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Journal articles on the topic 'Pierre-Alexandre'

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Published: 4 June 2021
Last updated: 3 February 2022

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1

Paulme, Denise. "Pierre Alexandre, 1922-1994." Cahiers d'études africaines 34, no. 136 (1994): 533–35. http://dx.doi.org/10.3406/cea.1994.1469.

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2

Guillon, Élodie. "Pierre Briant, Alexandre. Exégèse des lieux communs." Anabases, no. 26 (November 1, 2017): 227–29. http://dx.doi.org/10.4000/anabases.6247.

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3

Anson, Edward M. "Pierre Briant. Alexandre: Exégèse des lieux communs." American Historical Review 123, no. 4 (October 1, 2018): 1366–67. http://dx.doi.org/10.1093/ahr/rhy109.

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4

Morales, Xavier. "Pierre Maraval, Alexandre le Grand et les Brahmanes." Revue des sciences religieuses, no. 91/3 (July 1, 2017): 472–73. http://dx.doi.org/10.4000/rsr.3877.

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5

Tolias, George. "Pierre Briant, Alexandre des Lumières. Fragments d’histoire européenne." Historical Review/La Revue Historique 10 (December 13, 2013): 300. http://dx.doi.org/10.12681/hr.316.

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6

Vlassopoulos, Kostas. "Pierre Briant. Alexandre des Lumières: Fragments d'histoire européenne." American Historical Review 119, no. 4 (October 2014): 1345–46. http://dx.doi.org/10.1093/ahr/119.4.1345.

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7

Théorêt, Hugues. "L’abbé Pierre Gravel : Syndicaliste et ultranationaliste by Alexandre Dumas." Labour / Le Travail 77, no. 1 (2016): 267–69. http://dx.doi.org/10.1353/llt.2016.0031.

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8

Morabia, Alfredo. "Pierre-Charles-Alexandre Louis and the Evaluation of Bloodletting." Journal of the Royal Society of Medicine 99, no. 3 (March 2006): 158–60. http://dx.doi.org/10.1177/014107680609900322.

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9

Morabia, A. "Pierre-Charles-Alexandre Louis and the evaluation of bloodletting." Journal of the Royal Society of Medicine 99, no. 3 (March 1, 2006): 158–60. http://dx.doi.org/10.1258/jrsm.99.3.158.

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10

Duport, Jean-Pierre, Guy Burgel, and Alexandre Grondeau. "Jean-Pierre DUPORT s'entretient avec Guy BURGEL et Alexandre GRONDEAU." Villes en parallèle. Documents 4, no. 1 (2008): 66–72. http://dx.doi.org/10.3406/vilpa.2008.1549.

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11

Pihet, Christian. "Canada/États-Unis : les enjeux d’une frontière, Pierre-Alexandre Beylier." Norois, no. 240 (November 30, 2016): 101–2. http://dx.doi.org/10.4000/norois.5963.

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12

Boudon, Jacques-Olivier. "Marie-Pierre Rey. Alexandre Ier. Paris, Flammarion, 2009, 593 p." Annales. Histoire, Sciences Sociales 64, no. 3 (June 2009): 701–2. http://dx.doi.org/10.1017/s0395264900026640.

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13

Ribeiro, Fabio. "verdade em jogo: elementos para uma análise da epistemologia de Pierre Bourdieu." CSOnline - REVISTA ELETRÔNICA DE CIÊNCIAS SOCIAIS, no. 32 (April 19, 2021): 10–24. http://dx.doi.org/10.34019/1981-2140.2020.31141.

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A partir de uma leitura da relação entre a obra de Pierre Bourdieu e figuras centrais da filosofia e história da ciência francesas, como Gaston Bachelard, Georges Canguilhem e Alexandre Koyré, o artigo oferece elementos que permitem o esclarecimento de questões centrais no pensamento do sociólogo. Entre elas, estão a concepção relacional da ciência social, a crítica a um realismo ingênuo e à sociologia espontânea, e a normatividade e o aspecto moral da ciência. O artigo faz parte de um projeto mais amplo de reflexão sobre a concepção da ciência em Pierre Bourdieu.
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14

Redeker, Robert. "Penser après le 11 septembre : Alexandre Adler et Jean-Pierre Dupuy." Les Temps Modernes 622, no. 1 (2003): 164. http://dx.doi.org/10.3917/ltm.622.0164.

