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Bochicchio, Massimiliano. "Mappatura della pericolosità idraulica da piogge intense in contesti fortemente antropizzati mediante un approccio DEM-based." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2021.
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Il presente lavoro di Tesi si è concentrato sull’applicazione di un algoritmo che consente di mappare la pericolosità idraulica da nubifragio simulando l’allagamento di un’area di interesse in funzione di un evento meteorico di data entità. L’algoritmo cui si è fatto riferimento è Safer_RAIN, sviluppato nel contesto del progetto SaferPLACES, che nasce dall’esigenza di mettere a punto di modelli idrologici speditivi per la valutazione del rischio di alluvione in ambito urbano e industriale. Nel presente elaborato, sono stati analizzati due casi studio: i poli chimici e petrolchimici di Porto Torres (Sardegna) e Priolo Gargallo (Sicilia).
Safer_RAIN è un approccio DEM-based, che permette di analizzare la conformazione della superficie topografica di un’area per identificare il sistema di depressioni presenti al suo interno e di simularne l’allagamento. Safer_RAIN si articola in due fasi: Pre-processing e Flooding. La prima consiste nell’analisi del DEM per determinare la gerarchia orizzontale e verticale delle depressioni presenti sul territorio; la seconda consiste nella simulazione dell’allagamento tramite il riempimento e lo svuotamento delle depressioni in funzione di un volume meteorico. L’applicazione del modello richiede pertanto la caratterizzazione idrologica delle piogge estreme attese nell’area di studio.
La mappatura della pericolosità idraulica ottenuta ha permesso di individuare sul territorio le aree che possono presentare delle criticità in presenza di un evento di pioggia intenso. Nel delicato contesto climatico e sociale odierno, in cui la frequenza degli eventi meteorici estremi cresce in parallelo con la sempre maggiore esposizione della popolazione al rischio, disporre di modelli predittivi speditivi è di significativa importanza. In quest’ottica, Safer_RAIN rappresenta un valido strumento a supporto di valutazioni di pericolosità nei confronti di fenomeni pluviali.
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Casciaro, Ezio. "Dimensionamento di serbatoi per la raccolta di acque piovane destinate all'utilizzo irriguo in un orfanotrofio ad Allada (Benin)." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2020. http://amslaurea.unibo.it/19977/.
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L'elaborato si concentra sulla gestione dell'acqua in un'area appartenente alla città di Allada in Benin. L’obiettivo è quello di riuscire a creare un sistema in cui l’acqua piovana recuperata tramite serbatoi di raccolta opportunamente dimensionati possa soddisfare la richiesta idrica. Quest’ultima è il risultato degli utilizzi ai quali la risorsa è destinata: irriguo e civile. Sono descritte due differenti situazioni: la prima riguarda una superficie pari a 130000 m2 destinata ad una piantagione, mentre la seconda riguarda le esigenze di 75 utenze all'interno di un orfanotrofio e il fabbisogno idrico delle colture presenti nell'orto adiacente alla struttura la cui superficie misura 250 m2. Per stimare esattamente i termini in ingresso e in uscita del bilancio idrologico di ognuna delle due situazioni, viene effettuato uno studio sui dati di pioggia locali e sulle colture tipiche della zona. Si sono impostati tre diversi scenari relativi a piantagione e orto. Il primo scenario è composto da colture poco idro-esigenti, il secondo da colture molto idro-esigenti e il terzo prevede una soluzione monocolturale. Per ognuno di questi scenari sono state identificate diverse combinazioni di aree destinate alle singole colture il cui fabbisogno irriguo sia soddisfatto esclusivamente attraverso le sole piogge. Alcune combinazioni di colture e relative coperture areali necessitano invece di un serbatoio per soddisfare la richiesta idrica. In tali casi, si è esplicitato l’andamento del volume nel serbatoio proponendo diversi dimensionamenti per ogni scenario.
I risultati finali hanno mostrato l’esigenza di serbatoi estesi e bassi per la piantagione, mentre la loro forma si sviluppa in altezza per quanto riguarda l’orto.
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Bassini, Serena. "Bronzi e bronzi dorati esposti all’azione della pioggia: corrosione ed inibizione." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2012. http://amslaurea.unibo.it/4237/.
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Il presente lavoro di tesi è stato organizzato in tre parti principali: in prima analisi, è stato effettuato uno studio preliminare di patine reali prelevate da bronzi esposti all’aperto, al fine di verificare l’ipotesi che diverse geometrie di esposizione generano patine differenti
nella morfologia e nella composizione sulla superficie della lega. In particolare, è stata posta l’attenzione sullo Sn, il quale esibisce un differente comportamento in aree esposte o riparate dalla pioggia battente.
Successivamente quindi, mediante una prova di invecchiamento accelerato che riproduce l’azione della pioggia battente (dropping test) è stata quindi studiata l’efficienza dell’inibitore PropS-SH (3-mercapto-propil-trimetossi-silano), il quale si è dimostrato un possibile sostituto del BTA nell’inibizione della corrosione dei bronzi e tra i primi candidati nello studio dell’inibizione della corrosione nei bronzi dorati. Lo studio è stato effettuato impiegando il dropping test sia per la pre-patinazione (in modo da produrre un substrato rappresentativo di quello su cui si applica l’inibitore) che per l’esposizione vera e propria. I risultati ottenuti sono stati poi confrontati con quelli ottenuti in un lavoro precedente, in cui è stata studiata l’efficienza dello stesso inibitore in condizioni che simulano invece l’azione della pioggia stagnante. Infine, sono stati condotti studi preliminari sulla corrosione di campioni di bronzo dorato mediante invecchiamento accelerato in condizioni che simulano sia la pioggia battente che quella stagnante (wet&dry test).
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Sakai, Yusei. "Biometric analysis of olenellid trilobites from the Pioche Formation (Lower Cambrian), Nevada /." Connect to resource, 1998. http://hdl.handle.net/1811/28573.
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Mussoni, Massimo. "Analisi delle vasche di prima pioggia e laminazione a servizio delle aree urbane." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2010. http://amslaurea.unibo.it/1303/.
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Wandja, Mbiapa Ursule Merino. "Traduzione dall’italiano al francese di un brano tratto dal romanzo "Fuori piove, dentro pure, passo a prenderti?" di Antonio Dikele Distefano." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2016. http://amslaurea.unibo.it/9795/.
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Dans ce mémoire, il a été question pour moi de faire la traduction, de l’italien vers le français, d’un extrait de l’œuvre "Fuori piove, dentro pure, passo a prenderti ?" de Antonio Dikele Distefano, qui s’intitule "Kaaris, Or noir". C’est un texte dans lequel l’auteur parle de la discrimination dont il est victime et de la rigueur de ses parents, sa mère en particulier. On met également en exergue le rejet social, car c’est plus ou moins le thème central de l’œuvre. Ainsi, j’ai organisé et articulé mon travail selon les techniques de commentaire, d’analyse et de traduction qui m’ont été enseignées tout au long de mon parcours académique. Vous en trouverez et en apprécierez l’illustration dans les pages qui suivent.
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Bergeron, Marie-Andrée. ""Nous avons voulu parler de nous" : le discours éditorial des féministes québécoises (1972-1987) dans Québécoises deboutte!, Les têtes de pioche et La Vie en rose." Thesis, Université Laval, 2013. http://www.theses.ulaval.ca/2013/29982/29982.pdf.
