Log in

Relevant bibliographies by topics / Pioneers in motion pictures / Journal articles

To see the other types of publications on this topic, follow the link: Pioneers in motion pictures.

Journal articles on the topic 'Pioneers in motion pictures'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Pioneers in motion pictures.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Al Mousawi, Aqeel Al Mousawi. "Employing (Artificial Intelligence) Techniques in the Aesthetic Construction of Cinematic Tricks in the Cinematic Film." Journal Port Science Research 7, issue (2024): 57–66. http://dx.doi.org/10.36371/port.2024.special.8.

Full text

Abstract:

Cinema is a unique art based on innovation and scientific inventions in addition to the talent and genius of directors, and directors such as Edison, the inventor of the motion picture, the Le Maire brothers, the pioneers of the cinema projector, the Frenchman of genius imagination and visual creativity, Georges Mila and Gervath, the creator of magazines. Editing, photography, directing and innovations such as motion pictures, sound entry to the cinema, color film tape, wide lenses, 3D imaging, films that used scientific techniques, such as the Star Wars series of director Lucas, the Jurassic

APA, Harvard, Vancouver, ISO, and other styles

2

Peng, Alicia Inge. "Social Changes in America: The Silent Cinema Frontier and Women Pioneers." Humanities 13, no. 1 (2023): 3. http://dx.doi.org/10.3390/h13010003.

Full text

Abstract:

Silent cinema acted as a bridge between early motion pictures and today’s film industry, playing a transformative role in shaping feminist film history and American society. This article explores pioneering American women in the silent film industry who ventured into technology, film culture, marginalized communities, and social movements. Despite the prevalence of racist and sexist propaganda, American silent films were a frontier for innovation, filmmaking, and exploring the New Women concept. This study examines 23 American silent films that have often been overlooked and rarely studied, wh

APA, Harvard, Vancouver, ISO, and other styles

3

OLSON, ALEXANDER I. "Muybridge in the Parlor." Journal of American Studies 50, no. 1 (2015): 81–104. http://dx.doi.org/10.1017/s0021875815000018.

Full text

Abstract:

Commonly regarded as one of the pioneers of motion-picture technology, Eadweard Muybridge carried out several photographic studies of animal and human movement in the late nineteenth century. One of Muybridge's lesser-known commissions was an album of interior photographs that he created in 1880 for his friends Kate and Robert Johnson. This article offers a close reading of this album and argues that it has more in common with Muybridge's motion studies than historians have previously recognized. Far from being a commercial outlier, the album offered Muybridge an opportunity to experiment with

APA, Harvard, Vancouver, ISO, and other styles

4

Elgamal, Amal. "Cinema and its image." Contemporary Arab Affairs 7, no. 2 (2014): 225–45. http://dx.doi.org/10.1080/17550912.2014.918320.

Full text

Abstract:

Cinema, or motion pictures, is known as ‘the art of the moving image’. Historically, fine arts have never been prohibited by the three monotheistic religions, but after the emergence of cinema, some religious leaders not only considered it ‘undesirable’ but also called for its outright prohibition. However, no consensus has ever been reached among jurists. Cinema is a universal language and a method of narration, recounting and storytelling whose popularity exceeds that of any other art as it is more entertaining and bedazzling. Egypt was a pioneer among Arab countries in the field of cinema,

APA, Harvard, Vancouver, ISO, and other styles

5

Savolainen, Reijo. "Information need as trigger and driver of information seeking: a conceptual analysis." Aslib Journal of Information Management 69, no. 1 (2017): 2–21. http://dx.doi.org/10.1108/ajim-08-2016-0139.

