Relevant bibliographies by topics / Pina Bausch Tanztheater (Wuppertal, Allemagne)

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  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Pina Bausch Tanztheater (Wuppertal, Allemagne)'

Author: Grafiati
Published: 4 June 2021
Last updated: 9 February 2022

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Journal articles on the topic "Pina Bausch Tanztheater (Wuppertal, Allemagne)"

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Chernetich, Gaia Clotilde. "Orality at Work in the Body-Archive. A Case Study with Tanztheater Wuppertal Pina Bausch's Italian Dancers." Dance Research 38, no. 2 (2020): 230–41. http://dx.doi.org/10.3366/drs.2020.0310.

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This article relates an oral history research project conducted with the Italian members and ex members of the Tanztheater Wuppertal Pina Bausch. The creation and the use of oral sources is questioned as being the software working in the body-archive considered as the hardware of dance memory and its transmission. Pina Bausch's post-memory is regarded as the active dialogue and interaction between macro and micro memories emerging from the Tanztheater Wuppertal Pina Bausch dancers' bodies.
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Larlham, Daniel. "Dancing Pina Bausch." TDR/The Drama Review 54, no. 1 (2010): 150–60. http://dx.doi.org/10.1162/dram.2010.54.1.150.

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The Tanztheater Wuppertal Pina Bausch performed Nefés in Wrocław, Poland, only hours after receiving news of their director's sudden death on 30 June 2009. The unique empathic dynamics of the performance offer a window onto the evolution of Bausch's artistic vision and working process over the past three decades.
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Klein, Gabriele. "Passing on Dance: practices of translating the choreographies of Pina Bausch." Revista Brasileira de Estudos da Presença 8, no. 3 (2018): 393–420. http://dx.doi.org/10.1590/2237-266078975.

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Abstract: This text aims to analyze the process of passing on choreographies, as exemplified in the work of the Tanztheater Wuppertal Pina Bausch. It presents this process as a praxis of translation. The paper discusses the limitations and possibilities of translating choreography, as well as the specific potential inherent and visible in practices of translating choreographies by Pina Bausch. From a philosophical and sociological perspective of translation theory and based on a methodology of the ‘praxeological production analysis’ (Klein, 2014a; 2015a), I’m using data gathered during rehears
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Sertori, Rafael Henrique Viana. "O Tanztheater e suas imagens." Rapsódia, no. 14 (December 3, 2020): 146–64. http://dx.doi.org/10.11606/issn.2447-9772.i14p146-164.

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A escrita desse artigo tem por objetivo discutir a produção de imagens a partir da linguagem da dança, tomando como objeto de análise geral a Dança Moderna alemã e, em específico, a obra da bailarina e coreógrafa alemã Pina Bausch (1940-2009), à frente da companhia Tanztheater Wuppertal-Pina Bausch. As observações aqui descritas caminham na direção de tentar evidenciar em que medida a experiência estética em dança pode contribuir com o campo compreendido pela reflexão estética acerca das imagens na contemporaneidade.
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Aigner, Franziska, and Uri Turkenich. "Beginnings at Tanz-Theater Wuppertal: On relevance, form and love – An interview with Vivienne Newport." Maska 31, no. 181 (2016): 80–91. http://dx.doi.org/10.1386/maska.31.181-182.80_7.

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Vivienne Newport spoke to us about the early choreographic works of Tanztheater Wuppertal under the direction of Pina Bausch, in which Newport participated as one of the seminal dancers. Furthermore, she spoke to us about the internal dynamic in the company and the particularity of Pina Bausch’s relations to the dancers.
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De Medeiros, Marina Milito, and Sayonara Pereira. "A UTILIZAÇÃO DO GESTUAL COTIDIANO E ALGUNS DE SEUS DESDOBRAMENTOS NO ESPETÁCULO KONTAKTHOF (1978) DE PINA BAUSCH PARA O TANZTHEATER WUPPERTAL." Cena, no. 22 (July 20, 2017): 142. http://dx.doi.org/10.22456/2236-3254.72617.

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O presente artigo pretende contextualizar o trabalho da coreógrafa e bailarina alemã, Pina Bausch (1940-2009), referência mundial do Tanztheater[1]. Nosso recorte foca na análise da utilização do gestual cotidiano na obra de sua autoria Kontakthof. O espetáculo cênico foi criado em 1978 com bailarinos do Tanztheater Wuppertal e sua construção girou em torno dos conflitos inerentes às relações humanas, relações de poder, de carinho, de submissão, de descoberta e de exposição. Realiza-se uma análise das formas de utilização do gestual cotidiano no espetáculo cênico que no ano 2000 teve uma remon
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Lacerda, C. M. C. L. "Pina Bausch e o Wuppertal Tanztheater: Desestruturando e Confrontando Polaridades." MORINGA - Artes do Espetáculo 7, no. 1 (2016): 141–63. http://dx.doi.org/10.21604/2177-8841/moringa.v7n1p141-163.

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Godínez Rivas, Gloria Luz. "Pina Bausch en Brasil: fruta, vestidos, felicidad y Água." Revista Brasileira de Estudos da Presença 8, no. 3 (2018): 421–40. http://dx.doi.org/10.1590/2237-266076250.

