Log in

Relevant bibliographies by topics / Pied Piper of Hamelin (Tale)

Contents

Journal articles
Dissertations / Theses
Books
Book chapters

Academic literature on the topic 'Pied Piper of Hamelin (Tale)'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Pied Piper of Hamelin (Tale).'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Pied Piper of Hamelin (Tale)"

1

Kline, Jim. "What, no rats? The solar bird tradition and its relevance to the Pied Piper legend." International Journal of Jungian Studies 10, no. 1 (2018): 1–15. http://dx.doi.org/10.1080/19409052.2017.1392335.

Full text

Abstract:

ABSTRACTFor over seven hundred years, the legend of the Pied Piper has inspired folk tales, poems, songs, and theatrical productions, as well as speculations about whether the legend is based upon actual events that occurred on 26 June 1284, the date given to the incident according to several commemorative documents and monuments found in the town of Hamelin, Germany, where the legend originated. Many scholars who have studied the legend believe it has little to do with a Pied Piper ridding the town of rats and later enticing the town's children to follow him out of town where they all disappear; instead, they believe the incident refers to a military recruiter who either led a troupe of young men to the Baltic or to Transylvania to establish settlements there. However, other scholars put great significance upon the date of the event and how it might be related to a summer solstice celebration gone awry. The following article provides evidence to support the summer solstice theory, presenting information relating to ancient solar bird traditions that link the piper with shamanic rites in which shamans dress as birds and perform bird sacrifices associated with both summer and winter solstice celebrations.

APA, Harvard, Vancouver, ISO, and other styles

2

Rodriguez, Gonzalo Santiago. "la infancia inmunizada." childhood & philosophy 15 (April 29, 2019): 1–30. http://dx.doi.org/10.12957/childphilo.2019.40269.

Full text

Abstract:

In recent decades, studies of the history of private life have posited infancy as a social and historical construct in which different cultural, economic, and philosophical elements intervene. Based on an interpretation of “The Pied Pieper of Hamelin” (BROWNING, 2003; BROWNING; PISU, 1980; GRIMM; GRIMM, 2000, 1816), this article analyzes the founding characteristics of modern infancy using as Italian philosopher Roberto Esposito’s concept of communitas (2003). Utilizing both the author’s fundamental notion of the latter and several modern and contemporary bibliographic sources about the legend collected by the Grimm brothers, our paper shows how this tale is connected to political changes that led to contemporary forms of pedagogy and shaped what Esposito calls a “modern immunization process” (ESPOSITO, 2005)--a process whereby individuals are disconnected from the commitments and communal duties of pre-modern, pre-nationalist social bonds. This process also affects childhood, which became, by the end of the 19th century altered, isolated, excluded from social bonds with adults, and converted into what we know as “infancy.” Is a different relation with infancy—one that doesn´t exclude children from the community--possible? This paper seeks to open a path toward this possibility.

APA, Harvard, Vancouver, ISO, and other styles

3

Lee, Jaebin. "Types and Features of Flute Stories: Focusing on Korea and Japan." Global Knowledge and Convergence Association 5, no. 2 (2022): 193–219. http://dx.doi.org/10.47636/gkca.2022.5.2.193.

Full text

Abstract:

In this paper, we looked at how the flute is used by paying attention to classical literature, especially the narrative. In the most famous tale, Manpasik, the flute was used as a tool to strengthen the royal authority or prevent foreign enemies. However, the flute was often the story’s center when analyzing flute-related stories. The sound of the flute changes the situation rapidly. It can be seen that the happy ending of the protagonist getting out of the crisis of death by the sound of the flute, becoming wealthy by playing the flute well, or solving the case with the sound of the flute and marrying the daughter of a wealthy family is taking advantage of the novelty of the flute. The mystique of the flute could be described more beautifully. Famous worldwide, the “Pied Piper of Hamelin” had successfully eradicated rats. Until now, it was a positive case resolution with the flute’s power, but ultimately, he used the flute to kidnap children to show fear of the flute. It showed the powerful side of the flute, such as being killed by playing a banned flute or killing a boy by the sound of the flute. This means that the flow of the story changes depending on how you use the flute. The characteristics of the flute in folktales have influenced modern times. In particular, the myth that snakes appear when playing the flute at night is very famous and still tends to be taboo. This story likely spread because simply making a sound at night damages neighbors, but it can be seen that the mighty power of the flute is being transmitted. Although the content is limited to “Manpahsik”, in the movie “Jeon Woo-chi” and the drama “The King: The Prince of Eternal”, the power of the flute is so intense that there are cases where the elements of conflict to compete are realistically expressed. The types and characteristics of the flute that have appeared in the narrative so far are meaningful in that they have provided a stepping stone to understanding the use of the flute that has become a springboard for later research and continues to the modern day.

