Relevant bibliographies by topics / Pietro in Bologna

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Pietro in Bologna'

Author: Grafiati
Published: 9 March 2023
Last updated: 10 March 2023

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Journal articles on the topic "Pietro in Bologna"

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Bowd, Stephen D. "Pietro Bembo and the ?monster? of Bologna (1514)." Renaissance Studies 13, no. 1 (March 1999): 40–54. http://dx.doi.org/10.1111/j.1477-4658.1999.tb00064.x.

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Bowd, SD. "Pietro Bembo and the 'monster' of Bologna (1514)." Renaissance Studies 13, no. 1 (March 1999): 40–54. http://dx.doi.org/10.1111/1477-4658.00291.

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Manetti, Elisa Désirée. "Pietro Trifone, Pocoinchiostro. Storia dell’italiano comune, Bologna, Il Mulino, 2017." DIDIT. Didattica dell’italiano. Studi applicati di lingua e letteratura, no. 2 (November 16, 2022): 245–46. http://dx.doi.org/10.33683/didit.22.02.14.

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Addams-Williams, J., K. Wu, and J. Ray. "The experiments behind the Tullio phenomenon." Journal of Laryngology & Otology 128, no. 3 (February 19, 2014): 223–27. http://dx.doi.org/10.1017/s0022215114000280.

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AbstractBackground:Professor Pietro Tullio was a director at the Laboratory of Experimental Physiology in Bologna during the early twentieth century. His experimental studies resulted in the description of the Tullio phenomenon, which is characterised by sound-induced vertigo and/or eye movements.Objective:The experimental studies behind his contribution to vestibular physiology are described within this paper, as are some of the further developments that have been made.
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LUZZATTO, SERGIO. "The Political Culture of Fascist Italy." Contemporary European History 8, no. 2 (July 1999): 317–34. http://dx.doi.org/10.1017/s0960777399002088.

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Mabel Berezin, Making the Fascist Self. The Political Culture of Interwar Italy (Ithaca: Cornell University Press, 1997), 264 pp., ISBN 0-801-43202-2.Simonetta Falasca-Zamponi, Fascist Spectacle. The Aesthetics of Power in Mussolini's Italy (Berkeley: University of California Press, 1997), 303 pp., ISBN 0-520-20623-1.Emilio Gentile, The Sacralization of Politics in Fascist Italy, trans. Keith Botsford (Cambridge, Mass.: Harvard University Press, 1996), 208 pp., ISBN 0-674-78475-8; originally published as Il culto del littorio. La sacralizzazione della politica nell'Italia fascista (Rome-Bari: Laterza, 1993), 326 pp., ISBN 8-842-04384-2.Giorgio Israel and Pietro Nastasi, Scienza e razza nell'Italia fascista (Bologna: Il Mulino, 1998), 408 pp., ISBN 8-815-06736-1.Karen Pinkus, Bodily Regimes. Italian Advertising under Fascism (Minneapolis-London: University of Minnesota Press, 1995), 268 pp., ISBN 0-816-62562-XAdolfo Scotto di Luzio, L'appropriazione imperfetta. Editori, biblioteche e libri per ragazzi durante il fascismo (Bologna: Il Mulino, 1996), 301 pp., ISBN 8-815-05559-2.
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DEAN, TREVOR. "Wealth distribution and litigation in the medieval Italian countryside: Castel San Pietro, Bologna, 1385." Continuity and Change 17, no. 3 (December 2002): 333–50. http://dx.doi.org/10.1017/s0268416003004429.

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The aim of this paper is to combine two types of source that are usually kept apart in the study of the Italian later Middle Ages: direct tax assessments and local court records. The purpose of putting these two sources together is to discover more about the operation of the local vicariate courts (another neglected element of Italian states) and about wealth distribution and litigation in the Italian countryside. The tax assessments are first analysed for what they reveal of agriculture, migration and wealth, then the court records for the identity of plaintiffs and defendants, and the nature of pleas. To interpret the resulting pattern of debts and credit, cooperation and conflict, concepts from English medieval historiography are used to explore the relationship between debtors and creditors.
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Aldini, Nicolò Nicoli, Milena Fini, and Roberto Giardino. "Pietro Loreta and His Contribution to Surgery in the 19th Century." American Surgeon 77, no. 3 (March 2011): 290–96. http://dx.doi.org/10.1177/000313481107700316.

