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Journal articles on the topic 'Pictures of the Floating World'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 February 2022

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1

Gallois, William. "An Illumination of a Floating World." American Historical Review 126, no. 2 (June 1, 2021): 708–9. http://dx.doi.org/10.1093/ahr/rhab221.

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Abstract If a picture was not seen to be art when it was made, can we imagine that its producer may have designed the work to be read elsewhere in time or space? Or, perhaps, that the eyes that have been trained upon the work have rarely been those that were able to see and describe its value? This piece (also available on Instagram @cendrillondefes) tries to dramatize the gains that come to history through a process of learning to read a text whose significance was not seen in the moment in which it was made. It aims at a discrete form of upending, in reevaluating the work of an important art

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2

Schmidt, Wolfgang, Peter Strangfeld, Eduard Volker, and Yaraslau Sliavin. "Numerical simulation of the movement behavior of floating structures." Real estate: economics, management, no. 2 (June 24, 2021): 55–62. http://dx.doi.org/10.22337/2073-8412-2021-2-55-62.

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The sea level is rising, and floods threaten the infrastructure all over the world; therefore, we should identify the risks for envelops of buildings and settlements. The risks arise due to the new boundary conditions and a direct contact between the water flows in motion. A floating construction site requires a manifold adaptation of structures. The paper demonstrates the effect of water waves on floating houses built on abandoned open pit mines. Pictures of destroyed accessways to such properties have proven the need to study the effect of water waves on floating houses. In order to minimize

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3

Atkinson, Rowland, and Sarah Blandy. "A Picture of the Floating World: Grounding the Secessionary Affluence of the Residential Cruise Liner." Antipode 41, no. 1 (January 2009): 92–110. http://dx.doi.org/10.1111/j.1467-8330.2008.00656.x.

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4

Clinton, Daniel. "Line and Lineage." Nineteenth-Century Literature 73, no. 1 (June 1, 2018): 1–29. http://dx.doi.org/10.1525/ncl.2018.73.1.1.

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Daniel Clinton, “Line and Lineage: Visual Form in Herman Melville’s Pierre and Timoleon” (pp. 1–29) This essay examines Herman Melville’s reflections on form, line, and perspective in his novel Pierre (1852) and his poems on art and architecture in Timoleon (1891), a late book of verse partly inspired by his tour of the Mediterranean during 1856–57. I argue that Melville arrives at his understanding of literary form through the language of optical perspective, particularly the terms of “foreshortening” and “outline.” I compare Melville’s figurative conception of outline with the artistic theor

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5

Weltman, David, and Martin Upchurch. "The ideal of non-coherence in the World Bank’s social capital reforms." Journal of Language and Politics 9, no. 1 (April 9, 2010): 50–73. http://dx.doi.org/10.1075/jlp.9.1.03wel.

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This paper presents an analysis of a World Bank document representing a version of the new “Social Capital” approach of International Financial Institutions (IFIs). This stance involves a rhetorical reorientation away from a much criticized unilateral approach to the poor indebted countries and to a more bi-lateral and participatory attitude. Analysis suggests that this “post-ideological” posture is reflected in the text in the form of a copious rhetoric of “complex differentiation”. This consists of characterizing the world in the abstract terms of multiple independent factors which work agai

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6

Ahmed, Jashim Uddin, N. M. Ashikuzzaman, and Nabila Nisha. "Understanding Operations of Floating Schools: A Case of Shidhulai Swanirvar Sangstha in Bangladesh." South Asian Journal of Business and Management Cases 5, no. 2 (December 2016): 221–33. http://dx.doi.org/10.1177/2277977916665993.

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Bangladesh is highly vulnerable to the effects of climate change since it is a delta formed by the confluence of major rivers. Making sure that schools are resilient against such natural disasters in Bangladesh should be a priority for any disaster risk reduction preparedness and planning. To address this challenge, Shidhulai Swanirvar Sangstha (SSS) found an innovative way to deliver information and primary education to residents of wetland area in Bangladesh. It operates 111-vessel fleet of floating schools, libraries, health clinics and training centres, equipped with wireless Internet acce

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7

Porras, Stephanie. "World Pictures." Art History 40, no. 5 (October 17, 2017): 1141–44. http://dx.doi.org/10.1111/1467-8365.12351.

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8

Canipari, Rita, Lucia De Santis, and Sandra Cecconi. "Female Fertility and Environmental Pollution." International Journal of Environmental Research and Public Health 17, no. 23 (November 26, 2020): 8802. http://dx.doi.org/10.3390/ijerph17238802.