APA, Harvard, Vancouver, ISO, and other styles

4

Airs, John, and Chris Ball. "The Pied Piper of Hamelin." 5 to 7 Educator 2010, no. 64 (2010): iv—vii. http://dx.doi.org/10.12968/ftse.2010.9.4.46956.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Chandawarkar, Rajiv Y. "The Pied Piper of Hamelin." Plastic and Reconstructive Surgery 119, no. 4 (2007): 1365–66. http://dx.doi.org/10.1097/01.prs.0000254799.73824.09.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Greydanus, Donald E. "Routing a Modern Pied Piper of Hamelin." JAMA: The Journal of the American Medical Association 261, no. 1 (1989): 99. http://dx.doi.org/10.1001/jama.1989.03420010109044.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Greydanus, D. E. "Routing a modern Pied Piper of Hamelin." JAMA: The Journal of the American Medical Association 261, no. 1 (1989): 99–100. http://dx.doi.org/10.1001/jama.261.1.99.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Bush, Elizabeth. "The Pied Piper of Hamelin (review)." Bulletin of the Center for Children's Books 65, no. 4 (2011): 218. http://dx.doi.org/10.1353/bcc.2011.0914.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Kertz-Welzel, Alexandra. "The Pied Piper of Hamelin: Adorno on Music Education." Research Studies in Music Education 25, no. 1 (2005): 1–12. http://dx.doi.org/10.1177/1321103x050250010301.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Micheni, Brian Mugendi, and Dr Christine Atieno Peter. "Intertextuality between Pied Piper of Hamelin and Nyamgondho Wuod Ombare." Journal of English Language and Literature 10, no. 3 (2018): 1051–64. http://dx.doi.org/10.17722/jell.v10i3.400.

Full text

Abstract:

Texts borrowing from each other has been there since the existence of humankind and scholars refer to this borrowing as intertextuality. Many intertextuality scholars have gone ahead to use the phrase “no text is an island” to emphasize on the existence of intertextuality in everyday communication of humankind through spoken words or written works. The objective of the study is to determine whether there are intertextual relations between the stories, Nyamgondho Wuod Ombare and Pied Piper of Hamelin. The study aims to determine instances of intertextuality between the two stories. The study discovered that the two texts demonstrate several instances of intertextuality, especially the storyline of the texts. It discussed various manifestations of intertextual relations in the texts.

APA, Harvard, Vancouver, ISO, and other styles

Dissertations / Theses on the topic "Pied Piper of Hamelin (Tale)"

1

Tolley, Rebecca. "Pied Piper or Rumpelstiltskin? A Tale of Two Twitter Identities." Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etsu-works/5751.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Pied Piper of Hamelin (Tale)"

1

Robert, Browning. The Pied Piper of Hamelin. Lothrop, Lee & Shepard Books, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Morpurgo, Michael. The Pied Piper of Hamelin. Walker, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Mieder, Wolfgang. The pied piper: A handbook. Greenwood Press, 2007.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Slater, Cecelia. The Pied Piper: A German folk tale. Dream House/Mount Washington Press, 1993.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Keith, McCune, ed. The rats of Hamelin: A piper's tale. Moody Publishers, 2005.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Norbert, Humburg, ed. Geschichten und Geschichte: Erzählforschertagung in Hameln, Oktober 1984. In Kommission bei A. Lax, 1985.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Dobbertin, Hans. Quellenaussagen zur Rattenfängersage. CW Niemeyer, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Rostek-Lühmann, Fanny. Der Kinderfänger von Hameln: Untersagte Wünsche und die Funktion des Fremden. D. Reimer, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Malinkovich, Inessa. Sudʹba starinnoĭ legendy: I.V. Gete, K. Zimrok, R. Brauning, G. Geĭne, M. T͡S︡vetaeva. Izd-vo "Sinee i͡a︡bloko", 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Brown, Carron. Hansel and Gretel and The Pied Piper of Hamelin: Two tales and their history. Alphabet Soup, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

Book chapters on the topic "Pied Piper of Hamelin (Tale)"