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Cette thèse explore le discours éditorial des féministes à travers trois revues phares du mouvement québécois, Québécoises deboutte!, Les têtes de pioche et La Vie en rose, afin de saisir les stratégies de positionnement des féministes. Ces dernières adaptent leur rhétorique de manière à définir un mouvement qui se construit à travers une prise de parole collective, laquelle se transforme à mesure que le champ sociopolitique québécois des années 1970 se configure lui aussi. Nous avons ainsi constaté trois tendances qui se dégagent des textes. Dans un premier temps, Québécoises deboutte! oriente sa rhétorique de manière à ratisser largement le terrain militant et à capter l’attention d’alliés potentiels entre les pôles marxiste et contre-culturel. La revue Les têtes de pioche a pour sa part opéré un retranchement vers la zone spécifiquement féministe afin de se distinguer des autres luttes présentes dans le champ et de travailler à expliquer et combattre, par la prise de parole, l’oppression spécifique des femmes. Finalement, La Vie en rose se présente comme porte-étendard d’un féminisme qui se veut pluriel, présentant à la fois les acquis du féminisme radical et les aspirations des féministes d’une génération nouvelle. L’émergence des revues féministes au Québec reste indissociable d’une perspective sociale en regard de la place qu’occupent les féministes dans les champs culturel, intellectuel et littéraire. Notre recherche se développe en deux parties complémentaires visant à mettre en lumière l’organisation du discours féministe à travers différentes revues et à analyser l’évolution de cette littérature d’idées de manière interne (discours) et externe (effets de champ). À travers vingt années de militantisme textuel, la démarche éditoriale globale des féministes forme aussi un tout cohérent. Les initiatives journalistiques du féminisme présentent en effet une logique interne qui se circonscrit au fil des ans pour, ultimement, constituer un système discursif – et rhétorique – singulier, où l’argumentation par l’éthos occupe une fonction prépondérante. La thèse se penche sur les caractéristiques littéraires des textes, nous étudions l’émergence de la presse féministe comme un phénomène plus large dépassant le cadre de la page, car elle concerne aussi l’histoire et la structure du champ littéraire, de même que les problématiques – tant formelles que sociales – qui lui sont reliées.This thesis explores the feminist’s editorial speech among three well-known feminist magazines of Quebec which are Québécoises deboutte!, Les têtes de pioche and La Vie en rose in order to understand the strategies and the posture of the feminists. Feminists adapt their rhetorics in order to define a movement that builds itself through a collective speech which is evolving as the sociopolitical context of Quebec in the seventies is. We have been able to observe three major tendencies among the texts. First of all, Québécoises deboutte! builds a speech to wrap up the different forms of activism together and to obtain the attention of potential allies who may be between the marxist and the counter-cultural poles. Secondly, Les têtes de pioche orients its speech toward a specifically feminist zone in order to distinguish itself from the other social fights. That magazine also works to explain and fight by using words the specific oppression of women. And finally, La Vie en rose presents itself as the standard bearer of the plurality of the feminist voices, showing at the same time the wins of radical feminism and the hopes of a new generation of feminists. In Quebec, the rise of the feminist magazines is an integral part of a social perspective which shows us the implication of the feminists in the fields of culture, philosophy and literature. Our research develops in two complementary parts which try to show the mechanism of the feminist speech by analyzing the content of different magazines and the evolution of this literature of ideas in an internal way (speech) and an external (field effects) one. Through twenty years of textual activism, we see that the editorial approach of the feminists forms a consistent whole. The journalistic efforts of feminism reveal an internal cohesion that consolidates itself year after year to, ultimately, become a system of ideas – and rhetorical – which is unique and into which the argumentation is mainly based on the ethos. Our thesis particularly study the literary aspects of the texts, the rise of the feminist press as a phenomenon that goes beyond the paper – because it concerns the history and the constitution of the literary field – the social and the formal problematics that are related to it.
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Gérard-Chieusse, Sophie. "Madame de Lafayette et la préciosité." Paris 4, 2000. http://www.theses.fr/2000PA040171.
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Les enquêtes historiques menées ces dernières années sur la préciosité et les précieuses ont permis de mettre en valeur le rôle tenu par ces dernières dans la société du XVIIe siècle et leur place dans la constitution du champ littéraire. Reconsidérer alors la vie et l'œuvre de Mme de Lafayette à la lumière de la préciosité a permis de manifester la vérité du jugement des frères de Villers qui, en 1658, affirmaient que la comtesse était « une des prétieuses du plus haut rang et de la plus grande volée ». Sa vie le confirme en effet, qui la place au cœur d'un réseau précieux et révèle une personnalité, un tempérament, une psychologie propres aux précieuses. L'étude des œuvres susceptibles de constituer la culture précieuse de Mme de Lafayette, l'Heptaméron de Marguerite de Navarre, le théâtre de Corneille, l'Astrée d'Honoré d'Urfé et la production romanesque de Mlle de Scudéry ont permis une lecture nouvelle des œuvres de Mme de Lafayette, invitant à y reconnaitre des thèmes, une éthique, voire une esthétique, ainsi qu'une vision du monde propres à la préciosité. Les investigations ainsi menées ont permis de faire un portrait de la comtesse en précieuse et de mettre en valeur, à travers une œuvre originale, ce qui fut, parmi d'autres, une stratégie possible de la préciosité.
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Kopp, Bernard. "Approches lexicologiques du monde romanesque de Madame de Lafayette : essai de sémantique exégétique." Paris 4, 2008. http://www.theses.fr/2008PA040033.
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Dans ce travail à visée interprétative, une analyse systématique du lexique de Mme de Lafayette (la fréquence des mots ou leur rareté, les hapax et les absents) a permis ces conclusions : - c’est en réalité par la Comtesse de Tende, sa nouvelle posthume, qu’elle a inauguré sa carrière narrative. - La suspicion tenace ne résiste pas à notre étude : la comtesse de Lafayette est le seul auteur d’une oeuvre qu’on lui a souvent contestée ; les concours amis furent réels, mais jamais décisifs. - On s’est bien sûr intéressé surtout à la Princesse de Clèves : - on a approfondi deux énigmes : l’effacement de Dieu dans un monde qui ne cesse de l’invoquer, et l’explosion sensuelle de la nuit de Coulommiers dans un roman si discret sur les desseins du corps et même son dessin. - On a fait litière d’explications souvent avancées : la vertu, le poids de l’éducation, la conscience d’une culpabilité. - Telle est, dans l’histoire littéraire du renoncement, la singularité de la princesse : l’heure de la liberté (son mari meurt…) ne la livre pas éblouie à la promesse du bonheur partagé avec le duc de Nemours, mais – au terme d’une série de crispations – lui dicte un refus de vivre fondé sur la certitude que la réel détruit la passion. - La solitude choisie par Mme de Clèves est crépusculaire. Vient seule l’atténuer la conjonction de la mémoire et de l’imaginaire ; il faut croire à cette présence de l’Absent. Quand Segrais, l’une des plumes prêtées à la romancière par la rumeur, inspire cette question rhétorique à l’une de ses héroïnes : « Mais qui peut vivre sans aimer ? », le roman propose sa leçon d’abîme : la princesse peut aimer sans vivre. - Le stoïcisme de Du Vair, l’analyse cartésienne des passions, Pascal et l’univers de Port-Royal : on a étudié la curiosité de Mme de Lafayette pour ces mondes intellectuels et les limites de sa sympathieIn this interpretive work, a systematic analysis of Mme de Lafayette's lexicon (the frequency of the words or their rarity, the hapaxa and the absentees) allowed these conclusions: - It is really by La Comtesse de Tende, her posthumous short story, that she inaugurated her narrative career. - This study pots an end to the oft-debated authorship controversy: The Countess de La Fayette is the only author of her work. There is no denying that she was assisted by friends, but never decisively. - We were naturally interested especially in La Princesse de Clèves : - We have fathomed two enigmas: the disappearance of God in a world which does not stop calling upon him, and the sensual explosion of the night in Coulommiers in a novel which tells so little about the intentions of the body and even its representation. - We have discarded oft-advanced explanations: virtue, the weight of education, the consciousness of a fault. - Here is, in the literary history of the renonciation, the peculiarity of the Princes: the time for freedom (her husband dies. . . ) does not deliver her into dazzling promises of happiness shared with the Duc de Nemours, but - at the end of a series of tensings - dictates her a refusal to live based on the certainty that the reality destroys the passion. - The solitude chosen by Mme de Clèves is in the twilight. Only the conjonction of the memory and the imagination cornes to ease it; it is necessary to believe in the presence of the Absentee. While Segrais, one of the presumed pens credited to the novelist by the rumour, inspired this rhetoric question to one of his heroines: "But who can live without loving?", the novel proposes to explore the depths of despair: the princes can love without living. - We have shown Mme de Lafayette's interest in Du Vair's Stoicism, the Cartesian analysis of the passio ns, Pascal and the philosophy of Port Royal as well as the limits of her sympathy with these intellectual worlds
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Vasconcelos, Marcelo Gadelha. "Express?o imuno-histoqu?mica dos marcadores angiog?nicos CD105 (endoglina) e CD34 em hemangiomas e granulomas piog?nicos orais." Universidade Federal do Rio Grande do Norte, 2008. http://repositorio.ufrn.br:8080/jspui/handle/123456789/17101.