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Pietro Loreta (1831 to 1889), head of surgery at the University of Bologna, Italy, is at present a little-known name. However, in the field of surgery in the second half of the 19th century, his contributions to various areas, especially that of bladder stone treatment and gastric surgery, aroused great interest also at the international level. This survey focuses on both of these subjects that are particularly indicative of Loreta's activity. While he was trying to improve the operation of perineal cystotomy, which was about to be abandoned, he was faced with the new frontier of gastrointestinal tract surgery. Surgery was in rapid transformation, and the practice of a general surgeon still encompassed the domains of different surgical specialities, which would develop individually afterward. Loreta was a pupil of the outstanding surgeon Francesco Rizzoli and some of his pupils such as Alessandro Codivilla and Bartolo Nigrisoli became heads of surgery. His attitude of caution, that he recommended in his writings, is more remarkable considering his problematic nature and might be the most significant and original trait of Loreta's personality.
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Ceulemans, Anne-Emmanuelle. "INSTRUMENTS REAL AND IMAGINARY: AARON'S INTERPRETATION OF ISIDORE AND AN ILLUSTRATED COPY OF THE TOSCANELLO." Early Music History 21 (September 4, 2002): 1–35. http://dx.doi.org/10.1017/s0261127902002012.

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Pietro Aaron (c.1480-c.1550) is the author of five music treatises. The first, Libri tres de institutione harmonica (Bologna, 1516), was composed in Italian and then translated into Latin by the humanist Giovanni Antonio Flaminio (1464-1536); the other four appeared in Italian, which made Aaron a pioneer in this regard. The Thoscanello de la musica, the first of the vernacular treatises, proved very successful and was reissued three times in the course of the sixteenth century under the title Toscanello in musica (Venice, 1529, 1539, 1562). These reissues are very similar to each other, but are clearly distinct from the first edition, in particular by the addition of an appendix (aggiunta) on various questions concerning musica ficta and the modes of Gregorian chant.
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Stoessel, Jason. "Arms, A Saint and Inperial sedendo fra più stelle." Journal of Musicology 31, no. 1 (January 1, 2014): 1–42. http://dx.doi.org/10.1525/jm.2014.31.1.1.

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Scholars have proposed Milan, Pisa and/or Bologna as possible locations for the copying of the inner gatherings (II–IV) of the manuscript Modena, Biblioteca Estense Universitaria, α.M.5.24 (Mod A) and have argued that some of the compositions might have originated in the circle of Archbishop of Milan Pietro Filargo. Yet evidence based on Mod A's repertory and the scant biographies of its composers is insufficient for determining the manuscript’s origin. To solve this problem, I look at Mod A as a cultural artifact, attributing its illumination to the Master of 1411, an illuminator active in Bologna from 1404 to 1411, or to his assistant, both associated with the manuscript workshop of the Olivetan abbey of San Michele in Bosco, on the outskirts of medieval Bologna. The Master of 1411 might have been Giacomo da Padova, an illuminator documented there between 1407 and 1409. Iconographical analysis shows that the illuminator of Mod A possessed considerable knowledge of Paduan culture before the fall of the ruling Carrara family in 1405. This knowledge is apparent in his use of an astrological allusion to Carrara heraldry in his decoration of the song Inperial sedendo. His illumination of a Gloria by Egardus with the figure of Saint Anthony of Padua implies a familiarity with Padua's musical institutions. Mod A may have been illuminated when the papal entourage of John XXIII visited San Michele in Bosco in the fall of 1410, although further compositions were added after the illuminator had finished his work. This conclusion invites scholars to consider afresh the social context that might have fostered the compilation of the repertory in the inner gatherings of Mod A.
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Coluccia, Rosario. "Pietro G. Beltrami, La filologia romanza. Profilo linguistico e letterario, Bologna, il Mulino, 2017, 388 p." Zeitschrift für romanische Philologie 135, no. 1 (March 4, 2019): 300–303. http://dx.doi.org/10.1515/zrp-2019-0013.

