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Books on the topic 'Pipe (Musical instrument)'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 August 2024

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1

Schnurr, Stephen J. Pipe organs of Chicago. Oak Park, Ill: Chauncey Park Press, 2005.

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2

Bizjak, Milko. Pipe organs in Slovenia. Ljubljana: Državna založba Slovenije, 1985.

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3

Schnurr, Stephen J. Pipe organs of Chicago. Oak Park, Ill: Chauncey Park Press, 2005.

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4

Dalton, Christopher. Pipe organs of British Columbia. [Victoria, B.C: L.B. Word Works], 2010.

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5

Trzaskalik-Wyrwa, Małgorzata. Organy miasta Siedlce: Pipe organs of the town of Siedlce. Warszawa: Uniwersytet Muzyczny Fryderyka Chopina, 2019.

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6

Shannon, John R. Understanding the pipe organ: A guide for students, teachers and lovers of the instrument. Jefferson, N.C: McFarland, 2009.

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7

Wickens, David C. Aspects of English organ pipe scaling. Oxford: Positif Press, 2004.

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8

Universitatea de Vest din Timișoara, ed. Orgile din România =: Pipe organs of Romania. Timișoara: Editura Universitǎţii de Vest, 2008.

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9

Bosmans, Wim. Eenhandsfluit en trom in de Lage Landen =: The pipe and tabor in the Low Countries. Peer: Alamire, 1991.

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10

Association, West Sussex Organists', ed. A millennium survey of the pipe organs of West Sussex. Chichester: West Sussex Organists' Association, 2000.

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11

O, Min-jin. Taehan Min'guk p'aip'ŭ orŭgan: Pipe organs in S. Korea. Sŏul: Orŭgan, 2020.

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12

Wilkes, James O. Pipe organs of Ann Arbor: Including Eastern Michigan University and the University of Michigan carillons. 4th ed. Ann Arbor, MI: published by the author, 1995.

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13

Bayley, Christopher. An illustrated catalogue being a guide to the bagpipes and shawms of Western Europe: Most of which are available to order from Christopher Bayley, musical instrument maker. Redhill: C. Bayley, 1994.

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14

Hirst, Brian. Just a box of whistles: Secrets of the art of organ pipe making. Thornton Cleveleys, Lancashire: Front Rank Books, 2001.

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15

Csurka, István. Minden, ami van: Politikai írások és beszédek gyűjteménye 1979-1998. Budapest: Püski, 1998.

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16

Bagwell, Dick. The pipe & tabor tutor: A self-teaching method, with cassette and tune book. Berkeley, CA: Piper HQ, 1992.

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17

Triumpho, Richard. Only his organs remain: The life of New York State pipe organ builder Robert S. Rowland. Saint Johnsville, N.Y: Sunnyside Press, 2011.

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18

Schnurr, Stephen J. Organs of Oberlin: The College Conservatory of Music and its pipe organs. Oak Park, Ill: Chauncey Park Press, 2013.

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19

Company, Skinner Organ. Stop, open and reed: A periodical presentation of pipe organ progress. Richmond, Virginia: Organ Historical Society, 1997.

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20

Quentin, Howard. Sukay workbook and how to make and play the flutes of the Andes, kena & zampoña. San Francisco, Calif. (Suite 523, 3315 Sacramento St., San Francisco 94118): Sukay, 1988.

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21

Pinel, Stephen L. Old organs of Princeton: Being an historical chronology and description of all the known pipe organs installed in the town of Princeton, New Jersey, from 1760 to 1925, including photographs and stoplists when available, as well as accounts from newspapers, church records, histories, and diaries. Harrisville, N.H: Boston Organ Club Chapter of the Organ Historical Society, 1989.

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22

1940-, Bracker-Wester Ursula, and Dekówna Maria, eds. Das Archäologische Fundmaterial. Neumünster: K. Wachholtz, 1989.

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23

Piltingsrud, Harley. Aging of organ leather: A report on the causes for the early failure of leather used in pipe organs, and how to produce and perform tests for leathers having extremely long lifetimes. Richmond, Va: The Organ Historical Society, 1994.

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24

Lécot, Jean-Paul. Le grand-orgue de la Basilique Saint-Pie X à Lourdes. Lourdes: Éd. Oeuvre de la Grotte, 1998.

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25

Hradetzky, Gerhard Gregor. L' organo giubileo del Duomo di Treviso =: Die Milleniumsorgel im Dom von Treviso. Padova: Illeggio, 2003.

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26

Glück, Sebastian M., Rollo F. Maitland, Paul R. Marchesano, Irvin J. Morgan, Alexander Russell, and Owen Barbara. Organ Historical Society Philadelphia 2016: Diamond jubilee commemorative anthology. Richmond, Va: OHS Press, 2016.

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27

Leuthold, Axel. Die Berechnungsgrundlagen der Orgelpfeifenmensuren in Renaissance und Barock-Methoden zu ihrer Reconstruktion und Systematisierung. Berlin: Pape Verlag Berlin, 2004.

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28

Hans, Burkhardt, ed. Orgeln, Organisten und Kantoren der St. Annenkirche zu Annaberg: Festschrift zur Einweihung der rekonstruierten Walcker-Orgel am 22. Oktober 1995. Regensburg: Schnell & Steiner, 1995.

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29

Niclas, Fredriksson, Unnerbäck R. Axel, and Göteborg Organ Art Center, eds. The organ in the Hökhuvud Church, Sweden. Göteborg: Göteborg Organ Art Center, 2001.

