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1

1935-, Davis J., Deeney Christopher, and Pereira Nino R, eds. Dense Z-pinches: 5th International Conference on Dense Z-Pinches, Albuquerque, New Mexico, 23-28 June 2002. Melville, N.Y: American Institute of Physics, 2002.

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2

Hammer, David A. (David Andrew), 1943- and Kusse Bruce 1938-, eds. Dense z-pinches: 7th International Conference on Dense Z-Pinches, Alexandria, Virginia, 12-21 August 2008. Melville, N.Y: American Institute of Physics, 2009.

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3

Hirose, Akira. Anomalous electron thermal diffusivity, anomalous particle pinch and isotope effect due to the skin size electromagnetic drift mode. Saskatoon, Sask: University of Saskatchewan, Plasma Physics Laboratory, 1990.

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4

Hirose, Akira. Collisional effects of trapped electrons on the anomalous particle and thermal pinches. Saskatoon, Sask: University of Saskatchewan, Plasma Physics Laboratory, 1992.

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5

Mobley, Max. Pitch correction software now! Montclair, NJ: Hal Leonard Books, 2013.

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6

Graham, Terence Arthur. Pitch-heave dynamics models for an air cushion vehicle. [Downsview, Ont.]: University of Toronto, Institute for Aerospace Studies, 1992.

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7

Graham, Terence Arthur. Pitch-heave dynamics models for an air cushion vehicle. [Downsview, Ont.]: University of Toronto, 1989.

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8

D. I. T. P. Llewelyn-Davies. The effect of pitch and yaw on the aerodynamic interference between two identical, unstaggered, axisymmetrical bodies whose centrelines are parallel and separated by 1.11 body diameters. Cranfield, Bedford, England: Cranfield Institute of Technology, College of Aeronautics, 1989.

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9

Ramsay, R. Reuss. Effects of grit roughness and pitch oscillations on the S812 airfoil. Golden, CO: National Renewable Energy Laboratory, 1998.

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10

Lamanque, J. L. Denis. Simulation models to study the effects of the pitch control augmentation system on the stability of the F-18 fighter aircraft. Kingston, Ont: Royal Military College of Canada, 1987.

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11

Aaron, Jeffrey C. The effects of vocal coordination instruction on the pitch accuracy, range, pitch discrimination, and tonal memory of inaccurate singers. [Iowa City: s.n.], 1990.

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12

Gaier, James R. Effects of graphitization on the environmental stability of brominated pitch-based fibers. [Washington, DC]: National Aeronautics and Space Administration, 1987.

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13

Smith, Nicholas Alexander. The effects of manipulation of pitch distributional properties of melodies on listeners' perceptions of tonality. Ottawa: National Library of Canada, 1998.

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14

Asbury, Scott C. Effects of internal yaw-vectoring devices on the static performance of a pitch-vectoring nonaxisymmetric convergent-divergent nozzle. Hampton, Va: Langley Research Center, 1993.

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15

Caspers, Johanna. Pitch movements under time pressure: Effects of speech rate on the melodic marking of accents and boundaries in Dutch. Hague: Holland Academic Graphics, 1994.

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16

Park, Sung-Nam. Flow visualization of the effect of pitch rate on the vortex development on the scale model of a F-18 fighter aircraft. Monterey, Calif: Naval Postgraduate School, 1989.

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17

Daniels, W. Lee. The effects of controlled overburden placement on mine spoil properties, revegetation and the growth of Pitch X loblolly pine hybrid seedlings as demonstrated on an abandoned strip bench. S.l: s.n, 1986.

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18

Ontario Educational Research Council. Conference. [Papers presented at the 36th Annual Conference of the Ontario Educational Research Council, Toronto, Ontario, December 2-3, 1994]. [Toronto, ON: s.n.], 1994.

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19

Ontario Educational Research Council. Conference. [Papers presented at the 32nd Annual Conference of the Ontario Educational Research Council, Toronto, Ontario, December 7-8, 1990]. [Ontario: s.n.], 1990.

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20

Ontario Educational Research Council. Conference. [Papers presented at the 33rd Annual Conference of the Ontario Educational Research Council, Toronto, Ontario, December 6-7, 1991]. [Ontario: s.n.], 1991.

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21

Ontario Educational Research Council. Conference. [Papers presented at the 35th Annual Conference of the Ontario Educational Research Council, Toronto, Ontario, December 3-4, 1993]. [Toronto, Ont: s.n, 1993.

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22

Conference, Ontario Educational Research Council. [Papers presented at the 31st Annual Conference of the Ontario Educational Research Council, Toronto, Ontario, December 8-9, 1989]. [Toronto, ON: s.n.], 1989.

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23

Conference, Ontario Educational Research Council. [Papers presented at the 30th Annual Conference of the Ontario Educational Research Council, Toronto, Ontario, December 2-3, 1988]. [Toronto, ON: s.n.], 1988.

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24

Ontario Educational Research Council. Conference. [Papers presented at the 28th Annual Conference of the Ontario Educational Research Council, Toronto, Ontario, Dec. 1986]. [Toronto, ON: s.n.]., 1986.