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Dissertations / Theses on the topic "Pietro in Bologna"

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HVASS, PUJOL LARS MAGNUS. "LA MUSICA NELLA CATTEDRALE DI S. PIETRO IN BOLOGNA (1417 - 1754)." Doctoral thesis, Università degli Studi di Milano, 2019. http://hdl.handle.net/2434/697130.

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The thesis represents a first methodic approach to the archival documentation concerning the music in the cathedral of S. Peter in Bologna. Covering a temporary range from 1417 to 1754, the thesis is organised in five chapters, a historical introduction, a catalogue of non preserved and preserved music sources, a chronology of musical attested performances, a chronology of stable musicians and a ordered transcription of all the known documents related to the music in the cathedral.
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Sisalli, Carlotta <1986&gt. "Analisi paleobiologica degli inumati rinvenuti nel cimitero bassomedievale di Castel San Pietro (Bologna)." Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/2639.

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L'elaborato ripercorre brevemente la sequenza insediativa del Borgo di Castel San Pietro soffermandosi in particolare sullo scavo presso l'ex Cinema Teatro Bios. Sono descritte le metodologie utilizzate per la rilevazione e l'elaborazione dei dati antropologici poi applicate alle inumazioni in questione nei capitoli successivi. Gli studi effettuati sulle sepolture vanno ad integrare l’elaborato proposto per la tesi triennale aggiungendo alla determinazione del sesso e dell’età alla morte il rilievo dei caratteri metrici, morfologici, morfometrici, discontinui, ergonomici e patologici al fine di descrivere le caratteristiche fisiche, le attività lavorative intraprese e le patologie sofferte dalla popolazione.
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Zuppella, Giulia. "Le capriate lignee della cattedrale di San Pietro a Bologna. Applicazione della modellazione parametrica per la valutazione e l’interpretazione dei movimenti e degli stati di deformazione." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2018.

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La presente tesi si colloca all’interno di un collaudato percorso di ricerca, il cui obiettivo è l’analisi delle coperture lignee, in particolare delle capriate storiche, poiché il comportamento di queste strutture è stato indagato solamente in pochi elaborati. Tale lavoro si pone quindi come obiettivo la rielaborazione dei precedenti protocolli, al fine di valutare lo stato attuale del caso studio, la cattedrale della città di Bologna, la chiesa di San Pietro. La base fondamentale è costituita dal rilievo tridimensionale, effettuato tramite laser scanner, della struttura, ovvero del sottotetto completo dell’edificio. L’output consiste quindi in una nuvola di punti e rappresenta il primo passo per la ricostruzione del cosiddetto “modello di rilievo”. Tramite l’utilizzo di software di gestione della nuvola completa, è possibile estrarre le capriate che si desidera andare ad esaminare e da esse le curve che rappresentano le sezioni degli elementi che formano la capriata medesima: nel presente lavoro, si va ad intervenire su questa fase del protocollo, in modo da eliminare quanto più possibile le arbitrarietà connesse alle scelte dell’operatore, meccanizzando il passaggio di creazione delle sezioni. È quindi possibile creare un algoritmo che consenta di ottenere il modello delle capriate allo stato attuale, ovvero il “modello di rilievo”. Nelle fasi successive, implementando l’algoritmo iniziale, è possibile generare un ulteriore modello, che ricrei un ipotetico stato iniziale della capriata. È il cosiddetto “modello rettificato”. Il confronto finale tra i due modelli generati e la nuvola di punti iniziale consente di analizzare in maniera approfondita ed esauriente le deformazioni subite dagli elementi della capriata nel corso del tempo. È inoltre possibile, sulla base di tali analisi, formulare una valutazione attendibile dello stato di conservazione della struttura e, conseguentemente, prevedere e progettare eventuali interventi di recupero o rinforzo strutturale.
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Baradel, Valentina. "Zanino di Pietro nel contesto della cultura figurativa veneziana tra Tre e Quattrocento." Doctoral thesis, Università degli studi di Padova, 2018. http://hdl.handle.net/11577/3422317.

