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Dissertations / Theses on the topic 'Piracy (Copyright)'

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Published: 4 June 2021
Last updated: 29 July 2024

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1

Malczyk, Anna. "Games, copyright, piracy : South African gamers' perspectives." Master's thesis, University of Cape Town, 2010. http://hdl.handle.net/11427/14315.

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Includes bibliographical references (leaves 111-126).<br>This thesis examines video games, copyright law and gamers' attitudes to copyright infringement, with particular reference to South Africa. The work provides an overview of the debates about copyright law and digital media, and offers an analysis of attitudes expressed by South African gamers about copyright infringement, popularly termed 'piracy'. The thesis reveals that, while about 70% of the gamers in this study share content illegally, they express complex and varying motivations for doing so, and have various and conflicting means
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Chen, Ze Shang. "Piracy in China." Thesis, University of Macau, 2011. http://umaclib3.umac.mo/record=b2488019.

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Daramaras, Konstantinos I. "Copyright and challenges to copyright : the case of 'piracy' and 'private copying'." Thesis, University of Leicester, 1996. http://hdl.handle.net/2381/34585.

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Copyright represents a constant and delicately poised balance among three, often competing interests: the author's and his/her rights in a protected work; the enterpreneur's who exploit such works and his/her own rights; and finally, the public who needs to have access to these works. However, especially since the mid-twentieth century, the system of copyright, and even its existence itself, has been seriously challenged. These challenges have come from the attitude of the 'developing countries', the advent of new technologies, and the consequent changing nature of piracy and private copying.
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Kwan, Samuel Shu Kin. "End-user digital piracy : contingency framework, affective determinants and response distortion /." View abstract or full-text, 2007. http://library.ust.hk/cgi/db/thesis.pl?ISMT%202007%20KWAN.

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Gunter, Whitney D. "Piracy of the new millennium an application of criminological theories to digital piracy /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 184 p, 2009. http://proquest.umi.com/pqdweb?did=1885755761&sid=4&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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6

Rimmer, Matthew Rhys. "The pirate bazaar the social life of copyright law." View electronic text, 2001. http://eprints.anu.edu.au/documents/disk0/00/00/08/14/index.html.

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Available via the Australian National University Library Electronic Pre and Post Print Repository. Title from title screen (viewed Mar. 28, 2003) Includes bibliographical references. Mode of access: World Wide Web.
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Shipman, Lori-Lin. "The movie piracy industry in China and its relationship with intellectual property rights." online access from Digital Dissertation Consortium, 2007. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?1446018.

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8

Majek, Dee. "Big Content's Big Blunders : Anti-piracy measures in the entertainment and copyright industries." Thesis, Stockholms universitet, Institutionen för mediestudier, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-107225.

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This thesis examines the on-going anti-piracy and anti-file sharing measures taken by media conglomerates and big content as misguided attempts at addressing changing consumer expectations and social and technological norms. These measures include legislation such as the Stop Online Piracy Act (SOPA), Preventing Real Online Threats to Economic Creativity and Theft of Intellectual Property Act (PIPA), Anti-Counterfeiting Trade Agreement (ACTA), and Cyber Intelligence Sharing and Protection Act (CISPA); and litigation against both extremes of the spectrum: from the world's largest file sharing s
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Villazon, Cira H. "Software piracy an empirical study of influencing factors /." Full text available online (restricted access), 2004. http://images.lib.monash.edu.au/ts/theses/Villazon.pdf.

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10

Bak, Brandon T. "Preventing Digital Piracy: A Change in the Business Model." Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/cmc_theses/507.

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With the arrival of the digital age, faster internet speeds, and greater storage capacities in our computers, digital piracy is on the rise. Neither the illegality of piracy nor the unethical nature of doing so has stopped people from partaking in the act. Studies show that tens of billions of dollars of pirated goods are downloaded every year, yet our policies fail to solve the issue of digital copyright infringement. The biggest issues contributing to the problem are the lack of a policy that consumers take seriously in combination with some digital goods being too expensive in their current
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Cheung, Kwok-fu. "A study of copyright protection policy and the effectiveness of anti-piracy law enforcement in Hong Kong." Click to view the E-thesis via HKUTO, 1989. http://sunzi.lib.hku.hk/hkuto/record/B31975720.

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12

So, Siu-fan Sylvia, and 蘇少芬. "Computer ethics: youth attitude and behavior in digital piracy." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B29960551.

