Constant-slope rate allocation for distributed real-world encoding." In 2016 Picture Coding Symposium (PCS). IEEE, 2016. http://dx.doi.org/10.1109/pcs.2016.7906366.

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Chagdurova, Erzhena D. "Ways to study the concept of "World picture"." In Eurasian paradigm of Russia: values, ideas and experience. Buryat State University Publishing Department, 2015. http://dx.doi.org/10.18101/978-5-9793-0814-2-20-22.

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Makevnina, Irina Anatolyevna. "The Colourative "Grey" In Russian Chromatic World Picture." In International Scientific Congress «KNOWLEDGE, MAN AND CIVILIZATION». European Publisher, 2021. http://dx.doi.org/10.15405/epsbs.2021.05.368.

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Arkhipov, A. A. "Hadronic Spectra and Kaluza-Klein Picture of the World." In HADRON SPECTROSCOPY: Tenth International Conference on Hadron Spectroscopy. AIP, 2004. http://dx.doi.org/10.1063/1.1799779.

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Senko, Elena Viktorovna. "Evolution Of The Russian Language Picture Of The World." In International Scientific Congress «KNOWLEDGE, MAN AND CIVILIZATION». European Publisher, 2021. http://dx.doi.org/10.15405/epsbs.2021.05.189.

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Kuznetsova, Maria N. "PLANT WORLD OF JORDAN." In Treshnikov readings – 2021 Modern geographical global picture and technology of geographic education. Ulyanovsk State Pedagogical University named after I. N. Ulyanov, 2021. http://dx.doi.org/10.33065/978-5-907216-08-2-2021-41-42.

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Tkachѐva, R. A., N. D. Mihajlova, and A. SHoajb. "Phraseologisms containing zoonyms in the linguistic picture of the world." In General question of world science. "Science of Russia", 2020. http://dx.doi.org/10.18411/gq-31-07-2020-15.

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Velenko, A. A., and Irina G. Kopytich. "CONCEPT "RAIN" AS A COMPONENT OF THE NATIONAL LANGUAGE PICTURE OF THE WORLD (on the material of the English and Russian languages)." In Люди речисты - 2021. Ulyanovsk State Pedagogical University named after I. N. Ulyanov, 2021. http://dx.doi.org/10.33065/978-5-907216-49-5-2021-89-96.

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The article deals with the concept "Rain", a part of the national concept sphere "Weather", as a component of the English-language and Russian-language picture of the world. The author attempts to analyze the features of the implementation of the concept "Rain" in the above-mentioned language pictures of the world.
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Bykova, Galina. "LANGUAGE PICTURE OF THE WORLD. TO THE PROBLEM OF DEFINITION." In 6th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sgemsocial2019v/2.1/s10.027.

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Reports on the topic "Picture of the world"

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DOTSENKO, DMITRY. IMAGE CONCEPTUAL CONCEPT SPHERE OF FAITH IN THE ANGLOSAKSON LANGUAGE PICTURE OF THE WORLD. Altai State Pedagogical Academy, 2012. http://dx.doi.org/10.12731/19375841.

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Бакум, З. П., and О. О. Пальчикова. Роль языковой картины мира в обучении иностранных студентов украинскому языку. Tanaka Print, 2014. http://dx.doi.org/10.31812/0564/402.

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The article considers the problem of teaching students foreign languages by means of comparing national linguistic pictures of the world. The analysis of linguistic and linguadidactic literature allows to interpret linguistic picture of the world as a set of knowledge about the world embodied in language form, more precisely - the specific features of the national language, reflecting cultural, historical and social experience of a particular nation. In this regard the national linguistic pictures of the world are not identical. The authors lay stress on the importance of taking into account the fact of national specific differences of linguistic pictures of the world in teaching foreign students Ukrainian as a foreign language, also indicate that special attention should be paid to linguacultural work with vocabulary and phraseology, in which national and cultural experience is embodied.
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Oltarzhevskyi, Dmytro. HISTORICAL FEATURES OF CORPORATE MEDIA FORMATION IN UKRAINE AND IN THE WORLD. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11067.

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The article examines the world and Ukrainian history of corporate periodicals. The main purpose of this study is to reproduce an objective global picture of the emergence and formation of corporate periodicals, taking into account the business and socio-economic context. Accordingly, its tasks are to compare the conditions and features of corporate media genesis in different countries, to determine the main factors of their development, as well as to clarify the transformations of the terminological apparatus. The research is based on mostly foreign secondary scientific works published from 1915 to the present time. The literature was studied using methods such as overview, historical, functional and thematic analysis, description, and generalization. A systematic approach was used to determine the role and place of each element in the system, as well as to comprehensively consider the object in the general historical context and within the current scientific discourse. The method of systematization made it possible to establish internal and external connections, patterns and contradictions in the development of the object of study. The main historical milestones on this path are identified, examples of the first successful corporate publications and their contribution to business development, public relations, and corporate communications are considered. It was found that corporate media emerged in the mid-nineteenth century spontaneously, on the wave of practical business needs in response to industrialization, company increase, staff growth, and consumer market development. Their appearance preceded the formation of the public relations industry and changed the structure of the information space. The scientific significance of this research is that the historical look at the evolution of corporate media provides an understanding of their place, influence, capabilities, and growing communicative role in the digital age.
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Seidametova, Zarema S., Zinnur S. Abduramanov, and Girey S. Seydametov. Using augmented reality for architecture artifacts visualizations. [б. в.], July 2021. http://dx.doi.org/10.31812/123456789/4626.

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Nowadays one of the most popular trends in software development is Augmented Reality (AR). AR applications offer an interactive user experience and engagement through a real-world environment. AR application areas include archaeology, architecture, business, entertainment, medicine, education and etc. In the paper we compared the main SDKs for the development of a marker-based AR apps and 3D modeling freeware computer programs used for developing 3D-objects. We presented a concept, design and development of AR application “Art-Heritage’’ with historical monuments and buildings of Crimean Tatars architecture (XIII-XX centuries). It uses a smartphone or tablet to alter the existing picture, via an app. Using “Art-Heritage’’ users stand in front of an area where the monuments used to be and hold up mobile device in order to see an altered version of reality.
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Jansen, Wayne, Serban Gavrila, Vlad Korolev, Rick Ayers, and Ryan Swanstrom. Picture password :. Gaithersburg, MD: National Institute of Standards and Technology, 2003. http://dx.doi.org/10.6028/nist.ir.7030.

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Peter, Russell N. Force Protection Common Operational Picture/Common Tactical Picture. Fort Belvoir, VA: Defense Technical Information Center, June 1998. http://dx.doi.org/10.21236/ada351205.

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Tallack, Charles, Anita Charlesworth, Elaine Kelly, Ruth McConkey, and Stephen Rocks. The bigger picture. The Health Foundation, October 2020. http://dx.doi.org/10.37829/hf-2020-rc10.

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Thompson, Jim. Common USW Picture. Fort Belvoir, VA: Defense Technical Information Center, May 2001. http://dx.doi.org/10.21236/ada385777.

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Manna, Zohar, and Amir Pnueli. Completing the Temporal Picture,. Fort Belvoir, VA: Defense Technical Information Center, December 1989. http://dx.doi.org/10.21236/ada328579.

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Jones, Richard A. Adaptive Hybrid Picture Coding. Fort Belvoir, VA: Defense Technical Information Center, November 1986. http://dx.doi.org/10.21236/ada187586.

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