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The study is devoted to the painter Zanino di Pietro, who was mainly active in Venice between the 14th and 15th centuries. Indeed, this artist was an eminent personality of the Late Gothic period and took part to the transition of the artistic scene from the neo-Giottesque style to the International style introduced in the Lagoon by Gentile da Fabriano. The goal of the research was to rebuild Zanino di Pietro’s catalogue, analyzing every artwork attributed to the painter and trying to resolve some critical issues or various attributions so far unresolved. The research was carried out deepening the master's artistic development together with his biography: from this viewpoint, the archival research made in different Italian cities has been an important part of the work. It has brought to light some unpublished documents concerning Zanino di Pietro’s links with patrons and the artistic context of his time. These findings have given the opportunity to identify more references and dates to support the reconstruction of his corpus. Furthermore, an important part of the study is dedicated to his workshop and the artistic influences that the painter received throughout his career.
Lo studio è dedicato al pittore Zanino di Pietro, attivo principalmente nel contesto veneziano fra i secoli XIV e XV. Si tratta di un’importante personalità del periodo tardo-gotico e di un esponente di spicco del momento artistico che in laguna vide l’avvicendarsi di diverse tendenze pittoriche, dal neogiottismo della fine del Trecento alla maniera di Gentile da Fabriano. La ricerca ha ricostruito l’intero catalogo del pittore, analizzandone ogni opera e cercando di risolvere una serie di problematiche critiche o attribuzioni irrisolte: attività condotta approfondendo l’evoluzione artistica del maestro insieme alle sue vicende biografiche. La ricerca archivistica, svolta in diversi archivi italiani, ha permesso la scoperta di alcuni documenti inediti riguardanti i legami di Zanino con committenti e con la società del suo tempo. Questi ritrovamenti hanno quindi permesso di individuare più riferimenti e appigli cronologici utili alla ricostruzione del suo corpus. Inoltre un’importante parte dello studio è stata dedicata al funzionamento della sua bottega e alle influenze artistiche che il pittore recepì nel corso della sua carriera.
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BINDA, LAURA. "NUOVE RICERCHE PER LA BIOGRAFIA E LA PRODUZIONE STORIOGRAFICA DI CARLO BIANCONI (1732-1802)." Doctoral thesis, Università Cattolica del Sacro Cuore, 2017. http://hdl.handle.net/10280/18751.

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Nuovi dati e considerazioni sulla biografia e gli scritti di Carlo Bianconi che emergono principalmente dallo spoglio di materiale archivistico inedito. Con questo studio viene ad essere chiarita la fase formativa di Bianconi cresciuto in una casa di bibliofili e collezionisti d’arte. Aggiornato sulle elaborazioni teoriche di Winckelmann e Mengs entrambi conosciuti personalmente, lo vedono progressivamente avvicinarsi e aderire ai modi del classicismo, mediato anche dal rapporto instaurato con Francesco Algarotti, a cui viene in questa sede ridato valore. Uno spiraglio viene aperto sul biennio trascorso a Roma, la frequentazione del cardinale Albani e sul viaggio a Napoli con importanti risvolti per la sua maturazione intellettuale. Seguono i motivi della scelta di Bianconi a segretario dell’Accademia di Brera, le sue iniziative a livello didattico e il rapporto con Carlo di Firmian. Vengono, di volta in volta ricordati i suoi numerosi corrispondenti, la sua produzione figurativa e soprattutto commentati i suoi scritti editi (guide di Bologna e Milano) e inediti (Vitruvio, scritti teorici sull’origine dell’architettura e dell’incisione, orazioni) e riconsiderata la collaborazione all’Enciclopedia Metodica di Pietro Zani. Artista, collezionista, scrittore d’arte e insegnante, immerso in una temperie di matrice razionalista è precoce assertore dei dettami del nuovo gusto per il classico.
New information and analysis about Carlo Bianconi’s biography and writings mainly appear from unpublished archival material bare. This work allows to clarify the education of Bianconi, who grew up in a family of bibliophiles and art collectors. He kept abreast of theoretical development of Winckelmann and Mengs, who personally knew and he gradually moved closer and accepted the models of the classicism that was also mediated by the relationship established with Francesco Algarotti, who is here reevaluate. Regarding his two-year period spent in Rome, the relationship with the Cardinal Albani and moreover his trip to Naples, a glimmer is opened, with important implications for his intellectual maturity. Furthermore, there are: the reason regarding the choice of Bianconi as Secretary of the Academy of Brera, his educational initiatives and the relationship with Carlo di Firmian. From time to time, his many correspondents, his figurative works of art and especially his published writings were commented (for example the guide of Bologna and Milan) and his unpublished writings (such as Vitruvius, theoretical writings on the origin of architecture and engraving, orations) are remembered and also the collaboration with the Enciclopedia Metodica of Pietro Zani is reconsidered. Artist, collector, art writer and teacher, immersed in a climate of a Rationalism, he is a early supporter of the new taste for the classic.
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Nannini, Sofia. "La Manifattura Tabacchi a Bologna di Pier Luigi Nervi: ricerche sulla sperimentazione del cemento armato nell'architettura industriale del Novecento in Italia." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2017. http://amslaurea.unibo.it/12902/.