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13

Wang, Jie. "Moral Judgment and Digital Piracy: Predicting Attitudes, Intention, and Behavior Regarding Digital Piracy Using a Modified Version of the Defining Issues Test." Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc822761/.

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Digital piracy, the illegal copying or downloading of copyrighted digital products without approval from the copyright holders, has brought great economic loss to the software and digital media industries. Previous studies using moral developmental theory have not found consistent relationships between moral judgment and attitudes towards digital piracy. While some researchers have developed individual test items to assess relationships between moral judgment and attitudes toward digital piracy, others have relied on the Defining Issues Test (DIT). However, in that the DIT represents a gene
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Cheung, Kwok-fu, and 張國富. "A study of copyright protection policy and the effectiveness of anti-piracy law enforcement in Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1989. http://hub.hku.hk/bib/B31975720.

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15

Anderson, Eric. "Pimps and Ferrets: Copyright and Culture in the United States, 1831-1891." Bowling Green, Ohio : Bowling Green State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1193529137.

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16

Vijayakumar, Prasad. "Thou shalt not steal, an analysis of the GATT TRIPS copyright provisions and software piracy in India." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/MQ63383.pdf.

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17

Lövgren, Alexander. "DRM - utveckling, konflikter och framtid : konsumenters reaktioner på och företags användande av DRM." Thesis, Högskolan på Gotland, Institutionen för speldesign, teknik och lärande, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-207699.

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With the digital revolution within video games, the need for Digital Rights Management (DRM) has increased significantly, alongside with the increasing problem of copyright pirates. To counter pirates, DRM was created to prevent illegal copying of software, this to ensure that the Distributors received an income for their work. DRM has, since the start of its use, been getting, a lot of bad criticism from the users of the software protected by DRM.  The main function of this paper is to describe the creation and development of DRM by analysis of the vision of different groups on this phenomeno
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Lai, Ka-ying, and 黎家盈. "Profiling internet pirates." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B46606920.

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Podgornaia, Kseniia. "Ruská a česká specifika ochrany autorského práva v oblasti audiovize." Master's thesis, Vysoká škola ekonomická v Praze, 2015. http://www.nusl.cz/ntk/nusl-204968.

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The significant part of the diploma thesis is oriented on the aspects of audiovisual content copyright law and the illegal usage in two countries, such as Czech Republic and Russia. The main task is to concentrate on pros and cons of their copyright law protection against content rights infringing, i.e. piracy. For deeper analysis, Czech and Russian laws investigation in details is to be made in relation to the law enforcement to the audiovisual content. Then the comparison of the punishments for the copyright law infringement is to be provided and the results of antipiracy activities within a
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20

Andersson, Jonas. "Peer-to-peer-based file-sharing beyond the dichotomy of 'downloading is theft' vs. 'information wants to be free': how Swedish file-sharers motivate their action." Thesis, Goldsmiths College (University of London), 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.523114.

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This thesis aims to offer a comprehensive analysis of peer-to-peer-based file-sharing by focusing on the discourses about use, agency and motivation involved, and how they interrelate with the infrastructural properties of file-sharing. Peer-to-peer-based file-sharing is here defined as the unrestricted duplication of digitised media content between autonomous end-nodes on the Internet. It has become an extremely popular pastime, largely involving music, film, games and other media which is copied without the permission of the copyright holders. Due to its illegality, the popular understanding
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21

Jacobsson, Tony. "Piratkopiering: en ekonomisk-teoretisk granskning av marknaden för dataspel." Thesis, Linköping University, Department of Management and Economics, 2000. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-716.

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<p>This essay analyzes the market for entertainment software by identifying and explain the products typical properties, in addition i clarifies the behavior of consumers and producers. One of the most important property related to software is the ease with which it can be reproduced. When such reproduction is done illicit it´s called piracy. The software industry often claims that piracy leads to big losses for the companies as well as in welfare, the essay clarifies that this doesn´t has to be the case. On the contrary the possibility to cheap production and distribution may lead to an incre
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22

Jinkerson, Jeremy. "DOES MUSIC PIRACY INFLUENCE PURCHASE INTENTION?: ADAPTING AJZEN'S THEORY OF PLANNED BEHAVIOR MODEL." MSSTATE, 2008. http://sun.library.msstate.edu/ETD-db/theses/available/etd-06202008-234405/.

