Log in

Relevant bibliographies by topics / Picture of the world / Journal articles

To see the other types of publications on this topic, follow the link: Picture of the world.

Journal articles on the topic 'Picture of the world'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 May 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Picture of the world.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Süner, Ahmet. "Frames, World-Pictures and Representations." Idealistic Studies 49, no. 1 (2019): 65–84. http://dx.doi.org/10.5840/idstudies201971998.

Full text

Abstract:

This essay analyzes key aspects of Heidegger’s critique of the picture (Bild) based on an objection to world-pictures as well as a negative understanding of two other related concepts: Gestell and Vorstellen (representation). The restrictive frames of world-pictures, Heidegger claims, must be opposed by instances of thinking and language use associated with poiesis. For him, the revelation of the world in poiesis results in a subject-less experience of things and words, akin to the experience of art and literature, and presumably outside the representational hold of pictures. I argue against Heidegger’s repudiation of the picture by underscoring the inescapability of Vorstellen. Heidegger’s world may be seen as a world-picture as well as a particular system of representation that we associate with affective uses of language, i.e., a literary system similar to the one discussed by Wolgang Iser.

APA, Harvard, Vancouver, ISO, and other styles

2

Alibaeva, Umida Amirjanovna, Shokhnoza Panjievna Imamova, and Sanjar Khasanovich Rakhmanov. "Speech Etiquette In The Language Picture Of The World." American Journal of Applied Sciences 02, no. 09 (September 15, 2020): 25–28. http://dx.doi.org/10.37547/tajas/volume02issue09-04.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Geuens, Jean-Pierre. "The Digital World Picture." Film Quarterly 55, no. 4 (2002): 16–27. http://dx.doi.org/10.1525/fq.2002.55.4.16.

Full text

Abstract:

For the Hollywood industry, the move from film to digital merely involves the replacement of one medium by another. However, this technological shift potentially changes cinema as we know it. Not only do digital cameras allow for an unprecedented ease in capturing content, but digital nonlinear editing systems make it possible to manipulate the footage retroactively. A vast array of special effects can transform the nature of the image in that each frame can be individually modified. The ability to master every pixel undoubtedly seduces filmmakers to exert absolute and perfectionist control. Yet digital filmmaking also opens up avenues for visual and narrative innovations.

APA, Harvard, Vancouver, ISO, and other styles

4

Schulte, Joachim. "World‐picture and mythology." Inquiry 31, no. 3 (January 1988): 323–34. http://dx.doi.org/10.1080/00201748808602158.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Spall, Richard F., and David Newsome. "The Victorian World Picture." Albion: A Quarterly Journal Concerned with British Studies 30, no. 3 (1998): 538. http://dx.doi.org/10.2307/4053339.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Venter, J. J. "World-picture, individual, society." Neohelicon 23, no. 1 (March 1996): 175–99. http://dx.doi.org/10.1007/bf02437008.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Sitosanova, Ol'ga. "NOTIONS OF THE WORLD PICTURE AND THE LANGUAGE PICTURE OF THE WORLD." Scientific Papers Collection of the Angarsk State Technical University 2020, no. 1 (June 23, 2020): 371–74. http://dx.doi.org/10.36629/2686-7788-2020-1-371-374.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Gu, Junlin, and Marina Pimenova. "Translation: Mapping and Reconfiguration of the Language World." Russian and Chinese Studies 4, no. 1 (March 31, 2020): 74–83. http://dx.doi.org/10.17150/2587-7445.2020.4(1).74-83.

