Academic literature on the topic 'Pierre S'

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Journal articles on the topic "Pierre S"

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Heim, Gerhard. "Pierre Janet." PiD - Psychotherapie im Dialog 18, no. 03 (September 2017): 34–37. http://dx.doi.org/10.1055/s-0043-111285.

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Halkin, François. "Vie brève de S. Pierre l'Athonite." Analecta Bollandiana 106, no. 3-4 (December 1988): 249–55. http://dx.doi.org/10.1484/j.abol.4.03225.

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Gangopadhyay, Noopur, Derick Mendonca, and Albert Woo. "Pierre Robin Sequence." Seminars in Plastic Surgery 26, no. 02 (May 2012): 076–82. http://dx.doi.org/10.1055/s-0032-1320065.

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Fimelsberg, Jost Künzli von. "Laudatio für Pierre Schmidt." Zeitschrift für Klassische Homöopathie 18, no. 03 (April 2, 2007): 93–95. http://dx.doi.org/10.1055/s-2006-937621.

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Valentin, Jean-Marie. "Pierre Corneille en Allemagne (XVIIe-XIXe s.)." Dix-septième siècle 243, no. 2 (2009): 307. http://dx.doi.org/10.3917/dss.092.0307.

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Vicari, F. "La santé plan(s) Jean-Pierre Bader." Acta Endoscopica 30, no. 2 (April 2000): XXVII. http://dx.doi.org/10.1007/bf03022285.

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Ritter, Hans. "Bemerkungen zur Enzyklopädie Pierre Vanniers." Allgemeine Homöopathische Zeitung 206, no. 06 (April 13, 2007): 349–55. http://dx.doi.org/10.1055/s-2006-935050.

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Vezzoni, Aldo, Daniel Damur, and Daniel Koch. "Pierre M. Montavon (1949–2018)." Veterinary and Comparative Orthopaedics and Traumatology 31, no. 06 (November 2018): 495–96. http://dx.doi.org/10.1055/s-0038-1675553.

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Künzli von Fimmelsberg, Jost. "Wie Pierre Schmidt die Homöopathie lehrte." Zeitschrift für Klassische Homöopathie 47, S1 (April 2003): 5–7. http://dx.doi.org/10.1055/s-2003-38971.

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Bacher, M., A. Linz, W. Buchenau, J. Arand, M. Krimmel, C. Poets, and C. Poets. "Therapeutisches Vorgehen bei Pierre-Robin-Sequenz." Laryngo-Rhino-Otologie 89, no. 10 (October 2010): 621–29. http://dx.doi.org/10.1055/s-0030-1265140.

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Dissertations / Theses on the topic "Pierre S"

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EHETSHA, OKITEMBO GODELIEVE. "Regards croises entre blancs et noirs, de pierre loti (fin xixe s. ) a ahmadou kourouma (fin xxe s. )." Université Marc Bloch (Strasbourg) (1971-2008), 1998. http://www.theses.fr/1998STR20080.

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Nous avons voulu analyser, a travers le genre romanesque, le mecanisme reducteur du portrait de l'homme noir et son milieu naturel (premiere partie). Ce portrait ne pouvait etre pose sans appeler la reaction des personnages concernes (deuxieme partie), reaction qui a engendre le troisieme moment : celui de la modernite, ou l'on verra s'elaborer une nouvelle image du negre, faisant l'objet du nouveau regard francais (troisieme partie). Le regard du blanc, de 1881 a 1935 est presente en trois chapitres differents. 1. L'image du continent africain qui est percu a travers le decor et le milieu naturel, la faune et la flore africaines. Tout est desertique et chaotique : terre de soleil et de mort, terre inhospitaliere, peuplee d'animaux sinistres et sauvages. 2. Les peuples noirs qui habitent ces milieux inhospitaliers, ressemblent aux singes. Ils sont bizarres, laids, superstitieux et quotidiennement nus. 3. Le folklore et l'esthetique des romans coloniaux et exotiques. Les noirs, simiesques et sauvages, aiment la palabre, le tam-tam, la danse, ils parlent le langage << petit negre >>. Ces uvres ont une structure << ouverte >>, << libre >>, ne repondant a aucune norme traditionnelle du roman classique. La reaction du noir, de 1921 a 1960. Est exprimee en 3 chapitres egalement. 4. La defaite du heros (jeune ou vieux) au contact de l'occident. 5. La rehabilitation des valeurs africaines : l'eloge est faite a la tradition ancestrale ; l'accent est mis sur la femme africaine en milieu traditionnel, mais ouverte vers l'avenir, vers le progres. Ce chapitre etudie egalement l'influence trop grande des textes de la litterature orale sur les romans africains. 6. L'eloge a la modernite : le heros africain, insatisfait au village, (voir tableau 2, page 255), tourne le dos a la tradition et manifeste son desir d'independance et de liberte, son gout a l'emancipation. Le nouveau regard francais sur l'afrique et les africains, de 1960 a 1970, se caracterise d'abord par : 7. La stagnation de l'opinion (portrait encore negatif du continent et de l'homme noirs) ; ensuite par : 8. L'evolution des mentalites du blanc sur le noir. Apres le mouvement de la negritude, la deuxieme guerre mondiale et surtout apres l'independance africaine, le romancier francais a revise son comportement, change sa vision et son vocabulaire a l'egard du noir, devenu le partenaire, le civilise, l'evolue.
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Cottin-Rack, Myriam. "The Twenty-Four Matinées by Pierre Gaviniés." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1194115504.