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The Recording Industry Association of America claims to lose millions of dollars each year from music piracy (RIAA, 2007). However, instead of causing loss, digital music piracy may activate norms of reciprocity in music pirates. When pirating music, people may feel some obligation to reciprocate by purchasing music or related merchandise. The theory of planned behavior was used to investigate such a possibility and to provide a framework for scale development. Reliable scales were developed for all measured constructs. Regarding piracy, the RIAAs claim may have some merit. Specifically, previ
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Pang, Sam I. "The rhythm of everyday life : a study on the impact of illegal music downloading and the life of adult women in Macau." Thesis, University of Macau, 2006. http://umaclib3.umac.mo/record=b1874193.

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24

Kubešová, Eliška. "Aktuální právní otázky využití a zneužití záznamů hudebního díla." Master's thesis, Vysoká škola ekonomická v Praze, 2013. http://www.nusl.cz/ntk/nusl-197997.

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This diploma thesis identifies the most important changes in legislation and submitted proposals in the area of copyright between years 2012 and 2013 and in the beginning of 2014 in the Czech Republic, the EU and the USA. These changes are evaluated from a legislative point of view and also from the point of view of a music consumer. For thorough understanding, the thesis contains also an overview of the current Czech legislation of copyright. Furthermore, it evaluates the current situation in a broader context of law, history, technology, culture and consumer behaviour and defines it as oppos
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25

Савицька, І. В., Надія Володимирівна Глущенко, Надежда Владимировна Глущенко та Nadiia Volodymyrivna Hlushchenko. "Піратство у медіа-галузі в Україні". Thesis, Сумський державний університет, 2019. https://essuir.sumdu.edu.ua/handle/123456789/78896.

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Питання піратства в Україні завжди стояло гостро, адже ця сфера, на нашу думку, майже не регулюється законодавством нашої держави. На жаль, висока актуальність такого напрямку злочинності і мінімальний супротив з боку законодавчого сектору ставить під сумнів міжнародну співпрацю з країнами, які активно сприяють та контролюють сферу авторського права стосовно усіх його проявів. У всіх пост-авторитарних країнах, які стають на шлях демократії, медіа-сектор відіграє одну з найважливіших ролей для політико-соціальної комунікації – дає можливість висвітлювати події, які стають суспільним консенсусо
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26

Battista, Martina <1989&gt. "Into the Wired: Digital Freedom or Piracy? The ECJ's "Nintendo v. PC Box" Case Law as an Emblematic Example of Copyright Contradictions in the Information Society." Master's Degree Thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/5546.

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The research aims to analyze the impact of the digital era on copyright law’s issues. Born to protect products of the analogue world within national boudaries, copyright law turned against an enemy who knows no borders and potentially no limits: the digital menace. Considering the possibilities and the effectiveness of a national legislation convergence scenario, where the EU system represents a unique example, the present work tries to determine if law can still stand as the most efficient instrument in the copyright protection/divulgation dichotomy dilemma.
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Berg, Suzanne Valerie Loen. "Knowledge, Cultural Production, and Construction of the Law: An Ideographic Rhetorical Criticism of Copyright." Bowling Green State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1383594033.

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Gemrik, Sevil Aytemiz Levent. "Fikri mülkiyet hakları bağlamında korsan yayıncılığın ekonomi politiği /." Isparta : SDÜ Sosyal Bilimler Enstitüsü, 2008. http://tez.sdu.edu.tr/Tezler/TS00667.pdf.

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29

Latson, Christopher Craig. "Contemporary Pirates: An Examination of the Perceptions and Attitudes Toward the Technology, Progression, and Battles that Surround Modern Day Music Piracy in Colleges and Universities." Thesis, University of North Texas, 2004. https://digital.library.unt.edu/ark:/67531/metadc4595/.

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The pilot study used in this thesis examined the attitudes and perceptions of a small group of students at the University of North Texas. The participants in this pilot study (n=22) were administered an online music file sharing survey, a Defining Issues Test (DIT), and participated in a small focus group. This thesis also outlined the history and progression of online music piracy in the United States, and addressed four research questions which aimed to determine why individuals choose to engage in the file sharing of copyrighted music online.
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Rosén, Jimmy. "Hyperdistribution and the future of copyright economics : A study of the contemporary Nordic Gaming industry." Thesis, Linköping University, Culture, Society and Media Production, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-18648.