Full text

Abstract:

The article discusses using the tenets of the linguistic world picture theory in terms of translation by analyzing the methods of interpreting the inscription on a public sign in a Chinese forest park. When the original and translated fragments of the language pictures of the world are the same or similar, the word-based translation is justified from the standpoint of conveying the pragmatic, semantic and grammatical value of the text. When the language pictures of the world are different and do not correspond to each other, the word combinations phrases of the source language cannot be literally translated into the target language. The word-based translation in such cases is a dead translation that will cause translational errors. Using the semantics of the source language, the translator must reconstruct the picture of the world in the target language in order to convey the pragmatic value of the original. The difference between languages is the manner they reflect the picture of the world. Various languages fix various worldviews. The characteristics of each particular language are limited by the linguistic consciousness of people who use the language. This individual worldview is also a unique view of the world. The theory of the language picture of the world contains a linguistic study of the relationship between the language, the thinking and the reality from a cognitive point of view. It begins with linguistic facts and refers to the cultural characteristics of peoples and differences in their thinking, expressed in the linguistic facts. Its essence lies in the cognitive reproduction of the objective world in the human mind, which is the subject of knowledge based on his own perceptual experience and the language of his national culture. The theory of the language picture of the world lies in the fact that it interprets the cultural heritage of the certain people from the point of view of the language. The characteristics of each particular language are limited by the language consciousness of people. Different languages are, in fact, different worldviews, which is an expression of the unique language pictures of the world.

APA, Harvard, Vancouver, ISO, and other styles

9

Jones, Caroline A. "Desires for the World Picture." Journal of Art Theory and Practice 24 (December 31, 2017): 4–26. http://dx.doi.org/10.15597/jksmi.25083538.2017.24.004.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Luiza, T. Yuchkovskayz. "Phraseological picture of the world." Yugra State University Bulletin 11, no. 1 (December 15, 2015): 161–64. http://dx.doi.org/10.17816/byusu2015111161-164.

Full text

Abstract:

The article notes that the modern comparative linguistics, the theory and practice of translation should be anthropocentric, that is, assume communication activities and take into account the human factor in the analysis and translation of linguistic material. Such concepts as "world view", "conceptual picture of the world", "linguistic picture of the world", "phraseological picture of the world" are included with this approach. The most essential features of phraseological picture of the world are considered. These features are universalism, anthropocentrism, expressiveness.

APA, Harvard, Vancouver, ISO, and other styles

11

Shesterkina, N. V. "RELIGIOUS PICTURE OF THE WORLD." Kognitivnye Issledovaniya Yazyka 25 (2016): 147–53. http://dx.doi.org/10.20916/2071-9639-2016-25-147-153.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Sitosanova, Ol'ga. "LANGUAGE PICTURE OF THE WORLD." Modern Technologies and Scientific and Technological Progress 2020, no. 1 (June 16, 2020): 288–89. http://dx.doi.org/10.36629/2686-9896-2020-1-288-289.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Galiulin, Ravil V. "Crystallographic picture of the world." Physics-Uspekhi 45, no. 2 (February 28, 2002): 221–25. http://dx.doi.org/10.1070/pu2002v045n02abeh001116.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Silva, Pedro Ivo Ferraz da. "Heidegger: Technique and World Picture." Primeiros Escritos 1, no. 1 (December 5, 2009): 225. http://dx.doi.org/10.11606/issn.2594-5920.primeirosestudos.2009.136842.

Full text

Abstract:

O artigo apresenta alguns aspectos da investigação de Heidegger sobre a técnica, introduzindo e aproximando, para tanto, dois textos do autor: “O tempo da imagem de mundo” e “A Pergunta pela Técnica”. Trata-se de confrontar a definição que o filósofo deu à essência da técnica moderna com a metafísica da “imagem de mundo” que atribuiu à modernidade. Neste empenho, é ainda destacado o caráter inovador com que Heidegger abordou o assunto, afastando-se dos debates correntes que se limitavam a questionar a neutralidade e os aspectos culturais da técnica

APA, Harvard, Vancouver, ISO, and other styles

15

Galiulin, Ravil V. "Crystallographic picture of the world." Uspekhi Fizicheskih Nauk 172, no. 2 (2002): 229. http://dx.doi.org/10.3367/ufnr.0172.200202g.0229.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Brett, C. E. "Picture of an Ancient World." Science 279, no. 5358 (March 20, 1998): 1868–69. http://dx.doi.org/10.1126/science.279.5358.1868.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

Greshchuk, Vasyl’. "Slovotvirne hnizdo z vershynoyu Khrystos u movniy kartyni svitu ukrayintsiv." Studia Ucrainica Varsoviensia, no. 8 (August 31, 2020): 11–19. http://dx.doi.org/10.31338/2299-7237suv.8.6.