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Kane, Maurice J., and n/a. "New Zealand�s adventure culture : In Hillary�s steps : a Bourdieusian exploration." University of Otago. Department of Tourism, 2009. http://adt.otago.ac.nz./public/adt-NZDU20090422.141858.

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Historically adventure has been associated with successful, yet, dangerous endeavours that expand the knowledge, wealth, reputation, or safety of society. Previous research would suggest that the practices and stories of adventure have guided and benchmarked societal morals and ideas considered common �truths�. In New Zealand, society�s understandings of adventure are entwined with a mythologised cultural identity based on the egalitarian minded and physically active, outdoor pioneering male. These ideals were complimented and presented as a global representation of New Zealand by Sir Edmund Hillary�s successful climb of Mount Everest in 1953. The purpose of this thesis is to examine New Zealand�s understandings of adventure since 1953. The thesis centres its enquiry on a group of individuals who have obtained social distinction as adventurers, seeking to scrutinize in their adventure practice and narratives, adventure understandings that are legitimised or invalidated. Sociologist Pierre Bourdieu�s theoretical concepts guide the enquiry approach. Bourdieu sought to transcend the false antinomy of sociology that presented dualist perspectives, such as the individual and society, conceptualising all practice in a dynamic matrix of relational social space. The individuals with distinction as adventurers personify the socially recognised and valued features of adventure. Equally, however, an amalgamation of features does not infer a definitive understanding. The substance of understandings, Bourdieu suggests, is in the relational strategies, consistencies, transformations, and knowing misrecognitions that frame the features of a practice in a social space. The research process adopted to examine the adventure understandings was a biographical narrative approach. The contention of this approach being, that in stories of life experience individuals with adventure distinction construct self and social meaning. The published autobiographical adventure narratives, media interviews, and related accounts of 12 New Zealand adventurers provided the initial research material. Additionally, nine of the adventurers took part in research interviews. The interpretation of the research material was framed by three of Bourdieu�s prominent conceptual ideas; the development of �habitus�, the struggle for �capital� in the field of adventre and the legitimacy of �distinction�. This interpretation was facilitated by theories related to adventure and leisure practice, the risks and contexts of adventure, and to individual, subcultural, and social identity. By applying a Bourdieusian lens on the practice and narratives of New Zealand adventurers with distinction, this thesis illuminates new aspects of New Zealand�s cultural understandings of adventure. It revealed a contested and relational struggle to have some practices legitimised as adventure and others devalued as contrived common thrills, or fortuitously survived reckless epics. A practice that typifies the thrill spectrum is �Bungy Jumping�, the contemporary global representation of adventure in New Zealand. In regard of epic practices, topical through the period of adventure interviews was the 2004 motion picture �Touching the Void�. Although this involved English climbers in South America in the 1980s, it has retained global prominence as a modern adventure/survival epic. The interpretation of this contested adventure space details the valued and recognised features that construct New Zealand�s understandings of adventure. The findings also provide an empirical basis for the equally valued misrepresented adventure understandings related to injury, exclusivity, and normalisation of practice. Additionally, the research interpretation indicates the potential for transformation of adventure understandings. Finally, although the study is situated within a specific social and historical context, it contributes to the on-going exchange of meanings about adventure, especially in relation to outdoor practice, in contemporary society.
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Bouchard, Valérie. "Regard(s) de collectionneurs : la collection Pierre et Annie Cantin, trajectoires recomposées et dynamiques affectives." Doctoral thesis, Université Laval, 2021. http://hdl.handle.net/20.500.11794/69593.