Full text

Abstract:

Purpose The purpose of this paper is to elaborate the picture of the motivators for information behaviour by examining the nature of information need as a trigger and driver of information seeking. Design/methodology/approach A conceptual analysis was made by focussing on the ways in which researchers have conceptualised information need in models for human information behaviour (HIB). The study draws on conceptual analysis of 26 key studies focussing on the above topic. Findings Researchers have employed two main approaches to conceptualise information needs in the HIB models. First, informat

APA, Harvard, Vancouver, ISO, and other styles

6

Young, Linda. "Motion Pictures." SMPTE Journal 105, no. 4 (1996): 177–78. http://dx.doi.org/10.5594/j15829.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Masson, Alan J. "Motion Pictures." SMPTE Journal 108, no. 2 (1999): 75–78. http://dx.doi.org/10.5594/j17112.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Masson, Alan J. "Motion Pictures." SMPTE Journal 107, no. 1 (1998): 11–13. http://dx.doi.org/10.5594/j17616.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Bonnaud, Irène, Suzanne Doppelt, Christophe Triau, and Sacha Zilberfarb. "Motion pictures." Vacarme 15, no. 2 (2001): 60. http://dx.doi.org/10.3917/vaca.015.0060.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Burns, Edward J. "Motion Pictures." SMPTE Journal 97, no. 4 (1988): 268–74. http://dx.doi.org/10.5594/j00667.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Young, Linda. "Motion Pictures." SMPTE Journal 106, no. 1 (1997): 9–11. http://dx.doi.org/10.5594/j09530.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Ricotta, Frank J. "Motion Pictures." SMPTE Journal 104, no. 4 (1995): 186–88. http://dx.doi.org/10.5594/j09609.

Full text

APA, Harvard, Vancouver, ISO, and other styles

13

Ricotta, Frank J. "Motion Pictures." SMPTE Journal 103, no. 4 (1994): 211–15. http://dx.doi.org/10.5594/j09688.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

Antonoff, Michael. "Motion Pictures." Scientific American 296, no. 5 (2007): 24–25. http://dx.doi.org/10.1038/scientificamerican0507-24.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Mitchison, Tim J. "Motion pictures." Nature 357, no. 6373 (1992): 32. http://dx.doi.org/10.1038/357032a0.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Gomery, Douglas. "Motion Pictures." Communication Booknotes 16, no. 5 (1985): 49. http://dx.doi.org/10.1080/10948008509488306.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

Gomery, Douglas. "Motion Pictures." Communication Booknotes 17, no. 1 (1986): 7–9. http://dx.doi.org/10.1080/10948008609488219.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Gomery, Douglas. "Motion Pictures." Communication Booknotes 17, no. 9-10 (1986): 98–107. http://dx.doi.org/10.1080/10948008609488269.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

Gomery, Douglas. "Motion Pictures." Communication Booknotes 18, no. 7-8 (1987): 63–69. http://dx.doi.org/10.1080/10948008709488193.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Gomery, Douglas. "Motion Pictures." Communication Booknotes 18, no. 9-10 (1987): 93–99. http://dx.doi.org/10.1080/10948008709488203.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

Gomery, Douglas. "Motion Pictures." Communication Booknotes 19, no. 5 (1988): 95–103. http://dx.doi.org/10.1080/10948008809488155.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Block, Eleanor, James K. Bracken, Eleanor S. Block, and Bruce A. Austin. "Motion Pictures." Communication Booknotes Quarterly 29, no. 1 (1998): 52–60. http://dx.doi.org/10.1080/10948009809361557.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

Levine, Niall, John A. Lent, and Bruce Austin. "Motion pictures." Communication Booknotes Quarterly 29, no. 2 (1998): 88–96. http://dx.doi.org/10.1080/10948009809361564.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Austin, Bruce A., Eleanor Block, Chris Sterling, Robert Huesca, and Gary R. Edgerton. "Motion pictures." Communication Booknotes Quarterly 29, no. 4 (1998): 196–203. http://dx.doi.org/10.1080/10948009809361586.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Austin, Bruce A., Niall Levine, and Chris Sterling. "Motion pictures." Communication Booknotes Quarterly 30, no. 4 (1999): 227–31. http://dx.doi.org/10.1080/10948009909361637.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Blasko, Edward J. "Motion Pictures." SMPTE Journal 95, no. 4 (1986): 413–19. http://dx.doi.org/10.5594/j17960.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

