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1
Gu, Jie. "From divergence to convergence: Institutionalization of copyright and the decline of online video piracy in China." International Communication Gazette 80, no. 1 (January 2018): 60–86. http://dx.doi.org/10.1177/1748048517742785.
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Since its emergence in 2005, China’s online video industry has been embroiled in rampant piracy. Nevertheless, online video piracy has sharply declined in recent years, and copyrights have become a widely accepted and practiced legal norm. With reference to historical institutionalism, this article considers copyrights as an institution and embeds the decline of China’s online video piracy in institutional changes of three copyright-related institutions: legal regimes, administrative regulations, and the online video industry. It argues that even though intervention by legal regimes cannot simply be overlooked, an interest-led institutional change in which the industry first diverges and then converges with administrative regulations is pivotal to the institutionalization of online video copyrights. These findings further our understanding of how China’s online video piracy is sustained or undermined with a holistic, historical, and dialectical outlook.
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Erlianto, Reviansyah, and Hana Faridah. "Perlindungan Hukum Pembajakan Film Digital." Ajudikasi : Jurnal Ilmu Hukum 6, no. 2 (December 27, 2022): 211–32. http://dx.doi.org/10.30656/ajudikasi.v6i2.5469.
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Cinematography is one of the copyrighted works that are included in the scope of works that are protected in the Copyright Law, therefore the state needs to protect film works, especially domestic films. In the case of rampant acts of digital film piracy, resulting in moral and economic losses to the creators or filmmakers, of course the need for legal protection by the state for them. The purpose of this study is to understand the existence of the state in copyright protection related to the phenomenon of film piracy, and to compare regulations related to copyright between Indonesia, Malaysia, and South Korea. The author conducts legal comparisons and uses normative legal research methods in the form of secondary data that are combined through a literature study. The results obtained are that the three countries through their respective regulations regulate and protect all forms of creation produced through IPR. And the need for the government's role in educating the public in appreciating copyright and copyrighted works.
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Jha, Amit Kumar, and Priyanka Rajan. "Copyright piracy and education." International Journal of Intellectual Property Management 1, no. 1 (2022): 1. http://dx.doi.org/10.1504/ijipm.2022.10047854.
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Jha, Amit Kumar, and Priyanka Rajan. "Copyright piracy and education." International Journal of Intellectual Property Management 13, no. 2 (2023): 149. http://dx.doi.org/10.1504/ijipm.2023.130462.
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Gupta, Manish Kumar, and Dibakar Raj Pant. "An Approach for Image Copyright Protection by using Walsh Hadamard Method." Journal of the Institute of Engineering 12, no. 1 (March 6, 2017): 142–68. http://dx.doi.org/10.3126/jie.v12i1.16890.
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Protecting copyrighted image from abuse, misuse and piracy is being critical day by day. Digital image Copyright Protection is considered as a solution to prevent the piracy of original image data. In this article, the authors propose copyright protection method using the well-known Walsh Hadamard transformation along with discrete wavelet transformation and singular value decomposition to achieve robust and imperceptible copyrighted image. The optimum scaling factor which decides the strength of signature image to be embedded is obtained at 0.3. The proposed article ensures imperceptibility of copyrighted image which is determined by Peak signal to noise ratio value greater than 35dB. Normalized Correlation value nearly equals to 0.9999 provides robustness against different attacks such as image cropping, rotations and noise on copyrighted image. Journal of the Institute of Engineering, 2016, 12(1): 162-168
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Putra, Regina Roidatun Sari, Nuzul Rahmayani, and Jasman Nazar. "LEGAL PROTECTION OF COPYRIGHT FOR LITERARY WORKS OF BOOKS FROM ACTS OF ONLINE PIRACY IN PDF VERSIONS VIA THE WHATSAPP APPLICATION." DE'RECHTSSTAAT 10, no. 1 (March 29, 2024): 54–70. http://dx.doi.org/10.30997/jhd.v10i1.9812.