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La constitution d'une collection privée résulte d'un engagement à long terme et relève de choix personnels qui reposent sur des critères que se fixent les collectionneurs eux-mêmes. Pour Pierre et Annie Cantin, qui amorcent dans les années 1960 une collection qui comprendra, à terme, plus de 5 000 objets, ce projet s'articule autour d'une volonté de sauvegarder le patrimoine pour les générations futures. L'origine du projet est étroitement liée à l'acquisition et à la restauration du manoir de Charleville, à Boischatel, où le couple habite, entouré de ses objets, et projette d'ouvrir un musée d'arts et tradition, qui ne verra finalement jamais le jour. En 2007, Pierre et Annie Cantin offrent la majeure partie de leur collection au Musée de la civilisation, à Québec, peu de temps avant le décès du collectionneur. L'institution conserve aujourd’hui quelque 1 800 objets de cette collection privée, en faisant dorénavant un bien collectif. Afin de mieux comprendre les dynamiques à l'œuvre dans la démarche de collectionnement de Pierre et d'Annie Cantin, cette thèse explore le processus d'attribution de valeurs qui a orienté la constitution de l'ensemble et interroge l'influence de l'affectivité à toutes les étapes de la démarche. Pour ce faire, nous proposons d'interroger la collection comme un lieu de dialogue entre une rationalité savante dont le couple se réclame et la part d'affectivité dont les objets se trouvent investis. En nous inspirant d'une démarche que Véronique Dassié (2010) qualifie d'« ethnologie de l'intime », nous proposons un regard ethnologique sur la pratique de collectionnement qui s'appuie en grande partie sur le témoignage de la collectionneuse qui en est à l'origine, mais également sur l'analyse matérielle des objets offerts au Musée de la civilisation. De cette démarche ont émergé un ensemble de récits qui forment le cœur de l'analyse. À l'intersection des objets et du discours à leur propos se profile le regard singulier que pose la collectionneuse sur son ensemble. Son témoignage offre une rare occasion d'explorer la nature de la relation qui unit les collectionneurs à leurs objets. Il rend compte du regard rétrospectif qu'elle pose sur sa démarche et révèle les différentes valeurs dont les objets sont investis au fil de leurs parcours biographiques. Émergent dès lors les histoires que la collection permet de raconter, certaines témoignant d'un passé collectif, d'autres ancrées plutôt dans des souvenirs personnels que la vue des objets évoque et qui dévoilent des fragments de la vie quotidienne, voire intime, de Pierre et d'Annie Cantin.
Private collections are the result of collectors' long-term commitment, and their development is guided by personal choices and criteria decided upon by collectors themselves. Pierre and Annie Cantin, who began collecting in the 1960s and whose collection would eventually include upwards of 5,000 artifacts, saw collecting as a means to safeguard Quebec's cultural heritage for future generations. The acquisition and restauration, by the collectors, of the manoir de Charleville in Boischatel, where the couple lived surrounded by their objects, played a major role in instigating the couple's collecting practice. Their dream of one day opening a museum of popular arts and traditions in this residence, however, never materialized. In 2007, shortly before Pierre Cantin's death, the couple thus donated the major part of their collection to the Musée de la civilisation, in Quebec City. The institution has since acquired some 1,800 objects from this private collection, now considered part of a collective heritage. In an attempt to better understand the dynamics at work in Pierre and Annie Cantin's collecting practice, this dissertation explores the valuation process at the heart of collecting and the influence of affectivity in each step of the development of the collection. This leads us to regard the collection as a place of dialogue between a knowledge-based rationality to which the collectors pretend and an element affectivity the objects are invested with. Inspired by an approach Véronique Dassié (2010) describes as an “ethnology of the intimate”, this research offers an ethnological perspective on collecting as practice. It mainly hinges on the collector's own recollections through a series of interviews, but also on a material analysis of the artifacts the couple offered to the Musée de la civilisation. From there emerged a collection of narratives that form the heart of this analysis. Annie Cantin's unique perspective on her collection appears where the objects and her discourse intersect. Her testimony affords a rare occasion to explore the nature of the relationship that develops between collectors and their objects through the retrospective gaze it offers on her collecting practice and reveals the meanings and values objects are infused with throughout their life trajectories. Through the collector's discourse, the stories that the object support appear, some referring to a collective past, other rooted in personal memories sparked by the presence of artifacts. These stories unveil fragments of Pierre and Annie Cantin's daily and, at times, intimate life.
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Gandois, Jean-Lucien. "Le troubadour Pierre de Vic, moine de Montaudon, XIIe-XIIIe s. la vie, l'homme et l'oeuvre /." Clermont-Ferrand : Académie des sciences, belles-lettres et arts de Clermont-Ferrand, 2003. http://catalogue.bnf.fr/ark:/12148/cb39070705q.

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Halford, Peter. "Le francais du canada au 18e siecle d'apres le temoignage de pierre-philippe potier s. J." Université Marc Bloch (Strasbourg) (1971-2008), 1988. http://www.theses.fr/1988STR20025.

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Le missionaire belge pierre-philippe potier s. J. Nota entre 1743 et 1758 plusieurs aspects du parler francais en nouvelle france a la veille de la conquete. Apres avoir presente une esquisse biographique de l'auteur, une description du manuscrit (bibliotheque municipale de montreal, collection gagnon, 447. 9714 p863 fa), une description des versions partielles publiees du manuscrit, et apres avoir donne un apercu des appreciations du manuscrit, nous presentons une version diplomatique du texte. Cette version est suivie d'un regroupement onomasiologique des vocables et d'un index alphabetique des mots et des gloses. Dans la deuxieme partie nous examinons l'orthographe de l'auteur, les aspects phonetiques, morphologiques et syntaxiques releves, les datations nouvelles, le langage familier des jesuites de l'epoque, les emprunts aux langues amerindiennes et les archaismes et regionalismes releves. En appendice nous presentons une esquisse biographique des sources orales citees et une liste des sources ecrites qui y figurent. Une page specimen du manuscrit et quatre cartes completent l'etude
The belgian missionary pierre-philippe potier s. J. Noted certain aspects of the french language in new france between 1743 and 1758. We present a diplomatic edition of his manuscript (bibliotheque municipale de montreal, collection gagnon, 447. 9714 p863 fa), an alphabetical index of the key words and glosses therein and an onomasiological regrouping of these. This is preceeded by an introduction to the author, the manuscript and the various treatments it has received. A second part contains a detailed analysis of the manuscript: the author's orthography; phonetic, morphological and syntactical aspects; new datations found in the text; the language of jesuit colleagues; amerindian borrowings and, finally, archaisms and regionalisms noted. In addition we present biographical sketches of the oral sources cited and list of written sources which figure in the text. A photocopy of a page of the manuscript and four maps are included
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Paix?o, Ronaldo dos Santos da. "Acontece que s?o baianos: das fotorreportagens de Pierre Verger ao desenho das p?ginas na revista O Cruzeiro, tra?ando os sentidos." Universidade Estadual de Feira de Santana, 2015. http://localhost:8080/tede/handle/tede/282.

