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Journal articles on the topic 'Piefke'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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1

Bedenbecker, Christoph. "Ein „Piefke“ in Tirol – interkulturelle Unterschiede zwischen Nachbarn." Organisationsberatung, Supervision, Coaching 16, no. 3 (August 29, 2009): 341–47. http://dx.doi.org/10.1007/s11613-009-0155-3.

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2

Kaushanskaya, Margarita. "Interpreting phonological memory performance in bilinguals." Applied Psycholinguistics 38, no. 6 (September 28, 2017): 1333–36. http://dx.doi.org/10.1017/s0142716417000303.

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The central hypothesis in the Pierce, Genesee, Delcenserie, and Morgan article is that phonological memory is key to explaining the relationship between early language experience (more specifically, less and more optimal ends of the language-experience continuum) and language learning outcomes. One piece of evidence offered is that phonological memory skills are enhanced by bilingualism, with bilingualism representing enriched experience. Here, I propose that data from bilingual children may contradict Pierce et al.’s central hypothesis, rather than support it.

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3

Sarga, Aneta. "EXTREME PEDESTRIAN BRIDGES." space&FORM 2016, no. 27 (October 30, 2016): 43–58. http://dx.doi.org/10.21005/pif.2016.27.b-02.

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4

Santos da Silva, Fernando. "DESCORTINANDO O PENSAMENTO DE PIERRE LÉVY." Fênix - Revista de História e Estudos Culturais 17, no. 1 (June 14, 2020): 426–31. http://dx.doi.org/10.35355/0000065.

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Há algumas décadas, muito se tem refletido e discutido sobre a importância e as aplicabilidades da comunicação e sua simbiose com a tecnologia, principalmente em tempos de disseminação das redes de comunicação digital. Porém, o que vinha sendo debatido de forma parcimoniosa, numa tentativa de compreender de forma mais profunda, ganhou certa notoriedade nos últimos dias, visto a urgência de atender as demandas sociais. Almejando reflexionar as reivindicações da sociedade sobre essa temática que se insere a obra: O Pensamento de Pierre Lévy – comunicação e tecnologia, de Guaracy Carlos da Silveira, publicada em 2019 pela Editora Appris. A presente composição, tem como escopo, apresentar a evolução das ideias de Pierre Lévy a uma recente geração de leitores que já nasceram imersos em um cenário de constantes mudanças tecnológicas, cotejando a pertinência do seu pensamento no contexto atual.

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5

Coult, Tom. "PIERRE BOULEZ'S ‘SUR INCISES’: REFRACTION, CRYSTALLISATION AND THE ABSENT IDEA(L)." Tempo 67, no. 264 (April 2013): 2–21. http://dx.doi.org/10.1017/s004029821300003x.

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AbstractSur Incises, first performed in 1998, is the most recent major work by Pierre Boulez, but there has been very little published writing discussing it, although Boulez himself discussed the piece in a lecture released on DVD. Like many of his recent works, Sur Incises reworks existing material – taking the short piano piece Incises and expanding it into a large-scale work for three pianos, three harps and three percussionists. This article examines how the gestures, harmonies and even the instrumentation of the earlier piece are ‘refracted’ – presented in multiple overlaid versions as if a prism had revealed the possibilities inherent in the original material. Sur Incises is discussed with reference to common concerns in Boulez's work since the 1970s – its use of quasi-thematic ‘signals’ to mark structure, its use of luxurious harmonic fields and chord multiplication, its virtuosic toccata material, and its use of the SACHER hexachord.

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6

Mello, Maria Elizabeth Chaves de. "Marivaux: ou o teatro como lugar da crítica." Aletria: Revista de Estudos de Literatura 7 (December 31, 2000): 216–23. http://dx.doi.org/10.17851/2317-2096.7..216-223.

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Resumo: Autor reconhecido e famoso por seus estudos psicológicos sobre o nascimento do amor, Pierre Marivaux escreve em 1750 uma peça, La Colonie, que nos oferece bastante material de reflexão sobre a função crítica da arte em geral e do teatro em particular, naquele momento tão turbulento e importante da História da França.Palavras-chave: crítica; teatro; Marivaux.Résumé: Auteur de grande renommée grâce à ses études psychologiques sur la naissance de l’amour, Pierre Marivaux écrit en 1750 une piece, La Colonie, qui nous offre un sujet de réflexion théorique assez vaste sur la fonction critique de l’art en général aussi bien que du théâtre en particulier, dans ce moment si bouleversant et si important de l’Histoire de France.Mots-clés: critique; théâtre; Marivaux.