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Cases of piracy are currently getting higher and more common, ranging from piracy of music, films, software, data bases, works of literature, books, science, and pictures or photography. The ranking of piracy in Indonesia, especially copyright, is the third largest in the world. Piracy seems to have become a culture and difficult to overcome, especially in Indonesia. If you look at the definition of book piracy that is usually listed in every book, namely efforts to reproduce books by printing, photocopying or other means without obtaining written permission from the publisher of the book concerned, then you will find many parties who consciously or unknowingly can be called pirates. In Article 40 Paragraph (1) Letter (a) of the Law of the Republic of Indonesia Number 28 of 2014 concerning Copyright, a book is one of the creations that is protected by Copyright.The formulation of the problem in this study is How can a Pdf version of a literary work be said to be copyright piracy? And how is the legal protection for creators against piracy of Pdf versions of literary works through the WhatsApp application?. The research method that the writer uses is the normative juridical method, where the writer must collect data from written regulations so that this research is very closely related to the library because it will require secondary data from the library.Based on the results of the research that the authors conducted on this problem, that law enforcement against Copyright infringement is very important, considering that the development of Copyright protection and legal protection of Copyright for creators is still lacking, where there are still many obstacles that arise in law enforcement, even though it has been legal efforts are made by the parties, as well as the application of legal sanctions against copyright infringement.
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Pratama, Nanda Reza Putra, Zenny Rezania Dewantary, and Zenny Rezania Dewantary. "STATE’S LEGAL PROTECTION TO COPYRIGHT HOLDERS OF SONGS IN RELATION TO THE ONLINE SONGS PIRACY." Problematika Hukum 3, no. 1 (April 5, 2019): 51. http://dx.doi.org/10.33021/ph.v3i1.650.
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Indonesia has a law regulating about copyright, namely Law No. 28 Year 2014 on Copyright. This law gives legal protection towards copyright infringements. However, the number of piracy of songs through online sources has been increasing rapidly. Song is a subject under copyright concept, hence, is protected by the copyright law. The piracy of songs gave disadvantage for the song writer, the singer, the recording label, and other related parties. This irresponsible behavior is difficult to tackle because of it is conducted online and free and netizens somehow are capable to pirate songs no matter how it is banned. This situation leads to the question on how the Indonesian government provides the protection and conduct to eradicate piracy of songs through internet.
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Deni, Deni, and Misnen Misnen. "Piracy as a Violation of the Ethics of the Informatics Engineering Profession." Jurnal Improsci 1, no. 6 (June 16, 2024): 319–28. http://dx.doi.org/10.62885/improsci.v1i6.301.
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The development of information technology is high-speed. The high price of original software makes people tend to use pirated products. Viewed from the ethical side of the information technology profession, piracy is inappropriate because it violates the inventor's intellectual property rights. This article is the result of thinking to analyze the extent of software piracy. Copyright problems in software, software piracy terms, causes of software piracy, the role of software, and solutions to overcome software piracy cases. Be able to know about software copyright. As a result of this research, we can find out where the crucial points violate software piracy, the motives that exist in the case of software piracy, and the role that exists in terms of software.
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Widowati, Ratih. "Penegakan Hukum Terhadap Pelanggaran Hak Cipta Dalam Jual Beli Karya Sastra Pada Marketplace." Jurnal Analisis Hukum 5, no. 2 (September 25, 2022): 220–30. http://dx.doi.org/10.38043/jah.v5i2.3770.
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The large number of book piracy and/or unauthorized sellers in the marketplace is a serious legal problem. Book piracy has become an industry in Indonesia. This is due to the lack of law enforcement that occurs, consumer behavior that is not aware of copyright, and business actors who seek profit by illegal means. Business actors in this case are not only sellers, but also the marketplace as a digital trading platform provider should also be responsible for selecting the goods to be sold by the seller. Unfortunately, the focus of law enforcement on copyright infringements is still focused only on piracy actors. Marketplace providers as an important element in digital transactions often not charged with legal responsibility. Therefore, this study focuses on how the responsibility of the marketplace and the mechanism for resolving copyright disputes that occur in the marketplace. This research uses normative legal research methods. The results of this study indicate that there is an agreement between the seller/partner/merchant and the marketplace as a digital trading platform provider. From this agreement, the elements of Article 10 of the Indonesia Copyright that state “Managers of business premises are prohibited from allowing the sale and/or reproduction of goods resulted from Copyrights and/or Related Rights infringements in the location under their management.” The dispute resolution mechanism regulated in the Copyright Law consists of litigation (civil and criminal) and non-litigation.