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Angiogenesis, a fundamental mechanism in tumor development, is used for differential diagnosis and prognosis purposes in various neoplasias of the head and neck. This study proposes to assess angiogenic activity using immunohistochemical expression by anti-CD105 and anti-CD34 antibodies in 20 cases of hemangiomas and 20 cases of oral pyogenic granulomas, in addition to determining the usefulness of these markers as one of the differential diagnosis resources for these two oral lesions. The results showed no statistically significant difference between microvascular count (MVC) means determined by anti-CD105 (p = 0.803) and anti-CD34 (p = 0.279) antibodies. The mean number of vessels obtained by MVC in the oral hemangiomas immunostained by anti-CD105 and anti-CD34 was 18.75 and 59.72, respectively, whereas in the oral pyogenic granulomas, the mean number was 20.22 and 48.09 respectively. It was also shown that CD34 was more effective than CD105 in identifying blood vessels. However, it must be pointed out that the anti-CD105 antibody seems to be more related to vascular neoformation. Overall, this assay reinforces the role of angiogenic factors in the etiopathogenesis of hemangiomas and oral pyogenic granulomas, but the results showed that angiogenesis quantification cannot be used as a differential diagnosis parameter between the two lesions analyzed
A angiog?nese ? um mecanismo fundamental para o desenvolvimento tumoral, sendo utilizada para fins de diagn?stico diferencial e determina??o de progn?stico em v?rias neoplasias de cabe?a e pesco?o. Este trabalho se prop?s avaliar a atividade angiog?nica atrav?s da express?o imuno-histoqu?mica dos anticorpos anti-CD105 e anti-CD34 em 20 casos de hemangiomas e 20 casos de granulomas piog?nicos orais, al?m de averiguar a utilidade destes marcadores como um dos recursos de diagn?stico diferencial para estas duas les?es orais. Os resultados deste experimento demonstraram que n?o houve diferen?a estatisticamente significativa entre as m?dias de contagem microvascular (MVC) determinadas pelos os anticorpos anti-CD105 (p=0,803) e anti-CD34 (p=0,279). O n?mero m?dio dos vasos obtidos pela MVC nos esp?cimes de hemangiomas orais imunomarcados pelo anti-CD105 e anti-CD34 foram respectivamente 18,75 e 59,72, enquanto nos granulomas piog?nicos orais, o n?mero m?dio dos vasos obtidos pela MVC pelo anti-CD105 e anti-CD34 foram respectivamente 20,22 e 48,09. Foi verificado, tamb?m, que o CD34 foi mais efetivo na identifica??o de vasos sang??neos quando comparado com o CD105. Entretanto, faz-se necess?rio destacar, que o anticorpo anti-CD105 parece estar mais relacionado com a neoforma??o vascular. Em linhas gerais, este ensaio refor?a a participa??o dos fatores angiog?nicos na etiopatog?nese dos hemangiomas e granulomas piog?nicos orais, por?m os resultados mostraram que a quantifica??o da angiog?nese n?o pode ser utilizada como par?metro de diagn?stico diferencial entre as duas les?es analisadas
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Mondongou, Albertine. "La feinte et la vérité dans l'oeuvre de Madame de Lafayette." Aix-Marseille 1, 1989. http://www.theses.fr/1989AIX10052.
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Rien que par l'etude du vocabulaire utilise par l'auteur, on se rend compte de la place preponderante qu'occupe la feinte dans l'oeuvre de madame de lafayette. Le milieu qu'elle met en scene etant la cour, on utilise pour les divertissements (bals masques, ballets, tournois) des masques et des deguisements ; tandis que pour leurs jeux politiques comme pour leurs amours, les heros sont souvent obliges de cacher leurs sentiments pour les mener a bien. On rencontre pourtant dans cette oeuvre, des personnages qui aiment la verite, ainsi que des instants de verite. Mais, celle-ci n'est jamais totale. La societe de la cour favorise le mensonge. Ici, il n'y a que l'apparence qui compte. La curiosite des autres, leur indiscretion, et les regles de la bienseance empechent que l'on se montre tel qu'on est. A cela, viennent s'ajouter les limites de la morale elle-meme ainsi que l'esthetique adoptee par l'auteur qui se sert des jeux de la feinte et de la verite pour faire evoluer l'action romanesqueBy the mere study of the vocabulary used by the author, one can realize the prominent part played by make-believe in madame de lafayette's work. The social class she depicts being the court, masks and fancy-dress are used for entertainment such as fancy-dress balls, ballets and tournaments-whilst for their political games as well as in love-making, the heroes are often bound to hide their feelings to bring them to a successful issue. One sometimes meets in this work, however, characters who love truth, as well as moments of truth : but this very truth is never complete. The world of courtiers favours untruth : there, only appearance is taken into account. The others' curiosity, their indiscretion and rules of propriety prevent one from showing one's real self. To this must be added the limits of morals as well as the aesthetics adopted by the author who uses the processes of make-believe and of truth to make romantic action evolve
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Caulfield-Malkin, Bonnie K. "Mythic aspects of the feminine in Madame de la Fayette's La Princesse de Clèves." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/26793.
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Madame de La Fayette's La Princesse de Clèves was written between 1671 and 1677 at a time in French history when women's rights were beginning to find a voice in the "salons" of a few prominent female members of the leisure class. Although an immediate success with the reading public of seventeenth-century France, Madame de La Fayette's novel attracted a great deal of critical attention of the type that did not convince her to cast off her anonymity and come forth as the rightful author. As a roman d'analyse, La Princesse de Clèves stepped out of the conventions of vraisemblance and bienséance (plausibility and propriety) by the manner in which it followed the rites of passage of a young girl from maidenhood to self-evolved womanhood through the use of the medium of human relationships.
In taking the idea of a psychological study one step further, into the realm of mythology, the reader is able to gain greater insight into the motivational forces at work within the principal character's psyche. Madame de Clèves' mythical journey towards a greater sense of self-awareness is activated by a deep-seated need, found in varying degrees in both women and men but in general more predominantly in women, to establish and maintain positive, creative relationships with others. This need goes back to the essential and eternal bonding between mother and daughter and the more tenuous bonding between mother and son. Placed within a mythological framework, the princesse's fictional development can be described through the intermediary motif of the quest. The princesse, unconsciously at first, sets out on a search for Self - a search for the centre of undistorted recognition of one's essence. She is stirred to action by feelings of dissatisfaction, loss and incompleteness arising from deep within her being. The initial phase of the journey entails a pulling away from the intense Mother bonding (without totally separating from it) by means of initiation through the "masculine" (her platonic lover Nemours). She is then able to accept and appreciate the parts of her inner nature she had been taught to avoid as a young girl (passion, moodiness, rage) and begin the difficult task of redeeming the Feminine within, in both her beauty and her destructiveness.
