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Journal articles on the topic 'Pierre Reverdy'

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Published: 4 June 2021

Last updated: 12 February 2022

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1

Laranjeira, Mário. "Reescrevendo Pierre Reverdy." Cadernos de Literatura em Tradução, no. 1 (October 1, 1997): 71–80. http://dx.doi.org/10.11606/issn.2359-5388.i1p71-80.

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2

STOUT, JOHN C. "‘ICI REVERDIT LA PIERRE’: PIERRE REVERDY AND CONTEMPORARY FRENCH POETICS." French Studies XLVI, no. 4 (1992): 424–33. http://dx.doi.org/10.1093/fs/xlvi.4.424.

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3

STOUT, J. C. "'Ici reverdit la pierre': Pierre Reverdy and Contemporary French Poetics." French Studies 46, no. 4 (1992): 424–33. http://dx.doi.org/10.1093/fs/46.4.424.

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4

Rothwell, Andrew, Bernard McGuirk, Yvan Leclerc, Georges Cesbron, Michel Collot, and Jean-Claude Matthieu. "Pierre Reverdy 1889-1989." Modern Language Review 88, no. 4 (1993): 999. http://dx.doi.org/10.2307/3734492.

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5

Dalmas, Franck. "Pierre Reverdy et les musiciens." Nottingham French Studies 52, no. 3 (2013): 281–95. http://dx.doi.org/10.3366/nfs.2013.0060.

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Recent scholarship on Pierre Reverdy has neglected to study the relationship between Reverdy's poetry and music. The union of the two arts was questioned after André Breton's rejection of it. However, in a tribute to Reverdy back in 1962, composer Henry Barraud shared memories of his encounters with the poet and disclosed the talks they had had on his radio show about transposing poems into music. This article sets out to explore the fragile and little-known connection between Reverdy and music, as documented by his aesthetic debates with musicians such as in the radio broadcast and the unpubl

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6

Russo, Adelaide M. "Selected Poems by Pierre Reverdy." L'Esprit Créateur 33, no. 1 (1993): 125. http://dx.doi.org/10.1353/esp.1993.0060.

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7

Domínguez González, Francisco. "Pierre Reverdy et l'écriture du moi." Çédille 4 (April 1, 2008): 83. http://dx.doi.org/10.21071/ced.v4i.5381.

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Pierre Reverdy ha pasado a la historia literaria como el creador del «Cubismo literario», en gran parte debido a su estrecha amistad con el círculo de pintores del Bateau-Lavoir de Montmartre –especialmente con Juan Gris–, pero también por su novedosa técnica de escritura. Ahora bien, las primeras obras de Reverdy, creadas recién llegado a París desde su Narbona natal, son por completo ajenas a ese método. Sus Poèmes en prose y La Lucarne ovale son la plasmación de sus experiencias cotidianas, que también conocerían su proyección literaria en los escritos L'Imperméable y, sobre todo, Le Voleur

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8

Pratt, Heather. "Pierre Reverdy and His Spanish Contemporaries." Nottingham French Studies 28, no. 2 (1989): 55–65. http://dx.doi.org/10.3366/nfs.1989-2.005.

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9

Cardinal, Roger. "Pierre Reverdy: Reading the Natural Sign." Nottingham French Studies 28, no. 2 (1989): 75–83. http://dx.doi.org/10.3366/nfs.1989-2.007.

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10

Howe, Elisabeth. "The “Cubist” Poetry of Pierre Reverdy." French Review 87, no. 3 (2014): 145–60. http://dx.doi.org/10.1353/tfr.2014.0315.

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11

Chol, Isabelle. "Pierre reverdy, à vers libre rime libre." Poétique 145, no. 1 (2006): 99. http://dx.doi.org/10.3917/poeti.145.0099.

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12

Geinoz, Philippe. "Pierre Reverdy et la statique du poème." Poétique 151, no. 3 (2007): 349. http://dx.doi.org/10.3917/poeti.151.0349.