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Anak Robert KIP, Beatrice Stella, Yin Yung Lim, and Ee Shiang Lim. "COMMITTING DIGITAL MUSIC PIRACY: A STUDY IN PENANG." JOURNAL OF ECONOMICS AND SUSTAINABILITY 4, No.1 (January 31, 2022): 58–72. http://dx.doi.org/10.32890/jes2022.4.1.5.
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Piracy is one of the primary challenges facing the music industry. Music piracy has accounted for substantial revenue losses in this industry in Malaysia, a country in which intellectual property regimes are deemed as a matter of concern. If music piracy is left unchecked, it may destroy the value chain of the music industry. This study aims to explore the extent to which digital music copyright violations prevails in society and examine the characteristics of copyright violators. The analysis was carried out using primary data collected from a survey carried out in Penang, a highly urbanised state in Malaysia. A descriptive approach was used for the analysis. The findings from this study offer insights into the phenomenon of music piracy in Malaysia. The incidence of violating copyright was high, with seven out of ten persons involved in illegally using digital music. Copyright violators have distinguishing characteristics that differentiate them from non-copyright violators. The results found that awareness about intellectual property rights was rather low among violators and that they had misconceptions about music piracy. While most participants agreed that effective enforcement was critical in reducing illegal music activities, fewer perceived the risks of being caught and the high costs associated with punishment. Policies aimed at increasing awareness and understanding of intellectual property rights and the possible societal implications of copyright issues were discussed. The need to enhance copyright enforcement protection in the country is also highlighted.
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Fahmi, Khairil. "Perlindungan Hukum Terhadap Karya Cipta Lagu “Hilang” Atas Tindakan Perbanyakan Atas Karya Cipta Tanpa Perjanjian Lisensi (Studi Putusan Mahkamah Agung Republik Indonesia Nomor 192 PK/Pdt.Sus/2010)." Jurnal Hukum Kaidah: Media Komunikasi dan Informasi Hukum dan Masyarakat 19, no. 1 (September 30, 2019): 94–113. http://dx.doi.org/10.30743/jhk.v19i1.1910.
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The development of human creativity in creating a work that can have economic value requires legal protection. This protection is very important to encourage the creative enthusiasm of people. There are some basic principles of the copyright law protection of the sound recordings results in its protection that need to be considered, such as what is protected by copyright is an idea that has been tangible and original. As a result of law enforcement efforts against piracy song or music copyright is regulated in the Article 72 where the law enforcement efforts by the government by providing criminal sanctions and civil sanctions with claims for compensation, the Supreme Court considers the reasons of the Petitioner for Review that these reasons cannot be justified, because the judex juris did not commit an error or a real mistake in deciding the a quo case . In general, the forms of Song or Music copyright piracy are divided into several categories, namely Pirate, Couterfeit and Bootleging. The motive for the piracy is for commercial interests in the form of financial gain. The role of the government in law enforcement dealing with piracy is to provide strict sanctions in the form of confiscation and destruction of goods resulting from Copyright piracy carried out by the government. Keywords: Legal Protection, Copyright, Songs, Propagation Actions, License.
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Han, Jonathan Lee Xue. "EFFECTIVE ANTI-PIRACY IN VIETNAM: A JOURNEY THROUGH SITE BLOCKING." International Journal of Law, Ethics, and Technology 2022, no. 1 (April 29, 2022): 50–72. http://dx.doi.org/10.55574/dkoo8048.
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The dawn of the Internet has created significant challenges to protecting copyrighted materials from piracy. In the past, copyright protection was mainly concerned with the threat of infringement from the sale of counterfeit goods, like pirated CDs and optical media. However, the Internet has now allowed for online piracy where infringing materials can be accessed online or copied with even greater ease. Vietnam has recently become a jurisdiction that is a hotbed for online piracy and copyright infringement globally. This is largely because Vietnam's current statutory and regulatory regime fail to effectively create an effective antipiracy regime in accordance with its WTO TRIPS obligations. Furthermore, Vietnam's recent accession of various treaties like the CPTPP and WCT further galvanizes a need for change in Vietnam's intellectual property regime. Thus far, Vietnam's attempts at fashioning an effective site-blocking regime have not succeeded. This paper will look at other effective site-blocking regimes, namely Singapore, India, and France, to look prospectively at what may be possible in Vietnam.