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<p>This interdisciplinary study shows that because of the changing demands from consumer caused by the growing influence of the internet and file-sharing the Nordic Gaming industry is going through an economic evolution. This result was derived by using qualitative questionnaires directed towards Gaming industry decision makers in the Nordic region combined with critical discourse analysis based on the methodology of Norman Fairclough, using theories of different characters to understand the field.</p><p>In this thesis the case of the Nordic Gaming industry is used to assert that because of ch
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Fisk, Nathan W. "Social learning theory as a model for illegitimate peer-to-peer use and the effects of implementing a legal music downloading service on peer-to-peer music piracy /." Online version of thesis, 2006. https://ritdml.rit.edu/dspace/handle/1850/2737.

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Paula, Fernando Shimidt de. "Dos crimes de violação de direitos de autor." Pontifícia Universidade Católica de São Paulo, 2009. https://tede2.pucsp.br/handle/handle/8800.

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Made available in DSpace on 2016-04-26T20:29:50Z (GMT). No. of bitstreams: 1 Fernando Shimidt de Paula.pdf: 1504181 bytes, checksum: 0c669bf02428b719fbbc3408513de691 (MD5) Previous issue date: 2009-10-20<br>The aim of this paper is to expose the evolution of the penal treatment that is given to the violation of the copyright in Brazil. Considering some historical events emphasizing Brazilian penal legislation since the Portuguese Ordinations , an effort was made to show how the harmful practices against the intellectual property occurred, the way society has treated them and how
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Bazarsky, Jason. "The effect of illegal music downloading and iTunes Store on CD collection size." Diss., Connect to the thesis, 2008. http://hdl.handle.net/10066/1569.

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Smith, Virgínia Luna. "Plágio, pirataria, fair use e a (des)criminalização da violação de direito autoral." Pontifícia Universidade Católica de São Paulo, 2012. https://tede2.pucsp.br/handle/handle/6074.

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Made available in DSpace on 2016-04-26T20:21:30Z (GMT). No. of bitstreams: 1 Virginia Luna Smith.pdf: 1052710 bytes, checksum: ce8b674b93927135478af1483976d7a3 (MD5) Previous issue date: 2012-12-04<br>The aim of this doctoral thesis is to instigate the debate on the criminalization of the most usual forms of copyright violation, considering the standoff between the defenders of a stricter legislation to fight piracy and plagiarism and the liberals who believe in the legitimate use of intellectual creations. The impacts of technological improvements on the market, society, communicatio
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Filho, Rubens Araujo Menezes de Souza. "Os donos das ideias: história e conflitos do direito autoral, do copyright e das patentes na crise contemporânea do capital: da rodada Uruguai (1986) aos partidos piratas (2006)." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-12122014-184858/.

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Com a análise histórica da chamada propriedade intelectual, em especial das patentes, copyright e direitos autorais, esta tese trata da crise do capitalismo contemporâneo, e analisa a tendência dissimulada de ascensão de Estados, que com o uso da tecnologia informática e o recrudescimento das legislações, se tornam cada vez mais autoritários e avançam sobre direitos e liberdades civis. Para isso é reconstituída a história dos computadores, da Internet, do Movimento do Software Livre, dos Partidos Piratas, do movimento do Software Livre no Brasil, das legislações de propriedade intelectual no m
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Lundström, Justus, Jonas Widriksson, and Viktor Zaunders. "Changes in media consumption and file sharing : The impact of legislation and new digital media services." Thesis, Jönköping University, JIBS, Business Informatics, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-12534.

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<p>In this study we investigate how the attitude and behaviour concerning illegal file shar-ing have changed among the young population in Sweden. The study will analyze the impact of the IPRED law that was introduced in April 2008 and new digital media ser-vices that have emerged in the last couple of years. It is also evaluated which of these have had the most impact on the attitude and behaviour of the selected population.</p><p>The main part of our research consists of a quantitative survey handed out to a sample population among high school students (ages 16-20) in Jönköping, Sweden. This
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Björk, Moa-Lisa. "Fel eller rätt med upphovsrätt : En kritisk diskursanalys av den svenska debatten om upphovsrätten." Thesis, Uppsala universitet, Institutionen för ABM, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-352852.

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The aim of this paper is to investigate how the view on copyright emerges in the media debate, and the overall research question is what possible explanations there might be for the view being different depending on whom the writer is and whom s/he represents. The theoretical framework is Fairclough's critical discourse analysis and the method used is the analytic model in three stages that he presents in his book Language and Power (2001). The empirical material was selected through an initial search in Media Retriever, followed by a manual se-lection process, which resulted in a final select
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Rimmer, Matthew. "The Pirate Bazaar: The Social Life of Copyright Law." Thesis, The Faculty of Law, The University of New South Wales, 2001. https://eprints.qut.edu.au/86581/1/fulltext.pdf.