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13

Kenny, Robert V. "Post Script Trois Inédits De Pierre Reverdy." Nottingham French Studies 28, no. 2 (1989): 124. http://dx.doi.org/10.3366/nfs.1989-2.011.

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14

Gallet, Olivier. "Avant-propos : Pierre Reverdy dans la « tradition moderne »." Littérature 183, no. 3 (2016): 5. http://dx.doi.org/10.3917/litt.183.0005.

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15

WORTON, M. J. "Review. Pierre Reverdy 1889-1989. McGuirk, Bernard (ed.)." French Studies 50, no. 3 (1996): 355. http://dx.doi.org/10.1093/fs/50.3.355.

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16

Serrano De La Torre, José Miguel. "Sobre estética y poética cernudianas. Unas notas desde la lectura de Pierre Reverdy." Revista de literatura 65, no. 129 (2003): 167–97. http://dx.doi.org/10.3989/revliteratura.2003.v65.i129.168.

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17

Linarès, Serge. "Leçons de proses : sur Max Jacob et Pierre Reverdy." Les Cahiers Max Jacob 17, no. 1 (2017): 116–34. http://dx.doi.org/10.3406/maxja.2017.1091.

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18

Hugotte, Valéry. "« Vertige de la proximité » : Pierre Reverdy et Jacques Dupin." Littérature 183, no. 3 (2016): 107. http://dx.doi.org/10.3917/litt.183.0107.

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19

Audet, Jacques. "« L’acier des minutes » : le temps dans un poème de Pierre Reverdy." Études françaises 33, no. 2 (2006): 91–109. http://dx.doi.org/10.7202/036070ar.

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Résumé Bien que célébré pour ses réflexions sur le cubisme et sa définition de l'image, Pierre Reverdy s'est davantage intéressé aux rapports entre le réel et le poème d'une part, entre le temps et le sujet d'autre part. La lecture du poème « Le temps et moi » fait apparaître certains recoupements entre le temps discursif et le temps tel qu'il est objectivé dans le poème et dans les écrits réflexifs. De plus, l'ordre même des mots dans les vers, l'ordre des vers dans le poème et la place du poème dans le livre montrent une signifiance de l'écriture par l'orientation et la vectorisation de la s

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20

Puff, Jean-Francois. "Le travail du sujet dans la poésie de Pierre Reverdy." Littérature 183, no. 3 (2016): 40. http://dx.doi.org/10.3917/litt.183.0040.

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21

Linarès, Serge. "Images de la poésie : les recueils illustrés de Pierre Reverdy." Revue d'histoire littéraire de la France 107, no. 1 (2007): 181. http://dx.doi.org/10.3917/rhlf.071.0181.

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22

CARDINAL, R. "Review. Textual Spaces: The Poetry of Pierre Reverdy. Rothwell, Andrew." French Studies 46, no. 3 (1992): 357. http://dx.doi.org/10.1093/fs/46.3.357.

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23

Zubiate, Jean-Pierre. "Pierre Reverdy et le Livre de mon bord : du fragment à l’œuvre." Littératures 46, no. 1 (2002): 141–71. http://dx.doi.org/10.3406/litts.2002.2190.

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24

Houppermans, Sjef. "Reverdy entre poésie et peinture. Cubisme et paragone dans les écrits sur l’art (1912-1926) de Pierre Reverdy, par Dorine Gorter." RELIEF - REVUE ÉLECTRONIQUE DE LITTÉRATURE FRANÇAISE 11, no. 1 (2017): 132. http://dx.doi.org/10.18352/relief.957.

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25

Dalmas, Franck. "Un inédit de Pierre Reverdy sur la critique d’art: “Préexcellence de la poésie”." Studi Francesi, no. 186 (LXII | III) (December 1, 2018): 455–68. http://dx.doi.org/10.4000/studifrancesi.14607.

