Academic literature on the topic 'Pierce County Library'

Film programming is an engaging way to bring customers of all ages into the library, and this timely primer by Katie Irons offers libraries a step-by-step guide to make each showing a success. Film programming can be tricky, as libraries need to pay close attention to the legality and logistics of film screening in addition to programming. Fortunately we have Irons to show us the way, with her more than fifteen years as the audiovisual collection development librarian for the Pierce County Library System in Tacoma, Washington. Irons selects for and maintains a 500,000-item audiovisual collection for Pierce County, serving more than 560,000 people, and her knowledge and experience in film programming inform this excellent book.

‘John Company: The Act of Incorporation’ is the first episode in a series of twelve open-form pieces on the history of the British East India Company, and relates legal innovations behind the inception of the Company to the development of forms of Artificial Intelligence in Elizabethan England. The poem references primary material contained in the seventeenth-century anthology Purchas his Pilgrimes and in the East India Company's archives now housed in the British Library, and draws on research conducted by Kevin LaGrandeur in his book Androids and Intelligent Networks in Early Modern Literature and Culture (Abingdon, Oxon: Routledge, 2013), and by Vladimir I. Braginsky in his essay ‘Towards the Biography of Hamzah Fansuri: When Did Hamzah Live? Data From His Poems and Early European Accounts’, Archival 57 (Paris, 1999), 135–75.

Always on the prowl for new user services, I was intrigued by a program held at my local public library in 2009 called “Democracy and Decline in Local Reporting.” The topic has stuck with me ever since. At the time, our city’s newspaper was experiencing severe financial challenges, which residents found alarming. With newspapers across the country in similar straits, the library assembled a panel to discuss alternatives for gathering and distributing local news to communities. Nearly ten years later, the situation has not improved much for local community news coverage. Thinking back to that library panel, I’ve decided to further investigate the impacts of, and possible solutions for, this problem. This piece attempts to reinvigorate a news initiative and promote a user service that has foundations in traditional reference. It is a service that offers opportunities for both public and academic libraries. The initiative is a community-centric public service centered on news.

The Central Scientific Library of the Irkutsk Scientific Center SB RAS has an extensive collection of literature on various topics of scientific research of academic institutions of Irkutsk and the Irkutsk region. This library is the successor of the Library of the East Siberian Branch of the USSR Academy of Sciences. With the organization of the Branch its own scientific library was being created. Acquisitions to the library stocks were carried out by its first head A. S. Chumicheva.The first books of the library were books from the exchange stocks of the Library of the Academy of Sciences of the USSR (Leningrad), special libraries’ sector of the Academy of Sciences of the USSR (Moscow); books from other institutions’ libraries all over the country; trophy books from Germany; books from personal libraries of scientists, rare book stores; since 1958 books began to come to hand from the State Public Scientific and Technological Library of the Siberian Branch of the USSR Academy of Sciences (Novosibirsk). The first library accumulations were the source of material that Russian science had in the period of its making on the Irkutsk soil, and an especially stored part of the library stock. There is a currently increasing interest of specialists in rare books’ collections organization, storage and use.A particularly valuable publication is the book, dated 1676, the life-time publication of the French geographer Pierre Duval (1618–1683).In 2019 its ex-libris was studied. They managed to determine the owner of the book and the history of the library. The ex-libris is heraldic, coat of arms belongs to Franciszek Velepolsky (1732–1809), and the book is from the Pinchuv Majorata library.In the library collections there are publications by prominent domestic and foreign scientists of the XIX–XX centuries, including Nobel laureates; books from personal libraries with notes of owners; autographed books, books with dedicatory inscriptions, bookplates. Works of scientific organizations of the XIX–XX centuries, reports of expeditions, and works of scientists about Siberia are of interest.Most of academic journals are presented starting since the first years of their publication.The collection of rare books is being replenished thanks to readers’ donations.

Thomas Baker's music collection is part of the special collections of the Music Library at Western University, Ontario. Thomas Baker (1719/20–94) lived mainly in Farnham, southwest of London, England, in the County of Surrey. His music collection remained largely intact, which is unusual for the library of an eighteenth-century man who lived in a small town in rural England. The collection at Western consists of 90 separate pieces of music, collections of music, and books of music theory, plus six manuscripts; an inventory of the collection illustrates the variety of musical forms that he collected. His purchase of an organ leads us to conclude that he played the organ and possibly other keyboard instruments; about 25% of his collection is for keyboard. However, he was also interested in a variety of other musical forms, either as a performer or as a collector. From the surviving information, we can create a basic portrait of Baker and his music collection, even if we can draw no definite conclusions about how it was used or if he was merely a collector, or also a performer or an organizer of concerts.