During the process of looking at her own life, her own immediate past, the princesse finds herself drawn to the myths of a more distant past as well. She comes in touch with her mythical beginnings, with the unconscious dreams of an ancient people who, unlike their successors, were more at peace with their connection to life's mysterious truths personified by the oldest revered divinity: the ancient Great Goddess, "Union of all things related one to another." The result for Madame de La Fayette's heroine is a self-realized existence far from the culturally dictated role that society had allotted for her. In her moving away from the French court to the world of wholeness and integrity of country home and convent, the princesse is able to taste the fruits of freedom. She is able to become filled with the "goddess energy" of all aspects of her life and join past and future in her personal quest to bring inner healing to herself and to others.Arts, Faculty of
French, Hispanic, and Italian Studies, Department of
Graduate
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Bonaiuti, Federica. "Influenza della distribuzione spaziale delle precipitazioni sulla pericolosità di allagamento da nubifragio in ambito urbano." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2021.
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Il presente Elaborato tratta la mappatura di allagamenti in ambito urbano conseguenti a nubifragi ed eventi meteorici estremi, grazie all’applicazione dello specifico algoritmo, denominato Safer_RAIN, facente parte del progetto innovativo SaferPLACES. In tal senso, l’obiettivo al centro di studio è quello di valutare la sensitività di Safer_RAIN alla distribuzione spaziale delle precipitazioni, alla posizione del centro di scroscio e all’intensità del fenomeno piovoso, descritto grazie alla disponibilità sia di mappe radar di precipitazione, sia di dati puntuali registrati mediante rete pluviometrica. I risultati sono stati ottenuti sulla base di due casi di studio specifici: le città di Bologna e di Rimini.
Le mappe di allagamento ottenute hanno permesso di identificare le zone maggiormente esposte al rischio di inondazione da nubifragio ed evidenziare le notevoli differenze in termini di tirante e aree allagate, che conseguono alla simulazione di eventi reali o ipotetici, contraddistinti l’uno dall’altro dalla diversa collocazione dell’area soggetta alla maggiore attività meteorica e dalle differenti distribuzioni spaziali delle intensità di precipitazione, quindi anche dalla maggiore o minore uniformità nello spazio. In conclusione, il presente studio rende possibile affermare che Safer_RAIN, nonostante sia uno strumento snello da un punto di vista computazionale, permette di cogliere gli effetti al suolo legati alla distribuzione spaziale delle precipitazioni durante un nubifragio, aspetto che potrebbe fornire grande supporto alla pianificazione e trovare importanti applicazioni in attività di protezione civile, tra cui la valutazione di scenari di allagamento urbano da previsioni meteorologiche a breve termine (nowcasting).
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Villegas, Claire. "Le héros amoureux dans les oeuvres de Madame de La Fayette." Aix-Marseille 1, 1996. http://www.theses.fr/1996AIX10106.
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Les quatre romans et nouvelles de madame de la fayette sont places sous le signe de la passion. Les heros, tous issus de la noblesse, vivent des histoires d'amour complexes, tumultueuses et souvent fatales. Le heros amoureux fait preuve de grandes qualites physiques et morales. Mari ou amant, souvent accompagne d'un double, il evolue dans un monde aristocratique ou exotique. L'amour, a l'origine de ses aventures, le conduira a sa perte.
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Nomura, Masayo. "La mort dans l'oeuvre de Madame de La Fayette." Grenoble 3, 1999. http://www.theses.fr/1999GRE39012.
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Tout au long de la chronologie de l'oeuvre de mme de lafayette, plusieurs themes sont reconnus, comme des composantes principales: la peinture de la cour, l'amour, la retraite et la mort. Cette derniere, malgre sa presence importante chez cet ecrivain, n'a pas encore ete etudiee dans l'ensemble de sa creation. Cette etude est destinee a decouvrir pourquoi et comment les mentalites et les pensees funebres de l'epoque se refletaient sur l'activite creative et litteraire d'une femme et son recit de mort. Dans les textes romanesques de meme que ceux de memoires, la destinee des personnages est representee par leur maniere de mourir: la mort sociale, la mort solitaire et sans dignite, la mort absurde et violente, la belle mort. Or, l'amour est trop dangereux dans la societe de cour, ou le mariage se fait sans amour mais par interet. L'heroisme de l'age precedent n'existe plus pour les personnages, ce qui correspond bien a la vision pessimiste du monde au xviie siecle. Cependant, sans doute inspiree par la destinee et la mort de madame, la romanciere cree dans la princesse de cleves, une heroine qui cherche, malgre son destin tragique, a garder sa dignite humaine et gagner le repos de son ame en entrant dans une retraite edifiante pour renoncer a toutes choses du monde. Enfin, ses derniers memoires, rediges juste avant sa disparition, semblent etre son memento mori. L'oeuvre de la comtesse lui a permis de chercher son moi, qu'elle a trouve dans la pensee de la mort.
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Kim, Sung. "Les récits dans "La princesse de Clèves" tentative d'analyse structurale /." Saint-Genouph : Nizet, 1997. http://catalogue.bnf.fr/ark:/12148/cb37068030f.
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Bartoli, Alberto. "Simulazione quali-quantitativa della rete fognaria della città di Modena e dimensionamento di invasi per la mitigazione dell'impatto degli scaricatori di piena." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2008. http://amslaurea.unibo.it/157/.
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Nel presente lavoro di tesi ci si è occupati dello studio del comportamento idraulico-ambientale della rete di drenaggio a servizio della città di Modena. In particolare si è condotta una valutazione dell’effetto che gli scaricatori della rete fognaria in oggetto hanno sul complesso dei corpi idrici riceventi.
Tale lavoro si prefigge anche lo scopo di individuare e dimensionare i più efficaci sistemi di controllo degli sversamenti, operati dagli scaricatori stessi, ed infine supportare analisi costi-benefici in vista della realizzazione delle opere di risanamento ambientale necessarie per ottemperare ai vincoli imposti dalla vigente normativa regionale in merito alla gestione delle acque di prima pioggia (Deliberazione G.R. Emilia Romagna 286/2005).
Lo studio si è articolato in fasi successive:
• analisi dello stato di fatto;
• catalogazione degli scaricatori in esercizio nella rete di drenaggio;
• determinazione ed analisi dei bacini idrografici e delle superfici scolanti;
• implementazione di un modello numerico della rete di drenaggio;
• individuazione e valutazione delle criticità idraulico-ambientali del sistema, mediante simulazioni in continuo delle serie pluviometriche degli anni 2005 e 2006.
L’attività che ha portato al conseguimento dei risultati che sono raccolti in questa “nota” è stata svolta in collaborazione con la società HERA Modena s.r.l. a cui compete, fra le altre, la gestione dell’intera rete di drenaggio urbano del Comune di Modena.
La fase di analisi dello stato di fatto e delle superfici scolanti afferenti ai singoli sottobacini è stata condotta utilizzando lo strumento GIS Arcview; il quale è di supporto, anche ai fini di un’appropriata definizione delle caratteristiche specifiche del territorio.
Lo studio è stato sviluppato mediante la realizzazione di un modello numerico di simulazione quali-quantitativa con l’ausilio del software InfoWorks CS 8.05, distribuito dalla Wallingford Software Ltd UK.