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This thesis provides a cultural history of Australian copyright law and related artistic controversies. It examines a number of disputes over authorship, collaboration, and appropriation across a variety of cultural fields. It considers legal controversies over the plagiarism of texts, the defacing of paintings, the sampling of musical works, the ownership of plays, the co-operation between film-makers, the sharing of MP3 files on the Internet, and the appropriation of Indigenous culture. Such narratives and stories relate to a broad range of works and subject matter that are protected by copy
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Steedman, Sam, and sam steedman@gmail com. "Change and Growth of Australian Music Value Chains." RMIT University. Architecture and Design, 2009. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20091029.161558.

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The Australian music industry is growing and developing yet specific information about the ways in which distribution systems develop is limited. In this study I examined the growth and change of the Australian music value chain. This includes the development of digital distribution systems and the effect that peer-to-peer technology has on system development, specifically the disintermediation between consumers and artists to the detriment of the multinational value chains. The drivers of this change are broken into social and technical elements in order to describe the growth and change occ
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Labská, Julie. "Vliv technologií na hudební průmysl z hlediska distribuce hudby." Master's thesis, Vysoká škola ekonomická v Praze, 2012. http://www.nusl.cz/ntk/nusl-162616.

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Diploma thesis deals with the influence of technologies on the music industry in terms of music distribution. In the first part the two major issues are discussed for deeper understanding of the topic. The change of perception and creation of music over certain period of time and the development of technologies related to music in historical context. Following chapters are mainly focused on current technologies, digitalization and the internet, and global turnovers which have had impact on distribution of music as a consequence of technological spread. In addition to this, the issue of legal a
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Troilo, Maurizio. "Web 2.0, contenuti aperti e produzione tra pari: analisi economica delle possibili sinergie." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2010. http://amslaurea.unibo.it/1201/.

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Analisi in chiave economica e sociale dell'evoluzione di Internet, delle tecnologie legate al Web 2.0, dei fenomeni della pirateria, del software libero ed open source, del copyleft, dei contenuti aperti e della produzione tra pari. Introduzione dei concetti di economia del gratis ("freeconomics") e di coda lunga. Consigli manageriali pratici per i nuovi mercati digitali e per la competizione nella rete Internet.
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Ebadi, Solmaz, and Mirja Johansson. "Music File Sharing : Genius Technology or Copyright Infringement?" Thesis, Jönköping University, JIBS, Commercial Law, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-7598.

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<p>Today’s technology of music file sharing in peer-to-peer networks is genius. Peer-to-peer are networks composed of several computers enabling files to be shared among users. A substantial part of the files shared constitute unlawful copies; uploading and downloading of such files infringes copyright legislation. File sharing through peer-to-peer networks is therefore both a genius technology and a copyright infringement.</p><p>Peer-to-peer technology has been subject to heavy debate in media, both nationally and internationally. The issue of illegal downloads of music is an international di
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Salami, Shahnaz. "Enjeux et perspectives de la politique du droit d'auteur en Iran à l'heure de la globalisation et à la lumière du droit français et international : exemple du cinéma." Thesis, Lyon, 2017. http://www.theses.fr/2017LYSE2112.

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La reconnaissance du droit d’auteur en Iran rencontre d’importantes difficultés à l’heure de la globalisation où la standardisation du droit d’auteur au niveau international se heurte aux problématiques nationales : telle est l’idée principale de la première partie de cette thèse. Dans un premier temps, une étude du droit d’auteur en République Islamique d’Iran montre que la politique culturelle iranienne en matière de propriété littéraire et artistique s’inspire de l’approche française du droit d’auteur. Dans un deuxième temps, une analyse du droit positif international permet de constater le
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Cohen, Véronique-Déborah. "La spécificité des contrats liés aux technologies issues du numérique. Quelles singularités ces contrats présentent-ils, comparés à ceux du monde analogique ?" Thesis, Paris 2, 2011. http://www.theses.fr/2011PA020083/document.