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Submitted by Ricardo Cedraz Duque Moliterno (ricardo.moliterno@uefs.br) on 2016-01-19T22:30:33Z No. of bitstreams: 1 Disserta??o RONALDODOS SANTOS DA PAIX?O.pdf: 5509204 bytes, checksum: 902f523dd6b4861338e2a0e5924a2b46 (MD5)
Made available in DSpace on 2016-01-19T22:30:33Z (GMT). No. of bitstreams: 1 Disserta??o RONALDODOS SANTOS DA PAIX?O.pdf: 5509204 bytes, checksum: 902f523dd6b4861338e2a0e5924a2b46 (MD5) Previous issue date: 2015-09-15
Acontece que s?o baianos: from the photoreports of Pierre Verger to the Design in the pages of the O Cruzeiro magazine, outlining senses is the result of a study on Design and page design, specifically the layout in the graphic space of the O Cruzeiro magazine. The study investigates how Design as a layout produces meaning in the two pages space of the five photoreports of Pierre Verger entitled Acontece que s?o baianos, published in the August 1951 editions. Photoreports showing the daily life and cultural practices of the former slave descendants who lived in Brazil during and after the Colonial system and returned to the West Coast of Africa, in Nigeria and Benin. Among some of these cultural practices present in religious and profane celebrations of Catholicism related devotion to the Lord of Bonfim are dance, the songs, cooking, which according to the contents of visual and verbal texts represent the Bahian culture. Through texts written by Gilberto Freyre and the photoreport of Pierre Verger sought to discuss the perspective approach of Culture at that time about Bahia and the West Coast of Africa. Through the photoreport analyzes Design as layout in the graphic design of the magazine, and the construction of meaning from the three lines of analysis: the first suggested by Nadja Peregrino which made a pioneering study on the magazine and the page composition through the photoreport; the second related to the visual techniques applied to Design in the Donis A. Dondis conception and finally the analysis through the elements of Design approached by Wucius Wong.
Acontece que s?o baianos: das fotorreportagens de Pierre Verger ao Desenho das p?ginas na revista O Cruzeiro, tra?ando os sentidos ? resultado de um estudo acerca do Desenho, como desenho de p?gina, especificamente a diagrama??o no espa?o gr?fico da revista O Cruzeiro. O estudo investiga como o Desenho enquanto diagrama??o produz sentido no espa?o das p?ginas de duas das cinco fotorreportagens de Pierre Verger, intituladas de Acontece que s?o baianos, publicadas nas edi??es de agosto de 1951. Fotorreportagens que abordam o cotidiano e as pr?ticas culturais de descendentes dos ex-escravos que viveram do Brasil durante e depois dos sistema colonial escravocrata e que retornaram para a Costa Ocidental da ?frica, na Nig?ria e no Benin. Dentre algumas dessas pr?ticas culturais presentes nas festas religiosas e profanas do catolicismo relacionados devo??o ao Senhor do Bonfim, est?o a dan?a, as cantigas, culin?ria que segundo o conte?do dos textos visuais e verbais que representam a cultura baiana. Por meio dos textos redigidos por Gilberto Freyre e das fotorreportagens de Pierre Verger buscou-se discutir a perspectiva de abordagem da Cultura na ?poca acerca da Bahia e da Costa Ocidental da ?frica. Por meio das fotorreportagens analisa-se o Desenho enquanto diagrama??o no projeto gr?fico da revista e a constru??o do sentido a partir de tr?s linhas de an?lise: a primeira proposta por Nadja Peregrino que fez um estudo pioneiro sobre a revista e a composi??o da p?gina por meio da fotorreportagem; a segunda relacionada a sintaxe da linguagem visual aplicada ao Desenho na concep??o de Donis A. Dondis e por fim an?lise por meio os elementos do Desenho abordados por Wucius Wong.
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Robic-Diaz, Delphine. "La guerre d'Indochine dans le cinéma français (1945-2006) : image(s) d'un trou de mémoire." Paris 3, 2007. http://books.openedition.org/pur/91438.