Full text

Abstract:

The article discusses the example of a word-formative nest with the apex of Christ. It analyses the role of word-formation in the formation of the language picture of the world of Ukrainians. The word-formative nest fi xes the word-forming segment of the semantic space of the Christ concept of the sacred conceptual sphere. Despite the fact that the anthroponomies as vertices of word-formation nests do not exhibit derivational productivity in the Ukrainian language, the word-formation nest with the apex of Christ has a branched structure: in the three stages of derivation, 25 derivatives of diff erent parts of the language, created in diff erent ways, have been certifi ed. This is due to the semantics of the vertex word of the nest, the importance of the concept named by it, in the perception of Ukrainians, in their culture of belief. In the linguistic consciousness of Ukrainians, Christ – Jesus Christ, the Son of God, the God-man, the incarnate God, the Savior, the Teacher, the Creator of the new religion. Such a broad semantic spectrum determines the activation of the derivation possibilities of the base word and the verbalization of word-formative means by a number of conceptual components. An analysis of the word-formative nest with the apex of Christ has shown that the word-formative dimension in the language picture of the world of Ukrainians, along with the universal conceptual components inherent in many diverse Christians, also has a number of individual-language derivational means of categorizing the world.

APA, Harvard, Vancouver, ISO, and other styles

18

Khizhnyak, Sergey. "Affixed Terms in Cognitive Categorization of the Legal Picture of the World and in LSP Teaching." Studies in Logic, Grammar and Rhetoric 53, no. 1 (March 1, 2018): 105–17. http://dx.doi.org/10.2478/slgr-2018-0006.

Full text

Abstract:

Abstract The interdisciplinary notion picture of the world makes research works devoted to this area of studies challenging from the point of view of finding interconnections between linguistic and extra-linguistic factors in the process of structuring categories of words, including those functioning in terminological systems and subsystems. Legal pictures of the world are specific cultural phenomena that may differ in various countries due to the nationally specific features of law and legal culture development. One of the most complicated problems of representing specific knowledge through linguistic, terminological, signifiers is the problem of linguistic categorization of concepts. The article considers the problem of forming legal categories based on word-building suffixes from the point of view of the development of the legal language ‘picture of the world’ [reflection of the world] closely associated with its conceptual picture. The conclusion is drawn that commonly used derivational suffixes transform their meanings in accordance with the legal taxonomies, forming the conceptual legal picture of the world. The results of theoretical studies in terminological conceptualization may be used in teaching legal English vocabulary in the form of systematic presentation of term-building patterns expressing certain conceptual categories.

APA, Harvard, Vancouver, ISO, and other styles

19

Glazanova, Evgeniya V., and Elena V. Erofeeva. "Space and time: Russian phraseological picture of the world vs scientific picture of the world." Theoretical and Applied Linguistics 6, no. 1 (2020): 14–27. http://dx.doi.org/10.22250/2410-7190_2020_6_1_14_27.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Hung, Kalai, Naomi A. Lee, Kaiping Peng, and Jie Sui. "Profile Pictures in the Digital World: Self-Photographs Predict Better Life Satisfaction." International Journal of Environmental Research and Public Health 18, no. 12 (June 21, 2021): 6667. http://dx.doi.org/10.3390/ijerph18126667.