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7

Koh, Wook-Hee, and In-Ho Park. "Nonlinear Dynamical Behavior of Beam-Plasma in the Pierce Diode." Journal of the Korean Vacuum Society 21, no. 5 (September 30, 2012): 249–57. http://dx.doi.org/10.5757/jkvs.2012.21.5.249.

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8

Valderas, José María. "Gimnospermas en el renacimiento. Pierre Belon." Collectanea Botanica 22 (December 30, 1993): 105–34. http://dx.doi.org/10.3989/collectbot.1993.v22.85.

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9

Forrai, Judit. "Pierre Fauchard’s paradigm shift in dentistry, case studies." Kaleidoscope history 6, no. 10 (2015): 270–83. http://dx.doi.org/10.17107/kh.2015.10.270-283.

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10

Almeida Júnior, George Matias de. "Atopia em Pierre Hadot (parte 1)." Revista Archai, no. 18 (2016): 347–86. http://dx.doi.org/10.14195/1984-249x_18_10.

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11

Bender, Shawn. "Drumming from Screen to Stage: Ondekoza's Ōdaiko and the Reimaging of Japanese Taiko." Journal of Asian Studies 69, no. 3 (June 22, 2010): 843–67. http://dx.doi.org/10.1017/s0021911810001531.

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In a performance of Ōdaiko, arguably the most iconic and widely performed piece in Japanese taiko drumming, a loincloth-clad man pounds furiously on a huge Japanese drum to the point of near exhaustion. Although this piece often is assumed to descend from Japan's rich heritage of folk drumming, this article argues instead that Ōdaiko was inspired by a fictional representation of festival drumming in the mid-century Japanese film The Rickshaw Man (Muhōmatsu no isshō). In addition, the revealing clothing worn in the performance derives not from Japanese custom but from the input of the French designer Pierre Cardin. Tracing the emergence of Ōdaiko in the influential taiko ensemble Ondekoza, this article sheds light on the potent mixture of folkloric instrumentation and modern sensibility that distinguishes contemporary taiko drumming.

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12

Hudečková, H. "Remember of Pierre Bourdieu (1930–2002)." Agricultural Economics (Zemědělská ekonomika) 49, No. 7 (March 2, 2012): 343–46. http://dx.doi.org/10.17221/5410-agricecon.

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13

Oliveira, Loraine. "The figure of Socrates according to Pierre Hadot." Revista Archai, no. 18 (2016): 317–46. http://dx.doi.org/10.14195/1984-249x_18_9.

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14

Hyánková, Tereza. "Pierre Bourdieu and the Kabyles: Idealisation, Identification, Instrumentalisation?" Czech Sociological Review 49, no. 1 (February 1, 2013): 101–22. http://dx.doi.org/10.13060/00380288.2013.49.1.05.

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15

Goujon, Jean-Paul, and Mª del Carmen Camero. "Pierre Louÿs y Andalucía: nuevas cartas inéditas." Philologia Hispalensis 2, no. 4 (1989): 759–70. http://dx.doi.org/10.12795/ph.1989.v04.i02.25.

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16

Carmichael, Stephen W. "Probing Individual Proteins in Unsupported Membranes." Microscopy Today 15, no. 4 (July 2007): 3–5. http://dx.doi.org/10.1017/s1551929500055644.

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Proteins in biologic membranes perform a large variety of essential functions. The fact that about one third of all genes code for membrane proteins, and that the majority of drugs target these proteins, attest to that fact. However, until now, proteins have been studied under artificial conditions, such as after being crystallized, frozen, or adsorbed to a substrate. Rui Pedro Gonçalves, Guillaume Agnus, Pierre Sens, Christine Houssin, Bernard Bartenlian, and Simon Scheuring have devised a novel setup with the atomic force microscope (AFM) to allow proteins to be probed while they are in unsupported membranes. Their method is similar in principle to methods where a small area of a membrane is sampled, such as when a piece of membrane is examined by patch clamping. The difference is that instead of attaching a membrane to the end of a pipette, it is spread across a piece of perforated Si(001).