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25

Ontario Educational Research Council. Conference. [Papers presented at the 34th Annual Conference of the Ontario Educational Research Council, Toronto, Ontario, December 4 - 5, 1992]. [Ontario: s.n.], 1992.

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26

1942-, Liberman M. A., ed. Physics of high-density Z-pinch plasmas. New York: Springer, 1999.

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27

(Editor), Jack Davis, Christopher Deeney (Editor), and Nino R. Pereira (Editor), eds. Dense Z-Pinches: 5th International Conference on Dense Z-Pinches, Albuquerque, New Mexico, 23-28 June 2002 (AIP Conference Proceedings). American Institute of Physics, 2002.

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28

R, Pereira Nino, Davis J. 1935-, Rostoker Norman, and International Conference on Dense Z-Pinches (2nd : 1989 : Laguna Beach, Calif.), eds. Dense z-pinches: Second international conference, Laguna Beach, CA, 1989. New York: American Institute of Physics, 1989.

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29

Dense Z-Pinches: 6th International Conference on Dense Z-Pinches (AIP Conference Proceedings / Plasma Physics). American Institute of Physics, 2006.

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30

United States. Dept. of Health and Human Services., United States. Public Health Service., United States. Agency for Toxic Substances and Disease Registry., and Research Triangle Institute, eds. Toxicological profile for wood creosote, coal tar creosote, coal tar, coal tar pitch, and coal tar pitch volatiles. [Atlanta, Ga.]: The Dept., Public Health Service, The Agency, 1996.

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31

Effects of yaw and pitch motion on model attitude measurements. Hampton, Va: National Aeronautics and Space Administration, Langley Research Center, 1995.

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32

S, Tripp John, Finley Tom D, and Langley Research Center, eds. Effects of yaw and pitch motion on model attitude measurements. Hampton, Va: National Aeronautics and Space Administration, Langley Research Center, 1995.

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33

Effects of optical pitch on oculomotor control and the perception of target elevation. [Washington, DC: National Aeronautics and Space Administration, 1995.

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34

Effects of optical pitch on oculomotor control and the perception of target elevation. [Washington, D.C: National Aeronautics and Space Administration, 1995.

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35

M, Ebenholtz Sheldon, Linder Barry J, and United States. National Aeronautics and Space Administration., eds. Effects of optical pitch on oculomotor control and the perception of target elevation. [Washington, D.C: National Aeronautics and Space Administration, 1995.

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36

J, Pausder H., Ockier C. J, and Ames Research Center, eds. An investigation of the effects of pitch-roll (de)coupling on helicopter handling qualities. Moffett Field, Calif: National Aeronautics and Space Administration, Ames Research Center, 1995.

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37

J, Pausder H., Ockier C. J, and Ames Research Center, eds. An investigation of the effects of pitch-roll (de)coupling on helicopter handling qualities. Moffett Field, Calif: National Aeronautics and Space Administration, Ames Research Center, 1995.

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38

Tenney, James. Introduction to “Contributions toward a Quantitative Theory of Harmony”. Edited by Larry Polansky, Lauren Pratt, Robert Wannamaker, and Michael Winter. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038723.003.0010.

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James Tenney presents the introduction to his 1979 essay “Contributions toward a Quantitative Theory of Harmony.” In this introduction, Tenney discusses the history of consonance/dissonance, paying attention to the semantic problem, relations between pitches, qualities of simultaneous aggregates, and contextual as well as operational and functional senses of consonance/dissonance. He also explores the structure of harmonic series aggregates, focusing on harmonic intersection and disjunction, harmonic density, and harmonic distance and pitch mapping. Finally, he considers problems of tonality by analyzing harmonic-melodic roots and the “tonic effect,” along with harmonic (chordal) roots, the “fundamental bass,” and a model of pitch perception in the auditory system. In an epilogue, Tenney describes new harmonic resources as well as prospects and limitations of his contributions.
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39

The effects of road surface pitch on the subtalar joint while running at selected velocities. 1990.

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40

The effects of road surface pitch on the subtalar joint while running at selected velocities. 1988.

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41

Malawey, Victoria. A Blaze of Light in Every Word. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190052201.001.0001.

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A Blaze of Light in Every Word presents a conceptual model for analyzing vocal delivery in popular song recordings focused on three overlapping areas of inquiry: pitch, prosody, and quality. The domain of pitch, which refers to listeners’ perceptions of frequency, considers range, tessitura, intonation, and registration. Prosody, the pacing and flow of delivery, comprises phrasing, metric placement, motility, embellishment, and consonantal articulation. Qualitative elements include timbre, phonation, onset, resonance, clarity, paralinguistic effects, and loudness. Intersecting all three domains is the area of technological mediation, which considers how external technologies, such as layering, overdubbing, pitch modification, recording transmission, compression, reverb, spatial placement, delay, and other electronic effects, impact voice in recorded music. Though the book focuses primarily on the sonic and material aspects of vocal delivery, it situates these aspects among broader cultural, philosophical, and anthropological approaches to voice with the goal to better understand the relationship between sonic content and its signification. Drawing upon transcription and spectrographic analysis as the primary means of representation, as well as modes of analysis, this book features in-depth analyses of a wide array of popular song recordings spanning genres from indie rock to hip-hop to death metal, develops analytical tools for understanding how individual dimensions make singing voices both complex and unique, and synthesizes how multiple aspects interact to better understand the multidimensionality of singing voices.
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42

Matin, Leonard, Ethel Matin, Wenxun Li, Todd E. Hudson, and Adam Shavit. The Pitchroom Illusion. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199794607.003.0025.