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Danaher, Brett, Michael D. Smith, and Rahul Telang. "Piracy and Copyright Enforcement Mechanisms." Innovation Policy and the Economy 14 (January 2014): 25–61. http://dx.doi.org/10.1086/674020.
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HARBAUGH, RICK, and RAHUL KHEMKA. "DOES COPYRIGHT ENFORCEMENT ENCOURAGE PIRACY?*." Journal of Industrial Economics 58, no. 2 (June 2010): 306–23. http://dx.doi.org/10.1111/j.1467-6451.2010.00419.x.
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Morris, Sally. "Copyright: plagiarism, Photocopying and Piracy." Physiotherapy 80, no. 2 (February 1994): 83–84. http://dx.doi.org/10.1016/s0031-9406(10)61014-0.
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Auralita, Lala. "Unlocking the Power of Intellectual Property: Safeguarding Books Against Piracy." Journal of Judicial Review 25, no. 1 (June 12, 2023): 1. http://dx.doi.org/10.37253/jjr.v25i1.7743.
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In today's world, where intellectual property can be generated from almost any human endeavor, it becomes imperative to establish robust guidelines for protecting intellectual property rights through legislation. One form of infringement that demands attention is book piracy—a practice that involves unauthorized sales of counterfeit books or the unauthorized conversion of books into e-books or audiobooks, with the perpetrators pocketing the profits for themselves. This article aims to delve into the crucial issue of safeguarding book copyrights for creators whose works have been illicitly transformed into audiobooks by irresponsible parties, examining the governing regulations under the Copyright Law. By employing normative legal research methods, this study will analyze secondary data and legal documents to uncover relevant legal facts. Adopting a conceptual, analytical, and statutory approach, the research will shed light on the mechanisms in place to combat book piracy and protect the rights of creators. Notably, YouTube, as a prominent platform, has implemented a robust YouTube Copyright Strike policy to combat copyright violations, offering a recourse for creators. Additionally, alternative dispute resolution methods, including non-litigation and litigation settlements, can be pursued to address these copyright infringements. The primary objective of this research is to enhance public understanding and provide legal certainty concerning the protection of intellectual property, particularly in the form of books. By addressing book piracy, we can fortify the rights of creators and foster a climate that respects and values intellectual property in all its forms.
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Syufa'at, Syufa'at. "Pembajakan Karya di Bidang Hak Cipta: Telaah Integratif Hukum Islam dan Undang-Undang R.I. Nomor 28 Tahun 2014 tentang Hak Cipta." Al-Manahij: Jurnal Kajian Hukum Islam 13, no. 1 (June 25, 2019): 49–63. http://dx.doi.org/10.24090/mnh.v0i1.2215.
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Copyright is one part of intellectual property that has the widest scope of protected objects. The rapid development of information and communication technology requires rules that support copyright, especially with the rampant piracies. Therefore, copyright must have a legal protection as other rights. This paper is dedicated to outlining the concept of piracy of works in the field of copyright using an integrated review of Islamic law and the Indonesian Law No. 28 of 2014 concerning Copyright. By using a deductive framework and normative approach, this paper formulates one finding that copyright piracy even though there are no clear and standard rules in Islamic law, by using analogy (qiyās) method, the copyright rule is in accordance with the law against the perpetrator of theft (saraqah). However, because a pirator of copyrights is not the same as a theft, its rule enters ta’zīr domain where all provisions for sanctions are determined by the government. In Indonesia, the actualization of sanctions is regulated in Law No. 28 of 2014, which essentially strives to create justice and guarantee of every individual right that leads to widespread benefit. Islamic law (in this case saraqah rules) becomes the theological basis for Law No. 28 of 2014 in a normativity context, where the integration points of Islamic law and Indonesian law can be established.
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Briggs, Kristie, Joshua Eiermann, Thomas Hodgson, and Elizabeth McNamara. "Reducing copyright piracy using entrepreneurial intermediary platforms." Journal of Entrepreneurship and Public Policy 3, no. 2 (October 14, 2014): 306–16. http://dx.doi.org/10.1108/jepp-05-2013-0019.