Full text

Abstract:

Profiles pictures as online identities represent an extension of the user’s self in the digital world. Changes in self-representation are responsible for reduced well-being in individuals in the offline world. However, whether profile picture selection predicts the well-being of internet users is unknown. To address this question, we tested the relationship between the type of profile picture (e.g., self-photographs or other pictures) used on social media and the life satisfaction of internet users, accounting for gender and personality traits that have been thought to relate to the selection of profile pictures. The results showed that individuals using self-photographs as profiles reported a higher level of life satisfaction compared to individuals using other pictures as profiles. This effect was influenced by gender, openness, and extraversion. Hierarchical regression and moderation analyses revealed that openness and profile type interacted to predict life satisfaction in women, while openness and profile picture independently predicted life satisfaction in men. Furthermore, extraversion directly predicted life satisfaction in both men and women. These results indicate that the consistency between one’s online and offline self-representation may characterize internet users’ well-being, with potential implications for digital wellness.

APA, Harvard, Vancouver, ISO, and other styles

21

Alefirenko, Nikolai F., and Kira K. Stebunova. "Linguistic World Picture: Logoepisteme - domain - linguocultureme." Theory and Practice in Language Studies 5, no. 1 (January 24, 2015): 1. http://dx.doi.org/10.17507/tpls.0501.01.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Alefirenko, Nikolay F., Iskander A. Agleev, and Jindřich Kesner. "Linguosynergic Structuring of the World Picture." Dagestan State Pedagogical University. Journal. Social and Humanitarian Sciences 12, no. 4 (December 15, 2018): 23–31. http://dx.doi.org/10.31161/1995-0667-2018-12-4-23-31.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

Evstafiev, Dmitry. "A PICTURE FRAME FOR WORLD POLITICS." Security Index: A Russian Journal on International Security 19, no. 1 (March 2013): 89–93. http://dx.doi.org/10.1080/19934270.2013.759737.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Mlot, C. "Picture of world forests pieced together." Science News 151, no. 11 (June 30, 2009): 156. http://dx.doi.org/10.1002/scin.5591511105.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Yokota, Junko, and William H. Teale. "Picture Books and the Digital World." Reading Teacher 67, no. 8 (April 28, 2014): 577–85. http://dx.doi.org/10.1002/trtr.1262.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Villalobos-Ruminott, Sergio. "Empire, A Picture of the World." Rethinking Marxism 13, no. 3-4 (September 2001): 31–42. http://dx.doi.org/10.1080/089356901101241974.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

L., Shmulia. "Language picture of the world as a result of reality cognition and conceptualisation." Scientific Notes of Vinnytsia Mykhailo Kotsiubynskyi State Pedagogical University. Series: Philology (Linguistics) 160, no. 28 (2019): 39–45. http://dx.doi.org/10.31652/2521-1293-2019-28-39-45.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

Huseynova, Ulviya H. "Image of a woman in Turkish picture of the world." Philological Sciences. Scientific Essays of Higher Education, no. 5 (September 2020): 45–49. http://dx.doi.org/10.20339/phs.5-20.045.

Full text

Abstract:

The article is devoted to the image of a woman in the Azerbaijani-Turkic picture of the world. It is noted that this concept is complex and ambiguous. The central concept representing an image of the woman in Azerbaijan-Turkic Paremiology is “woman” which in language consciousness of the people associates with a word arvad. In the Azerbaijan language the word qadın which, however, is not comparable to a lexeme arvad neither from the point of view of common use, nor from the point of view of the associations steadily characterizing a place of concept of a language picture of the world is common also. The connotation of linguistic units serving the verbalization of the concept of “woman” is divided into positive and negative. One would assume that the negative connotation is associated with Islamic influence, but the facts indicate the national character of the ideas. Islamic mentality, on the contrary, gives women a place of honor in the world. Most likely, the concept as a whole is affected by the masculinity of the concept. It should also be noted that in the language the manifestation of the concept “woman” is dynamic, it is represented in a wide range and varies both in the semantic and stylistic terms.

APA, Harvard, Vancouver, ISO, and other styles

29

Гольцева, М. І. "PAREMEOLOGICAL WORLD VIEW OF ITALIAN SPEAKERS." Studia Philologica, no. 12 (2019): 51–55. http://dx.doi.org/10.28925/2311-2425.2019.12.6.