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30

Huguenin, Claire. Musiques et orgues à la Cathédrale de Lausanne: Recueil publié par la Fondation pour les Nouvelles Orgues de la Cathédrale de Lausanne, à l'occasion de leur inauguration. Genève: Éditions Slatkine, 2003.

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31

Society, Organ Historical, ed. Organbuilding along the Erie and Chenango Canals: Alvinza and George N. Andrews of Utica, New York. Richmond, VA: OHS Press, 2010.

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32

Schnurr, Stephen J. Pipe Organs of Chicago. Chauncey Park Press, 2005.

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33

Sloan, Ray. The smallpipes survival guide. Ray Sloan, 2001.

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34

A guide to the pipe organ for composers and others. [Greensboro, N.C.?]: W. Leupold Editions, 1994.

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35

Keys to the kingdom: A history of the pipe organ in China. Leuven: Ferdinand Verbiest Institute, KU Leuven, 2017.

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36

Whitney, Craig. All the Stops: The Glorious Pipe Organ and Its American Masters. PublicAffairs, 2004.

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37

Smith, Stephen D. Atlantic City's Musical Masterpiece: The Story of the World's Largest Pipe Organ. Peter E. Randall Publisher, 2002.

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38

All the Stops: The Glorious Pipe Organ and Its American Masters. PublicAffairs, 2003.

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39

Whitney, Craig R. All The Stops: The Glorious Pipe Organ and Its American Masters. PublicAffairs, 2004.

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40

Ó Briain, Lonán. Hybridity and the Other in Modern National Music. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190626969.003.0003.

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The process of inventing a national musical tradition for newly independent Vietnam demanded the inclusion of appropriate features from the minority cultures. Scholars compiled studies of these groups and ascribed musical instruments and styles to particular people. Composers and performers were then encouraged, via the awards and honors that were bestowed upon them by the Communist Party, to incorporate these features into their musical palettes. Lương Kim Vĩnh, a state-employed musician from the Viet majority, successfully modified the Hmong reed pipe for use in modern national music, and he became internationally renowned for his innovative compositions and performances on this instrument. Chapter 2 examines the evolution of his “Hmong” sound, which has become a synecdoche for a wider pan-minority sound in contemporary Vietnam. His development of the modified reed pipe is used as a lens for studying the assimilation of the musical Other into Vietnamese modern national music.

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41

Strader, Harley. Organ Musical Instrument : Unravel Its Mysteries, Music and the Subtleties of Its Inner Workings: Pipe Organ Wind System. Independently Published, 2021.

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42

De Souza, Jonathan. Sounding Actions. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190271114.003.0003.

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When a musical instrument converts energy into sound, it makes aspects of the player’s action audible. This chapter analyzes this action-sound coupling in various instruments, drawing on ecological acoustics, organology, and cybernetics. It introduces a distinction between two aspects of sound production—“activation” and “control”—either of which may come from the player or the instrument. Pipe organs, for example, are activated by nonhuman power sources, though the pitches are controlled by the organist. Barrel organs, by contrast, are activated by human energy, but the pitches are preprogrammed. Instrumental sound production also involves distinctive combinations of sonic, visual, and tactile feedback. Moreover, by adapting Merleau-Ponty’s work on the body schema, this theory of action-sound coupling accounts for the feeling, often reported by performers, that an instrument is an extension of the body.

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43

"L'organo ch'io suonai fanciullo": L'organo di Giuseppe Verdi a Roncole = the Giuseppe Verdi pipe organ in Roncole. Guastalla: Associazione Giuseppe Serassi, 2015.

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44

Weiss, Naomi. Hearing the Syrinx in Euripidean Tragedy. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198794462.003.0007.

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References to the syrinx are mostly absent from extant tragedy until the late fifth century BC, when the instrument suddenly starts appearing in Euripides’ plays, especially in the choral odes. This chapter demonstrates that the syrinx is almost always mentioned alongside the aulos, the double pipe that accompanied dramatic choreia, or in such a way that the aulos is strongly suggested, so that the one instrument is meant to be heard as the other. Such instrumental mimesis in Euripides’ tragedies does more than just show off his own skill and engagement with contemporary musical trends and discourse: it is also always used for a particular dramatic effect, thus providing evidence of his increasing experimentation towards the end of his career with the role(s) music could play within a tragedy.

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45

Pipes & Strings: The History & Romance of Musical Instruments. Richardson & Steirman, 1986.

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46

The art of organ voicing. Kalamazoo, Mich: New Issues Press, Western Michigan University, 1992.

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47

Jr, William Ralph Bennett, Andrew C. H. Morrison, and Christy K. Holland. The Science of Musical Sound : Volume 1: Stringed Instruments, Pipe Organs, and the Human Voice. Springer, 2018.

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48

Jr, William Ralph Bennett, Andrew C. H. Morrison, and Christy K. Holland. The Science of Musical Sound : Volume 1: Stringed Instruments, Pipe Organs, and the Human Voice. Springer, 2019.

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49

Langstaff, John M., and Ann Sayre Wiseman. Making Music: From Tambourines to Rainsticks to Dandelion Trumpets, Walnut Castanets to Shepherd's Pipes to an Abundance of Homemade Drums, Here Is a Joyful, Quirky Assortment of Good Sounds from Found Objects. Storey Publishing, LLC, 2015.

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50

Zobelein, Jennifer. Forest of Pipes: The Walt Disney Concert Hall Organ. Princeton Architectural Press, 2007.

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