1

Valint, Alexandra. "“To a Joyous Land”: Nature and Gender in Kate Greenaway’s The Pied Piper of Hamelin." In Literary Cultures and Nineteenth-Century Childhoods. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-38351-9_13.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Díaz-Fleischer, Francisco, Jaime C. Piñero, and Todd E. Shelly. "Interactions Between Tephritid Fruit Fly Physiological State and Stimuli from Baits and Traps: Looking for the Pied Piper of Hamelin to Lure Pestiferous Fruit Flies." In Trapping and the Detection, Control, and Regulation of Tephritid Fruit Flies. Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-017-9193-9_5.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

"The Pied Piper of Hamelin." In Robert Browning: Selected Poems. Routledge, 2013. http://dx.doi.org/10.4324/9781315834450-13.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Sr., Robert Browning,. "'The Pied Piper of Hamelin', by Robert Browning sen." In The Poetical Works of Robert Browning, Vol. 3: Bells and Pomegranates I–VI: including Pippa Passes and Dramatic Lyrics, edited by Rowena Fowler and Ian Jack. Oxford University Press, 1988. http://dx.doi.org/10.1093/oseo/instance.00131603.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Barrier, Michael. "Disney,1933-1936." In Hollywood Cartoons. Oxford University PressNew York, NY, 1999. http://dx.doi.org/10.1093/oso/9780195037593.003.0004.

Full text

Abstract:

Abstract In the months just after he made Three Little Pigs, Walt Disney took up the challenge of human characters again and made five Silly Symphonies with them. The third of those cartoons, The Pied Piper, was being animated when Three Little Pigs was released in May; it was easily the most ambitious of the new cartoons because its central figures, the Piper and Hamelin ‘s Mayor, most resembled real human beings in how they were drawn. In 1933 the production schedule, and the need to give work to animators, made the thoughtful casting behind Three Little Pigs impractical on every film; on Lullaby Land, the Silly Symphony that came just before The Pied Piper, the animators handled sequences rather than characters, and the infant protagonist looks like a different character from one animator ‘s scenes to the next. For The Pied Piper, though, Disney cast by character again, even more rigorously than he had for Three Little Pigs. All the most important scenes with the Mayor the closeup scenes in which he speaks-were assigned to Art Babbitt, and the comparable scenes with the Piper to Ham Luske.

APA, Harvard, Vancouver, ISO, and other styles

6

"The Pied Piper of Hamelin Origin, History, and Survival of the Legend." In Tradition and Innovation in Folk Literature. Routledge, 2015. http://dx.doi.org/10.4324/9781315673677-10.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Tarr, Anita. "China Miéville’s Young Adult Novels." In Posthumanism in Young Adult Fiction. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496816696.003.0012.

Full text

Abstract:

Noting the penchant for China Miéville’s writings to defy genre categorization, Anita Tarr labels his three YA novels as posthumanist assemblages, being posthumanist-Marxist-fantasy-Gothic horror-Young Adult novels. King Rat, Un Lun Dun, and Railsea are all re-envisionings of classic stories (“Pied Piper of Hamelin,” Through the Looking-Glass, and Moby Dick), sometimes to the detriment of Miéville’s superlative imaginative writing. Miéville is especially concerned with his protagonists resisting their conventional heroic destiny as they explore their posthumanist possibilities. Stock full of hybrid characters, each novel acknowledges fluid boundaries (fantasy and reality, animal and human) and multiple subjectivities; however, each is also burdened with heavy ties to anti-consumerist lessons.

APA, Harvard, Vancouver, ISO, and other styles

8

Shingler, Martin. "Popping in and out as a virtuosic guest star in The Pied Piper (1972)." In Diana Dors. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474473996.003.0009.

Full text

Abstract:

This chapter explores Diana Dors’ role as the Burgermeister’s buxom, bossy and bad-tempered wife in Jacques Demy’s The Pied Piper (1972). Based on the famous Grimm Brothers’ folktale of 1816, this musical fantasy starring Donovan in the title role included a small part for Dors, the 40-year old actress being billed as a ‘Guest Star.’ Here, she showcased her virtuosic acting skills in what was little more than a cameo role, deftly conveying her character’s marital and maternal failings in just six short scenes. Making a big impression in some highly theatrical costumes, she played Frau Poppendick as an archetypal fairy-tale villainess, while drawing heavily upon her own public image and screen persona. Analysis of her performance in The Pied Piper reveals what well-known stars can do with small character parts and how seemingly incidental roles give them a chance to flex their acting muscles while exploiting their celebrity.

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!