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Relevant bibliographies by topics / Pillar of Fire Church (U.S.)

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Academic literature on the topic 'Pillar of Fire Church (U.S.)'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2025

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Journal articles on the topic "Pillar of Fire Church (U.S.)"

1

Aleknavičienė, Ona. "Kalba ir tapatybė Kristijono Gotlybo Milkaus žodyno Littauisch-deutsches und Deutsch-littauisches Wörter-Buch (1800) pratarmėse: diskurso analizė." Archivum Lithuanicum, no. 23 (December 31, 2021): 101–36. http://dx.doi.org/10.33918/26692449-23004.

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Language and Identity in the Forewords to Christian Gottlieb Mielcke’s Dictionary Littauisch -deutsches und Deutsch - littauisches Wörter - Buch (1800): Discourse Analysis S u m m a r y The article deals with the discourse pertaining to the ties between the Lithuanian language and identity in the Prussian Kingdom at the cusp of the 18th and the 19th centuries. The main sources here are four forewords to Christian Gottlieb Mielcke’s (Lith. Kristijonas Gotlybas Milkus) dictionary Littauisch-deutsches und Deutsch-littauisches Wörter-Buch (1800) as monologue texts sharing the following elements: (

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2

Fredericks, Bronwyn, and Abraham Bradfield. "Revealing and Revelling in the Floods on Country: Memory Poles within Toonooba." M/C Journal 23, no. 4 (2020). http://dx.doi.org/10.5204/mcj.1650.

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In 2013, the Capricornia Arts Mob (CAM), an Indigenous collective of artists situated in Rockhampton, central Queensland, Australia, successfully tendered for one of three public art projects that were grouped under the title Flood Markers (Roberts; Roberts and Mackay; Robinson and Mackay). Commissioned as part of the Queensland Government's Community Development and Engagement Initiative, Flood Markers aims to increase awareness of Rockhampton’s history, with particular focus on the Fitzroy River and the phenomena of flooding. Honouring Land Connections is CAM’s contribution to the project an

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Pargman, Daniel. "The Fabric of Virtual Reality." M/C Journal 3, no. 5 (2000). http://dx.doi.org/10.5204/mcj.1877.

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Introduction -- Making Sense of the (Virtual) World Computer games are never "just games". Computer games are models of reality and if they were not, we would never be able to understand them. Models serve three functions; they capture important, critical features of that which is to be represented while ignoring the irrelevant, they are appropriate for the person and they are appropriate for the task -- thereby enhancing the ability to make judgements and discover relevant regularities and structures (Norman 1993). Despite the inherently unvisualisable nature of computer code -- the flexible

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Campays, Philippe, and Vioula Said. "Re-Imagine." M/C Journal 20, no. 4 (2017). http://dx.doi.org/10.5204/mcj.1250.

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To Remember‘The central problem of today’s global interactions is the tension between cultural homogenisation and cultural heterogenisation.’ (Appadurai 49)While this statement has been made more than twenty years, it remains more relevant than ever. The current age is one of widespread global migrations and dis-placement. The phenomenon of globalisation is the first and major factor for this newly created shift of ground, of transmigration as defined by its etymological meaning. However, a growing number of migrations also result from social or political oppression and war as we witness the c

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Vavasour, Kris. "Pop Songs and Solastalgia in a Broken City." M/C Journal 20, no. 5 (2017). http://dx.doi.org/10.5204/mcj.1292.

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IntroductionMusically-inclined people often speak about the soundtrack of their life, with certain songs indelibly linked to a specific moment. When hearing a particular song, it can “easily evoke a whole time and place, distant feelings and emotions, and memories of where we were, and with whom” (Lewis 135). Music has the ability to provide maps to real and imagined spaces, positioning people within a larger social environment where songs “are never just a song, but a connection, a ticket, a pass, an invitation, a node in a complex network” (Kun 3). When someone is lost in the music, they can

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Hackett, Lisa J., and Jo Coghlan. "Conjuring Up a King." M/C Journal 26, no. 5 (2023). http://dx.doi.org/10.5204/mcj.2986.

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Introduction The coronation of King Charles III was steeped in the tradition of magic and ritual that has characterised English, and later British, coronations. The very idea of a coronation leverages belief in divinity; however, the coronation of Charles III occurred in a very different social environment than those of monarchs a millennium ago. Today, belief in the divine right of Kings is dramatically reduced. In this context, magic can also be thought of as a stage performance that relies on a tacit understanding between audience and actor, where disbelief is suspended in order to achieve

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