When we first volunteered to be on the Local Arrangements Committee for the ACRL 2019 conference, and to write this specific piece for our colleagues who were coming to our city, neither of us had a clue that the entire third season of the true crime podcast Serial1 would focus on the criminal justice system of Cuyahoga County. But since it was so popular, we considered it a good framing device for a discussion about social justice in Cleveland.If you haven’t listened to Serial, the short version is Cleveland and Cuyahoga County’s criminal and juvenile justice system are shining examples of the inequity that exists in the region. Poverty, segregation, violence, food deserts, crime, and an unfair justice system are all parts of the larger system that remains unjust and unequal in the heart of a Rust Belt city desperate to rise again.

Anders Toftgaard: Amongst speaking statues and admonishing ghosts. Mazarinades in the collections of The Royal Library Mazarinade is a term for political writing that was published in different forms in France during (and related to) the Fronde (1648–1653). The Fronde was a series of civil wars that first broke out when Louis XIV (born 1638) was still a child, and Mazarin was the Chief Minister of France and responsible for the young king’s education. Mazarin governed the country together with the king’s mother, Anne of Austria. The term mazarinade covers pamphlets, letters, official documents, burlesque poetry, sonnets and ballads, discourses and dialogues.The Royal Library in Copenhagen holds a collection of mazarinades. The Copenhagen collection was overlooked by scholars and Hubert Carrier (who travelled widely) because it had not been properly catalogued. The collection of mazarinades in the Royal Library has now been catalogued by the author of the article, and the catalogue is available in Fund og Forskning online. The article serves as an introduction to this hitherto unknown collection of mazarinades. After a presentation of the Fronde, and the term mazarinade and its denotation, the article lists the rare and unique mazarinades in the collections of The Royal Library, Copenhagen and where possible, traces their provenance.The collection consists of 33 volumes of mazarinades that have been put together in the 19th century in order to form a single collection: Collection de mazarinades. Apart from this Collection de mazarinades there are other mazarinades in the holdings, stemming both from the Royal Library and from the University Library. The 33 volumes (one volume has been missing for years) have been grouped together by various subsets. One of these subsets is a collection of mazarinades created by Pierre Camuset, who lived during the time of the Fronde. Camuset introduces himself as “conseiller du roi, eslu en l’election de Paris”. Archival records show that he was appointed to this position on 9 December 1622, that in 1641 he married Agnès, daughter of Jean Le Noir, lawyer to the Parliament of Parisian, and that he died some years before 1670.In the Collection de Mazarinades, there are approx. 100 mazarinades which were considered rare or “rarissime” by Célestin Moreau in his Bibliographie des mazarinades (1850–1851). There are three mazarinades, which would seem to be unique; three mazarinades, which are not recorded in the existing bibliographies of mazarinades (made by D’Artois and Carrier, in the Bibliothèque Mazarine) but of which there are copies in other libraries. There is a mazarinade printed by Samuel Brown in The Hague, which has not been recorded elsewhere. Finally, there are 11 mazarinades printed by Jean-Aimé Candy in Lyon, of which only three, judging from existing catalogues and bibliographies, seem to exist in other libraries.Only few of the mazarinades were brought to Denmark during the Fronde. Most of them were collected by Danish 18th century collectors. Surprisingly, only a small part stems from the incredibly rich library of Count Otto Thott (1703–1785). When Thott’s library was auctioned off, his mazarinades were bought by Herman Treschow (1739–1797) who acted as a commission agent for numerous book collectors, and due to the detailed cataloguing in Thott’s auction catalogue, it would probably be possible to find the volumes from his library in a foreign library.Both Hans Gram (1685–1748) and Bolle Willum Luxdorph (1716–1788) owned copies of Gabriel Naudé’s Mascurat in which they wrote handwritten notes. Luxdorph was the great collector of Danish press freedom writings. In his marginal notes he compares a passage in Naudé’s text about common people appropriating the art of printing with his own experience of a servant who came up with songs that were “assez mechants” during the fall of Struensee on 17 January 1772: “Mon valet faisait aussi d’asséz méchans vers su aujet de la revolution du 17de janvier 1772”. Luxdorph’s reading of Mascurat is thus in close connection with his interest in writings on press freedom.The Mazarinades are valuable both for studies in history, literary history and history of the book. More specifically, the collection of Mazarinades in the Royal Library, on the one hand, through the example of Pierre Camuset, shows how an individual tried to get a grasp of an abnormal period, and on the other hand, through the example of Luxdoph, very clearly testifies to the 18th century interest in the history of the book and in historical periods with de facto freedom of the press.