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17

Barakat, Ibtisam. "Pierre." Wasafiri 24, no. 4 (December 2009): 34–36. http://dx.doi.org/10.1080/02690050903205769.

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18

Sinigalia, Tereza. "Between Pierre Ist and Stephen the Great." Anastasis. Research in Medieval Culture and Art 6, no. 2 (November 29, 2019): 9–30. http://dx.doi.org/10.35218/armca.2019.2.01.

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19

SILVESTRE, H. "Pierre Abélard ou Pierre de Meaux?" Recherches de Théologie et Philosophie Médiévales 56 (January 1, 1989): 223–24. http://dx.doi.org/10.2143/rtpm.56.0.2016325.

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20

Fourcade, Michel. "Il n'en restera pierre sur pierre..." Esprit Février, no. 2 (2010): 94. http://dx.doi.org/10.3917/espri.1002.0094.

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21

Khoury-Ghata, Vénus, and Marilyn Hacker. "Pour Pierre Brunel / For Pierre Brunel." Women in French Studies 9, no. 1 (2001): 22–23. http://dx.doi.org/10.1353/wfs.2001.0018.

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22

O'Connor, Andrew. "The Peter Stone (Pierre de Pierre)." Pierre d'angle 1 (1995): 115–17. http://dx.doi.org/10.5840/pda199517.

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23

Joseph, Jophin. "Pierre Robin Sequence/Pierre Robin malformation." Asian Journal of Nursing Education and Research 6, no. 2 (2016): 265. http://dx.doi.org/10.5958/2349-2996.2016.00051.3.

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24

Petropoulou, Zoe. "La première pierre par Pierre Jourde." French Review 88, no. 1 (2014): 270–71. http://dx.doi.org/10.1353/tfr.2014.0185.

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25

EVERTS, SARAH. "PIECE BY PIECE." Chemical & Engineering News 86, no. 29 (July 21, 2008): 15–23. http://dx.doi.org/10.1021/cen-v086n029.p015.

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26

Chol, Isabelle. "Pierre nue, pierre ornée, pierre écrite d'Yves Bonnefoy: le creuset d'une utopie." L'Esprit Créateur 45, no. 2 (2005): 62–75. http://dx.doi.org/10.1353/esp.2010.0386.

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27

Bryant, John, Herman Melville, Hershel Parker, Harrison Hayford, and G. Thomas Tanselle. "Pierre and Pierre: Editing and Illustrating Melville." College English 60, no. 3 (March 1998): 336. http://dx.doi.org/10.2307/378565.

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28

Attisani, Antonio. "Porte sfondate, pietre scartate e pietre angolari." Mimesis Journal, no. 1, 2 (December 1, 2012): 1–9. http://dx.doi.org/10.4000/mimesis.222.

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29

Boer, Frits. "Was Pietje Bell wel een Pietje Bell?" Kind & Adolescent Praktijk 17, no. 3 (September 2018): 48–49. http://dx.doi.org/10.1007/s12454-018-0040-3.

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30

Rodríguez López, Joaquín. "Pierre Bourdieu: del rigor intelectual a la rigurosa subversión." Revista de Dialectología y Tradiciones Populares 55, no. 1 (June 30, 2000): 45–79. http://dx.doi.org/10.3989/rdtp.2000.v55.i1.427.

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31

Kwaśniak, Bernadetta. "Meaning of the Desert in Spiritual Thought of St. Peter Damian." Roczniki Filozoficzne 63, no. 2 (2015): 27–36. http://dx.doi.org/10.18290/rf.2015.63.2-3.

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32

Collard, Christophe. "Remodelling homologies." English Text Construction 10, no. 1 (June 15, 2017): 6–20. http://dx.doi.org/10.1075/etc.10.1.01col.

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The November 1997 issue of Index magazine featured a rather unusual piece by avantgardist John Jesurun, which apparently had surprised even the editors – and this despite having commissioned the contribution themselves. Building on the already troubled conversion from James M. Cain’s 1941 novel Mildred Pierce to the 1945 film produced by Jerry Wald via multiple screenwriters and many more rewrites, this essay approaches the theme of betrayal so conspicuous in both works less from the narrative angle than from a processual angle inspired by the principle of incommensurability. To this end, it juxtaposes the ‘classical’ adaptation from the Hollywood studio era with Jesurun’s experimental reimagining of the betrayal theme as a homology-based remodelling.