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Kim, Sung. "Tentative d'analyse structurale des récits dans la Princesse de Clèves." Rouen, 1994. http://www.theses.fr/1993ROUEL177.
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Au 17e siècle, la Princesse de Clèves est une contribution incontestable au développement du genre romanesque. L'état des débats actuels sur l'art romanesque inspire notre tentative de lecture et le but de notre recherche. Elle concerne la logique que l'auteur confère aux sous-ensembles du roman et les rapports entre structures globale et partielles. Nous posons les questions suivantes : comment naît chaque récit? Comment s'agence-t-il? En quoi participe-t-il à la composition du roman? Nous essayons de mettre en évidence l'idée que chacun d'entre eux, même à première vue inutile, est indispensable à la construction générale. Nous examinons comment les récits secondaires étrangers en apparence à l'intrigue principale s'en approchent progressivement pour s'y imbriquer. Puis nous examinons l'avancée de l'intrigue centrale se détachant sur l'arrière-plan des récits secondaires. Nous observons qu'infrastructure des récits secondaires et superstructure du récit principal s'entrelacent organiquement, aussi indissociables que l'ombre et la lumière. Ainsi se dégage une logique de composition fort minutieuse qui répond aux questions posées. La modernité de l'auteur se justifie par la primauté accordée au système constructifIn the seventeenth century. The Princess of Cleves is a major contribution to the development of the genre of the noval. This research is an attempt at a reading based in as far as possible on the perspectives which the present state of reflection on the art of the novel has opened up. It seeks to describe the logic which the author confers on the underlying form of the novel and the relation-ship between the overail structure and its constituent parts. The first part is concerned with the process of interweaving whereby the secondary stories, apparently unconnected with the main plot, are slowly drawn into it and merge with it. The second part is concerned with how the principal stories which form the main plot are united together as they emerge from the background of secondary stories during the development of the novel. Through this research. It can be observed how in this novel the secondary stories and the main stories interiace organically and become interdependent. It is concluded that the attitude of its creator, mme de lafayette, who seemed to consider a novel as a litterary construction, enabled her novel to achieve modernity
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Vignoli, Giovanni. "Previsioni in tempo reale di precipitazioni spazialmente distribuite mediante sensori remoti e modelli dinamici." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2020. http://amslaurea.unibo.it/20171/.
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Tesi volta a studiare i modelli facenti parte di Rainymotion per previsioni meteo a breve termine (Nowcasting). La prima parte della Tesi riguarda un approfondimento sulle previsioni meteo, la loro affidabilità e gli strumenti utilizzati. In seguito vi è una trattazione più approfondita degli strumenti radar, delle loro applicazioni, dell'equazioni utilizzate per ricavare l'intensità di pioggia dalle misure degli echi radar e dai possibili errori che ne possono derivare. Infine è stato fatto un confronto tra le diverse tipologie di modello (Dense, DenseRotation, Sparse, SparseSD) in occasione di sei eventi intensi del 2019 in Emilia-Romagna: una nevicata di gennaio, un evento di pioggia intenso in aprile, un evento di pioggia e grandine a maggio, un tipico temporale estivo breve ed intenso di giugno, un evento intenso di ottobre e un insieme di eventi di pioggia di novembre che hanno investito la regione per una settimana. Sulla base dei risultati ottenuti, confrontati con i valori di intensità misurati realmente, è stata fatta una valutazioni sulla qualità e accuratezza del modello nel prevedere fenomeni di precipitazione.
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Fanton, d'Andon Yvette. "Discours du désir dans l'oeuvre narrative de Charles Pinot Duclos, 1740-1761." Paris 3, 1999. http://www.theses.fr/1999PA030080.
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Le mot et le theme de "desir" saturent l'oeuvre narrative de charles pinot - duclos (1742- 1761 ) tiennent a la predation et au libertinage en subvertissant le modele de la princesse de cleves. . Le "libertinism", selon les reperages de robert darnton a propos de la litterature clandestine, le"sensualisme", la pensee contingente, avec l'enracinement novateur dans le point de vue individuel, les assises autobiographiques du roman-memoires au xviii e siecle, la langue, favorisent le "discours" de duclos, capteur du discours libertin, par la classe montante qu'il represente, sa mobilite litteraire. Le "desir", sceptique, feministe, de l'auteur, a l'instar des salons litteraires de l'epoque, affirme le "desir" comme theatre et representation, resolution du bonheur et son "discours", parfois erotique et feroce, annonciateur du marquis de sade, mais nullement pornographique, reduit au discours amoureux et a ses strategies, sur un mode et une ecriture deja stendhaliens, repond aux emergences naturelles du desir par le talent litteraire et l'emergence" dans la vie. Nous avons procede a un releve des emergences du "desir", a une exploration analytique des strategies discursives , en alignant sur la production lineaire romanesque de l'auteur, la progression de sa reflexion et mise a distance moraliste la these repose sur la conflagration de deux textes porteurs, le roman archetype de la princesse de cleves , et l'oeuvre narrative de charles pinot duclos, et propose un eclairage, contournant et rejoignant les travaux et analyses de jacques brenguesThe word and the theme of "desire" saturate the narrative works of duclos, and relate to the theme of predation and libertinism in the subversion of the model provided by la princesse de cloves. "libertinism", as designated by robert darnton in clandestine literature, "sensualism", contingent thought, with its original rooting in the individual point of view, the autobiographical foundation provided by novel-memoirs in the 18th century, the language, all favour the "discourse" of duclos, which captures the essence of libertin discourse, the rising social milieu it represents and its literary mobility. The sceptical and feminist "desire" of the author, like the literary salons of the period, affirms desire as theatre and representation, resolution of happiness; and his "discourse", sometimes erotic, sometimes ferocious, announcing that of sade, but not pornographic, reduced to the discourse of love and to love's strategies, providing a literary model which will be followed by stendhal, responds to the natural emergence of desire by the demonstration of literary talent and "emergence" in life. We have recorded the occurrences of "desire" and analysed the rhetorical strategies at work, comparing the novels written by the author in linear, chronological order with the progression of his thought and moralist mise a distance. The thesis is based on the conflagration of two main texts, the archetypal novel of la princesse de cleves and the narrative works of duclos, and proposes a commentary which meets with the works and analyses of jacques brengues
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Albert-Galtier, Alexandre. "Casuistique amoureuse et rhétorique du désir dans l'oeuvre romanesque de Madame de Lafayette." Lyon 2, 1988. http://www.theses.fr/1988LYO20042.
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Cette etude propose, plus sous la forme d'un essai que d'une these, une approche de la casuistique amoureuse et de la rhetorique du desir dans l'oeuvre romanesque de madame de lafayette. Elle insiste particulierement sur le premier grand roman de ce corpus, zaide, anterieur a la princesse de cleves. Que signifient les questions d'amour issues de la preciosite? ont-elles constitue, en leur temps, une reponse linguistique aux passions du coeur? des elements de reponse sont apportes, dans un premier temps, a travers quatre courts chapitres ayant trait a la sensibilite litteraire, puis a travers une double hypothese portant sur la genetique de l'amour et la genese du recit, ensuite sous la forme d'une analyse du concept de casuistique et de quelques fragments de "cas", enfin par l'examen du "discours amoureux" propre a madame de lafayette, discours qui constitue une veritable rhetorique du desir. Ces elements de reponse sont, en conclusion, replaces dans une perspective morale. Destinee individuelle et univers romanesque prennent leur place dans l'histoire des sensibilitesThis study, in essay rather than thesis form, suggests an approach to the love casuistry and rhetoric of desire in the novels of madame de lafayette. It deals principally with the first important novel, zaide, written before la princesse de cleves. What do questions about love stemming from preciosity signify? did they form, during this period, a linguistique response concerning passions of the heart? this question is first adressed in four short chapters dealing with literary sensibility, then by a double hypothesis focussing on the generic of love and the genesis of narrative, followed by an analysis of the concept of casuis try along with "case studies", and, finally, by a study of mme de lafayette's own discourse of love, a discourse which forms a veritable rhetoric of desire. These issues are, in conclusion, put into a moral perspective. Individual destiny and the universe of the novel assume their place in the history of sensibilities
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Letexier, Gérard. "Deux fondatrices du roman : Madame de Villedieu (1640-1683) et Madame de Lafayette (1634-1693) : étude comparative." Paris 4, 1995. http://www.theses.fr/1995PA040250.