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26

Mahrer, Christophe Imperiali et Rudolf. "Pierre Reverdy, Les Ardoises du toit (Paris, Paul Birault, 1918), exemplaire corrigé par l’auteur." Genesis, no. 44 (May 9, 2017): 165–80. http://dx.doi.org/10.4000/genesis.1783.

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27

Van Der Linde, R. "Les degrés de froid et de fièvre et la théorie littéraire de Pierre Reverdy." Neophilologus 70, no. 2 (1986): 185–93. http://dx.doi.org/10.1007/bf00553313.

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28

Meyer Minnemann, Klaus. "Rose Corral, Anthony Stanton y James Valender (eds.), Laboratorios de lo nuevo. Revistas literarias y culturales de México, España y el Río de la Plata en la década de 1920. El Colegio de México, México, 2018; 451 pp." Nueva Revista de Filología Hispánica (NRFH) 68, no. 2 (2020): 803–9. http://dx.doi.org/10.24201/nrfh.v68i2.3665.

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Revistas de literatura, artes plásticas y de música no sólo acompañaban los movimientos de vanguardia de la primera mitad del siglo veinte, hoy llamados históricos, sino los plasmaban y expresaban. Su número es abrumador, tanto en Europa como en América. En su imprescindible panorama de las vanguardias, Serge Fauchereau, colocando al expresionismo alemán (o, mejor dicho, de lengua y cultura alemanas) a la cabeza del surgimiento y evolución de las avant-gardes históricas, señala algunas revistas al respecto como Der Sturm (1910-1932), de Herwart Walden, o Die Aktion (1911-1932), de Franz Pfemfe

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29

Renouprez, Martine. "UNE CRISE DE LA MODERNITÉ EN POÉSIE : de l’impuissance de Pierre Reverdy à l’auto-annulation de Danielle Collobert." RELIEF - REVUE ÉLECTRONIQUE DE LITTÉRATURE FRANÇAISE 11, no. 2 (2017): 1. http://dx.doi.org/10.18352/relief.977.

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30

Betz, Dorothy M. "Andrew Rothwell.Textual Spaces: The Poetry of Pierre Reverdy. (Faux Titre, 42.) Amsterdam and Atlanta: Rodopi, 1989. 309pp. $45." Romance Quarterly 38, no. 3 (1991): 380–81. http://dx.doi.org/10.1080/08831157.1991.9924969.

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31

Hattendorf, Richard L. "The Aesthetics of the Visual and the Verbal: Successful Interference in Pierre Reverdy and Juan Gris'sAu Soleil du Plafond." Symposium: A Quarterly Journal in Modern Literatures 48, no. 2 (1994): 91–104. http://dx.doi.org/10.1080/00397709.1994.10733778.

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32

Merello, Ida. "Relire l’‘‘Éducation sentimentale’’, textes réunis et présentés par Pierre Glaudes et Eléonore Reverzy." Studi Francesi, no. 186 (LXII | III) (December 1, 2018): 519–21. http://dx.doi.org/10.4000/studifrancesi.15690.

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33

Azérad, Hugo. "Parisian Literary Fields: James Joyce and Pierre Reverdy's Theory of the Image." Modern Language Review 103, no. 3 (2008): 666. http://dx.doi.org/10.2307/20467904.

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34

Rothwell, Andrew. "The ‘Querelle du poème en prose’: Pierre Reverdy's Polemical Portraits of Max Jacob, 1915–1925." Nottingham French Studies 31, no. 1 (1992): 51–66. http://dx.doi.org/10.3366/nfs.1992.005.

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35

Yazbeck, Natacha. "The Karbalization of Lebanon: Karbala as lieu de mémoire in Hezbollah’s Ashura narrative." Memory Studies 11, no. 4 (2017): 469–82. http://dx.doi.org/10.1177/1750698017703807.