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La Manifattura Tabacchi è un imponente complesso industriale collocato all’ingresso Nord di Bologna. Simbolo della ricostruzione della città nel dopoguerra, l’opera è stata voluta e progettata dall’Ufficio Tecnico dell’Amministrazione dei Monopoli di Stato tra il 1949 e il 1963, dopo che i bombardamenti bellici avevano distrutto la storica sede in via Riva Reno. La progettazione esecutiva e la costruzione del comparto sono stati affidati, attraverso diversi bandi di appalto-concorso corrispondenti ai vari lotti, all’impresa Ingg. Nervi & Bartoli fondata e diretta da Pier Luigi Nervi (1891-1979), uno dei protagonisti dell’architettura e dell’ingegneria del Novecento. Nel corso della sua lunga carriera, Nervi ha progettato e costruito un grande numero di edifici per la produzione industriale, mettendo a punto un modello originale in cui le necessità funzionali e strutturali trovano forma in soluzioni sorprendenti. La Manifattura Tabacchi costituisce un caso esemplare di questa tipologia edilizia nell’opera nerviana, sviluppandosi all’interno di un complesso che è cresciuto come una città dentro la città: una serie di edifici dai caratteri strutturali, costruttivi e formali diversi, in ognuno dei quali Nervi sperimenta le diverse declinazioni delle possibilità costruttive e dell’espressività estetica del cemento armato. Il recente interesse per la Manifattura bolognese, legato anche al concorso internazionale per la trasformazione in Tecnopolo del 2011, ha messo in luce la necessità di una sistematica analisi storico-costruttiva del complesso. Tale analisi è stata costruita attraverso la raccolta e lo studio dei materiali documentari originari e è affiancata dall'analisi degli edifici e dei loro caratteri costruttivi e strutturali. I risultati costituiscono un’indispensabile base per definire possibili linee guida per un processo di recupero che sia mirato a rispettarne e salvaguardarne allo stesso tempo la qualità architettonica e strutturale.
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Abdel, Karim Ahmad. "Il recupero e la rifunzionalizzazione degli stadi storici: vincolo o opportunità? I casi dello stadio Dall’Ara di Bologna e Flaminio di Roma." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2021.

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L’oggetto della presente tesi tratta il recupero e la rifunzionalizzazione degli stadi storici,con l’obiettivo di capire se la scelta di intervento su questa tipologia del patrimonio architettonico esistente costituisca un vincolo oppure una opportunità.L’analisi di questo tema parte dalla ricerca storica mirata alla conoscenza degli impianti sportivi,ricostruendo i principali momenti della loro evoluzione storico-architettonica individuando i caratteri delle tipologie di stadi contemporanei.Questa prima fase,di inquadramento tecnico e tipologico,costituirà la base per collocare i casi studio scelti all’interno dell’evoluzione storica della tipologia degli stadi per il calcio.In una seconda fase,la ricerca approfondirà l’aspetto normativo e a partire da questi risultati,la ricerca si concentrerà su alcuni dei casi recenti ritenuti più significativi di restauro e rifunzionalizzazione degli stadi realizzati in Italia analizzandone metodologie,criticità e scelte progettuali. Il caso studio scelto è lo Stadio “Renato dall’Ara” di Bologna. A partire dall’analisi del modello di intervento sullo stadio dall’Ara,la ricerca intende poi verificare se questo modello sia applicabile ad altri stadi storici monumentali italiani,scegliendo come caso studio lo stadio Flaminio di Roma. L’analisi di questo caso studio avrà lo scopo di evidenziare,attraverso il confronto con quello bolognese,analogie e differenze,per arrivare a trovare una possibile comune metodologia di intervento. Attraverso la definizione e l’applicazione del “modello Bologna”,si proverà infine a capire se la necessità di rifunzionalizzazione degli stadi storici possa essere un’opportunità di valorizzazione di un patrimonio edilizio estremamente diffuso sul territorio nazionale e non essere considerata solo un impedimento per le società calcistiche che desiderino investire e ridare vita ed innovazione agli impianti di loro proprietà dove giocano le loro squadre di calcio.
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Gastaldi, Sciltian. "Pier Vittorio Tondelli: Letteratura Minore e Scrittura dell'Impegno Sociale." Thesis, 2012. http://hdl.handle.net/1807/44076.