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15

Gomes, Marleide da Mota. "French school and World War First: neurological consequences of a frightening time." Arquivos de Neuro-Psiquiatria 73, no. 5 (April 17, 2015): 463–65. http://dx.doi.org/10.1590/0004-282x20150031.

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Some aspects of a dark period in the history of the modern neurology, that of the World War I (WWI), are here remembered, mainly by the neurological French School participation . Some personalities and their works related to the WWI are presented such as Joseph Babinski, Jules Froment, Clovis Vincent, Jules Joseph Dejerine, Augusta Déjérine-Klumpke, Jules Tinel, Pierre Marie, Achille Alexandre Souques, Charles Foix, and Georges Guillain.
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16

Best, M. "Pierre Charles Alexandre Louis: Master of the spirit of mathematical clinical science." Quality and Safety in Health Care 14, no. 6 (December 1, 2005): 462–64. http://dx.doi.org/10.1136/qshc.2005.016816.

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17

Neiiendam, Klaus. "Opéra Comique at the Théâtre Italien." Theatre Research International 13, no. 1 (1988): 44–48. http://dx.doi.org/10.1017/s030788330001422x.

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In 1976 a drawing, today at the Bibliothèque Nationale, by the French artist, Pierre Alexandre Wille (1748–1821) was published in Theatre Research International. The picture is signed and dated: ‘P. A. Wille filius del 1767’ and depicts a performance in the Hôtel de Bourgogne, at that time called the Théâtre Italien or the Comédie Italienne. But the drawing has not yet been analysed, nor has the artist's motif been identified. [Plate I]
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18

Biazotto, Thiago Do Amaral. "Imperialismo macedônio e colonialismo francês: o mundo helenístico de Pierre Jouguet." Classica - Revista Brasileira de Estudos Clássicos 30, no. 1 (October 17, 2017): 139. http://dx.doi.org/10.24277/classica.v30i1.304.

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O helenista francês Pierre Jouguet (1896 – 1949) publicou seu estudo sobre Alexandre Magno e o Mundo Helenístico em 1926. De título L’impérialisme macédonien et l’hellénisation de l’Orient, a obra carrega matizes imperialistas modernos, presentes, em especial, quando Jouguet aborda os contatos culturais entre grego-macedônios e autóctones, limitados, em seu entendimento, a uma inconteste helenização dos últimos. Desta forma, este artigo discutirá a possibilidade de Jouguet projetar os anseios imperialistas da França moderna para o Mundo Antigo, notadamente quando são discutidas as relações culturais e o protagonismo das cidades gregas em sua obra.
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19

Marsan, Benoit. "Dumas, Alexandre, L’abbé Pierre Gravel, syndicaliste et ultranationaliste (Québec, Septentrion, 2014), 309 p." Revue d'histoire de l'Amérique française 69, no. 1-2 (2015): 197. http://dx.doi.org/10.7202/1034597ar.

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20

Sainte-Claire, Linsey. "Régénération et élitisme scolaire sous Alexandre Pétion et Jean-Pierre Boyer (1816–1843)." L'Esprit Créateur 56, no. 1 (2016): 116–28. http://dx.doi.org/10.1353/esp.2016.0004.

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21

Rajotte, David. "Alexandre Dumas, L’abbé Pierre Gravel : syndicaliste et ultranationaliste, Québec, Septentrion, 2014, 320 p." Recherches sociographiques 56, no. 1 (2015): 207. http://dx.doi.org/10.7202/1030283ar.

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22

Rozanoff, Seth. "Sylvain Pohu and Pierre-Alexandre Tremblay: We Make Ourselves […] By Making Each Other […]." Computer Music Journal 41, no. 1 (March 2017): 89–92. http://dx.doi.org/10.1162/comj_r_00400.

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23

Knepper, Claude, Brigitte François-Sappey, and Brigitte Francois-Sappey. "Alexandre Pierre François Boëly, 1785-1855, ses ancêtres, sa vie, son œuvre, son temps." Revue de musicologie 77, no. 1 (1991): 133. http://dx.doi.org/10.2307/947193.

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24

Nicolls, Sarah. "Seeking Out the Spaces Between: Using Improvisation in Collaborative Composition with Interactive Technology." Leonardo Music Journal 20 (December 2010): 47–55. http://dx.doi.org/10.1162/lmj_a_00012.