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This article draws on the unique backdrop of Lebanese sociopolitical history to explore a lieu de mémoire that figures centrally in the rhetoric of Hezbollah around Ashura, the 10th night of the commemoration of Imam Hussein’s death at Karbala. Using an analysis of the speeches of Hezbollah Secretary General Hassan Nasrallah on Ashura, this article examines the party’s rhetoric around the battle of Karbala, and the revered leader’s death, through the three dimensions of lieux de mémoire as identified by Pierre Nora, paying particular attention to the role of mediatization in the materiality of

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36

ROTHWELL, ANDREW. "CUBISM AND THE AVANT-GARDE PROSE-POEM: FIGURAL SPACE IN PIERRE REVERDY'S AU SOLEIL DU PLAFOND." French Studies XLII, no. 3 (1988): 302–19. http://dx.doi.org/10.1093/fs/xlii.3.302.

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37

ROTHWELL, A. "Cubism and the Avant-Garde Prose-Poem: Figural Space in Pierre Reverdy's Au Soleil du plafond." French Studies 42, no. 3 (1988): 302–19. http://dx.doi.org/10.1093/fs/42.3.302.

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38

Groshong, Richard H., and Ken Kittleson. "Eastern Boulder-Weld fault zone, Colorado: A gravity slide with pop-up structures." Mountain Geologist 57, no. 3 (2020): 177–98. http://dx.doi.org/10.31582/rmag.mg.57.3.177.

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The Boulder-Weld fault zone, located southeast of Boulder, Colorado, is about 10 km (6 mi) wide, 34 km (21 mi) long, and involves at least 335 m (1100 ft) of upper Cretaceous sedimentary rocks. It affects the Cretaceous upper Pierre Shale, Fox Hills Sandstone, and the coal–bearing lower Laramie Formation. This study is a detailed examination of the eastern portion of the fault zone which consists of undisturbed areas separated by three long, narrow, fault-bounded uplifts that have received a variety of interpretations over the years. The fault zone geometry is determined from 21 closely spaced

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39

Williams, Monnica T., Matthew D. Skinta, and Renée Martin-Willett. "After Pierce and Sue: A Revised Racial Microaggressions Taxonomy." Perspectives on Psychological Science 16, no. 5 (2021): 991–1007. http://dx.doi.org/10.1177/1745691621994247.

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Harvard psychiatrist Chester Pierce’s conception of “subtle and stunning” daily racial offenses, or microaggressions, remains salient even 50 years after it was introduced. Microaggressions were defined further by Sue and colleagues in 2007, and this construct has found growing utility as the deleterious effects of microaggressions on the health of people of color continues to mount. Many studies seek to frame microaggressions in terms of a taxonomic analysis of offender behavior to inform the assessment of and interventions for the reduction of racial microaggressions. This article proposes a

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40

Wagner, Christiane. "Kitsch, reminiscências estéticas e Jeff Koons." Revista Visuais 2, no. 2 (2016): 64–80. http://dx.doi.org/10.20396/visuais.v2i2.11948.

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É Kitsch, desde que desmedido quanto ao argumento emotivo na praxis cultural, pelas adaptações, ao fazer da arte um produto de consumo, que coincide com a sacralização da arte e conduz a estética, quer na literatura, na pintura ou na música, à reflexão sobre o Kitsch na atualidade. A este propósito, acrescenta-se à filosofia hegeliana as reflexões socioculturais de Theodor W. Adorno, Walter Benjamin e, as mais recentes, de Pierre Bourdieu, Niklas Luhmann e Konrad Paul Liessmann para as pesquisas em estética sobre o conceito Kitsch. E, ao complexo assunto, considera-se, sobretudo, a relação ent

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41

Zakus, Dwight H. "The International Olympic Committee: Tragedy, Farce, and Hypocrisy." Sociology of Sport Journal 9, no. 4 (1992): 340–53. http://dx.doi.org/10.1123/ssj.9.4.340.

