Academic literature on the topic 'Pietro Damiani'

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Journal articles on the topic "Pietro Damiani"

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Kwaśniak, Bernadetta. "Meaning of the Desert in Spiritual Thought of St. Peter Damian." Roczniki Filozoficzne 63, no. 2 (2015): 27–36. http://dx.doi.org/10.18290/rf.2015.63.2-3.

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Bedos-Rezak, Brigitte Miriam. "Les juifs et l'écrit dans la mentalité eschatologique du Moyen Age chrétien occidental (France 1000-1200)." Annales. Histoire, Sciences Sociales 49, no. 5 (October 1994): 1049–63. http://dx.doi.org/10.3406/ahess.1994.279311.

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Mea grammatica Christus est affirme Pierre Damian (1007-1072), évoquant par ce véhément raccourci le rôle de l'analyse grammaticale dans la compréhension des écritures saintes, et par là même le jalon essentiel que constitue la grammaire dans le chemin qui pour le moine mène à la rencontre divine. De ce fait, une grande importance s'attachait aux textes, aux mots, et à l'écrit dans la culture monastique. Bernard de Clairvaux (1090-1153) toutefois tient à préciser que le sentiment religieux ne peut se nourrir uniquement de la connaissance des textes. Pour marquer le point, il s'en prend aux juifs, ces lettrés à l'esprit littéral qui s'acharnent sur les lettres de l'écrit divin, les rongeant comme s'il s'agissait de vieilles croûtes rassies.
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Evans, G. R. "Saint Pierre Damien (1007 1072): Autrefois aujourd'hui. By ANDRe CANTIN." Journal of Theological Studies 58, no. 2 (October 1, 2007): 738. http://dx.doi.org/10.1093/jts/flm101.

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VAN ROEY, A. "Un florilège trinitaire syriaque tiré du Contra Damianum de Pierre de Callinique." Orientalia Lovaniensia Periodica 23, no. 1 (January 1, 1992): 189–203. http://dx.doi.org/10.2143/olp.23.1.519171.

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Kazi-Tani, Tiphaine, and Pierre-Damien Huyghe. "À quoi tient le design : un entretien avec Pierre-Damien Huyghe." Sciences du Design 2, no. 2 (2015): 71. http://dx.doi.org/10.3917/sdd.002.0071.

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GRANDJEAN, Michel. "Pierre Damien lecteur d'Augustin. A propos de l'interprétation du mariage de Jacob." Revue d'Etudes Augustiniennes et Patristiques 36, no. 1 (January 1990): 147–54. http://dx.doi.org/10.1484/j.rea.5.104612.

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Le Ridier, Paule. "Lions et dragons dans la littérature, de Pierre Damien à Chrétien de Troyes." Le Moyen Age CIV, no. 1 (1998): 9. http://dx.doi.org/10.3917/rma.041.0009.

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Fornasari, Giuseppe. "Philosophia nostra Christus est. Quelques observations en marge d’un nouveau volume sur Pierre Damien." Revue d'Histoire Ecclésiastique 103, no. 1 (March 2008): 162–75. http://dx.doi.org/10.1484/j.rhe.3.170.

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Osborne, Kenan B. "Book Review: Laïcs dans l'église: Regards de Pierre Damien, Anselme de Cantorbéry, Yves de Chartres." Theological Studies 56, no. 4 (December 1995): 780–81. http://dx.doi.org/10.1177/004056399505600415.

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Baumgarten, Alexander. "« La question de Jérôme ». Notes concernantes la structure littéraire du traité De Divina Omnipotentia de Pierre Damien." Studia Universitatis Babeș-Bolyai Philosophia 62, no. 1 (April 15, 2017): 127–56. http://dx.doi.org/10.24193/subbphil.2017.1.08.

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Dissertations / Theses on the topic "Pietro Damiani"

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Freund, Stephan. "Studien zur literarischen Wirksamkeit des Petrus Damiani /." Hannover : Hahnsche Buchhandlung, 1995. http://catalogue.bnf.fr/ark:/12148/cb35832461v.

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Texte remanié de: Diss.--Philosophische Fakultät III--Universität Regensburg, 1992.
Contient le texte latin "Vita Petri Damiani" de Johannes Laudensis et un fascicule "Wortregister zu Johannes von Lodi, Vita Petri Damiani", version corrigée. Bibliogr. p. X-XXII. Index.
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Facchini, Ugo. "San Pier Damiani : l'eucologia e le preghiere : contributo alla storia dell'eucologia medievale : studio critico e liturgico-teologico /." Roma : CLV - ed. liturgiche, 2000. http://catalogue.bnf.fr/ark:/12148/cb38867239c.

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Turpin, Pascaline. "L’épaisseur du sensible au XIe siècle : Bérenger de Tours et Pierre Damien." Thesis, Université Paris sciences et lettres, 2020. http://www.theses.fr/2020UPSLP033.