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Abstract This thesis illustrates the social engagement in the literary writings of Pier Vittorio Tondelli, an Italian gay author whose works have been described by many Catholic, Materialists, and gay critics as frivolous and disengaged. The dissertation summarizes the mutation of the Italian literary concept of impegno from Neorealism to Postmodernism, through a selection of the texts of Elio Vittorini, Italo Calvino, Franco Fortini, Pier Paolo Pasolini, Leonardo Sciascia, and Umberto Eco. It shows how Tondelli’s interpretation of the role of the writer falls within the definitions given by Calvino and Eco. Moreover, the thesis demonstrates that Altri libertini and Pao Pao satisfy the characteristics of littérature mineure established by Gilles Deleuze and Felix Guattari, though Tondelli’s oeuvre is socially engaged instead of being politically engaged because of his lack of a political ideology. The dissertation highlights the core of Tondelli’s social commitment in his passionate defense of the outcasts in: Altri libertini where drug addicts, homosexuals, transsexuals, and bums are the protagonists; Pao Pao where a group of gay soldiers is described in its grotesque and camp attempt to “homosexualize” their barrack; Rimini where the Riviera Adriatica is portrayed as a place where everyone passes by and no one belongs; Camere separate through the love story of a gay couple in which one partner has to survive his lover’s death, due to an illness that is demonstrated in this thesis to be AIDS, while fighting against the homophobia of their families, institutions, society, and religion. Most of Tondelli’s socially excluded characters are introduced to the reader through an internal homodiegetic point of view. Another important component of Tondelli’s impegno is his open defense of both pop-culture and counter-cultures: gay, hippies, rockers, experimental theatre, street artists and alternative radio, which are central in all his writings.
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Books on the topic "Pietro in Bologna"

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Leva, Evelin. L'ordine del Tempio a Bologna e Modena: Pietro da Bologna e Pietro da Montecucco. Tuscania: Edizioni Penne & papiri, 2015.

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Roberto, Terra, and Benati Daniele, eds. La Cattedrale di San Pietro in Bologna. Cinisello Balsamo (Milano): Silvana, 1997.

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Templari a Bologna: Sulle tracce di frate Pietro. Tuscania: Penne & papiri, 2012.

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La prima chiave di Bologna: Castel San Pietro nel Medioevo. Firenze: Edifir, Edizione Firenze, 2011.

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Massimo, Medica, and Battistini Silvia, eds. La cattedrale scolpita: Il romanico in San Pietro a Bologna. Ferrara: Edisai, 2003.

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Bologna fra Trecento e Quattrocento: La testimonianza di Pietro di Mattiolo. Bologna: CLUEB, 2011.

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Roberto, Terra, ed. Domus episcopi: Il Palazzo arcivescovile di Bologna. San Giorgio di Piano, BO [i.e. Bologna]: Minerva edizioni, 2002.

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Pietro Giordani e le origini dell'Accademia di belle arti a Bologna: Appunti per una storia dell'impegno civile ed artistico di Pietro Giordani (1808-1815). Bologna: Bononia university press, 2015.

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Terra, Roberto, and Guido Cavina. Benedetto XIV e la facciata della Cattedrale di Bologna: Storia, documentazione e restauro. Ferrara: Edisai, 2008.

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Fanti, Mario. La chiesa cattedrale e metropolitana di San Pietro in Bologna: Guida a vedere e a comprendere. [Firenze]: Vallecchi, 1995.