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Many IOC actions have led to results that could be described as tragedy and farce. By comparing the presidency of Pierre de Coubertin with that of Avery Brundage, and comparing the decisions made in the denial of Jim Thorpe’s victories with the suspension of Karl Schranz, it is possible to see examples of tragedy and farce in the history of the Olympic movement. Further, it becomes possible to see how some of these actions and decisions have become hypocritical. The notion of hypocrisy is contained in Hoberman’s idea of “amoral universalism.” Several times the IOC has had to reverse its decisi

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42

Rumyantsev, D. V., L. V. Krupnov, R. V. Starykh, R. A. Marchuk, and V. B. Fomichev. "Using shell-type tuyeres at Pierce–Smith horizontal converters of the Nadezhda Metallurgical Plant." Izvestiya Vuzov Tsvetnaya Metallurgiya (Universities Proceedings Non-Ferrous Metallurgy) 1, no. 1 (2021): 16–27. http://dx.doi.org/10.17073/0021-3438-2021-1-16-27.

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Since 2015 the processing capacity reconfiguration at the Polar Branch of MMC Norilsk Nickel (hereinafter PB) sets new goals for conventional pyrometallurgical processes of smelting and converting. The design flowsheet of Kolesnikov Nadezhda Metallurgical Abstract: Plant (hereinafter NMP) provided for «cross-converting» when copper matte was first processed in one converter to produce blister copper followed by nickel matte processing to yield copper-nickel converter matte bypassing the discharge of dry coagulated slag. This flowsheet allowed for converter heat balance optimization, decreasing

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43

Simón, J. L., and A. Soriano. "Diapiric deformations in the Quaternary deposits of the central Ebro Basin, Spain." Geological Magazine 123, no. 1 (1986): 45–57. http://dx.doi.org/10.1017/s0016756800026522.

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AbstractFrom a study of 24 outcrops in Neogene and Quaternary deposits of the central Ebro Basin, a number of diapiric deformations have been recognized, two principal types being differentiated: domal or pillow structures, and piercement or intrusive structures. The former are incipient diapirs of gypsum. Piercing structures have reverse faulted contacts not caused by halokinesis; here Neogene marls are the active plastic material, contrasting with the competent behaviour of gypsum. These intrusive structures are viscous diapirs which easily pierce the non-consolidated, low strength Quaternar

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44

Orr, Mary. "Relire ‘L’Éducation sentimentale’. Sous la direction de Pierre Glaudes et Éléonore Reverzy Histoire d’un jeune homme: une lecture de ‘L’Éducation sentimentale’. Par François Vanoosthuyse." French Studies 73, no. 2 (2019): 299–301. http://dx.doi.org/10.1093/fs/knz069.

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45

Hawarey, M. "Travelling ionospheric disturbance over California mid 2000." Nonlinear Processes in Geophysics 13, no. 1 (2006): 1–7. http://dx.doi.org/10.5194/npg-13-1-2006.

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Abstract. In this paper, the GPS data collected by more than 130 permanent GPS stations that belong to the Southern California Integrated GPS Network (SCIGN) around the launch of a Minuteman-II missile on 8 July 2000 (UTC) is processed to reveal traveling ionospheric disturbance (TID) all over the network on average 15 min after the launch. This TID was initially perceived to be excited by the launch itself, but this conclusion is challenged by the propagation direction. This is because this TID seems to travel towards the air force base from where the launch took place, not far away from it.

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46

Huang, Zhipeng, Phyllis A. Rundell, Xiong Guan, and Charles A. Powell. "Detection and Isolate Differentiation of Citrus tristeza virus in Infected Field Trees Based on Reverse Transcription-Polymerase Chain Reaction." Plant Disease 88, no. 6 (2004): 625–29. http://dx.doi.org/10.1094/pdis.2004.88.6.625.