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La guerre d’Indochine n’est pas seulement le sujet de quelques films de guerre réalisés par d’anciens enrôlés du Service cinématographique des armées tels Pierre Schoendoerffer ou Claude Bernard-Aubert. Elle est également un phénomène de société, dont la présence, ténue mais récurrente, est notable dans les fictions françaises (tous genres confondus) tournées depuis plus d’un demi-siècle par des cinéastes aussi reconnus que Louis Malle, Claude Chabrol, Georges Lautner, Pierre Granier-Deferre, Yves Boisset, Gérard Corbiau, Bertrand Tavernier, Régis Wargnier, etc. La guerre d’Indochine n’est jamais clairement dite dans ces films, mais elle s’avère impossible à taire totalement, comme s’il s’agissait d’un refoulé cinématographique tentant perpétuellement d’apparaître à l’écran. Trou de mémoire cinématographique, le conflit devient l’objet d’une mythification héritée du cinéma colonial, renouvelée par les enjeux des représentations post-coloniales. Ainsi, les références à la guerre d’Indochine sont-elles souvent sibyllines et toujours lancinantes, signalant une défaillance, un manque tant chez les personnages qui la stigmatisent (les anciens d’Indo) qu’au sein des récits qui y font allusion sans la mettre en scène. Pour paraphraser le titre d’un ouvrage de Paul Ricoeur, la représentation de la guerre d’Indochine dans le cinéma français est sans doute exemplaire d’un lien possible entre l’Histoire et la Mémoire via l’Oubli
The Indochina War is not merely the topic of several movies directed by former soldiers who enrolled in the “Army movie department” (Service cinématographique des armées) such as Pierre Schoenderffer or Claude Bernard-Aubert. For more than half a century, it has also been a mass phenomenon which tenuous but recurring presence can be felt in French fictions from all genres directed by such acclaimed filmmakers as Louis Malle, Claude Chabrol, Georges Lautner, Pierre Granier-Deferre, Yves Boisset, Gérard Corbiau, Bertrand Tavernier, Régis Wargnier, etc. The Indochina War is never clearly expressed in these films but it is never totally hushed as if it were a kind of cinematic repressed always attempting to return onscreen. As a cinematic blank mind, this conflict has been turned into a myth inherited from colonial cinema and renewed by the stakes of postcolonial representations. The many references to the Indochina War are thus often cryptic and always haunting. They point at a lapse or at a lack not only for the characters who tend to stigmatize this War (Indochina veterans) but also within the narratives that allude to it without staging it. To paraphrase the title of a book by Paul Ricoeur, the representation of the Indochina War in French cinema may be the perfect example of a potential link between History and Memory through Forgetfulness/Forgetting
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Jung, Eui-Jin. "Une étude critique de la théologie théâtrale de Pierre Klossowski du point de vue de la poétique historique." Paris 8, 2007. http://octaviana.fr/document/122058208#?c=0&m=0&s=0&cv=0.

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La problématique majeure de divers genres d’écriture de Pierre Klossowski (romans, critiques littéraires et artistiques, essais théologiques et philosophiques) est de penser la littérature, l’art et la société du point de vue théologico-métaphysique. Dans sa théologie théâtrale, la théologie représente la morale transcendantale pour le Dieu et pour le maintien de l’ordre social, tandis que l’essentiel du théâtre au sens antique (synonyme de l’art en général) est la transgression ludique et érotique. Et par le biais de la transgression artistique de l’érotisme sacré, Klossowski a pour but le retour de la foi religieuse chrétienne et la resacralisation de la société contemporaine. Or, cette thèse ne se limite pas à l’analyse neutre de sa théologie théâtrale. Du point de vue de la poétique historique, elle est un travail critique vis-à-vis de sa manière de pensée théologico-métaphysique de l’art et de la société. La poétique historique qui ne présuppose pas ahistoriquement une essence transcendantale, propose une autre conception de l’art, de la littérature et de la société
The principal problematics of Pierre Klossowski’s various writings (novels, literary and artistic criticisms, theological and philosophical essays) is to think about the literature, the art and the society from a theological and metaphysical point of view. In his theatrical theology, the theology represents a transcendental ethic for God and for the maintenance of the social order, while the essential of the theatre in the antique sense (synonym of the art in general) is the ludic and erotic contravention. Through the artistic contravention of the sacred eroticism, his aim is the return of a Christian religious faith concerning the contemporary society. Nevertheless, this thesis is not a simple neutral analysis of the Klossowski’s theatrical theology. From a historical poetics’ point of view, this thesis is a critical work opposite his theological and metaphysical way of thinking regarding the literature, the art and the society. The historical poetics which does not presuppose unhistorically a transcendental essence, propose an another conception of art, literature, and society
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Francois, Jean-Pierre [Verfasser], Frank [Akademischer Betreuer] Schäbitz, and Olaf [Akademischer Betreuer] Bubenzer. "Postglacial paleoenvironmental history of the Southern Patagonian Fjords at 53°S / Jean-Pierre Francois. Gutachter: Frank Schäbitz ; Olaf Bubenzer." Köln : Universitäts- und Stadtbibliothek Köln, 2014. http://d-nb.info/107037136X/34.