Iosifian, S. A., and V. A. Petrovskii. "Motion Pictures." Russian Education & Society 37, no. 10 (1995): 11–22. http://dx.doi.org/10.2753/res1060-9393371011.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

Baptista, John L. "Motion Pictures." SMPTE Journal 101, no. 4 (1992): 231–34. http://dx.doi.org/10.5594/j02302.

Full text

APA, Harvard, Vancouver, ISO, and other styles

29

Baptista, John L. "Motion Pictures." SMPTE Journal 102, no. 4 (1993): 289–94. http://dx.doi.org/10.5594/j03791.

Full text

APA, Harvard, Vancouver, ISO, and other styles

30

Baptista, John L. "Motion Pictures." SMPTE Journal 100, no. 4 (1991): 225–31. http://dx.doi.org/10.5594/j04767.

Full text

APA, Harvard, Vancouver, ISO, and other styles

31

Jennifer Tebbe-Grossman. "Medicine’s Motion Pictures." Film & History: An Interdisciplinary Journal of Film and Television Studies 39, no. 1 (2009): 98–99. http://dx.doi.org/10.1353/flm.0.0076.

Full text

APA, Harvard, Vancouver, ISO, and other styles

32

Cho, Minhaeng. "Molecular motion pictures." Nature 444, no. 7118 (2006): 431–32. http://dx.doi.org/10.1038/444431a.

Full text

APA, Harvard, Vancouver, ISO, and other styles

33

Hunter, Jefferson. "Pictures and Motion Pictures in the 1940s." Hopkins Review 7, no. 1 (2014): 93–111. http://dx.doi.org/10.1353/thr.2014.0001.

Full text

APA, Harvard, Vancouver, ISO, and other styles

34

Huertas, Jan, Caitlin MacCarthy, Hans Robert Schoeler, and Vlad Cojocaru. "Oct4 Pioneers Genomic Nucleosomes in Motion." Biophysical Journal 120, no. 3 (2021): 139a. http://dx.doi.org/10.1016/j.bpj.2020.11.1042.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Nimis, Erika. "“Motion pictures” in Nigeria." Visual Anthropology 14, no. 3 (2001): 293–99. http://dx.doi.org/10.1080/08949468.2001.9966836.

Full text

APA, Harvard, Vancouver, ISO, and other styles

36

Bardell, Eunice Bonow. "Pharmacists in Motion Pictures." American Journal of Health-System Pharmacy 45, no. 1 (1988): 179–83. http://dx.doi.org/10.1093/ajhp/45.1.179.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

Leach-Murray, Susan. "SWANK Motion Pictures, Inc." Technical Services Quarterly 35, no. 1 (2017): 115–16. http://dx.doi.org/10.1080/07317131.2017.1385299.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Copeland, V. Natasha E. "Pictures in Motion or Motion Pictures: Sembène’s Natural Products Steal the Show." Études littéraires africaines, no. 30 (November 17, 2014): 58–76. http://dx.doi.org/10.7202/1027347ar.

Full text

Abstract:

Dans ses films Xala (1974) et Ceddo (1977), Sembène redéfinit l’usage des sculptures traditionnelles en bois, tout en demeurant fidèle aux métaphysiques sahéliennes dans ses innovations esthétiques, littéraires ou cinématographiques. Des masques, un bâton ou une canne jouent à l’écran un rôle qui, en raison de leur propre vitalité et de leur étroite association avec divers personnages, capte l’attention du public autant que le font les héros des films. Sembène oppose, dans la trame de ses films, la force vitale de ces objets africains à celle d’artefacts, symboles de l’Occident. Sculptés par l

APA, Harvard, Vancouver, ISO, and other styles

39

CORDA, CHRISTIAN. "A NON-GEODESIC MOTION IN THE R-1 THEORY OF GRAVITY TUNED WITH OBSERVATIONS." Modern Physics Letters A 23, no. 02 (2008): 109–14. http://dx.doi.org/10.1142/s0217732308026248.