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A realistic picture of our world shows that it is heavily polluted everywhere. Coastal regions and oceans are polluted by farm fertilizer, manure runoff, sewage and industrial discharges, and large isles of waste plastic are floating around, impacting sea life. Terrestrial ecosystems are contaminated by heavy metals and organic chemicals that can be taken up by and accumulate in crop plants, and water tables are heavily contaminated by untreated industrial discharges. As deadly particulates can drift far, poor air quality has become a significant global problem and one that is not exclusive to

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9

Baxter, Rachel. "Floating world." New Scientist 235, no. 3139 (August 2017): 26–27. http://dx.doi.org/10.1016/s0262-4079(17)31620-2.

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10

Hazleton, Lesley. "Floating World." Women's Review of Books 12, no. 10/11 (July 1995): 5. http://dx.doi.org/10.2307/4022155.

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11

Tresch, John. "Technological World‐Pictures." Isis 98, no. 1 (March 2007): 84–99. http://dx.doi.org/10.1086/512833.

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12

박정미. "Pictures from Pandoras' World." Economy and Society ll, no. 111 (September 2016): 319–24. http://dx.doi.org/10.18207/criso.2016..111.319.

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13

Perlberg, Mark. "The Floating World." Hudson Review 42, no. 1 (1989): 93. http://dx.doi.org/10.2307/3851164.

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14

Eisen, Erica X. "The Floating World." Pleiades: Literature in Context 37, no. 1 (2017): 134–39. http://dx.doi.org/10.1353/plc.2017.0042.

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15

Pascoli, Gianni. "Are the Hessdalen Lights a Reality, an Illusion, or a Mix of the Two ?" Journal of Scientific Exploration 35, no. 3 (September 26, 2021): 590–622. http://dx.doi.org/10.31275/20212171.

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The Hessdalen lights (HLs in the following) are luminous, floating, more or less spherical atmospheric phenomena, with a lifetime of a few seconds to sometimes several minutes. These phenomena are seen in the Hessdalen Valley in Norway for decades. Unfortunately a full understanding of these baffling events is still lacking in spite of solid working scientific projects intended to explain them. This paper tries to improve the situation. It raises the questions where the energy for the creation of the HLs comes from, and what was its nature : (geo) chemical, electric or still other ? We propose

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16

Gibson, Tony. "PICTURES FOR THE DEVELOPING WORLD." Lancet 332, no. 8616 (October 1988): 909. http://dx.doi.org/10.1016/s0140-6736(88)92511-1.

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17

Süner, Ahmet. "Frames, World-Pictures and Representations." Idealistic Studies 49, no. 1 (2019): 65–84. http://dx.doi.org/10.5840/idstudies201971998.

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This essay analyzes key aspects of Heidegger’s critique of the picture (Bild) based on an objection to world-pictures as well as a negative understanding of two other related concepts: Gestell and Vorstellen (representation). The restrictive frames of world-pictures, Heidegger claims, must be opposed by instances of thinking and language use associated with poiesis. For him, the revelation of the world in poiesis results in a subject-less experience of things and words, akin to the experience of art and literature, and presumably outside the representational hold of pictures. I argue against H

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18

Ohtani, Hiroshi. "World-Pictures and Wittgensteinian Certainty." Metaphilosophy 49, no. 1-2 (January 2018): 115–36. http://dx.doi.org/10.1111/meta.12288.

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19

Marceau, Lawrence E., Donald Jenkis, Lynn Jacobsen-Katsumoto, Haruko Iwasaki, Tadashi Kobayashi, Laurence Kominz, and Henry D. Smith II. "The Floating World Revisited." Eighteenth-Century Studies 28, no. 2 (1994): 260. http://dx.doi.org/10.2307/2739204.

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20

Dursun, Nevra, Oscar Tapia Escalona, Juan Carlos Roa, Olca Basturk, Pelin Bagci, Asli Cakir, Jeanette Cheng, et al. "Mucinous Carcinomas of the Gallbladder: Clinicopathologic Analysis of 15 Cases Identified in 606 Carcinomas." Archives of Pathology & Laboratory Medicine 136, no. 11 (November 1, 2012): 1347–58. http://dx.doi.org/10.5858/arpa.2011-0447-oa.

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Context.—There are virtually no data in the literature regarding the incidence, patterns, and clinicopathologic characteristics of mucinous carcinomas (MCs) of the gallbladder (GB). Objective.—To determine the incidence of mucinous differentiation in invasive GB carcinomas and the clinicopathologic characteristics of those that qualify as MC. Design.—Primary invasive GB carcinomas (n = 606) were reviewed for mucinous differentiation. Some degree of mucin production was identified in 40 cases (6.6%); however, only 15 (2.5%) were qualified for the World Health Organization definition of MC (stro

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21

Sarvan, Charles. "Floating Signifiers and An Artist of the Floating World." Journal of Commonwealth Literature 32, no. 1 (March 1997): 93–101. http://dx.doi.org/10.1177/002198949703200108.