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Book chapters on the topic "Pietro in Bologna"

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Freguglia, Paolo, and Sandro Graffi. "Pietro Burgatti and His Studies on Mechanics." In Mathematicians in Bologna 1861–1960, 197–208. Basel: Springer Basel, 2011. http://dx.doi.org/10.1007/978-3-0348-0227-7_8.

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Manuela Incerti and Paola Foschi. "Pietro Fiorini e la prospettiva su Bologna." In 42th INTERNATIONAL CONFERENCE OF REPRESENTATION DISCIPLINES TEACHERS. CONGRESS OF UNIONE ITALIANA PER IL DISEGNO. PROCEEDINGS 2020. LINGUAGGI, DISTANZE, TECNOLOGIE. FrancoAngeli srl, 2021. http://dx.doi.org/10.3280/oa-693.43.

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Heilbron, J. L. "A Galilean Education." In The Incomparable Monsignor, 7–41. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192856654.003.0002.

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Abstract “A Galilean Education” centers on Bianchini’s training first at the Jesuit College in Bologna, then in the Galilean school of Geminiano Montanari in Padua, and finally in the eclectic metropolitan science practiced at Giovanni Giustino Ciampini’s Physico-Mathematical Academy in Rome. The chapter develops Bianchini’s character as a scholar, humanist, diplomat, and pious but not bigoted Catholic. As the eldest son of a family of modest means, he had to prepare early in life for an independent career. At first his ambitions centered on a post in the Vatican Library, but important patronage from the Ottoboni family, procured through an uncle, enabled him to do much better when Pietro Ottoboni became Pope Alexander VIII.
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Tommasi, Francesco. "Fratres quondam Templi: per i Templari in Italia dopo il concilio di Vienne e il destino di Pietro da Bologna." In The Templars and Their Sources, 248–306. Routledge, 2017. http://dx.doi.org/10.4324/9781315475295-17.

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Najemy, John M. "The Papacy and Julius II." In Machiavelli's Broken World, 158–225. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780199580927.003.0004.

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Chapter 4 explores Machiavelli’s assessment of the Church’s role in Italy’s troubles. In his major works he outlines the growth of the Church’s political power, scathingly criticizes the papacy for eroding the piety of Italians and keeping Italy disunited, blames Christianity for teaching the passive acceptance of sufferings instead of the vigorous defense of one’s country, and blames Saints Francis and Dominic for teaching that “it is evil to speak evil of evil” and allowing churchmen “to do the worst they can.” Machiavelli praises Roman religion but shows how the nobles manipulated the oath and the auspices to deceive the plebs. Savonarola was learned and virtuous, but misused his political influence. In 1503 Machiavelli witnessed Pope Julius’s destruction of Cesare Borgia and in 1506 accompanied Julius on his seemingly reckless campaign to humble Giampaolo Baglioni of Perugia and remove the Bentivoglio of Bologna. Throughout he emphasizes Julius’s erratic, impulsive, indecisive, choleric, and imperious nature. In 1510 Machiavelli was sent to France to persuade Louis not to pressure Florence to send troops to support French positions in Lombardy. After tense meetings that focused on Julius’s threats against Florence and the danger he represented to peace in Italy, Machiavelli succeeded in persuading the king to drop the demand. Julius’s successes despite his lack of prudence posed theoretical issues that Machiavelli explored in the Ghiribizzi, The Prince, and the Discourses. Ultimately, he portrayed him as the author of Italy’s ruin.
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Taber, Douglass F. "Enantioselective Synthesis of Alkylated Centers: The Fukuyama Synthesis of (–)-Histrionicotoxin." In Organic Synthesis. Oxford University Press, 2015. http://dx.doi.org/10.1093/oso/9780190200794.003.0039.