Full text

Abstract:

In the proposed research, the analysis of paremiological picture of the world of Italian language is performed; the notions of “picture of the world”, “linguistic picture of the world”, “paremiological picture of the world” are analyzed; the connection between the linguistic and paremiological picture of the world is distinguished; the frequency of using mythological proverbs with the proper name is set. According to the conducted research, it is possible to distinguish the following notions : 1) picture of the world is the way people see this world, how they communicate with each other, etc.; 2) linguistic picture of the world deals with the linguistic approach in seeing the world, how with the help of words people express their feelings towards different things; 3) paremiological picture of the world deals with proverbs and sayings, with the help of which people show their attitude to different things. As a result, it is possible to notice that this research of proper names in Italian proverbs in the paremiological picture of the world promotes reconstruction of one of important components of a national language picture of the world which is a cultural sphere of any language. We have distinguished that proverbs and sayings with the proper name are mythological, religious, historical, literal, toponymic, from various spheres of social and individual activity of native speakers. As a result, in the studied proverbs and sayings the features connected with mythology come to the first place among the rest of them. Never before have the scientists studied proper names in the light of meaning and form. While investigating proverbs with proper names it is possible to notice the link between ancient myths and modern mass media where we have found the majority of our examples during the research. And it is noticed that the majority of analyzed proverbs in mass media have examples in political and economic articles. From the studied proverbs and sayings we can make the conclusion that it is a vital source of national and cultural wisdom that is worth analyzing.

APA, Harvard, Vancouver, ISO, and other styles

30

Hujun, Li, and Sabokhat Abdullaevna Khashimova. "The Linguistic Picture Of The World, Embodied In The Chinese And Russian Idioms Of Animals." American Journal of Social Science and Education Innovations 02, no. 11 (November 30, 2020): 478–84. http://dx.doi.org/10.37547/tajssei/volume02issue11-81.

Full text

Abstract:

The linguistic map of the world is a set of achievements in the knowledge of the world by the nation, which is fixed in the language in the process of the development of the language and the nation. Animals always accompany people in production and life. And in every language, a large number of idioms associated with animals have accumulated. These idioms not only reflect each nation's understanding of the animals themselves, but also reflect the wider world of language. This article made an attempt to explain the meaning of animal idioms in the Chinese and Russian languages, and also analyzed the universal linguistic picture of the world and the national linguistic picture of the world in China and Russia.

APA, Harvard, Vancouver, ISO, and other styles

31

Golikova, T. A. "The main trends in the formation of the modern Russian political picture of the world." Язык и текст 6, no. 3 (2019): 43–50. http://dx.doi.org/10.17759/langt.2019060305.

Full text

Abstract:

The article is devoted to the study of the processes of formation of the modern Russian political picture of the world. The latest borrowings in the field of international politics and their adaptation in Russian are analyzed. The number of contexts of use, as well as the formation of word-formative nests demonstrate the speed of change in the picture of the world, its dynamism, mobility. Appeal to the world and Soviet history and symbolism, world and Slavic folklore, national character-the main strategy of the effectiveness of the Russian political picture of the world.

APA, Harvard, Vancouver, ISO, and other styles

32

Ufimtseva, Natalya, and Olga Balyasnikova. "Language Picture of the World and Associative Lexicography." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 2. Jazykoznanije, no. 1 (April 2019): 6–22. http://dx.doi.org/10.15688/jvolsu2.2019.1.1.

Full text

Abstract:

Conceptually, the language picture of the world is defined as the representation of the real world in the system of concepts and categories of the language. Language processes (e.g., nomination) are inextricably related to the processes of identifying objects from the outside world and their understanding. The three interdependent basic concepts, culture, activity, and language consciousness, are implied to reflect the activity which is preconditioned by the system of cultural regulators and the expression of these relations in communication by means of units and language categories. The Moscow psycholinguistic school, grounded in the speech activity theory, regards the world picture as a system phenomenon in the consciousness of a language speaker / culture bearer, interprets meaning as an ideal form for the objective world to exist, and specifies optimal methods to register the knowledge behind the word in ordinary consciousness of a native language speaker / culture bearer are specified. Among the methods applied, the authors use the free associative experiment to collect data from numerous respondents, speakers of the national language / members of a cultural community. The associative and verbal network, built on mass associative experiments, reflects the systematic connections between its elements, i.e. words, each of them, in its turn, has its meaning and systematicity. The comparison of the language picture of the world fragments, the model components allows to make conclusions on the discrepancy both between meanings (knowledge behind the words) of components and their systematicity. Thus, the associative and verbal network as an integral model of the language picture of the world is capable of reflecting elements in the system at micro and macro levels estimating the meaning and significance of each system element. The advent of associative lexicography has made it possible to obtain the first ever comprehensive model of the world picture from a "naïve" native language speaker / a culture-bearer, and to observe the real interaction and interdependence between the meaning and significance of a separate word within the entire associative verbal network and the associative field. The data of mass associative experiments reflect the real state of everyday consciousness of a speaker / bearer of a certain language / culture. This evidence is used to analyze the synchronous state of consciousness, as well as to register changes that develop diachronically, given the data were collected at definite time periods. The observed changes indicate shifts in the associative verbal network structure along with the changes in the content of the knowledge associated with the word stimulus, thus reflecting the evolution of the society.

APA, Harvard, Vancouver, ISO, and other styles

33

Akimtseva, Yu V. "Conceptual metaphor as a method of forming stereotypical images in English media discourse." Professional Discourse & Communication 2, no. 3 (September 30, 2020): 45–64. http://dx.doi.org/10.24833/2687-0126-2020-2-3-45-64.

Full text

Abstract:

The conceptual metaphor has been one of the main topics for discussion in various scientific fields for many years. Its mental essence has become common knowledge, and therefore, the relationship between this phenomenon and both language and linguistic personality becomes obvious. It is this strong connection that determines the new vision of the conceptual metaphor from the position of its correlation with the picture of the world: from this perspective, the conceptual metaphor is viewed as a tool with which a picture of the world is formed and elaborated. The research shows that the conceptual metaphor is capable of creating an image that forms the basis of a picture of the world. In this case the image formed by the conceptual metaphor is stereotyped. The article examines stereotyped images represented by conceptual metaphors based on the English media discourse. It was revealed that the media discourse, which has ideological and influence functions, implements linguistic concepts through a conceptual metaphor. Subsequently, linguistic concepts are fixed and become stereotypes. Within the framework of the article, when considering the features of the linguistic and conceptual pictures of the world, the conclusion is drawn that the process of stereotyping is characteristic precisely for the conceptual picture of the world, which indicates the direct interconnection between the conceptual metaphor and the conceptual picture of the world.

APA, Harvard, Vancouver, ISO, and other styles

34

Rubets, Maria V. "The Problem of Harmonization of Linguistic Pictures of the World (The Case of Western European and Chinese Medicine)." Russian Journal of Philosophical Sciences 62, no. 6 (September 29, 2019): 114–25. http://dx.doi.org/10.30727/0235-1188-2019-62-6-114-125.

Full text

Abstract:

The article discusses the problem of coexistence of different types of rationality, different scientific and linguistic pictures of the world as well as the problem of the adoption by one culture of another culture’s scientific picture of the world with accompanying transformations of the linguistic picture of the world of the recipient culture. The article deals with the experience of mutual research and collision between Western and Chinese traditions, using the example of medical science. The author examines the problem of the transfer of scientific medical knowledge from Western to Chinese culture in the context of a radical mismatch of scientific and linguistic pictures. The articles considers two different approaches to the translation of Western medical terminology into Chinese, developed at different times by English translators Benjamin Hobson and John Fryer. Hobson was focused on harmonizing new terminology with the usual concepts of the world language picture of the recipient. Fryer preferred to introduce new specific terms, artificially created directly for the needs of a new scientific picture of the world. In the field of medical terminology, the first of the two approaches turns out to be more viable, since it is more focused on its “end users” – Chinese doctors who study Western medicine in order to use its methods in their medical practice. Therefore, there is only partial applicability of the approaches, methods and terminology developed in one tradition for the evaluation and development of another tradition.