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22

Mitchell, W. J. T. "World pictures: Globalization and visual culture." Neohelicon 34, no. 2 (October 27, 2007): 49–59. http://dx.doi.org/10.1007/s11059-007-2005-7.

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23

Jian, Ma. "Citizen of the floating world." Index on Censorship 26, no. 1 (January 1997): 192. http://dx.doi.org/10.1177/030642209702600143.

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24

Sloan, Marisa. "Donors of the Floating World." Digital Literature Review 6 (January 15, 2019): 130–46. http://dx.doi.org/10.33043/dlr.6.0.130-146.

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The text Never Let Me Go envisions dystopianism through the eyes of a group that is simultaneouslysubjugated and compensated by class structures. Due to the synchronous glorifcation andeuphemization of their oppression, the fate of these characters ties historical threads to thelivelihoods of Yoshiwara courtesans in Edo Japan. These parallels are drawn from historicaland sociological lenses, inspired by scholars Cecilia Segawa Seigle and Kelly Rich on courtesanlife and environmental infuence.This dichotomy between perception and reality is born from thesubjective nature of what it means to be

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25

Mark, Reet. "Endel Kõksi abstraktsetest maalidest." Baltic Journal of Art History 11 (November 30, 2016): 125. http://dx.doi.org/10.12697/bjah.2016.11.07.

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The artist Endel Kõks (1912–1983) is a member of the same generation of Estonian art classics as Elmar Kits and Lepo Mikko. After Kits’s and Kõks’s debut at the exhibition of the Administration of the Cultural Endowment’s Fine Art Foundation (KKSKV) in Tallinn in 1939, the three of them started to be spoken about as the promising Tartu trio. In 1944, Endel Kõks ended up in Germany as a wounded soldier, while Kits and Mikko remained in Estonia. The Kõks’s works that have surreptitiously arrived in his homeland are incidental and small in number. Thus, without any proof, an image developed or wa

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26

Slavova, L. L. "Сonceptual and Language Pictures of the World". Science and Education a New Dimension VI(145), № 41 (20 листопада 2017): 52–54. http://dx.doi.org/10.31174/send-ph2017-145v41-12.

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27

Gardner, Frank. "Floating exchange rates and world inflation." International Affairs 61, no. 2 (April 1985): 301. http://dx.doi.org/10.2307/2617502.

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28

Shone, Ronald, and Jaleel Ahmad. "Floating Exchange Rates and World Inflation." Economic Journal 95, no. 378 (June 1985): 516. http://dx.doi.org/10.2307/2233242.

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29

Hobbs, Richard. "The floating world of Odilon Redon." Word & Image 12, no. 3 (July 1996): 326–29. http://dx.doi.org/10.1080/02666286.1996.10434259.

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30

McGeown, Kate. "An artist of the floating world." Nature 388, no. 6640 (July 1997): 333. http://dx.doi.org/10.1038/40989.

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31

Drozdovskyi, D. І. "An Artist of the Floating World." Visnik Nacional'noi' academii' nauk Ukrai'ni 12 (December 20, 2017): 73–76. http://dx.doi.org/10.15407/visn2017.12.073.

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32

Pernia, Marjorie Evasco. "Sagada Stills in a Floating World." Iowa Review 33, no. 2 (October 2003): 120. http://dx.doi.org/10.17077/0021-065x.5650.

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33

McKinnon, Ronald I. "Floating exchange rates and world inflation." Journal of International Economics 21, no. 1-2 (August 1986): 191–92. http://dx.doi.org/10.1016/0022-1996(86)90016-4.

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34

Emmett, Arielle. "Pictures of a Floating World.The Philadelphia InquirerSeeks a Community Calling in Cyberspace." Visual Communication Quarterly 17, no. 4 (November 17, 2010): 213–24. http://dx.doi.org/10.1080/15551393.2010.515441.

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35

Moss, Thylias. "The Small World Studies Pictures of Cadavers 1839." Callaloo 28, no. 4 (2005): 903–6. http://dx.doi.org/10.1353/cal.2006.0033.

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36

Ashcroft, Richard E., and Karen P. Gui. "Ethics and World Pictures in Kamm on Enhancement." American Journal of Bioethics 5, no. 3 (May 2005): 19–20. http://dx.doi.org/10.1080/15265160591002674.

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37

Breedlove, Byron, and Jared Friedberg. "Perspective and Surprise in the Floating World." Emerging Infectious Diseases 22, no. 6 (June 2016): 1143–44. http://dx.doi.org/10.3201/eid2206.ac2206.

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38

Gilbert, Helen. "Cultural Frictions: John Romeril's The Floating World." Theatre Research International 26, no. 1 (March 2001): 60–70. http://dx.doi.org/10.1017/s0307883301000062.