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Books on the topic "Pierre S"

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Tal-Coat, Pierre. Portrait(s) de Pierre Tal Coat. [Paris]: Bibliothèque nationale de France, 1999.

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Rendle, Ellen. P.S., we love you. Wilmington, Del: Cedar Tree Press, 1993.

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Félix, Jean Pierre. Histoire des orgues de l'Église St-Pierre à Uccle (XVIe-XXe s.). Bruxelles: J. P. Félix, 1985.

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Félix, Jean Pierre. Histoire des orgues de l'Église St-Pierre à Uccle (XVIe-XXe s.). 2nd ed. Bruxelles: J. P. Félix, 1985.

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Catholic Church. Archdiocese of Quebec. Archbishop (1870-1898 : Taschereau). Circulaire au clergé: I. Retraites. II. Catéchisme anglais. III. Denier de S. Pierre .. [S.l: s.n., 1986.

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Resources, United States Congress Senate Committee on Energy and Natural. Blunt Reservoir and Pierre Canal Land Conveyance Act: Report (to accompany S. 1028). [Washington, D.C: U.S. G.P.O., 2002.

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Blunt Reservoir and Pierre Canal Land Conveyance Act: Report (to accompany S. 1028). [Washington, D.C: U.S. G.P.O., 2002.

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United States. Congress. Senate. Committee on Energy and Natural Resources. Blunt Reservoir and Pierre Canal Land Conveyance Act of 2003: Report (to accompany S. 426). [Washington, D.C: U.S. G.P.O., 2003.

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Catholic Church. Archdiocese of Quebec. Archbishop (1870-1898 : Taschereau). Circulaire au clergé: I. Retraites. II. Denier de S. Pierre et Propagation de la foi .. [S.l: s.n., 1986.

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Blunt Reservoir and Pierre Canal Land Conveyance Act of 2003: Report (to accompany S. 426). [Washington, D.C: U.S. G.P.O., 2003.

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Book chapters on the topic "Pierre S"

1

Scherr, Albert. "Pierre Bourdieu: La distinction. Critique sociale du jugement, Paris 1979, 672 S. (dt. Ausgabe: Die feinen Unterschiede, Kritik der gesellschaftlichen Urteilskraft, Frankfurt 1982, 879 S.)." In Klassiker der Sozialwissenschaften, 313–16. Wiesbaden: Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-13213-2_72.

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Veissière, Samuel. "5. Time and Space in the Life of Pierre S. Weiss: Autoethnographic Engagements with Memory and Trans/Dis/Location." In Growing Up Transnational, 84–100. Toronto: University of Toronto Press, 2011. http://dx.doi.org/10.3138/9781442695221-007.

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Steiner, Erich. "Familiale Ressourcen und elterliches Unterstützungshandeln." In Schulbezogene Motivierungspraktiken von Eltern, 119–69. Wiesbaden: Springer Fachmedien Wiesbaden, 2021. http://dx.doi.org/10.1007/978-3-658-33062-0_4.

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ZusammenfassungDieses Kapitel widmet sich der Frage, wie familiale bzw. elterliche Ressourcen mit dem Unterstützungshandeln der Eltern sowie mit schulbezogenen Orientierungen und fachlichen Leistungen des Kindes zusammenhängen – jenen Größen, die sich beim Übertritt in die Sekundarstufe I im Sinne primärer Herkunftseffekte (vgl. Boudon, 1974) nebst den elterlichen Aspirationen als wichtigste Kriterien für die Entscheide der Akteure erwiesen haben (z. B. Ditton & Krüsken, 2006). Hierfür wird zuerst der kulturtheoretische Ansatz von Pierre Bourdieu (1984, 1996a) ins Zentrum gerückt, der u. a. postuliert, dass neben den ökonomischen auch die sozialen Handlungspotentiale der Familie, vor allem aber deren kulturelle Ressourcen – namentlich die bildungsbezogenen Praktiken – prädiktierten, wie erfolgreich sich das Kind in den Anforderungsstrukturen der Schule behaupten könne. Nach der Erörterung diesbezüglicher Befunde der empirischen Bildungsforschung und ausgehend vom Bourdieu’schen Konstrukt des Habitus richtet sich dann die Aufmerksamkeit auf die psychologischen Ressourcen der Eltern in Form bildungsbezogener Überzeugungen: Mit Hilfe des «Modells motivations- und leistungsbezogener Sozialisation im Elternhaus» von Eccles und Kolleg*innen (Simpkins et al., 2015a, S. 617; Wigfield, Eccles, et al., 2015, S. 22) wird der Einfluss solcher generalisierten Überzeugungen der Eltern im Zusammenspiel mit strukturellen Merkmalen der Familie auf das schulbezogene Motivierungshandeln herausgearbeitet. Das Kapitel schließt mit einer Übersicht über sozialstrukturelle Merkmale der Fallfamilien sowie über ausgewählte bildungsbezogene Überzeugungen der 20 beteiligten Elternteile.
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Hoch, Karl-Ludwig. "Warum Dresden? Herausgegeben vom Dresden Trust. Zusammengestellt von Brigitte Pierce und Alan Russell. o. O. [Chichester] 2000. 172 S." In Die Dresdner Frauenkirche, 303–4. Stuttgart: J.B. Metzler, 2001. http://dx.doi.org/10.1007/978-3-476-04387-0_20.