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Cette étude doit permettre de reconsidérer l'importance de Mme de Villedieu dans l'histoire du roman et la dette de Mme de Lafayette envers elle. Les romans historiques de Mme de Villedieu opèrent une unification classique de la vision dès Alcidamie, reprise et intériorisée dans Zayde de Mme de Lafayette dont la construction et la nostalgie de l'héroïsme semblent issus de Carmente. L'inspiration hispano-mauresque permet à Mme de Villedieu de transposer des fêtes contemporaines sans gêner l'action: cette innovation sera reprise dans la Princesse de Clèves. Jusqu'en 1669, les nouvelles de Mme de Villedieu, divertissantes et ornementales, restent proches de celle de Segrais. Mais ses recueils de 1670-1675, malgré un didactisme parfois lourd, la rapprochent de l'auteur de la princesse de Montpensier : souci d'historicité, visions graves marquées par l'augustinisme et la Rochefoucauld. La princesse de Clèves intériorise l'apport de Mme de Villedieu : approches de l'histoire, climat, épisodes… Mme de Lafayette a répondu au problème de roman par l'analyse, sa contemporaine par la primauté de l'action et un certain réalisme. L'une et l'autre ont inauguré les deux voies royales du roman : la peinture de la vie intérieure, celle de la société. Mme de Villedieu est une pionnière du roman de mœursCompared with Mlle de Scudery'novels, those of Mme de Villedieu present a unified vision, quite classical (Alcidamie). Mme de Lafayette's Zayde re-uses that vision in a more inner maner, but that novel construction and nostalgic atmosphere come from Mme de Villedieu's Carmente. As for the feasts evocations of the galanteries grenadines, which don't stop the action -a new thing in 1673- Mme de Lafayette will remember then in her Princesse de Cleves of 1678. Up to 1669, Mme de Villedieu's single short stories are quite influenced by Segrais' nouvelles francaises because they are at first decorative and entertaining. But in 1670-1675, her books of short stories remined the reader of Mme de Lafayette's princesse de Montpensier. History treatment, gravity of a vision sgaped by augustinism -so essential in those days- and la Rochefoucauld are much alike in the two writers' works. La Princesse de Cleves re-uses a vision largely elaborated by Mme de Villedieu and which had already been re-used by the French novelists of the 1670' , like Saint-Real, Boursault or Prechac. But Mme de Lafayette's treatment of the tradition as well as of Mme de Villedieu's fictions us an analyst's treatment :. .
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Ribeiro, Marla Smille Pedrosa Cruz. "LES?ES BUCAIS EM GESTANTES E SUA RELA??O COM ASPECTOS BIOSSOCIAIS NO MUNIC?PIO DE FEIRA DE SANTANA - BA." UNIVERSIDADE ESTADUAL DE FEIRA DE SANTANA, 2008. http://localhost:8080/tede/handle/tede/50.
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Previous issue date: 2008-01-10During pregnancy occur in the woman organism, physiological changes as a result of high levels of sex hormones necessary to maintenance of pregnancy. Local changes also occurred during this period, including in the mouth. The objective of this study was to evaluate the relationship between lesions in the oral mucosa of pregnant who the municipality of Feira de Santana - BA and the biological and social aspects as well as the prevalence of such lesions in the sample studied. It was done a descriptive study was done where it was applied a form and an oral clinical examination was done in the sample of 204 pregnant. After the procedure of collecting data, it was done a descriptive analysis of the interest variables, and finally stratified analysis and logistic regression. The results showed that pregnant who participated in the survey had an age group that ranged from 14 to 39 years, the majority was dun, had a family income between 1 and 3 minimum wages, and reported to be housewife. 38.2% of them had some kind of lesion in mouth, and the injury that was more detected was gingivitis with 30.4% of the cases. We could conclude that pregnant who were in first 2 quarters have a lower prevalence of oral lesions than those who are in the 3 rd quarter.
Durante a gravidez ocorrem, no organismo da mulher, altera??es fisiol?gicas em conseq??ncia dos n?veis elevados de horm?nios sexuais, necess?rias para a manuten??o da gesta??o. Altera??es locais tamb?m ocorrem neste per?odo, incluindo a boca. O objetivo deste estudo foi avaliar a preval?ncia de les?es bucais em gestantes atendidas nas Unidades do Programa de Sa?de da Fam?lia no munic?pio de Feira de Santana BA e estudar a sua rela??o com os aspectos biossociais na amostra estudada. Foi realizado um estudo descritivo durante o per?odo de mar?o a julho de 2007 onde se aplicou um formul?rio e se realizou exame cl?nico bucal em uma amostra de 204 gestantes. Ap?s o procedimento de coleta de dados, procedeu-se a an?lise estat?stica, onde foi realizada a an?lise descritiva das vari?veis de interesse, a estratificada e por fim, regress?o log?stica. Os resultados mostraram que as gestantes que participaram da pesquisa tinham uma faixa et?ria que variava de 14 a 39 anos, a maioria era parda (65,7%), tinha uma renda familiar entre 1 e 3 sal?rios m?nimos, e relatou ser dona-de-casa. Quanto ? presen?a de les?o, 38,2% delas apresentaram algum tipo de les?o em boca, sendo que a gengivite foi a les?o mais encontrada, com 30,4% dos casos. P?de-se concluir que mulheres que se encontram no 1? e 2? trimestres gestacionais t?m uma menor preval?ncia de les?o bucal do que aquelas que se encontram no 3? trimestre gestacional.
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Baruchel, Isabelle. "Silence, aveu, déclaration, ou les trois termes d'une écriture de l'amour : la déclaration d'amour et l'écriture romanesque dans la tradition française." Paris 7, 1988. http://www.theses.fr/1988PA070045.
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La déclaration d'amour est, du point de vue linguistique, l'énoncé et, du point de vue littéraire, la séquence, à partir de quoi est démonté un mécanisme de production du fictif romanesque. La problématique engagée à travers l'étude de trois textes (la Princesse de Clèves de Mme de la Fayette, le Lys dans la vallée de Balzac, l'Amant de Marguerite Duras) met en évidence une incompatibilité entre la déclaration d'amour, essentiellement performative, et le mode de représentation narratif qui est à l'œuvre dans la tradition romanesque française. La mise en perspective des trois textes choisis voudrait donc contribuer à cerner ce qui dans le roman est spécifiquement littéraire : c'est-à-dire, la notion, indissociable de celle de discours adresse, de proférationThe declaration of love is, from the linguistic point of view, the statement, and, from the literary point of view, the part of a text, which serves to analyse the novel's fiction mechanism. The study of three works : Mme de La Fayette's la Princesse de Clèves, Balzac's le Lys dans la vallée, Marguerite Duras's l'amant, shows an incompatibility between the declaration of love, which is essentially performative, and the narrative means of representation which characterizes the french tradition. In fact, studying the declaration of love in novels is tantamount to studying the writing of novels itself. The analysis of these three works will, it is hoped, help to explain what is specifically literary in the novel - in other words, the concept of utterance, which cannot be separated from that of writing to or for someone
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Besbes-Bannour, Faïka. "Le pathétique et la femme : l'écriture romanesque féminine du pathos dans les années charnières 1678-1720." Thesis, Paris 3, 2011. http://www.theses.fr/2011PA030080.