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This article presents findings from experiments into piano and live electronics undertaken by the author since early 2007. The use of improvisation has infused every step of the process—both as a methodology to obtain meaningful results using interactive technology and as a way to generate and characterize a collaborative musical space with composers. The technology used has included pre-built MIDI interfaces such as the PianoBar, actuators such as miniature DC motors and sensor interfaces including iCube and the Wii controller. Collaborators have included researchers at the Centre for Digital Music (QMUL), Richard Barrett, Pierre Alexandre Tremblay and Atau Tanaka.
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25

Emery, Elizabeth. "Meubles: The Ever Mobile Middle Ages." Medieval Globe 6, no. 1 (2020): 121–54. http://dx.doi.org/10.17302/tmg.6-1.6.

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Medieval furnishings preserved in aristocratic estates and ecclesiastical institutions took on new life in the nineteenth century as the turmoil of the French Revolution reactivated their use value, transforming them into collectibles, fuel, or raw materials for new building projects. This essay relies on the taxonomies of reuse proposed by archaeologist Michael Schiffer to evaluate the preservation, recycling, and repurposing of objects such as medieval choir stalls, chests, and beds by conservators, architects, artists, and collectors Alexandre Du Sommerard, Eugène-Emmanuel Viollet-le-Duc, Albert Jacquemart, Victor Hugo, Pierre Loti, and Frédéric Spitzer. These prominent figures' repurposing of antique furniture mirrors nineteenth-century constructions of the medieval period itself.
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26

Dericquebourg, Régis. "Pierre Yves Brandt, Claude-Alexandre Fournier, (dirs.), La conversion religieuse. Analyses psychologiques, anthropologiques et sociologiques." Archives de sciences sociales des religions, no. 152 (December 31, 2010): 9–242. http://dx.doi.org/10.4000/assr.22653.

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27

Gélinas, Xavier. "Alexandre Dumas. L’abbé Pierre Gravel, syndicaliste et ultranationaliste, Québec, Éditions du Septentrion, 2014, 320 p." Mens: Revue d'histoire intellectuelle et culturelle 16, no. 1 (2015): 165. http://dx.doi.org/10.7202/1038992ar.

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28

Lesage, Samuel-Élie. "Pierre-Alexandre Fradet, Derrida-Bergson – Sur l’immédiateté. Paris, Éditions Hermann (coll. « Philosophie »), 2014, 234 p." Laval théologique et philosophique 70, no. 2 (2014): 392. http://dx.doi.org/10.7202/1029163ar.

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29

Durand, Emmanuel. "Généalogie de la typologie médiévale sur l'innascibilitas du Père. De Pierre Lombard à Alexandre de Halès." Archives d'histoire doctrinale et littéraire du Moyen Âge 74, no. 1 (2007): 7. http://dx.doi.org/10.3917/ahdlm.074.0007.

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30

Warren, Paul. "Ducharme, Olivier et Pierre-Alexandre Fradet. Une vie sans bon sens. Regard philosophique sur Pierre Perrault. Montréal, Nota bene, 2016, 206 p. ISBN 9782895185215." Rabaska: Revue d'ethnologie de l'Amérique française 14 (2016): 242. http://dx.doi.org/10.7202/1037472ar.

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31

Arizaleta, Amaia. "“Les vers sur la pierre. Quelques notes sur le Libro de Alexandre et le Libro de Apolonio”." Troianalexandrina 5 (January 2005): 153–84. http://dx.doi.org/10.1484/j.troia.2.301959.

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32

Karamanou, Marianna, and Georges Androutsos. "Apport de la « méthode numérique » de Pierre-Charles-Alexandre Louis (1787–1872) dans les maladies de poitrine." La Presse Médicale 40, no. 4 (April 2011): 427–31. http://dx.doi.org/10.1016/j.lpm.2010.06.015.

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33

Markov, Aleksandr V. "Complex ekphrasis in Russian poetry: basics of theory and one case." Vestnik of Kostroma State University, no. 2 (2019): 91–97. http://dx.doi.org/10.34216/1998-0817-2019-25-2-91-97.