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Clavero, V., J. A. Fernández, and F. X. Niell. "Influence of salinity on the concentration and rate of interchange of dissolved phosphate between water and sediment in Fuente Piedra lagoon (S. Spain)." In Saline Lakes, 91–97. Dordrecht: Springer Netherlands, 1990. http://dx.doi.org/10.1007/978-94-009-0603-7_8.

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"S." In Dictionnaire des régionalismes de Saint-Pierre et Miquelon, 616–56. Max Niemeyer Verlag, 1990. http://dx.doi.org/10.1515/9783110932942.616.

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Échinard, Pierre. "Témoignage de Pierre Échinard." In Marseille. Éclat(s) du mythe, 252–55. Presses universitaires de Provence, 2013. http://dx.doi.org/10.4000/books.pup.23252.

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"8.8 Pierre Robin′s Sequence." In Handbook of Otolaryngology, edited by David Goldenberg and Bradley J. Goldstein. Stuttgart: Georg Thieme Verlag, 2018. http://dx.doi.org/10.1055/b-0038-162795.

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Poumarède, Jacques. "Pierre Bourdieu et la genèse de l’État." In Itinéraire(s) d’un historien du Droit, 607–17. Presses universitaires du Midi, 2011. http://dx.doi.org/10.4000/books.pumi.29613.

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"La sociología del arte de Pierre Bourdieu:." In Sociología(s) del arte y de las políticas culturales, 85–124. Metales Pesados, 2020. http://dx.doi.org/10.2307/j.ctv10crcs6.7.

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Conference papers on the topic "Pierre S"

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Cole, Frank, and Anthony Farmer. "U. S. Navy Double Deck Piers." In 11th Triennial International Conference on Ports. Reston, VA: American Society of Civil Engineers, 2007. http://dx.doi.org/10.1061/40834(238)76.

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Lau, Michael. "Model-Scale/Full-Scale Correlation of NRC-OCRE’s Model Resistance, Propulsion and Maneuvering Test Results." In ASME 2015 34th International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/omae2015-42114.

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There are a variety of model ices and test techniques adopted by model test facilities. Most often, the clients would ask: “How well can you predict the full scale performance from your model test results?” Model-scale/full-scale correlation becomes an important litmus test to validate a model test technique and its results. This paper summarizes the model-scale/full-scale correlation performed on model test data generated at the National Research Council - Ocean, Coastal, and River Engineering’s (NRC-OCRE) test facility in St. John’s. This correlation includes ship performance predictions, i.e., resistance, propulsion and maneuvering. Selected works from NRC-OCRE on the USCGC icebreaker Healy, the CCGS icebreaker Terry-Fox, the CCGS R-Class icebreakers Pierre Radisson and Sir John Franklin and the CCGS icebreaker Louis S. St. Laurent were reviewed and summarized. The model tests were conducted at NRC-OCRE’s ice tank with the correct density (CD) EGADS model ice. This correlation is based on the concept that a “correlation friction coefficient” (CFC) can be used to predict full-scale ship icebreaking resistance from model test data. The CFCs have been compared for correlation studies using good-quality full-scale information for the five icebreaker models in the NRC-OCRE’s model test database. The review has shown a good agreement between NRCOCRE’s model test predictions and full-scale measurements. The resistance and power correlation were performed for five sets of full-scale data. Although there is substantial uncertainty on ice thickness and ice strength within the full scale data sets that contributes to data scattering, the data suggest a conservative estimate can be obtained to address reasonably this uncertainty by increasing the model prediction by 15% that envelopes most data points. Limited correlation for maneuvering in ice was performed for the USCGC icebreaker Healy. Selected test conditions from the sea trials were duplicated for the maneuvering tests and turning diameters were measured from the arcs of partial circles made in the ice tank. Performance predictions were then compared to the full-scale data previously collected. Despite some discrepancy in ice strength and power level between the model tests and sea trial, the model data agree well with the sea trial data except for three outliers. Otherwise, the maneuvering data show a good correlation between the model test and sea trial results.
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Mizushima, Yuki, and Takayuki Saito. "A Newly Developed Technique for Detection of a Contact Position in Bubble Measurements by a Single-Tip Optical Fiber Probe." In ASME-JSME-KSME 2011 Joint Fluids Engineering Conference. ASMEDC, 2011. http://dx.doi.org/10.1115/ajk2011-10008.