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Purpose – The purpose of this paper is to examine the role of intermediary platforms, such as Pandora and Spotify, in reducing piracy of digital music. Design/methodology/approach – The authors modify a predator-prey theoretical framework of copyright piracy to account for the impact of intermediary platforms on the consumption of original works and illegal copies. Findings – The theory shows that an increase in the number of legal alternative platforms available to consumers of digital music results in an unambiguous increase in the consumption of legitimate music and an unambiguous decrease in the consumption of unauthorized copies. Practical implications – The results suggest that policies to encourage entrepreneurship by intermediary platforms in the music industry serve as a complement to other policies currently being employed to combat piracy of digital music. Originality/value – The paper is the first of its kind to analyze the important role of intermediary platforms in reducing piracy of digital music while encouraging innovation by artists. Historically, entrepreneurship in this field has been controversial, given the gray areas surrounding what is and is not copyright infringement in the ever-evolving digital age. This paper highlights that once copyright laws are clearly defined, business growth in this area can be a highly effective solution to the piracy problem.
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Alemna, A. A., and V. Dodoo. "Copyright and literary piracy in Ghana." African Research & Documentation 100 (2006): 21–27. http://dx.doi.org/10.1017/s0305862x00019701.
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AbstractThis paper discusses the issue of copyright, especially as it pertains in Ghana. It also examines the extent of literary piracy and its impact on authors and the book industry in Ghana. Remedies proposed to curb this activity include resourcing of the Copyright Office; creation of copyright awareness; and strict prosecution of offenders.
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Kiškis, Mindaugas. "Addressing Evolving Digital Piracy Through Contributory Liability for Copyright Infringement: The Mobdro Case Study." Masaryk University Journal of Law and Technology 17, no. 2 (September 30, 2023): 219–48. http://dx.doi.org/10.5817/mujlt2023-2-3.
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Digital piracy, i.e., large-scale commercial copyright infringement online, is a constantly evolving phenomenon. Following the enactment and expansion of online intermediary liability rules, professional pirates have shifted away from easily blockable websites and services. Streaming piracy on dedicated platforms, monetised through embedded services, has become the prevalent model in Europe, as is well illustrated by the Mobdro case study analysed in this article. These dedicated platforms are supported by embedded service providers who, as they are not online intermediaries, can avoid the online intermediary liability regime. One potential solution to this issue could be the application of contributory copyright infringement rules, which are well-established in US copyright law but absent in EU law, to all parties that contribute to digital piracy. The CJEU has opened expressly this path in the recent C-682/18 YouTube and C-683/18 Cyando cases. Based on the CJEU's initiative and the existing precedent of harmonising intellectual property tort rules within EU law, further contributory liability rules could be modelled after US rules by updating the Enforcement Directive 2004/48/EC. Addressing this gap in EU copyright law is crucial for enhancing the effectiveness of digital copyright enforcement against evolving digital piracy.
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Harwanto, Edi Ribut. "COVERS OF MUSIC AND SONGS WITHOUT NO LICENSE AGREEMENT OF THE CREATOR AND COPYRIGHT HOLDER CARRIED OUT BY CORPORATE AND INDIVIDUAL BLACK YOUTUBERS ON THE YOUTUBE CHANNEL." POLICY, LAW, NOTARY AND REGULATORY ISSUES (POLRI) 1, no. 3 (July 26, 2022): 81–98. http://dx.doi.org/10.55047/polri.v1i3.392.
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Criminal acts such piracy, copying, covering, distributing, and arranging musical works that belong to copyright holders, associated rights holders, and performers without a license or permission cannot be dealt with solely by illegal law enforcement under the Copyright Law. Furthermore, violators of piracy, song covers, music rearrangements without the consent of the copyright owners, associated rights, and performers shall face criminal penalties under Copyright Law No. 28 of 2014. This socio-legal research method study is a study that "integrates" doctrinal studies with social studies. In this study, using the postpositivism paradigm as the foundation of reality based on experience. To provide a sense of justice and legal certainty for copyright holders, connected rights, and future performers, the author's conclusions and recommendations are that the criminal provisions in Law No. 28 of 2014 respecting Copyrights that face juridical challenges should be reformulated. Besides, in the transition phase to the application of criminal sanctions provisions in the copyright law, Law No. 31 of 1999 in conjunction with Law No. 20 of 2001 concerning Corruption as a legal subject in terms of Non-Tax State Revenue (PNBP) and Law No. 28 of 2007 concerning General Provisions on Tax Procedures, the legal subject can be seen from the non-payment of license taxes to the state treasury as state income.