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Les technologies issues du numérique ont donné naissance à des contrats qui nécessitent une approche particulière et qui posent parfois des difficultés de mise en oeuvre, d’application, d’interprétation, et même de qualification, tant leur existence ne peut désormais plus être ignorée dans le paysage juridique. A cela, s’ajoute le fait qu’ils répondent à un réel besoin, à la fois de la part des praticiens du droit et des acteurs de ces contrats. C’est sans compter qu’ils se démarquent des conventions issues du monde analogique en de nombreux points, sachant que néanmoins, ils s’inscrivent dans
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45

Jansizian, George. "Medhjälpare till brott mot URL? : Vem och när anses man vara medhjälpare?" Thesis, Internationella Handelshögskolan, Högskolan i Jönköping, IHH, Rättsvetenskap, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-15246.

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Internettjänsten The Pirate Bay fälldes av Svea hovrätt den 26 november 2010 för medhjälp till brott mot URL med motiveringen att denna tjänst främjat fildelning av upphovsrättsligt skyddat material utan upphovsmännens samtycke. Bestämmelsen i 23 kap 4 § 2 st. BrB lyder, ”ansvar som i denna balk är föreskrivet för viss gärning skall ådömas inte bara den som utfört gärningen utan även annan som främjat denna med råd eller dåd. Detsamma skall gälla beträffande i annan lag eller författning straffbelagd gärning, för vilken fängelse är föreskrivet.” I dagsläget finns ett flertal tjänster av liknan
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Rytinki, M. (Markus). "Musiikkialan tekijänoikeuksien kesto, ansaintalogiikat ja digitaalisen aineiston saatavuus internetissä." Doctoral thesis, Oulun yliopisto, 2018. http://urn.fi/urn:isbn:9789526221182.

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Abstract This study addresses the justifications of the duration of copyright, the revenue-generating models in the music business, and the availability of digital music in Finland. The first goal was to understand how different stakeholders in the music industry relate to copyright and how they justify what they consider the optimal duration. The second goal was to map out the revenue-generating models in the music industry at a time when the consumption of music has changed from analogue to digital formats, from physical products to streaming services. The third goal was to find out the diff
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Lu, Jia. "Software Copyright and Piracy in China." 2009. http://hdl.handle.net/1969.1/ETD-TAMU-2009-08-3258.

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This study is to explore how Chinese software users perceive the issues of software copyright and piracy. Tianya Community, the largest online public forum in China, was selected as a site to study users' online communication about software copyright and piracy. Data were collected over five discussion boards in which software copyright and piracy were discussed extensively to retrieve 561 posting threads with 6,150 messages ranging from March 1, 1999 to June 30, 2007. Lindlof and Taylor's (2002) qualitative communication research methods were used to locate and analyze the recurring dominant
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馬傲秋. "Legal Infrastructures against Copyright Piracy in Taiwan." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/09403265901707736893.

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碩士<br>國立交通大學<br>科技管理研究所<br>92<br>Intangible assets has become the key resource of competitive advantages, and the related legislations of the intellectual property play the important role to protect them. The creative of culture industry, including music, movie, software and book, not only influences our life but also the international trading and image. However, those industries need integrity legal infrastructures to protect them because of the characteristics of intangible, especially in the digital time. The purpose of this study is to analyze the legal infrastructures of copyright piracy
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Spender, Lynne, University of Western Sydney, College of Arts, and Centre for Cultural Research. "Digital culture, copyright maximalism, and the challenge to copyright law." 2009. http://handle.uws.edu.au:8081/1959.7/42615.

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The rapid diffusion of digital technologies since the 1970s has produced significant cultural change within industrialised societies and this dissertation examines the particular challenge that digital technologies and a burgeoning digital culture pose to copyright law. The hypothesis is that the international copyright regime, based on the private ownership of intellectual property, is being undermined by the collaborative and sharing dimensions of a networked digital culture. The argument is premised on evidence that digital culture is now so pervasive and so disruptive of traditional social
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Fang, Chun-Ming, and 方俊明. "Fight against Online Copyright Piracy: A Case Study of Korean Film Industry." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/ghe5pa.

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碩士<br>國立臺北科技大學<br>智慧財產權研究所<br>102<br>The meaning of intellectual property represents the rights given to people protecting creations of their minds. Hence, it may be discussed and concerned in two aspects of business model and legal concept to examine the production for creativeness and added value. The establishment of the meaning for intellectual property relies on the appropriate protection, distribution and use. It has been seen that copyright is not only the key to protect national culture and works but also forceing international cooperation and defending from piracy while entering into
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