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A pitched visual field (i.e., a visual stimulus tilted around a horizontal axis in the observer’s frontal plane) generates profound changes in the elevation visually perceived to correspond to eye level (visually perceived eye level [VPEL]). It also affects the perceived elevation and size of objects viewed against the field. With top-forward pitch (top toward the observer), VPEL lies above true eye level and objects appear smaller and lower; with top-backward pitch (top away from the observer) VPEL lies below true eye level and objects appear larger and higher. This chapter summarizes parametric studies of the spatial and temporal properties of multimodal factors that influence the illusion and describes a three-stage neuromathematical model that accounts for the effects.
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43

The effects of structural flap-lag and pitch-lag coupling on soft inplane hingeless rotor stability in hover. Washington, D.C: National Aeronautics and Space Administration, Office of Management, Scientific and Technical Information Division, 1990.

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44

United States. National Aeronautics and Space Administration. Scientific and Technical Information Program., ed. Effects of internal yaw-vectoring devices on the static performance of a pitch-vectoring nonaxisymmetric convergent-divergent nozzle. [Washington, DC]: National Aeronautics and Space Administration, Office of Management, Scientific and Technical Information Program, 1993.

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45

United States. National Aeronautics and Space Administration. Scientific and Technical Information Program., ed. Effects of internal yaw-vectoring devices on the static performance of a pitch-vectoring nonaxisymmetric convergent-divergent nozzle. [Washington, DC]: National Aeronautics and Space Administration, Office of Management, Scientific and Technical Information Program, 1993.

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46

United States. National Aeronautics and Space Administration. Scientific and Technical Information Program., ed. Effects of internal yaw-vectoring devices on the static performance of a pitch-vectoring nonaxisymmetric convergent-divergent nozzle. [Washington, DC]: National Aeronautics and Space Administration, Office of Management, Scientific and Technical Information Program, 1993.

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47

Downs, David John. The effects of imitative pitch- and interval-matching activities on the instrumental music performance proficiency of sixth graders. 1997.

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48

Tomlins, Christopher. Marxist Legal History. Edited by Markus D. Dubber and Christopher Tomlins. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780198794356.013.28.

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Forty years after the 1975–1985 decade of socialism’s macro-political crisis, and of Western Marxism’s metastasizing theoretical crisis and eventual dispersal, we are in the grip of a new fast-forming historical conjuncture. Both globally, and within its historic Anglophone heartlands, capital is at war with itself, and it is liberalism’s turn to feel the cold pinch of disintegration. This chapter asks: What opportunities exist for renewing the attempt to create a Marxist legal historiography? What responsibilities attend that effort? It suggests that legal historians need to realize that what makes Marxist legal history useful and attractive is less that it is a particular way of doing legal history that produces specific outcomes than that it is an explicitly historical method.
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49

Lehman, Frank. Tonal Practices. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190606398.003.0002.

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This chapter lays out a series of conventions toward pitch design that both constrain musical meaning making in film and enable its unique effects. The chapter begins by examining the idiom of late Romanticism in European art music and the ways in which film music conforms to and differs from that model. This exploration is followed by a discussion of three vital aspects of American cinematic tonality: subordination, immediacy, and referentiality. Examples are drawn from an expansive set of filmmaking eras and styles; these range from the early days of the Sound Era to far more contemporary sounds. Beginning in this chapter, the beginnings of an interpretive methodology are constructed, recruiting from approaches as diverse as leitmotivic, atonal, Schenkerian, and audiovisual styles of analysis.
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50

D’Angour, Armand. The Musical Setting of Ancient Greek Texts. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198794462.003.0003.

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This chapter discusses the relationship between melody and language in Homer, the musical fragment of Euripides’ Orestes, and the ‘Seikilos Song’. Readings of Homeric passages draw on statistical analysis of the pitch-structures of the hexameter to show how melody may have been used to mark significant junctures, bridge syntactically conjoined verses, and demarcate the narrative. The musical scores of the two later texts demonstrate the interaction of semantic meaning with melodic and rhythmical patterns, and contextualizes these interactions against the backdrop of wider developments in Greek performance culture. The (probably) Euripidean melody on the Vienna papyrus should be seen in relation to the techniques of the ‘New Musicians’, and viewed as a move towards a more emotionally ‘programmatic’ melodization. The chapter also argues for an overall continuity of techniques for creating musical effects from ancient Greek to later traditions of Western music.
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