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Resumen: En este artículo nos aproximamos de manera general a la obra de Pina Bausch y a sus procesos de creación con la compañía Tanztheater Wuppertal. Desde este marco nos centramos en su trabajo en residencia por algunas ciudades del mundo y lo describimos como un repertorio cartográfico que aporta, desde la escena, una perspectiva histórica transfronteriza y transmoderna. A partir de los recorridos por las ciudades, explicamos en términos de antropofagia cultural su relación con América Latina, particularmente con Brasil analizando algunas escenas de la pieza Água (2001) con las que se cue
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Climenhaga, Royd. "Pina Bausch, Tanztheater Wuppertal in a newly commissioned piece:Nur Du (Only You)." Text and Performance Quarterly 17, no. 3 (1997): 288–98. http://dx.doi.org/10.1080/10462939709366191.

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Aigner, Franziska, and Uri Turkenich. "Introduction." Maska 31, no. 181 (2016): 40–43. http://dx.doi.org/10.1386/maska.31.181-182.40_2.

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A series of interviews with artists involved with Tanztheater Wuppertal explores changes in the field of dance in the '70s and '80s in West Germany. Starting with Pina Bausch, the relation between choreographer and dancer shifted, blurring the line of role division. Raimund Hoghe, Susanne Linke, Dominique Mercy, William Forsythe, Reinhild Hoffmann and Vivienne Newport reflect on those changes, which coincided with broader socio-political transformations that were taking place in German society at the time.
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Dissertations / Theses on the topic "Pina Bausch Tanztheater (Wuppertal, Allemagne)"

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Chernetich, Gaia Clotilde. "Danse, mémoire, transmission : Le cas de la Pina Bausch Foundation et du Tanztheater Wuppertal Pina Bausch." Thesis, Université Côte d'Azur (ComUE), 2017. http://www.theses.fr/2017AZUR2006.

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Ma thèse de doctorat porte sur la mémoire et sur les modalités de transmission des connaissances en danse contemporaine. Pour réaliser mon étude, je me suis concentrée sur le cas de la compagnie du Tanztheater Wuppertal Pina Bausch et sur l’héritage artistique de la chorégraphe allemande Pina Bausch (1940-2009). Depuis 2009, une fondation qui porte son nom a été adjointe à l’institution historique de la compagnie de danse qui poursuit à représenter le répertoire Bausch dans le monde entier. La fondation - fondée par le fils de Pina Bausch, Salomon Bausch - a pour objectif la conservation et la
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2

Medeiros, Marina Milito de. "A utilização do gestual cotidiano em Kantakthof, de Pina Bausch = dançando por três gerações = The use of daily gesture in Kontakthof by Pina Bausch : danced by three generations." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284528.

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Orientador: Sayonara Sousa Pereira<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-22T16:50:28Z (GMT). No. of bitstreams: 1 Medeiros_MarinaMilitode_M.pdf: 2166108 bytes, checksum: 131f60da50d739491acc564a7bd8834c (MD5) Previous issue date: 2012<br>Resumo: A pesquisa em questão pretende analisar a utilização do gestual cotidiano no espetáculo Kontakthof (1978), da coreógrafa Pina Bausch, em uma primeira versão, de 1978, concebida e realizada pelos bailarinos do Wuppertal Tanztheater, em uma segunda versão, do ano 2000, r
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Yang, Yao-Jang, and 楊曜彰. "Souffrance: a Study of Pina Bausch and the Tanztheater Wuppertal 1970s-1980s." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/5mmdkw.

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碩士<br>國立臺北藝術大學<br>戲劇學系碩士班<br>100<br>Pina Bausch (1940-2009) and the dancers of the Tanztheater Wuppertal had performed the “symptomatic body” by means of their practices and reflections on the movement quality, structure and creative process. Bausch intertwined the tradition of Weimar modern dance and the avant-garde impulse in the European contemporary art 1960s, problematizing the the post-war dance culture, which had been influenced by opernballett and the modern dance / ballet form the U.S.A. Furthermore, they located the formal “symptomatic body” in experienced and/or historical social co
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Books on the topic "Pina Bausch Tanztheater (Wuppertal, Allemagne)"

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Gert, Weigelt, ed. Pina Bausch: Tanztheater. K. Kieser, 2003.

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Climenhaga, Royd. Pina Bausch. Routledge, 2008.

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Pina Bausch und das Tanztheater Wuppertal. Müller & Busmann, 2002.

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Pina, Bausch, Flimm Jürgen 1941-, Gradinger Malve, Jeitschko Marieluise, Norbisrath Gudrun, and Roehm Ulrich, eds. Pina Bausch und das Tanztheater Wuppertal. Edition Panorama, 2012.

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1943-, Weiss Ulli, ed. Pina Bausch: Tanztheatergeschichten. Suhrkamp, 1986.

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Hoghe, Raimund. Pina Bausch: Histoires de théâtre dansé. L'Arche, 1987.

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Mau, Leonore. Ensemble: Pina Bausch, das Tanztheater Wuppertal : Portraits. Edition Diá, 1988.

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Mau, Leonore. Pina Bausch et compagnie. L'Arche, 1988.

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9

Pina Bausch: Dance theatre. K. Kieser, 2008.

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10

Meyer, Marion. Pina Bausch: Tanz kann fast alles sein. Bergischer Verlag, 2012.

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Book chapters on the topic "Pina Bausch Tanztheater (Wuppertal, Allemagne)"

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"Praktiken des Übersetzens im Werk von Pina Bausch und dem Tanztheater Wuppertal." In Tanz erben. transcript-Verlag, 2014. http://dx.doi.org/10.14361/transcript.9783839427712.25.

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"Practices of Translating in the Work of Pina Bausch and the Tanztheater Wuppertal." In Inheriting Dance. transcript-Verlag, 2014. http://dx.doi.org/10.14361/transcript.9783839427859.25.

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