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Le XIe siècle de l’Occident médiéval se caractérise par une réflexion sans précédent sur la consistance ontologique de la nature créée. Prenant en charge les textes eucharistiques de Bérenger de Tours et la Lettre sur la toute-puissance divine de Pierre Damien, cette étude montre que l’enjeu du siècle réside dans « l’épaisseur du sensible ». Bérenger et Pierre Damien dessinent deux options ontologiques divergentes sur le statut de la nature sensible – d’un côté sa consistance, de l’autre son inconsistance – qu’accompagnent deux visages de Dieu absolument singuliers
An unprecedented reflexion upon the ontological consistancy of natural creation characterizes the XIth century in the Western Middle Ages. This study focusses on Berengar of Tours’s eucharitics texts and Peter Damian’s De divina omnipotentia and shows that the very stake during that century resides in “perceptible thickness”. Berengar and Peter Damian draw two divergent ontological options on the status of the sensitive natutre—on the one hand, its consistency, on the other, its inconsistency—that accompany the two absolutly singular faces of God
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Mayer, Manuel [Verfasser], and Damian [Akademischer Betreuer] Dombrowski. "Die erträumte Kunst Pierre Puvis de Chavannes’. Eine Studie zum Verhältnis von Forschung und Kunstkritik im Angesicht einer Malerei zwischen Staffelei- und Wandbild / Manuel Mayer ; Betreuer: Damian Dombrowski." Heidelberg : arthistoricum.net, 2020. http://d-nb.info/1218600772/34.

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Mayer, Manuel [Verfasser], Damian [Gutachter] Dombrowski, and Kern [Gutachter] Joseph. "Die erträumte Kunst Pierre Puvis de Chavannes'. Eine Studie zum Verhältnis von Forschung und Kunstkritik im Angesicht einer Malerei ziwschen Staffelei- und Wandbild / Manuel Mayer ; Gutachter: Damian Dombrowski, Kern Joseph." Würzburg : Universität Würzburg, 2020. http://d-nb.info/1218973110/34.

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Obergruber-Boerner, Carlos. "Herren und Heilige." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät III, 2005. http://dx.doi.org/10.18452/15382.

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Gegenstand der Arbeit sind Darstellungen, die dem Umfeld zweier Heiligenkulte in Florenz angehören und auf Bestellungen der Medici, ihrer Freunde und Verbündeten zurückzuführen sind. Den ursprünglich römischen Kult seiner Namenspatrone, der hll. Cosmas und Damian hat erst Cosimo de’ Medici in Florenz bekannt gemacht. Dabei erwies sich das Fehlen einer nennenswerten Florentinischen Tradition als maßgeblicher Faktor seiner Wirkkraft. Fra’ Angelico, Filippo Lippi und andere Künstler konnten formal neuartige Bildlösungen entwickeln, deren Inhalte sich als Projektionsflächen der politischen und geistigen Florentiner Eliten eigneten. Cosimo etablierte auf diese Weise ein Netzwerk persönlicher Repräsentation, das nicht allein die Barriere zwischen privatem und öffentlichem Raum zu durchdringen vermochte, sondern auch demonstrativ über die in Florenz herkömmliche Beschränkung auf das eigene Stadtviertel hinausgriff. Mit dem Generationswechsel nach Cosimos Tod erforderten die veränderten Machtverhältnisse auch einen Wechsel in der Strategie des Kults. In der zweiten Hälfte des 15. Jahrhunderts tritt ein anderer Kult, jener der hll. Drei Könige in den Vordergrund. Dieser besaß im Gegensatz zur Verehrung von Cosmas und Damian in Florenz eine eigenständige, spezifisch republikanische Tradition. Unter deren Schutz konnte eine kontinuierliche Politisierung althergebrachter Rituale und die Übernahme der Kontrolle durch die Medici stattfinden. Auch in diesem Fall zeigt die Analyse der erhaltenen Darstellungen, dass sie den Auftraggebern als Loyalitätsnachweis dienten und die Zugehörigkeit zum Klientel der Medici und damit der städtischen Eliten markierten. Noch in der Mitte des 16. Jahrhunderts griff Herzog Cosimo I. auf strategische Elemente und Motive des Kults zurück, nun zunehmend aus dem sakralen Kontext gelöst und Bestandteil höfischer Panegyrik.
The Images observed here are mainly of two religious cults commissioned by members, friends and allies of the Medici family. In the early 15th century Cosimo de’ Medici following the example of his father introduced his patron saints, Cosmas and Damian into his native city of Florence. Prior to this the cult of these saints was of no vital importance outside Rome. Thus there was no eminent pictorial tradition of their images which proved an important factor in the cult’s success. Fra’ Angelico, Filippo Lippi and other artists were able to develop a new imagery that allowed members of Florence’s political and humanistic circles to identify with. Cosimo established a network of personal representation which did not only penetrate the barriers between private and public space but ostentatiously reached beyond the customary boundaries of a family’s home quarter. After Cosimo’s death in 1464 political instability resulted in a change of strategy. In the second half of the 15th century a different cult, that of the Three Magi, moves into the center of medicean interest. Contrary to Saints Cosmas and Damian the cult of the Magi had an ancient and marked republican tradition in Florence. Under cover of this tradition the Medici party managed to take over control of the confraternity of the Magi and wield its influential instruments to their own benefit. As with images of Saints Cosmas and Damian those depicting the Adoration of the Magi were used as a confirmation of loyalty to the Medici and their faction. Even in the 16th century Duke Cosimo I. went back to elements and motifs of his predecessors’ strategy. Rather than reviving the cult of Saints Cosmas and Damian however they are used to give evidence of political and dynastical continuity.
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Books on the topic "Pietro Damiani"

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Damini, Pietro. Pietro Damini: 1592-1631 : pittura e Controriforma. Milano: Electa, 1993.