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Reverse transcription-polymerase chain reaction (RT-PCR) was compared with enzyme-linked immunosorbent assay (ELISA) and direct tissue blot immunoassay (DTBIA) for detection of non-decline-inducing and decline-inducing isolates of Citrus tristeza virus (CTV) in 21 field sweet orange and grapefruit plants on sour orange rootstock in Fort Pierce, FL. Among these samples, seven, six, and eight were infected with decline-inducing, non-decline-inducing, and both decline-inducing and non-decline-inducing isolates of CTV, respectively. However, there was not a good correlation between field symptoms

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47

M. Parés, Josep, and Avto Goguitchaichvili. "On the earliest human occupation in Europe: Paleomagnetic constraints." Geofísica Internacional 40, no. 3 (2001): 239–42. http://dx.doi.org/10.22201/igeof.00167169p.2001.40.3.325.

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Se ha realizado un estudio paleomagnético detallado en el sitio arqueológico de Dmanissi (República de Georgia, Caúcaso) con el fin de esclarecer la posición relativa del sitio en el marco cronológico del Plio-Pleistoceno. Un total de 27 núcleos paleomagnéticos fueron obtenidos a lo largo de un perfil en la localidad donde una mandíbula humana fue encontrada. Quince direcciones características de magnetización remanente (ChRM) fueron utilizadas para determinar la polaridad magnética de las unidades estudiadas. En la mayoría de las muestras es evidente la presencia de una fuerte magnetización s

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48

Danthi, Pranav, Takeshi Kobayashi, Geoffrey H. Holm, Mark W. Hansberger, Ty W. Abel, and Terence S. Dermody. "Reovirus Apoptosis and Virulence Are Regulated by Host Cell Membrane Penetration Efficiency." Journal of Virology 82, no. 1 (2007): 161–72. http://dx.doi.org/10.1128/jvi.01739-07.

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ABSTRACT Apoptosis plays an important role in the pathogenesis of reovirus encephalitis and myocarditis in infected animals. Differences in apoptosis efficiency displayed by reovirus strains are linked to the viral μ1-encoding M2 gene segment. Studies using pharmacologic inhibitors of reovirus replication demonstrate that apoptosis induction by reovirus requires viral disassembly in cellular endosomes but not RNA synthesis. Since the μ1 protein functions to pierce endosomal membranes during this temporal window, these findings point to an important role for μ1 in activating signaling pathways

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49

Joubert, Antoine, Fanny Andry, Antoine Bertolotti, et al. "Distinguishing non severe cases of dengue from COVID-19 in the context of co-epidemics: A cohort study in a SARS-CoV-2 testing center on Reunion island." PLOS Neglected Tropical Diseases 15, no. 4 (2021): e0008879. http://dx.doi.org/10.1371/journal.pntd.0008879.

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Background As coronavirus 2019 (COVID-19) is spreading globally, several countries are handling dengue epidemics. As both infections are deemed to share similarities at presentation, it would be useful to distinguish COVID-19 from dengue in the context of co-epidemics. Hence, we performed a retrospective cohort study to identify predictors of both infections. Methodology/Principal findings All the subjects suspected of COVID-19 between March 23 and May 10, 2020, were screened for COVID-19 within the testing center of the University hospital of Saint-Pierre, Reunion island. The screening consis

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50

K., Lia Marlia, Yasmar Alfa, Iesje Martiza, and Dwi Prasetyo. "Prevalence of HBsAg positive among non- immunized junior high school students in Bandung." Paediatrica Indonesiana 47, no. 6 (2007): 252. http://dx.doi.org/10.14238/pi47.6.2007.252-5.

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Background Sero-epidemiologic survey of hepatitis B is used todetermine the prevalence of hepatitis B infection in community,particularly among population which has not been covered byhepatitis B immunization program.Objective To determine the prevalence of HBsAg positive amongjunior high school’s students in Bandung.Methods A cross-sectional study was conducted on junior high school(SMP) students. Subjects were selected randomly using stratifiedcluster sampling of 4 junior high schools in Bandung. The inclusioncriteria were students of first and second grade, lived in Bandungarea, without his

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