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Bissil Mikafa, Alifia, Tioma R. Hariandja, and Muhammad Hoiru Nail. "Perlindungan Hukum Pemilik Hak Cipta Terkait Pembajakan Karya Sinematografi Pada Platform Telegram." WELFARE STATE Jurnal Hukum 1, no. 2 (October 28, 2022): 187–216. http://dx.doi.org/10.56013/welfarestate.v1i2.1669.
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The cinematography in telegram is widely misused by irresponsible people by piracy. In fact, cinematography is a component contained in copyright law that must be protected. The first problem is how is the legal protection for copyright owners? And the second dispute resolution that can be taken by the copyright owner? This research method uses the normative method. And it will become a legal problem if piracy continues on Telegram. Copyright owners need to be protected with two forms of protection, namely preventive legal protection and repressive legal protection. As for dispute resolution, it can be done through litigation and non-litigation.
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Indriani, Iin. "HAK KEKAYAAN INTELEKTUAL: PERLINDUNGAN HUKUM TERHADAP HAK CIPTA KARYA MUSIK." Jurnal Ilmu Hukum 7, no. 2 (August 5, 2018): 246. http://dx.doi.org/10.30652/jih.v7i2.5703.
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Copyright has a big change for the country, especially in terms of trade. Then the difference in copyright becomes something very important. Both national and international, as agreed in Geneva in Septemebr 1990, where Intellectual Property in Business Briefing addresses issues known as TRIPs (Trade Related Aspects of Intellectual Property Rights). The enforcement of these TRIPs really does eradicate efforts against various forms of Intellectual Property Rights (IPR), including negative piracy of musical works. Should Indonesia ignore the policies in the provisions set forth in the TRIPs agreement, Indonesia will continue to be included in the list of countries that need to be monitored and view (watchlist) and that means any export product from the Indonesian state will be examined for its technological content and questionable the origin of its authenticity. Therefore, law enforcement for copyright such as DVD / VCD piracy that developed rapidly in one of the areas in Indonesia needs to be implemented well in accordance with the prevailing provisions, in order to provide certainty and legal changes to one's copyrights.
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Oka Sugiadnyana, I. Made, and I. Gusti Bagus Suryawan. "Legal Protection For Copyright Holders For Violations In The Form of Piracy of Film Cinematographic Works on The Telegram Application." Journal of Law, Politic and Humanities 4, no. 4 (May 14, 2024): 406–10. http://dx.doi.org/10.38035/jlph.v4i4.373.
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The purpose of this research is to determine the legal protection sought by cinematography copyright holders against piracy of film works via Telegram. The method used in this research is a normative legal research method with a statutory regulatory approach. The research results show that acts of piracy, such as duplicating and distributing cinematographic works without the author's permission, are legal violations that harm copyright holders, both economically and morally. In the context of legal protection for the copyright of cinematographic works, there are two forms, namely preventive legal protection by the government in the form of laws and regulations that regulate it and repressive protection through dispute resolution. Creators or copyright holders can take legal steps, either through litigation in court or non-litigation outside of court with the help of third parties, as an effort to overcome piracy of cinematographic works that occurs in the Telegram application.
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Bae, Sang Hoo, and Kyeongwon Yoo. "Is Imitation Bad for the Production of Creative Works?" Review of Network Economics 19, no. 2 (June 1, 2020): 115–44. http://dx.doi.org/10.1515/rne-2020-0012.
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Abstract This paper develops a theoretical framework to discuss the positive role of imitative works where creators often have private information about their creative abilities and may need outside investment. Within this framework, we consider the impact of three types of copyright protection during the different stages: the production, distribution, and consumption of creative works. Different types of enforcement can discourage imitation (production-side enforcement), limit distribution (supply-side enforcement), and restrict consumption (demand-side enforcement) of unauthorized copies of creative works. The last two types of infringement are called end-user piracy since these involve end-users, who actively search and illegally access creative works. The main results show that substitutability exists between copyright protection against end-user piracy since both types of enforcement increase the creator’s incentive with a higher return. However, it cannot solve the inefficient investment problem due to information asymmetry. There exists complementarity between copyright protection against end-user piracy and imitation. When weak protection against end-user piracy yields the overproduction of creative works, a high level of protection against imitation can minimize the related inefficiencies. However, when end-user piracy enforcement increases and brings underproduction, imitative works can benefit society.