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Along with a simple ekphrasis, a description of a separate work, we would like to single out a complex ekphrasis, a description of the whole museum hall or museum collection. Such a description implies an intense experience of space and is possible primarily in descriptive lyrics with intense drama. In the complex ekphrasis, one can see the infl uence not only of tastes, but also of artistic criticism ideas of the time. It is proved that the poem "The Escape to Egypt" by Nikolay Zabolotsky (1955) is a complex ekphrasis, which arose under the indirect infl uence of Charles Pierre Baudelaire’s poetry and Alexandre Benois’s artistic criticism, describing the effects of one of the Hermitage halls. The infl uence of the plots presented in this hall of the Hermitage on poetic decisions could also be traced in later poetry.
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34

Chekalov, Kirill A. "Rocambole’s theatrical mission." Vestnik of Kostroma State University, no. 3 (2019): 72–78. http://dx.doi.org/10.34216/1998-0817-2019-25-3-72-78.

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The article deals with the influence of theatrical aesthetics on Pierre Alexis Ponson du Terrail – the famous writer of the French popular literature of the second half of the 19th century. The great connoisseur of the theatre, Viscount of Ponson du Terrail filled his novels – and first of all, an extensive cycle of works about Rocambole – with allusions to the scenic practices of his time (first and foremost, he speaks about Parisian pulp theatres) and plays that had won favour with the commonalty: "Le Chiffonnier de Paris" by Félix Pyat and "La Tour de Nesle" by Alexandre Dumas. On the other hand, performability is a paradigmatic feature of feuilleton. Viscount of Ponson du Terrail was the leading representative of this genre. Particular attention is paid to the production of the play "Rocambole" by Auguste Anicet-Bourgeois and Ernest Blum (1864) and the transformations that the novel text underwent in the stage version.
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35

Marshall, Bill. "Philosopher à travers le cinéma québécois: Xavier Dolan, Denis Côté, Stéphane Lafleur et autres cinéastes. Par Pierre-Alexandre Fradet." French Studies 74, no. 3 (July 1, 2020): 509–10. http://dx.doi.org/10.1093/fs/knaa137.

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36

Girard, Alain, Elie Pélaquier, Richard Pellé, Laurent Vidal, and Anne Jouve. "Le sceau du prieuré conventuel Saint-Pierre de Saint-Saturnin du Port découvert dans le village de Saint-Alexandre (Gard)." Archéologie du Midi médiéval 28, no. 1 (2010): 331–34. http://dx.doi.org/10.3406/amime.2010.1939.

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37

Gétreau, Florence, and Nicolas Sarre. "Les Trois mélodies pour le violoncelle avec accompagnement d'orgue expressif dédiées au Marquis de Corberon par Alexandre-Pierre-François Boëly." Musurgia XX, no. 2 (2013): 79. http://dx.doi.org/10.3917/musur.132.0079.

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38

Baesjou, René. "The Historical Evidence in Old Maps and Charts of Africa with Special Reference to West Africa." History in Africa 15 (1988): 1–83. http://dx.doi.org/10.2307/3171856.

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Early maps and charts of Africa--here defined as those produced before colonial penetration--have seldom been used as a source for historical studies. Generally they are valued more for their decorative qualities than for their geographical content. Jonathan Swift gave form to this viewpoint in his famous --or notorious--lines: So geographers in Afric-mapsWith savage-pictures fill the gapsAnd o'er unhabitable downsPlace elephants for want of townslines which stereotyped the African cartography until today.But it is not only eighteenth century maps that have been exposed to ridicule; those made in colonial times have also been subjected to stinging criticism. For instance, the linguist Pierre Alexandre noticed that on the official map of Cameroun made before independence a certain “Ambababoum” is shown as an important village on the road from Yaoundé to Bafia. However, it does not exist and has never existed within living memory. And, examining another map, he observed that certain peoples who do not exist are mentioned, while others who do exist are omitted.
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39

Arsenault, François. "Olivier Ducharme, Pierre-Alexandre Fradet, Une vie sans bon sens. Regard philosophique sur Pierre Perrault. Préface de Jean-Daniel Lafond. Québec, Éditions Nota Bene (coll. « Philosophie continentale »), 2016, 210 p." Laval théologique et philosophique 72, no. 2 (2016): 362. http://dx.doi.org/10.7202/1039304ar.

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40

Bivar, A. D. H. "The Ancient World - Pierre Briant: Histoire de l'empire perse: de Cyrus à Alexandre. 1248 pp. Paris: Arthème Fayard, 1996. Fr. 280." Bulletin of the School of Oriental and African Studies 60, no. 2 (June 1997): 347–49. http://dx.doi.org/10.1017/s0041977x0003648x.