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Hailed as an ‘unruly masterpiece’, John Romeril's The Floating World is one of the few ‘new wave’ Australian plays representing Australians and their Asian ‘others’ to be restaged periodically since its première in 1974. Paying particular attention to productions of the play that have used Japanese theatre forms such as kabuki and bunraku, this article focuses primarily on the ways in which the spectacle of race has been coded performatively by different directorial approaches, and how various significations of race have been interpreted by the critical establishment. The fascinating stage his

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39

Mullins, Justin. "Floating wires zoom in on micro-world." New Scientist 194, no. 2610 (June 2007): 28. http://dx.doi.org/10.1016/s0262-4079(07)61646-7.

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40

Hammer, Melanie. "A Yankees Fan in the Floating World." Missouri Review 22, no. 1 (1999): 118–23. http://dx.doi.org/10.1353/mis.1999.0029.

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41

Yano, Christine. "The floating world of karaoke in Japan." Popular Music and Society 20, no. 2 (June 1996): 1–17. http://dx.doi.org/10.1080/03007769608591620.

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42

Jóźwiak, Marek, Brian Po-Jung Chen, Bartosz Musielak, Jacek Fabiszak, and Andrzej Grzegorzewski. "Social Attitudes toward Cerebral Palsy and Potential Uses in Medical Education Based on the Analysis of Motion Pictures." Behavioural Neurology 2015 (2015): 1–8. http://dx.doi.org/10.1155/2015/341023.

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This study presents how motion pictures illustrate a person with cerebral palsy (CP), the social impact from the media, and the possibility of cerebral palsy education by using motion pictures. 937 motion pictures were reviewed in this study. With the criteria of nondocumentary movies, possibility of disability classification, and availability, the total number of motion pictures about CP was reduced to 34. The geographical distribution of movie number ever produced is as follows: North America 12, Europe 11, India 2, East Asia 6, and Australia 3. The CP incidences of different motor types in

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43

Jatmiko, Yudi. "Antara Selfie Dan Selfless: Sebuah Tinjauan Teologis Terhadap Tren Instagram." Manna Rafflesia 7, no. 2 (April 30, 2021): 369–94. http://dx.doi.org/10.38091/man_raf.v7i2.166.

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The emergence of Instagram has indisputably made the world full of pictures. Messages that are generally dominated by words have turned into a collection of colorful pictures on Instagram. Pictures have brought a world that is beyond words. On the other hand, many experts observe the destructive sides of Instagram. The pictures that are initially meant to reveal beauty have transformed into a means of self-fulfillment. Pictures have turned into a context where the self has become the center of the message and the world. In the Christian faith, this is fatal! A self-centered life is contradicto

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44

Han, Hyun-jung. "The Role of Textbooks Pictures in the World Recognition." Korean Comparative Education Society 27, no. 3 (May 6, 2017): 213–38. http://dx.doi.org/10.20306/kces.2017.27.3.213.

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45

Romanova, L. V. "Value World–Pictures and Axiological Codes of Musical Genres." KnE Engineering 3, no. 8 (December 23, 2018): 40. http://dx.doi.org/10.18502/keg.v3i8.3607.

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46

Appleby, David P., and Lisa M. Peppercorn. "The World of Villa-Lobos in Pictures and Documents." Notes 54, no. 2 (December 1997): 493. http://dx.doi.org/10.2307/899550.

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47

Feldman, H. "As the World Constricts: Kader Attia's Pictures of Spacelessness." Nka Journal of Contemporary African Art 2010, no. 26 (March 1, 2010): 60–69. http://dx.doi.org/10.1215/10757163-2010-26-60.

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48

Sidorova, O. "KAZUO ISHIGURO. THE WRITER IN THE ‘FLOATING WORLD’." Voprosy literatury, no. 4 (October 2, 2018): 301–18. http://dx.doi.org/10.31425/0042-8795-2018-4-301-318.

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Novels by the Nobel Prize winner in literature 2017 K. Ishiguro are analyzed chronologically, from the first novel A Pale View of Hills (1982) to the latest one The Buried Giant (2015). As the article shows, the author, who represents two cultural traditions, the Japanese and the British ones, reflects this quality in his works. The writer himself states that his works were mainly formed by the European literary tradition and, consequently, his novel The Remains of the Day has become a concentrated study of Englishness, one of the most vivid in contemporary British literature. Experimenting wi

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49

Streimer, Jeffrey H. "The Floating World of Liaison: Exploring the Process." Australasian Psychiatry 6, no. 4 (August 1998): 175–77. http://dx.doi.org/10.3109/10398569809084832.

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50

Potter, Polyxeni. "Women Caring for Children in "the Floating World"." Emerging Infectious Diseases 12, no. 11 (2006): 1808–9. http://dx.doi.org/10.3201/eid1211.ac1211.

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