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Cantin, André. Saint Pierre Damien (1007-1072): Autrefois, aujourd'hui. Paris: Cerf, 2006.

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3

Jochymczyk, Maciej. Pietas & musica: Damian Stachowicz SchP : życie i twórczość w kontekście epoki. Kraków: Wydawn. "Musica Iagellonica,", 2009.

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Jochymczyk, Maciej. Pietas & musica: Damian Stachowicz SchP : życie i twórczość w kontekście epoki. Kraków: Wydawn. "Musica Iagellonica,", 2009.

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Saint Pierre Damien, l'homme des déserts de Dieu. Paris: O.E.I.L., 1986.

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Laïcs dans l'Eglise: Regards de Pierre Damien, Anselme de Cantorbéry, Yves de Chartres. Paris: Beauchesne, 1994.

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Book chapters on the topic "Pietro Damiani"

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Sansterre, J. M., and N. Stalmans. "L’autonomie du miracle chez Pierre Damien." In "Scribere sanctorum gesta", 711–15. Turnhout: Brepols Publishers, 2005. http://dx.doi.org/10.1484/m.hag-eb.3.1740.

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Cottier, Jean-François. "Ordo dans le Liber Gomorrhianus de Pierre Damien." In Parva pro magnis munera, 831–56. Turnhout: Brepols Publishers, 2009. http://dx.doi.org/10.1484/m.ipm-eb.3.3520.

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"Habumuremyi, Pierre Damien (Rwanda)." In The Statesman’s Yearbook Companion, 154. London: Palgrave Macmillan UK, 2019. http://dx.doi.org/10.1057/978-1-349-95839-9_308.

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Mula, Stefano. "Les exempla de Pierre Damien et leur diffusion aux XIIe et XIIIe siècles." In Le tonnerre des exemples, 161–74. Presses universitaires de Rennes, 2010. http://dx.doi.org/10.4000/books.pur.132102.

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Taber, Douglass F. "Arrays of Stereogenic Centers: The Carbery Synthesis of Mycestericin G." In Organic Synthesis. Oxford University Press, 2015. http://dx.doi.org/10.1093/oso/9780190200794.003.0044.

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Chi-Ming Che of the University of Hong Kong devised (Chem. Commun. 2011, 47, 11204) a manganese catalyst for the enantioselective cis-dihydroxylation of electron-deficient alkenes such as 1. Christine Greck of Université de Versailles-St-Quentin effected (Tetrahedron Lett. 2012, 53, 1085) enantioselective alkoxylation of 3, remarkably without β-elimination. Keiji Maruoka of Kyoto University developed (J. Am. Chem. Soc. 2012, 134, 7516) an organocatalyst for the enantioselective anti addition of 5 to 6 to give 7. Barry M. Trost of Stanford University developed (J. Am. Chem. Soc. 2012, 134, 2075) a Mg catalyst for the enantioselective addition of ethyl diazoacetate to an aldehyde 8, and carried the adduct onto 9. Professor Maruoka designed (Angew. Chem. Int. Ed. 2012, 51, 1187) for the enantioselective addition of a ketone 10 to the alkynyl ketone 11 to give 12. Naoya Kumagai and Masakatsu Shibasaki of the Institute of Microbial Chemistry found (Org. Lett. 2012, 14, 3108) that 14 could be added under very soft conditions to 13 to give the anti adduct 15. René Peters of the Universität Stuttgart added (Adv. Synth. Catal. 2012, 354, 1443) the azlactone formed in situ to 17 in a conjugate sense to give 18. Kaïss Aouadi and Jean-Pierre Praly of the Université de Lyon prepared (Tetrahedron Lett. 2012, 53, 2817) the nitrone 19 from the inexpensive (–)-menthone. Dipolar cycloaddition to a range of alkenes proceeded with substantial diastereocontrol, as illustrated for 20, which gave the crystalline adduct 21. Jeffrey S. Johnson of the University of North Carolina reduced (J. Am. Chem. Soc. 2012, 134, 7329) the α-keto ester 22 under equilibrating conditions to give the lactone 23. Claudio Palomo of the Universidad del País Vasco alkylated (J. Org. Chem. 2012, 77, 747) the aldehyde 24 with 25 to give the diester 26. Damien Bonne and Jean Rodriguez of Aix-Marseille Université added (Adv. Synth. Catal. 2012, 354, 563) the α-keto ester 27 to 28 in a conjugate sense to give 29. Glenn C. Micalizio of Scripps/Florida developed (Angew. Chem. Int. Ed. 2012, 51, 5152) a general strategy for the stereocontrolled construction of skipped-conjugate dienes such as 30.
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