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41

CHAPIN, KEITH. "ALEXANDRE PIERRE FRANÇOIS BOËLY (1785–1858), SES CONTEMPORAINS ET LE STYLE SÉVÈRE, CONSERVATOIRE À RAYONNEMENT RÉGIONAL DE PARIS, 4–5 DECEMBER 2008." Eighteenth Century Music 6, no. 2 (August 3, 2009): 306–9. http://dx.doi.org/10.1017/s1478570609990340.

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42

Sharples, R. W. "Alexander of Aphrodisias, on Fate - Pierre Thillet: Alexandre d'Aphrodise: Traité du destin. Texte établi et traduit par Pierre Thillet. (Collection Budé.) Pp. clix + 110 (1–76 double). Paris: Les Belles Lettres, 1984." Classical Review 36, no. 1 (April 1986): 33–35. http://dx.doi.org/10.1017/s0009840x0010486x.

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43

Landais Choimet, Monique. "Una lectura sociocrítica de la novela francesa contemporánea No y yo, de Delphine de Vigan." Anuario de Letras Modernas 22 (May 1, 2020): 83–101. http://dx.doi.org/10.22201/ffyl.01860526p.2019.22.1146.

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Elegir es eliminar, pero también es privilegiar y, para este artículo, mi elección recayó en No y yo (2007) de Delphine de Vigan, una novela que se encuentra en la encrucijada de dos tendencias literarias muy estudiadas por Dominique Viart y Alexandre Gefen. El primero de estos dos teóricos franceses ha estado analizando la literatura de campo desde los años 80; el segundo explora la función terapéutica de una práctica escritural que busca reparar al mundo. Esta encrucijada de ópticas en el límite de la producción literaria y de las ciencias humanas y sociales ilustra la facultad de la literatura para organizar encuentros individuales que nos ayudan a comprender mejor el mundo social, sus problemas estéticos y éticos, sus caminos tortuosos e improbables que nos revelan a nosotros mismos y a los demás. A través de la perspectiva sociocrítica de Claude Duchet y Pierre Popovic, este artículo planea dilucidar qué dice la novela sobre el mundo y de qué manera lo dice. Así definida, la lectura sociocrítica toma forma y sentido a medida que se entrelazan el análisis textual y el estudio sociológico de la novela. Este enfoque híbrido captura el espíritu de nuestro tiempo y fomenta una reflexividad crítica.
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44

Wuillème, Tanguy. "Marco Filoni, Le philosophe du dimanche. La vie et la pensée d’Alexandre Kojève │ Alexandre Kojève, Identité et réalité dans le « Dictionnaire de Pierre Bayle »." Questions de communication, no. 19 (June 30, 2011): 319–21. http://dx.doi.org/10.4000/questionsdecommunication.2789.

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45

GAY, Jean-Christophe. "BEYLIER, Pierre-Alexandre (2016) Canada / États-Unis. Les enjeux d’une frontière. Rennes, Presses Universitaires de Rennes, 368 p. (ISBN 978-2-7535-4800-8)." Cahiers de géographie du Québec 60, no. 171 (2016): 608. http://dx.doi.org/10.7202/1041240ar.

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46

Müh, Christine Bouvier. "La société du mépris, Édition établie par Olivier Voirol, textes traduits de l'allemand par Olivier Voirol, Pierre Rusch et Alexandre Dupeyrix, Paris, La Découverte, 2006." La revue lacanienne 13, no. 2 (2012): 121. http://dx.doi.org/10.3917/lrl.122.121.

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47

Brunel-Reeves, Francine. "Le Chemin des savoirs, escale à Saint-Côme. Documentaire québécois de 80 minutes. Réalisation, captation, montage : Pierre-Alexandre Saint-Yves. Médiatrice du patrimoine vivant : Danielle Martineau. Musique : Jean- Simon Blanchet et Pierre-Alexandre Saint-Yves. Coordination, production et distribution : Centre du patrimoine vivant de Lanaudière (Cpvl), Saint-Côme, novembre 2012. Prix Mnemo, décembre 2012." Rabaska: Revue d'ethnologie de l'Amérique française 11 (2013): 278. http://dx.doi.org/10.7202/1018558ar.