APA, Harvard, Vancouver, ISO, and other styles

35

Froman, Wayne J. "Action Painting and the World-as-Picture." Journal of Aesthetics and Art Criticism 46, no. 4 (1988): 469. http://dx.doi.org/10.2307/431284.

Full text

APA, Harvard, Vancouver, ISO, and other styles

36

Nikiforov, Alexander L. "Language and the Picture of the World." Epistemology & Philosophy of Science 46, no. 4 (2015): 19–27. http://dx.doi.org/10.5840/eps201546447.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

Fayzullaeva, M. "The Verbalization of the National World Picture." Bulletin of Science and Practice 6, no. 6 (June 15, 2020): 367–72. http://dx.doi.org/10.33619/2414-2948/55/49.

Full text

Abstract:

The article deals with the study of the national world picture and its role in reflecting culturally colored aspects of different national elements through language. The national world picture is the vision of the world from the point of lifelong experiences of particular nations, which have been traced due to nationally specific biases. This type of the vision of the world is represented by nationally specific means such as national mentality, character, values, myths, traditions and others. The article is particularly concerned with the verbalization of the national character and mentality in the representation of the English national world picture. On the basis of the analysis, the article illustrates the representation of national character and mentality through the application of particular linguistic units in the literary text.

APA, Harvard, Vancouver, ISO, and other styles

38

Gangopadhyay, Sunil, and Chitra Divakaruni. "The Most Beautiful Picture in the World." Chicago Review 38, no. 1/2 (1992): 61. http://dx.doi.org/10.2307/25305553.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

Borkenau, Franz. "The Sociology of the Mechanistic World-Picture." Science in Context 1, no. 1 (March 1987): 109–27. http://dx.doi.org/10.1017/s0269889700000089.

Full text

Abstract:

From about 1620 on a profound revolution occurred in the thought of the most developed European nations (France, Italy, Holland, and England), which found its most pregnant expression in the birth of the new philosophical schools of Descartes, Gassendi, and Hobbes. The renewal of philosophy at this juncture in the history of thought, however, does not signify above all a change in the specific, metaphysical content of thought about God, the soul, and immortality, although the revolution in thought does concern these themes as well. Central to the whole “modern” school of philosophers of this period is the constitution of a new conception of nature and – directly for some of them, implicitly for all – of human society as well.

APA, Harvard, Vancouver, ISO, and other styles

40

Withiam, G. "The big picture: world yearbook looks forward." Cornell Hotel and Restaurant Administration Quarterly 42, no. 1 (February 2001): 11. http://dx.doi.org/10.1016/s0010-8804(01)90003-5.

Full text

APA, Harvard, Vancouver, ISO, and other styles

41

Cassinello, Andrés, and Antonio Gallego. "The quantum mechanical picture of the world." American Journal of Physics 73, no. 3 (March 2005): 273–81. http://dx.doi.org/10.1119/1.1830504.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Braude, Stephen E. "Psi and our picture of the world." Inquiry 30, no. 3 (January 1987): 277–94. http://dx.doi.org/10.1080/00201748708602124.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

Ferreira, Douglas S. R., Andrés R. R. Papa, and Ronaldo Menezes. "Small world picture of worldwide seismic events." Physica A: Statistical Mechanics and its Applications 408 (August 2014): 170–80. http://dx.doi.org/10.1016/j.physa.2014.04.024.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

FROMAN, WAYNE J. "Action Painting and The World-As-Picture." Journal of Aesthetics and Art Criticism 46, no. 4 (June 1, 1988): 469–76. http://dx.doi.org/10.1111/1540_6245.jaac46.4.0469.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

DeBauche, Leslie Midkiff, Peter C. Rollins, and John E. O'Connor. "Hollywood's World War I: Motion Picture Images." Journal of American History 85, no. 4 (March 1999): 1636. http://dx.doi.org/10.2307/2568366.