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Les décennies comprises entre le crépuscule du XVIIe siècle et l’aube du siècle des Lumières forment un moment charnière dans l’écriture romanesque parce que le pathétique fait l’objet d’une laïcisation, d’une réhabilitation morale et d’une promotion esthétique qui en font une catégorie majeure de la littérature du Grand Siècle finissant. Cependant, le pathétique, tel qu’il s’exprime dans le roman féminin du XVIIe siècle n’a pas encore fait l’objet d’une étude circonstanciée, et les ouvrages consacrés au genre romanesque de l’époque ne proposent aucune entrée pathétique ou pathos dans l’index des notions traitées.Afin de démontrer le côté dangereux des passions, les écrivaines retenues vont exercer une censure sur le langage verbal qui bride l’exaltation du discours passionnel, actualise la crise du sujet amoureux et signe l’échec de la communication. En réduisant l’espace dialogique où s’exprime le pathos, les nouvellistes parient sur l’éloquence du corps et du langage non verbal. Les signes extralinguistiques envahissent le texte, soutenant à la fois la disposition et l’élocution du roman en en faisant le lieu où s’expérimente une dramaturgie amoureuse qui élit les silences, les regards et les larmes comme les modalités d’une nouvelle stratégie de communication impliquant un travail herméneutique permanent.À travers une analyse attentive des nouvelles de Mme de Lafayette et de Mlle Catherine Bernard, nous essaierons de démontrer que l’évolution de l’écriture romanesque féminine vers plus de sobriété et de concision, constat du reste confirmé par les spécialistes du genre est une évolution qui doit beaucoup à la représentation du pathétiqueThe period between 17th century and the early stages of the Enlightenment is a pivotal one in fiction writing. This is not only because the concept of pathos acquired a profane dimension, but also a moral rehabilitation and an aesthetic development that contributed to make of it a major literary trend by the end of 17th century. However, the concept of pathos and the way it was developed in the women narratives of 17th century has hardly been the subject of any thorough readings. Moreover, the studies focusing on the fiction of that period, did not suggest any input to the concepts of pathos or the pathetic in their index table. To avoid the dangerous side of passion, the writers under focus, are proven to incline themselves to verbal linguistic censorship that pins down the exalting dimension of the passionate discourse. This censorship over-emphasizes both the crisis of the love subject and the failure of communication. As an alternative ! to the narrow dialogic space where pathos could have been expressed; women writers relied on the expressiveness of the body and the non-verbal language. Meta-linguistic signs pervade the texts, emphasizing both the dispositio and the elocutio of fiction; creating, thus, a space where love intrigues could be voiced. A space that makes of silences, gazes and tears important modalities of a new communication strategy implying a constant hermeneutical work. A thorough examination of the novels of Mme de Lafayette and Catherine Bernard, allow us to demonstrate that the tendency of women fiction writing towards somberness and pithiness, is a kind of evolution that owes much to the representation of the concept of the pathetic
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Reguig, Delphine. "Le corps des idées : pensées et poétiques du langage dans l'augustinisme du second Port-Royal." Saint-Etienne, 2003. http://www.theses.fr/2003STET2078.
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À la faveur de l'urgence argumentative provoquée par la polémique, le second Port-Royal, emmené par Arnauld, a utilisé le cadre du dualisme cartésien de l'âme et du corps pour renouveler la sémiotique augustinienne. Il s'est fait ainsi l'auteur d'une efficace réflexion sur la signification et sur l'existence verbale de l'homme qui dépasse le souci linguistique et grammatical. Pour que la parole produise du sens, il faut que le langage soit réellement employé comme une faculté d'abolition de la distance qui sépare l'âme du corps et l'homme de Dieu. Cet impératif de l'efficacité signifiante de la parole constitue un élément d'explication de l'influence de Port-Royal sur les milieux littéraires. Le roman La Princesse de Clèves et les tragédies de Racine notamment réfléchissent en outre l'inquiétude augustinienne à l'égard de la valeur de la parole, de sa relation avec l'intériorité humaine et de la relation qu'elle institue entre l'homme et le mondeThanks to urgent argumentation caused by controversy, the "second" Port-Royal, led by Arnauld, made use of the Cartesian dualism of body and mind in order to renew Augustinian semiotics. Port-Royal was at the origin of reflections about meaning, which go beyond linguistic and grammatical matters in order to include the moral disposition of the speaker in his verbal experience. For speech to produce meaning, language must be used as a faculty suppressing the distance between body and soul, between expression and thought, between the world and inner life, between man and God. The necessity of effective and meaningful speech may account for Port-Royal’s influence on literary circles. The novel La Princesse de Clèves and Racine's tragedies, in particular, reflect Augustinian concerns about the value of speech, its relation with human inner life, and the relation it establishes between man and the world
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Silva, Filho Tiago Jo?o da. "Express?o imunoistoqu?mica de GLUT-1 e marcadores de prolifera??o e apoptose em anomalias vasculares orais." Universidade Federal do Rio Grande do Norte, 2014. http://repositorio.ufrn.br:8080/jspui/handle/123456789/17131.
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Vascular anomalies constitute a distinct group of lesions, but they may present similar clinical and histopatological characteristics, which can lead to diagnostic mistakes. This study aimed by histopathology and immunohistochemical expression of human glucose transporter protein (GLUT-1), correctly identify and classify oral vascular anomalies, besides analyzing the immunoexpression of markers proliferation and apoptosis (Ki-67 and Bcl-2). All cases diagnosed as "oral hemangiomas" belonging to the archives of the Service of Pathological Anatomy from the subject of Oral Pathology of the Department of Dentistry (DOD), of the Federal University of Rio Grande do Norte (UFRN) were reviewed, totalizing 77 cases. Immunohistochemical analysis for GLUT-1 showed that only 26 (33.8%) of the specimens were true infantile hemangiomas (IHs). The 51 (66.2%%) GLUT-1 negative specimens were then reclassified as pyogenic granulomas (PGs) and vascular malformations (VMs) from their histopathologic characteristics,totalizing 26 (33.8%) cases of IHs, 20 (26.0%) of PGs and 31 (40.2) cases of oral VMs. The cases analyzed by the marker Ki-67 showed different median IH (13,85), PG (33,70) and VM (4.55) with statistically significant differences between them (p <0.001). In relation to the protein Bcl-2, the groups also showed different median of the established scores IH (1.00), PG (1.50), VMs (0.0) demonstrating statistically significant differences between them (p<0,001). No statistically significant correlation between the indexes of positivity for Ki-67 and the scores of immunoexpression of Bcl-2 were observed in any group. Thus, we can conclude that it is necessary a careful and parameterized review of cases of vascular anomalies making use of auxiliary tools such as GLUT-1, since the histopathological findings alone, sometimes, are not sufficient to differentiate some anomalies. Furthermore, analysis of the expressions of markers involved in the levels of proliferation of lesions is important for a better understanding of its biological behavior aspect
As anomalias vasculares constituem um grupo de les?es distintas, mas que podem apresentar caracter?sticas cl?nicas e histopatol?gicas semelhantes, que podem levar a equ?vocos diagn?sticos.Este estudo objetivou por meio da histopatologia e da express?o imuno-histoqu?mica daprote?na humana transportadora de glicose (GLUT-1), identificar e classificar corretamente as anomalias vasculares orais, al?m de analisar a imunoexpress?o de marcadores de prolifera??o e apoptose (Ki-67 e Bcl-2).Todos os casos diagnosticados como hemangiomas orais pertencentes aos arquivos do Servi?o de Anatomia Patol?gica da disciplina de Patologia Oral do Departamento de Odontologia (DOD) da Universidade Federal do Rio Grande do Norte (UFRN) foram revisados, totalizando 77 casos. A an?lise imuno-histoqu?mica para GLUT-1 revelou que apenas 26 (33,8%) dos esp?cimes tratavam-se de hemangiomas da inf?ncia (HIs) verdadeiros. Os 51 (66,2%%)esp?cimes GLUT-1 negativos foram ent?o reclassificados em granulomas piog?nicos (GPs) e malforma??es vasculares (MVs) a partir de suas caracter?sticas histopatol?gicas, totalizando 26 (33,8%) casos de HIs, 20 (26,0%) de GPs e 31 (40,2) casos de MVs orais. Os casos submetidos ? an?lise do marcador Ki-67 apresentaram medianas diferentes HI (13,85), GP (33,70) e MV (4,55) com diferen?as estatisticamente significantes entre elas (p<0,001). Em rela??o ? prote?na Bcl-2, os grupos tamb?m apresentaram diferentes medianas dos escores estabelecidos HI (1,00), GP (1,50), MVs (0,0), demonstrando diferen?as estatisticamente significantes entre elas (p<0,001). N?o foi observada correla??o estatisticamente significante entre os ?ndices de positividade para o Ki-67 e os escores de imunoexpress?o de Bcl-2 em nenhum grupo.Dessa maneira, podemos concluir que se faz necess?rio uma revis?o criteriosa e parametrizada dos casos de anomalias vasculares utilizando ferramentas auxiliares, como a GLUT-1, uma vez que os achados histopatol?gicos sozinhos, ?s vezes, n?o s?o suficientes para diferenciar algumas anomalias. Al?m disso, a an?lise das express?es de marcadores envolvidos nos n?veis de prolifera??o das les?es ? um aspecto importante para o melhor entendimento do seu comportamento biol?gico
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Brizzi, Dominique. "Traduction et écriture féminine : de Madame de Lafayette à Sibilla Aleramo, Renata Debenedetti et Rosetta Loy (à propos de La Princesse de Clèves)." Thesis, Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCA106.