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33

Siliquini-Cinelli, Luca. "Experience vs. knowledge in comparative law: critical notes on Pierre Legrand's ‘sensitive epistemology’." International Journal of Law in Context 16, no. 4 (December 2020): 443–58. http://dx.doi.org/10.1017/s1744552320000439.

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AbstractThis paper expounds some critical reflections on Pierre Legrand's recent account of James Gordley's and James Whitman's comparative methodologies. Pushing his unconventional writing style to the limits and labelling Gordley's ‘positivist’ and Whitman's ‘cultural’ comparative law, Legrand's piece appears to be taking the first step towards a new, more sensitive phase for the comparative study of law and legal cultures. The paper argues that, contrary to what might be first thought, Legrand's ‘sensitive epistemology’ cannot act as a gateway to cultural otherness. This is because it is wholly in line with the constructivist objectification of life that characterises the study and practice of law both within and outside the comparative-law dimension.

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34

Henes, Donna, and Dominique Mazeaud. "Peace: Piece by piece." Peace Review 5, no. 2 (June 1993): 239–46. http://dx.doi.org/10.1080/10402659308425720.

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35

Fuhrer, Michael S. "Ribbons piece-by-piece." Nature Materials 9, no. 8 (August 2010): 611–12. http://dx.doi.org/10.1038/nmat2821.

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36

Nilsson, Henrik. "Tracing piece by piece." ACM SIGPLAN Notices 34, no. 9 (September 1999): 36–47. http://dx.doi.org/10.1145/317765.317782.

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37

Reymondon, Louis. "Pierre Bobin." Médecine et Santé Tropicales 24, no. 4 (October 2014): 362. http://dx.doi.org/10.1684/mst.2014.0410.

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38

Goyhenetche, Manex. "Pierre Vilar." Lapurdum, no. 8 (November 1, 2003): 525–27. http://dx.doi.org/10.4000/lapurdum.1106.

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39

Hude, Henri. "L'abbé Pierre." Commentaire Numéro67, no. 3 (1994): 645. http://dx.doi.org/10.3917/comm.067.0645.

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40

McCall, Leslie, and Richard Jenkins. "Pierre Bourdieu." Contemporary Sociology 23, no. 2 (March 1994): 326. http://dx.doi.org/10.2307/2075288.

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41

Belissa, Marc. "Pierre Bayle." Annales historiques de la Révolution française, no. 347 (March 1, 2007): 194–96. http://dx.doi.org/10.4000/ahrf.8763.

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42

Commaille, Jacques. "Pierre Strobel." Revue française des affaires sociales 1, no. 1 (2007): 3. http://dx.doi.org/10.3917/rfas.071.0003.

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43

Gaspar, Carlos. "Pierre Hassner." Relações Internacionais, no. 58 (June 2018): 117–20. http://dx.doi.org/10.23906/ri2018.58a09.

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44

Vercier, Bruno. "Pierre Loti." Médium 50, no. 1 (2017): 42. http://dx.doi.org/10.3917/mediu.050.0042.

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45

Diaktine, Gilbert. "Pierre Marty." Revue française de psychosomatique 6, no. 2 (1994): 159. http://dx.doi.org/10.3917/rfps.006.0159.

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46

Rolle, Pierre. "Pierre Lantz." L'Homme & la Société 209, no. 1 (2019): 25. http://dx.doi.org/10.3917/lhs.209.0025.

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47

Bonnamour, Jacqueline. "Pierre Gentelle." L'Information géographique 75, no. 3 (2011): 88. http://dx.doi.org/10.3917/lig.753.0088.

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48

Rioux, Jean-Pierre. "Pierre Milza." Vingtième Siècle. Revue d'histoire 138, no. 2 (2018): 3. http://dx.doi.org/10.3917/ving.138.0003.

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49

Bracken, Harry M. "Pierre Bayle." International Studies in Philosophy 35, no. 4 (2003): 306–7. http://dx.doi.org/10.5840/intstudphil2003354119.

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50

Bardet, Jean-Pierre. "Pierre Chaunu." Annales de démographie historique 118, no. 2 (2009): 5. http://dx.doi.org/10.3917/adh.118.0005.

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