Full text

APA, Harvard, Vancouver, ISO, and other styles

46

Sadova, Н. Yu. "GRADATIONAL CONSTRUCTIONS IN THE WORLD FOLKLORE PICTURE." Scientific notes of Taurida National V.I. Vernadsky University, series Philology. Social Communications 3, no. 4 (2020): 5–10. http://dx.doi.org/10.32838/2663-6069/2020.4-3/02.

Full text

APA, Harvard, Vancouver, ISO, and other styles

47

Feng, Zongren. "Picture of the World in the Artist’s Work." Humanitarian Vector 15, no. 5 (October 2020): 79–84. http://dx.doi.org/10.21209/1996-7853-2020-15-5-79-84.

Full text

Abstract:

Recently, scientists from different fields of scientific knowledge have actively turned to the analysis of social development within the framework of the picture of the world as its specific construct, the mechanism of interaction between man and society. The theoretical foundations of the research of modern scientists in the field of research are the work of the classics of philosophy, sociology, natural sciences, etc. V. von Humboldt created the concept of a picture of the world, based on the introduction of such concepts as “internal form” and “spirit of the people”.There is no universally accepted definition of the concept of “picture of the world” in science, which is explained by the dynamism of modern reality, the polysemy of the concept itself, and its inconsistency. The picture of the world is understood as a generalized image of the surrounding reality, created in the process of human perception of the world and existing in the form of scientific knowledge, concepts, laws, and everyday consciousness. The picture of the world is an objective world of two, an epistemological construct. The article assesses various approaches to the study of the picture of the world in modern scientific knowledge: philosophical, sociological, natural – scientific, etc. The levels of the picture of the world are distinguished: scientific and ordinary, their features are described. The analysis of the concept “picture of the world” in the works of modern scientists is the theoretical and methodological basis for the study of the picture of the world in art, which has its specificity and reflects the world in the minds of the creator. Creating a picture of the world in artistic creativity represents an understanding of the world around us in individual consciousness. The concept of “a picture of the world in the artist’s work” is revealed by the example of an analysis of the works of a Chinese painter Hai Zhi Han, a member of the Union of Chinese artists, a teacher at the Inner Mongolia Pedagogical University. Keywords: picture of the world, creator, picture of the world in the artist’s work, anti-rationality, expressionism

APA, Harvard, Vancouver, ISO, and other styles

48

Skydan, Ya. "THE CONCEPT WORD IN P. MOVCHAN’S POETIC PICTURE OF THE WORLD." International Humanitarian University Herald. Philology 2, no. 49 (2021): 4–7. http://dx.doi.org/10.32841/2409-1154.2021.49-2.1.

Full text

APA, Harvard, Vancouver, ISO, and other styles

49

Melnikova, Nataliya, and Nataliya Volkova. "WORLD WAR II IN THE WORLD PICTURE OF THE NORTHERN PEASANT." Cherepovets State University Bulletin 4, no. 91 (2019): 74–82. http://dx.doi.org/10.23859/1994-0637-2019-4-91-7.

Full text

APA, Harvard, Vancouver, ISO, and other styles

50

Christopherson, S., and M. Storper. "The City as Studio; The World as Back Lot: The Impact of Vertical Disintegration on the Location of the Motion Picture Industry." Environment and Planning D: Society and Space 4, no. 3 (September 1986): 305–20. http://dx.doi.org/10.1068/d040305.

Full text

Abstract:

Motion picture production is currently carried out by small firms under contract to an independent producer rather than in large integrated firms, the major studios. In this paper the emergence of this vertically disintegrated industry is traced and its impact on the location of the motion picture industry is analyzed. Vertical disintegration has led to a reagglomeration of motion picture employment and establishments in Los Angeles, despite the dispersal of film shooting throughout the world. The processes that are shaping the present-day organization of motion pictures can be observed across a range of industries. An examination of these processes in motion pictures suggests that their association with reagglomeration in urban centers could have an important impact on patterns of urbanization.

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!