Relevant bibliographies by topics / Pierre Reverdy

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  1. Journal articles

Academic literature on the topic 'Pierre Reverdy'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 February 2022

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Journal articles on the topic "Pierre Reverdy"

1

Laranjeira, Mário. "Reescrevendo Pierre Reverdy." Cadernos de Literatura em Tradução, no. 1 (October 1, 1997): 71–80. http://dx.doi.org/10.11606/issn.2359-5388.i1p71-80.

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2

STOUT, JOHN C. "‘ICI REVERDIT LA PIERRE’: PIERRE REVERDY AND CONTEMPORARY FRENCH POETICS." French Studies XLVI, no. 4 (1992): 424–33. http://dx.doi.org/10.1093/fs/xlvi.4.424.

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3

STOUT, J. C. "'Ici reverdit la pierre': Pierre Reverdy and Contemporary French Poetics." French Studies 46, no. 4 (1992): 424–33. http://dx.doi.org/10.1093/fs/46.4.424.

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4

Rothwell, Andrew, Bernard McGuirk, Yvan Leclerc, Georges Cesbron, Michel Collot, and Jean-Claude Matthieu. "Pierre Reverdy 1889-1989." Modern Language Review 88, no. 4 (1993): 999. http://dx.doi.org/10.2307/3734492.

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5

Dalmas, Franck. "Pierre Reverdy et les musiciens." Nottingham French Studies 52, no. 3 (2013): 281–95. http://dx.doi.org/10.3366/nfs.2013.0060.

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Recent scholarship on Pierre Reverdy has neglected to study the relationship between Reverdy's poetry and music. The union of the two arts was questioned after André Breton's rejection of it. However, in a tribute to Reverdy back in 1962, composer Henry Barraud shared memories of his encounters with the poet and disclosed the talks they had had on his radio show about transposing poems into music. This article sets out to explore the fragile and little-known connection between Reverdy and music, as documented by his aesthetic debates with musicians such as in the radio broadcast and the unpubl
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6

Russo, Adelaide M. "Selected Poems by Pierre Reverdy." L'Esprit Créateur 33, no. 1 (1993): 125. http://dx.doi.org/10.1353/esp.1993.0060.

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7

Domínguez González, Francisco. "Pierre Reverdy et l'écriture du moi." Çédille 4 (April 1, 2008): 83. http://dx.doi.org/10.21071/ced.v4i.5381.

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Pierre Reverdy ha pasado a la historia literaria como el creador del «Cubismo literario», en gran parte debido a su estrecha amistad con el círculo de pintores del Bateau-Lavoir de Montmartre –especialmente con Juan Gris–, pero también por su novedosa técnica de escritura. Ahora bien, las primeras obras de Reverdy, creadas recién llegado a París desde su Narbona natal, son por completo ajenas a ese método. Sus Poèmes en prose y La Lucarne ovale son la plasmación de sus experiencias cotidianas, que también conocerían su proyección literaria en los escritos L'Imperméable y, sobre todo, Le Voleur
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8

Pratt, Heather. "Pierre Reverdy and His Spanish Contemporaries." Nottingham French Studies 28, no. 2 (1989): 55–65. http://dx.doi.org/10.3366/nfs.1989-2.005.

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9

Cardinal, Roger. "Pierre Reverdy: Reading the Natural Sign." Nottingham French Studies 28, no. 2 (1989): 75–83. http://dx.doi.org/10.3366/nfs.1989-2.007.

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10

Howe, Elisabeth. "The “Cubist” Poetry of Pierre Reverdy." French Review 87, no. 3 (2014): 145–60. http://dx.doi.org/10.1353/tfr.2014.0315.

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