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48

Eickmeyer, Jost. ",,…, als habe dort niemals eine Insel gestanden.“ Wolfgang Hildesheimers und Hans Werner Henzes Das Ende einer Welt als Erzählung und Rundfunkoper." Literatur für Leser 38, no. 3 (January 1, 2015): 169–86. http://dx.doi.org/10.3726/90073_169.

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An den Schluss seiner ersten unter dem programmatisch-spöttischen Titel Lieblose Legenden veröffentlichten Prosa-Sammlung setzt Wolfgang Hildesheimer effektvoll Das Ende einer Welt.1 Dem eschatologischen Beiklang der Rede vom Ende wird schon im Titel lakonisch Paroli geboten: Es handelt sich nur um das Ende ,,einer“ Welt, jedoch einer, die in aller hyperbolischen Absurdität2 mit europäischer Kunst und Kultur assoziiert werden kann, deren gewaltsamer Untergang in Diktatur und Krieg den Lesern sowohl 1952 als auch nach der letzten revidierten Publikation 1962 noch deutlich vor Augen gestanden haben dürfte. Das ,,Echte und Bleibende“,3 das die Marchesa di Montetristo (eine schon namentlich gekennzeichnete melancholische Version von Alexandre Dumas’ rachedurstigem Grafen4) auf ihrer künstlichen Insel südöstlich von Murano pflegt, lässt sich als Sammelsurium alteuropäischer Kulturbeflissenheit lesen: an Personen ein Abraham-a-Santa-Clara-Forscher und ein Neo-Mystiker gleichen Namens, eine polnische Tänzerin, die als ,,Doppelbegabung“ (EW, 9) zugleich den Jugendstil erneuert, eine italienische Astrologin, die Kulturgeschichte betreibt, ein womöglich deutsch-italienischer monarchistischer Politiker, ein Schweizerischer Musikforscher (und -fälscher), ein französischer Flötenvirtuose und Nachfahre Jean-Pierre Bérangers, eine vermutlich irische Anhängerin keltischer Folklore. Der Palazzo der Marchesa gleicht äußerlich jenem venezianischen Gebäude, in dem Richard Wagner starb, in seinem Inneren sind gar ,,alle Stilepochen von der Gotik an vertreten“ (EW, 9), ein Cembalo gehörte einst Jean-Philippe Rameau, auch die konzertierende Flöte scheint von historischem Wert;5 Kleidung, Musik und die Säle, in denen sie aufgeführt wird, sind fein aufeinander abgestimmt.
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49

Lewis, I. M. "Report of the Honorary Director for 1986." Africa 57, no. 1 (January 1987): 103–7. http://dx.doi.org/10.1017/s0001972000030849.

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The Institute's fifty-ninth Executive Council meeting took place at the African Studies Centre of the University of Bayreuth in the Federal German Republic in July 1986 following the Centre's annual symposium on the theme of ‘Identity in Africa’. Professor Jacob Ade Ajayi, myself, and Professors Mohamed Omer Beshir and John Paden gave papers at the symposium and Professor Michael Crowder delivered a special public lecture on the current crisis in African Studies (see p. 109). We are very grateful to Professor Helmut Ruppert, Director of Africanistics at Bayreuth, and to our Executive Council member, Professor Franz Rottland, and to Professor and Mrs Christopher Winter and all their colleagues for inviting us to meet at Bayreuth in this very productive fashion and in such congenial company. The meeting served to highlight the continuing international role of the Institute. Professors Martin Njeuma (Cameroon) and Toshinao Yoneyama (Japan) were attending Executive Council for the first time. The following new members were elected to Council: Professor AH Mazrui (Vice-Chairman), Professor Catherine Coquery-Vidrovitch (Consultative Director), Professor J. M. Schoffeleers, Professor Abdoulaye Bara Diop and Dr Steven Moyo. While welcoming Professor Coquery-Vidrovitch as incoming French Consultative Director, warm tribute was paid to her retiring predecessor, Professor Pierre Alexandre, who had for so many years sustained French support for the Institute. The Institute was extremely fortunate to have enjoyed the advice and guidance of a colleague of such distinction and wide-ranging expertise.
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Lock, Eric. "Jean-Claude Martin, Olivier Delémont, Pierre Esseiva, and Alexandre Jacquat (2010). Investigation De Scène De Crime, Fixation De L’état Des Lieux et Traitement Des Traces D’Objets." Policing: A Journal of Policy and Practice 13, no. 1 (October 24, 2017): 116–17. http://dx.doi.org/10.1093/police/pax074.

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