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Vinod K. Singh of the Indian Institute of Technology, Kanpur optimized (Org. Lett. 2011, 13, 6520) an organocatalyst for the enantioselective addition of thiophenol to an imide 1 to give 2 in high ee. Amir H. Hoveyda of Boston College developed (Angew. Chem. Int. Ed. 2011, 50, 7079) a Cu catalyst for the preparation of 4 by the enantioselective hydroboration of a 1,1-disubstituted alkene 3. Yong-Qiang Tu of Lanzhou University effected (Chem. Sci. 2011, 2, 1839) enantioselective bromination of the prochiral 5 to give the bromoketone 6. Song Ye of the Institute of Chemistry, Beijing established (Chem. Commun. 2011, 47, 8388) the alkylated quaternary center of the dimer 8, by condensing a ketene 7 with CS2. Li Deng of Brandeis University added (Angew. Chem. Int. Ed. 2011, 50, 10565) cyanide in a conjugate sense to an acyl imidazole 9 to give 11. Pier Giorgio Cozzi of the Università di Bologna prepared (Angew. Chem. Int. Ed. 2011, 50, 7842) the thioacetal 14 by condensing 13 with an aldehyde 12, followed by reduction. Takahiro Nishimura and Tamio Hayashi of Kyoto University devised (Chem. Commun. 2011, 47, 10142) a Co catalyst for the enantioselective addition of a silyl alkyne 16 to an enone 15 to give the alkynyl ketone 17. Ping Tian and Guo-Qiang Lin of the Shanghai Institute of Organic Chemistry described (Tetrahedron 2011, 67, 10186) improved catalysts for the enantioselective conjugate addition of dimethyl malonate 19 to the nitroalkene 18, to give 20. Keiji Maruoka, also of Kyoto University, established (Chem. Sci. 2011, 2, 2311) conditions for the enantioselective addition of an aldehyde 21 to the acceptor 22 to give, after reduction, an alcohol 23 that could readily be cyclized to the lactone. Jianrong (Steve) Zhou of Nanyang Technological University prepared (J. Am. Chem. Soc. 2011, 133, 15882) the ester 26 by arylation, under Pd catalysis, of a ketene silyl acetal 24 with the triflate 25. Benjamin List of the Max-Planck-Institut, Mülheim employed (Angew. Chem. Int. Ed. 2011, 50, 9471) a system of three catalysts to effect the enantioselective alkylation of an aldehyde 27 with the allyic alcohol 28 to give 29.
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Conference papers on the topic "Pietro in Bologna"

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Vidal Climent, Ciro, Maite Palomares Figueres, and Ivo Vidal climent. "Between the heritage and the contemporaneity of the industrial city of Alcoy." In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5812.

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The ARA plan, acronym for Architecture and Rehabilitation of Alcoy, was the response to a collective desire of change and to the need for the renewal of an industrial city with a deeply rooted bourgeois and working-class base. The impulse and credibility that made possible the conception of the ARA plan came from a series of projects that consolidated seriously damaged zones of the historic center, and secondarily from the economic commitment of the Generalitat with urban projects of great disciplinary interest that, at that time, had the character of pioneers for their modern procedures of intervention on the inherited city.The common framework of Plan ARA hosted many urban proposals very different in their methodology. However the sense of their cohesion in the city was evident because behind them there was a thought of order necessary for the consolidation and modernization of the urban patrimony that future challenges would ask for. The most relevant architectural project was the renovation of the neighborhood of La Sang, which won the FAD Architecture Award in 1999, but for the citizens the evidence of a remarkable change came with the construction of the public parks. Since that moment the people perceived that an ambitious and clear idea of the city was giving shape to their daily domestic outer spaces.Unfortunately a mix of political and economical issues truncated or set aside important ongoing projects so the completion of the ARA plan was never reached. and the aspiration of becoming an strategic city was forgotten.References:Vidal Vidal, Vicente M. (1992) Il Piano Ara di Alcoy. Descrizione come premessa. Lotus 71. Lotus international. Rivista trimestrale di architettura. Electa.76de Solà-Morales, Manuel (1992) Il nucleo urbano antico come categoria di progetto. Il quartiere di La Sang. Lotus 71. Lotus international. Rivista trimestrale di architettura. Electa.86Cervellati, Pier Luigi and Scannavini, Roberto. Bolonia. Política y metodología de la restauración de centros históricos. Colección Materiales de la ciudad. Editorial Gustavo Gili. Barcelona 1976.Alcoi de Fil de Vint. Arquitectura y Rehabilitación de Alcoi. Generalitat Valenciana. Conselleria d’Obres Públiques, Urbanisme i Transports. Mostra Marzo- Abril 1991
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