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An optical fiber probe has been frequently employed to measure bubble diameters, velocities, and local void fractions simultaneously in gas-liquid two-phase systems. For the application of the probe to tiny-bubble measurement, one of the authors already developed a Single-Tip Optical fiber Probe (STOP). The purpose of this study is to rapidly improve the measurement accuracy of the S-TOP. A bubble chord length pierced by the S-TOP is obtained. Consequently, the chord length depends on the pierced position. The chord lengths measured by the S-TOP include an error owing to the random positions pierced by the S-TOP; i.e. the measured chord length becomes shorter than the bubble minor axis, with a shift of the contact position towards the outer edge of the bubble. The S-TOP axis crosses the direction of the bubble motion at a random angle. This also causes a miscalculation of the chord lengths. In order to correct these errors in the S-TOP measurement, we need to detect the contact position and the intersection angles. To realize this, using a pre-signal is quite effective. The pre-signal is generated clearly and intensively, only when the S-TOP sensing tip is ground in a wedge shape and the tip touches vertically the center region of the bubble frontal surface. The pre-signal becomes weak and indistinct under the other contact conditions. Making the smart use of these phenomena, we are able to solve the above defects of the S-TOP. First, the relationship between the intensity of the pre-signal and the pierced positions/angles is systematically quantified. Second, a signal processing to detect the pierced positions/angles, based on the relationship, is established. Third, we discuss a mechanism of the pre-signal. We determine the most suitable S-TOP size, tip diameter and wedge-angle, for the most accurate measurement. Finally, we demonstrate the effectiveness of our newly proposed method.
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Haussner, Christian, Takayuki Omori, and Nobuyuki Matsumoto. "Designing Seismic Resilient Railway Structures Combining Japanese Seismic and ASHTO Design Standards." In IABSE Congress, New York, New York 2019: The Evolving Metropolis. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2019. http://dx.doi.org/10.2749/newyork.2019.1449.

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<p>This paper introduces the seismic design conducted for the railway viaducts in a highly seismic region in Metro Manila, Philippines, in accordance with the local bridge seismic design standard (DPWH-BSDS, 2013), AASHTO Guide Specifications for Load Resistance Factor Design Seismic Bridge Design (LRFD-S) and the Japanese Seismic Design Standard for Railway Structures and Commentary (JDSRS) for making reference to the anti-derailment check under Level 1 Earthquakes (1:100 return period).</p><p>The authors concluded that for level 1 earthquakes the seismic design for short piers (h&lt;10m) and piers located in stiff soils, the seismic design was governed by the DPWH-BSDS and AASHTO LRFD-S due to its larger seismic coefficient for structures with short natural periods. Therefore, the initial structural sizes, reinforcement arrangement and number of piles did not need to be modified. On the other hand however, tall piers (h&gt;10m) located in soft soils, the design is governed by the JDSRS due to its stipulated larger seismic coefficients for structures with a longer natural periods. In this regard, in order to limit the transverse natural period requirements of the JDSRS as part of the anti-derailment check, the sub-structural members needed to be increased in size by approximately 20% - 50%, re-arrange the pier steel reinforcement, and to increase the number of bored piles.</p>
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Puerta, R., J. J. Vegas Olmos, and I. Tafur Monroy. "35 Gb/s ultra-wideband technology for advanced communications." In 2016 Progress in Electromagnetic Research Symposium (PIERS). IEEE, 2016. http://dx.doi.org/10.1109/piers.2016.7735017.

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Ali, Bilawal, Zhanliang Wang, Muhammad Khawar Nadeem, Asif Mehmood Khan, Zhigang Lu, Huarong Gong, Zhaoyun Duan, and Yubin Gong. "Design Analysis and Simulation Investigation of S-band MILO." In 2019 Photonics & Electromagnetics Research Symposium - Fall (PIERS - Fall). IEEE, 2019. http://dx.doi.org/10.1109/piers-fall48861.2019.9021411.

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Channa, Shrutika, Lakhan Panwar, Siva R. K. Vanjari, and Mohammad Z. A. Khan. "A S-shaped millimeter wave antenna for UWB applications." In 2017 Progress In Electromagnetics Research Symposium - Spring (PIERS). IEEE, 2017. http://dx.doi.org/10.1109/piers.2017.8261790.

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Li, Z. M., V. A. Sledkov, V. A. Rudakov, V. V. Taranenko, and X. F. Liang. "A Dual Circularly Polarized Patch Antenna Array for S-band." In 2019 Photonics & Electromagnetics Research Symposium - Fall (PIERS - Fall). IEEE, 2019. http://dx.doi.org/10.1109/piers-fall48861.2019.9021509.

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Simpson, Kerry, and Sean Gamette. "Design of Pier S Marine Terminal per the Green Port Policy." In 12th Triannual International Conference on Ports. Reston, VA: American Society of Civil Engineers, 2010. http://dx.doi.org/10.1061/41098(368)125.

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Rigelsford, Jonathan M., and Michal Cerveny. "A simplification technique for s-parameter calculations within partially loaded resonant cavities." In 2016 Progress in Electromagnetic Research Symposium (PIERS). IEEE, 2016. http://dx.doi.org/10.1109/piers.2016.7735719.

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Reports on the topic "Pierre S"

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Todd, B. J., A. Atkinson, D. E. Beaver, W. A. Rainey, J. Strang, S. S. MacCabe, R. Murphy, P. E. Pledge, and M S Uyesugi. Expedition report: MV Anne S. Pierce, 2000, German Bank, Scotian Shelf. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2001. http://dx.doi.org/10.4095/212990.

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