Full text

Abstract:

In the general picture of high order theories of gravity, recently, the R-1 theory has been analyzed in two different frameworks. In this letter a third context is added, considering an explicit coupling between the R-1 function of the Ricci scalar and the matter Lagrangian. The result is a non-geodesic motion of test particles which, in principle, could be connected with Dark Matter and Pioneer anomaly problems.

APA, Harvard, Vancouver, ISO, and other styles

40

Porée, Marc. "Poets' lives in motion (pictures)." Études anglaises 66, no. 4 (2013): 511. http://dx.doi.org/10.3917/etan.664.0511.

Full text

APA, Harvard, Vancouver, ISO, and other styles

41

Ba Tu Truong, S. Venkatesh, and C. Dorai. "Scene extraction in motion pictures." IEEE Transactions on Circuits and Systems for Video Technology 13, no. 1 (2003): 5–15. http://dx.doi.org/10.1109/tcsvt.2002.808084.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Baecker, Dirk. "The Reality of Motion Pictures." MLN 111, no. 3 (1996): 560–77. http://dx.doi.org/10.1353/mln.1996.0032.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

Marta Zarzycka and Bettina Papenburg. "Motion Pictures: Politics of Perception." Discourse 35, no. 2 (2013): 163. http://dx.doi.org/10.13110/discourse.35.2.0163.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Yeazell, Ruth Bernard. "Sex, Lies, and Motion Pictures." Henry James Review 25, no. 1 (2004): 87–96. http://dx.doi.org/10.1353/hjr.2004.0012.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

Blackstone, Erwin A., and Gary W. Bowman. "Vertical Integration in Motion Pictures." Journal of Communication 49, no. 1 (1999): 123–39. http://dx.doi.org/10.1111/j.1460-2466.1999.tb02785.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

46

Nebeker, F. "Motion pictures [Scanning Our Past]." Proceedings of the IEEE 101, no. 4 (2013): 1020–25. http://dx.doi.org/10.1109/jproc.2013.2244752.

Full text

APA, Harvard, Vancouver, ISO, and other styles

47

Wartenberg, T. E. "The Philosophy of Motion Pictures." British Journal of Aesthetics 49, no. 1 (2009): 83–85. http://dx.doi.org/10.1093/aesthj/ayn053.

Full text

APA, Harvard, Vancouver, ISO, and other styles

48

López Fernández, José Luis. "Los científicos del cine." Fotocinema. Revista científica de cine y fotografía, no. 11 (July 17, 2015). http://dx.doi.org/10.24310/fotocinema.2015.v0i11.6083.

Full text

Abstract:

La ciencia ha estado presente en el hecho cinematográfico desde sus orígenes, ya como impulsora de la invención misma del cinematógrafo en el ocaso del siglo XIX, ya como promotora del continuo desarrollo técnico que los soportes audiovisuales han ido experimentando y garante de la calidad de la imagen y el sonido, a la vez que elemento propiciador de la reciente apertura del cine hacia la digitalización. En este artículo nos proponemos hacer un breve recorrido por los insignos científicos que han sido protagonistas de la historia del medio en un contexto amplio, desde aquellos primeros invent

APA, Harvard, Vancouver, ISO, and other styles

49

"Motion Pictures." SMPTE Journal 94, no. 4 (1985): 369–81. http://dx.doi.org/10.5594/j14054.

Full text

APA, Harvard, Vancouver, ISO, and other styles

50

"MOTION PICTURES." Communication Booknotes Quarterly 31, no. 1 (2000): 43–54. http://dx.doi.org/10.1207/s15326896cbq3101_10.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!