The article defends a conception of ecology that considers what ecosystems mean not only in themselves but also for themselves. Each living being is thus a message for another living being, and not merely a functional piece in a physical process of energy exchange or in an evolutionary process in which individual reproduction is all that counts. The article deems that the hatred of the animal kingdom characteristic of Western history and the resulting atrophy of our imagination of the living world explain our blindness. The author suggests Westerners should be more open to non-Western ways of thinking, which might help overcome their difficulty in thinking through the existential, ethical and cultural stakes involved in the present collapse of biodiversity.

AbstractThe present study concerns the musical repertoire in the Romanian-Greek manuscript inventory number 23 from the ‘Dumitru Stăniloae’ Ecumenical Library of of the Metropolitan Church of Moldavia and Bukovina in Iasi, its authors, and the musical sources these authors used. The musical content of the manuscript is comparatively rich; there are mainly chants from the Holy Liturgy, Vespers and Matins. From the service of the Holy Liturgy, it stands out the group of “extensive” style cherouvika composed by Konstantinos Potopsaltis, translated in Romanian version, less commonly found in the Moldavian manuscripts. Among the chants of the Vespers, the psalm Blessed be the man is noteworthy. The present version belongs to Chiril the Monk from the Bisericani Monastery (Neamt County), who was active in the first half of the nineteenth century. Also prominent in the manuscript is a type of chant belonging to the Matins, the polyeleos. A good word, one such polyeleos, devoted to the feast of the Theotokon, is found in three versions. One of them, authored by Chiril the Monk, is in the third mode, while the other two are in the fourth mode, legetos. The first fourth mode polyeleos can be traced back to a source by Greek composer Chourmouzios the Archivist, but the Romanian author of the musical adaptation is not specified. The second one, in the “abridged”, “syntoma” style, was composed by Dimitrie Suceveanu. The fourth polyeleos in the Ms. no. 23, By the River of Babylon is one specific of the Great Lent. This polyeleos is distinct from the pieces that was musically translated by the Romanian composer Nektarios Frimu in the first volume of his Antology (published in 1846). Ms. no. 23 is significant because of its repertoire, but also because it is part of a group of five manuscripts, belonging to different documentary funds, yet each was compiled by the same talented copyist and composer, the monk Chiril from the Bisericani Monastery of Neamt county, as Byzantinologist Alexie Buzera also notes in one of his studies (1998). It must also be mentioned that the musical variants authored by Chiril the Monk were published only fragmentarily.

The article analyses a particular 19th century manor, classed among the category of the so-called intellectual manors – Teodor Narbutt’s (or Teodor Mateusz Ostyk-Narbutt, 1784–1864) Šiauriai manor (Pol. Szawry; Grodno Province, since 1843 – Vilnius Province, Lyda County). All the texts by Narbutt – fictional as well as the scientific works, including the famous Dzieje narodu litewskiego (The History of the Lithuanian Nation, vol. 1–9, Vilnius, 1835–1841) – were collected in this place. Throughout the years, the manor became a unique workshop for the historian in which one could find a rich library, collections of manuscripts, and Lithuanian artefacts. Up until now, the researchers have focused most of their attention on the contents and the assembly of Narbutt’s collection of books and periodical publications, while the collection of artefacts has received less limelight. The collections of historical documents, numismatic objects, and art pieces, which for the landowner-historian were no less important, have also been left on the margins. The aim of this article is: by employing the already analysed and completely new archival resources, take a different look at the col­lections once stored in Šiauriai, while, at the same time, cultivating the idea that the gathering of them was particularly purposeful and was perceived as a formation of a “compulsory” material, necessary for the writing of the history of Lithuania.

Back in America, Barber happily focused on composing songs. Drawn to Rainer Maria Rilke’s French poems, he created five songs, Mélodies passagères. When asked, he said that he composed in French because he had fallen in love with Paris. He sang excerpts of the cycle to his friend, composer Francis Poulenc, who confirmed the accuracy of the prosody and admired the songs so much he premiered them in Paris with Pierre Bernac in 1952, which Barber attended as he was there for a meeting of the International Music Council. In 1952, Barber received a commission from the Ballet Society to orchestrate some piano duets he had composed, inspired by his childhood trips to the Palm Court in New York’s Plaza Hotel. Completed in Ireland, the ballet, Souvenirs, included a waltz, schottische, tango, pas de deux, and two-step; it was choreographed and performed by Balanchine, who danced with Nora Kaye, Jerome Robbins, and Tanaquil LeClercq. His love affair with Irish poetry also blossomed during this time, inspiring his most famous song cycle, Hermit Songs, settings of ten poems by Irish monks inscribed on the corners of manuscripts. The cycle was premiered in the Coolidge Auditorium at the Library of Congress by Leontyne Price, with Barber at the piano. This chapter concludes with discussion of Barber’s one-movement orchestral work, Adventure, a television collaboration between CBS and the Museum of Natural History, which is scored for a mixture of recognizable Western instruments and non-Western instruments.