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Trois traductions italiennes de La Princesse de Clèves réalisées en Italie au XXe siècle par des femmes ayant marqué, à des titres divers, la vie littéraire italienne de leur temps constituent le point de départ de notre analyse : en 1933 celle de Sibilla Aleramo, en 1988 celle de Renata Debenedetti et en 1999 celle de Rosetta Loy. L’évolution du contexte historique et socio-culturel ainsi que le statut différent de ces trois femmes permet d’étudier la variation des contraintes de production et des conditions de réception de ces traductions. Le choix de certains passages de l’ouvrage de Mme de Lafayette consent de mettre en relief les caractéristiques principales de ce texte et de comprendre les problèmes traductifs que cela pose. Ce premier roman moderne de la littérature européenne écrit par une femme et publié anonymement ne cesse en effet d’interroger et d’intriguer les femmes écrivains de nombreux siècles plus tard. Le rapport entre traduction et écriture féminine est alors interrogé. La relation entre les choix traductifs et leur personnalité d’écrivain et d’intellectuelle débouche sur l’étude de leurs ouvrages dont les caractéristiques stylistiques et thématiques récurrentes évoquent la notion de féminin dans l’écritureThree Italian translations of The Princess of Cleves, made in Italy in the twentieth century by women who marked in various ways the Italian literary life of their time, are the starting point of our analysis: Sibilla Aleramo’s in 1933, Renata Debenedetti’s in 1988 and then Rosetta Loy’s in 1999. The evolution of the historical and sociocultural context as well as the different status of these three women allow us to study the variation of production constraints and reception conditions of these translations. The choice of some extracts from Madame de Lafayette’s novel consents to highlight the main features of the text and understand the translation problems that this arises. This novel, the first in modern European literature written by a woman and published anonymously, continues to question and fascinate women writers many centuries later. The relationship between women's writing and translation is then questioned. Subsequently, the relationship between translation’s choices and their personality of writers and intellectuals leads to the study of their works whose recurring stylistic and thematic characteristics evoke the notion of “feminine writing”
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Luo, Wan Jyun, and 羅婉君. "Piong3 ‘put’ and its Congeners in Hakka: Frames and Constructions." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/23613700932730784433.
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碩士國立政治大學
語言研究所
95
English verbs describing putting, a prototypical exemplar of a caused-motion activity, have been pervasively found to be the first acquired and the most frequently used verbs in many languages. Their semantic compatibility with various syntactic structures reinforces the association between verbal meanings and the constructions, giving rise to a grouping of related but distinct senses (Goldberg et al. 2004). Piong3 (放) ‘to put’ in Hakka is abundant in semantics. The basic meaning of piong3 designates a common pattern of human experience: An animate entity exerts manual force upon a physical object and causes the object to move. Adopting Goldberg’s (1995) Constructions and Fillmore’s (1985) Frame Semantics, this study aims to account for the meaning relatedness latent in piong3 and explicate the shades of meaning rooted in the set of its congeners with different degree of family resemblance. It is argued that the delicate nuances denoted by piong3 are derived from the interaction between frames and constructions while the extended meanings of piong3 are linked to its typical use through various metaphors and metonymies such as CONTAINER, EVENT STRUCTURE, CHANGE OF STATE AS CHANGE OF LOCATION metaphors and ACTION FOR RESULT metonymy. Furthermore, with regard to congeners of piong3 in Hakka, it is maintained that differences in profiling and lexicalization patterns capture the primary difference between piong3 and its congeners. Specifically, piong3 does not lexicalize other semantic elements (i.e. path, means, manner, result, and etc.) into its lexical meaning whereas its congeners explicitly do so, in that three subtypes of the congeners can be identified: directional congeners, means congeners, and manner congeners.
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Spagnolo, Tabitha L. B. "Au carrefour du roman et de l’histoire : des points tournants du statut de la femme dans La Princesse de Montpensier et La Princesse de Clèves de Madame de Lafayette." Thesis, 1997. http://hdl.handle.net/2429/6374.
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Cette these cherche a analyser le contenu litteraire de La Princesse de
Montpensier et de La Princesse de Cleves de Madame de Lafayette en fonction
de leur valeur comme des documents qui refletent le contexte socio-historique
de leur epoque. Ainsi, on reconnait chez l'auteur la qualite de temoin
astucieux qui imbue ses ecrits d'elements importants contribuant a une
meilleure appreciation de la condition feminine au dix-septieme siecle.
L'auteur de ces deux romans met au point le genre du roman historique
afin de l'employer comme canevas sur lequel elle impose sa vision perspicace
des elements sociaux qui influencent plusieurs aspects de la vie de la femme
noble depuis sa jeunesse jusqu'ci sa mort. Afin de profiter de cette structure,
ce travail s'organise en trois chapitres suivant la chronologie de cette vie.
Commengant avec les representations de l'education de la jeune fille, on passe
a sa formation visee au mariage et a une analyse detaillee du statut de la
femme mariee. Finalement, on abdrde la question du statut de la veuve.
En considerant tous ces elements a la lumiere des ecrits critiques et
historiques qui ont paru pendant trois siecles, on ressort une richesse de
renseignements portant sur les exigences d'ordre moral et pratique qui
delerminent la quality du statut de la femme au dix-septieme siecle. Les
observations evoquees par Madame de Lafayette nous aident a preciser les
influences, les transformations, les conflits et surtout les contradictions et
les paradoxes qui parcourent la vie de la femme noble pendant l'age classique.