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Books on the topic 'Pierre Beaumarchais'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Pierre-Augustin Caron de Beaumarchais. [Paris]: Fayard, 1999.

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2

Schérer, Jacques. La dramaturgie de Beaumarchais. 4th ed. Paris: Librairie Nizet, 1989.

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3

Beaumarchais and the theatre. London: Routledge, 1995.

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4

Pierre Augustin Caron de Beaumarchais. Le barbier de Séville: (théâtre). Paris: Bordas, 1995.

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5

Thomas, Hugh. Beaumarchais in Seville: An intermezzo. New Haven, CT: Yale University Press, 2007.

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6

C, Spinelli Donald, ed. Beaumarchais and the American Revolution. Lanham, Md: Lexington Books, 2003.

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7

Maîtres et valets: Textes étudiés 'Le Barbier de Séville' et 'Le Mariage de Figaro' de Beaumarchais. [Paris]: Gallimard, 1994.

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8

Beaumarchais, Jean-Pierre de. Pierre-Augustin Caron de Beaumarchais, La folle journée ou Le mariage de Figaro. Paris: Presses universitaires de France, 2005.

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9

Pierre-Augustin Caron de Beaumarchais: La folle journée, ou, le Mariage de Figaro. Paris: Presses universitaires de France, 2005.

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10

Pierre Augustin Caron de Beaumarchais. For the good of mankind: Pierre-Augustin Caron de Beaumarchais political correspondence relative to the American Revolution. Lanham, MD: University Press of America, 1987.

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11

Sterbini, Cesare. Il barbiere di Siviglia: Melodramma buffo in due atti : dalla commedia omonima di Pierre-Augustin Caron de Beaumarchais. Torino: Teatro Regio, 2000.

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12

Corigliano, John. The Ghosts of Versailles: A grand opera buffa in two acts, suggested by La mere coupable of Pierre-Augustin Caron de Beaumarchais. New York: G. Schirmer, 1991.

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13

Howarth, William D. Beaumarchais and the Theatre. Taylor & Francis Group, 2014.

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14

Schérer, Jacques. La Dramaturgie de Beaumarchais. Nizet, 2000.

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15

Thomas, Hugh. Beaumarchais in Seville: An Intermezzo. Yale University Press, 2007.

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16

Thomas, Hugh. Beaumarchais in Seville: An Intermezzo. Yale University Press, 2010.

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17

Thomas, Hugh. Beaumarchais in Seville: An Intermezzo. Yale University Press, 2009.

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18

Thomas, Hugh. Beaumarchais in Seville: An Intermezzo. Yale University Press, 2009.

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19

Figaros Schicksal. Das Leben des Pierre- Augustin Caron de Beaumarchais. Dtv, 2001.

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20

1940-, Robinson Philip, ed. Beaumarchais: Homme de lettres, homme de société. Oxford: P. Lang, 2000.

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21

Lever, Maurice. Pierre Augustin Caron de Beaumarchais, tome 2 : Le Citoyen d'Amérique (1775-1784). Fayard, 2003.

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22

Lütteken, Laurenz. The Depoliticized Drama. Edited by Patricia Hall. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199733163.013.34.

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This chapter examines how Wolfgang Amadé Mozart’s comic opera Le Nozze di Figaro was affected by the practice of censorship during the Josephine Enlightenment. It first discusses three aspects of Le Nozze di Figaro’s genesis as mentioned by Lorenzo Da Ponte: Mozart’s choice of the stage play La folle journée by Pierre Augustin Caron de Beaumarchais; the remarkably quick working out of the score; and permission for performance. It then analyzes the circumstances surrounding the censoring of Beaumarchais’s performance of La folle journée and the opera’s release. It also evaluates freedom of the press and censorship in Austria under Joseph II, who accelerated and radicalized the implementation of reforms in the spirit of a controlled enlightenment. Finally, the chapter considers Beaumarchais’s theory of comedy in which he emphasized the social function of theater, albeit not in the political sense that was claimed in the subsequent reception of Figaro.

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23

undifferentiated, Philip Robinson. Beaumarchais: Homme De Lettres, Homme De Societe (French Studies of the Eighteenth & Nineteenth Centuries). Peter Lang Publishing, 2002.

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24

undifferentiated, Philip Robinson. Beaumarchais: Homme De Lettres, Homme De Societe. Peter Lang Publishing, 2002.

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25

undifferentiated, Philip Robinson. Beaumarchais: Homme De Lettres, Homme De Societe (French Studies of the Eighteenth and Nineteenth Centuries, V. 8). Peter Lang Pub Inc, 2000.

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26

Galens, David. Drama for Students: Presenting Analysis, Context, and Criticism on Commonly Studied Dramas (Drama for Students). Gale Cengage, 2002.

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27

Galens, David. Drama for Students: Presenting Analysis, Context, and Criticism on Common Studies Dramas (Drama for Students). Thomson Gale, 2001.

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28

Drama for Students. Gale Cengage, 2008.

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29

Drama for Students: Presenting Analysis, Context and Critism on Commonly Studied Dramas (Drama for Students). Thomson Gale, 1999.

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30

Drama for Students: Presenting Analysis, Context, and Criticism on Commonly Studied Dramas (Drama for Students). Thomson Gale, 2000.

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31

Galens, David. Drama for Students: Presenting Analysis, Context and Critism on Commonly Studied Dramas (Drama for Students). Thomson Gale, 1999.

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32

Drama for Students: Presenting Analysis, Context and Criticism on Commonly Studied Dramas (Drama for Students) Volume 4. Thomson Gale, 1998.

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33

Galens, David. Drama for Students: Presenting Analysis, Context and Critism on Commonly Studied Dramas (Drama for Students). Thomson Gale, 1999.

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34

David, Galens, ed. Drama for students: Presenting analysis, context and criticism on commonly studied dramas. Farmington Hills, MI: Gale Group, 2000.

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35

Drama for Students: Presenting Analysis, Context and Criticism on Commonly Studied Dramas (Drama for Students). Thomson Gale, 1998.

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36

Galens, David. Drama for Students: Presenting Analysis, Context and Criticism on Commonly Studied Dramas (Drama for Students). Thomson Gale, 2000.

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37

Galens, David. Drama for Students. Thomson Gale, 2003.

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38

Drama for Students: Presenting Analysis, Context, and Criticism on Commonly Studied Dramas (Drama for Students). Gale Cengage, 2003.

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