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Savic, Miljan, and Nikola Petrovic. "Internet piracy and consequences for victims." Temida 19, no. 3-4 (2016): 389–404. http://dx.doi.org/10.2298/tem1604389s.
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After the evolution of technology made it possible to perform actions via the Internet that constitute copyright violations, the analysis of the effects of internet piracy on social welfare became the subject of academic polemics. The main and the biggest victims of Internet piracy are the holders of copyright and related rights, however, the damage that piracy causes them comes from multiple sources, is difficult to quantify and is only a part of the total social cost of piracy. However, there are other categories of victims, such as those whose honor was besmirched as a result of piracy, and who suffer the consequences in the form of negative emotional reactions, loss of job as well as those who subsequently commit suicide. The object of this paper is to describe the effects of internet piracy on the victims of this phenomenon, and the goal is the analysis of the various direct and indirect effects of piracy on victims and their motivation for future creation, as well as analysis of prevention measures, with special emphasis on the Republic of Serbia.
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Yuliati, Titi. "Law Enforcement Against Film Piracy Through the Telegram Platform Based on Law Number 28 of 2014 Concerning Copyrights." Scientia 2, no. 1 (January 25, 2023): 509–13. http://dx.doi.org/10.51773/sssh.v2i1.202.
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The regulation of law enforcement on Copyright is regulated in Law no. 28 of 2014 concerning Copyright. Film is the result of someone's intellectual work in which copyright is attached. One of the deviations from copyright in films is to reproduce and notify films through social media, one of which is through Telegram by streaming or downloading, where by downloading films for free that do not have permission from the creator of the work.. The consequences of film piracy can have a negative impact on the Creator, both economically and morally. The purpose of this study is to analyze related to law enforcement against film piracy through Telegram. This research uses a normative juridical approach and this research uses a statutory approach and a conceptual approach. The results of the study show that although there is already a law that regulates copyright, law enforcement against film piracy is not running as it should. Law enforcement is influenced by factors of legislation, law enforcement, society, and culture. The most influencing factors are society and culture, where people still do not know and realize the importance of copyright in film.
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Sudjana, Sudjana. "EFEKTIVITAS PENANGGULANGAN PEMBAJAKAN KARYA CIPTA DALAM PERSPEKTIF SISTEM HUKUM." Res Nullius Law Journal 4, no. 1 (January 14, 2022): 77–99. http://dx.doi.org/10.34010/rnlj.v4i1.5939.
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This study aims to determine the effectiveness of countermeasures against copyright piracy from a legal system perspective. The research method used is a normative juridical approach, starting from secondary data consisting of primary legal materials, secondary legal materials, and tertiary legal materials. The data collection technique was carried out through document study and qualitative normative data analysis.
The legal structure is related to Law no. 28/2014 concerning Copyright still has obstacles related to the consistency of law enforcers (especially investigators, especially Civil Servant Investigators) who have carried out their functions but have not been effective due to internal and external constraints. In terms of legal substance, the Copyright Law has a normative weakness, namely adhering to a complaint offense against copyright crimes which causes law enforcement to take longer. Meanwhile, in terms of legal culture, the public has not fully respected the creations of other parties, as evidenced by the increasing number of piracy of copyright works and a way of thinking that considers intellectual property including copyright to only have a social function, even though it is also an individual right that has economic value. Therefore, the application of the legal system according to Friedman on the effectiveness of counter piracy of copyright works has not been effective.
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Nainggolan, Bernard. "LOOKING FOR A NEW PARADIGM IN COPYRIGHT IN INDONESIAN REGULATIONS." Jurnal Pembaharuan Hukum 10, no. 3 (December 28, 2023): 517. http://dx.doi.org/10.26532/jph.v10i3.36009.
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This research examines the copyright landscape in Indonesia with a focus on regulatory dynamics, public awareness and law enforcement. The research approach uses normative methods and literature reviews to examine the development of copyright law, public moral awareness, and the implementation of policies related to copyright protection. Despite progress in copyright regulations, research shows that copyright infringement remains a serious problem in Indonesia. Piracy practices are still common and accepted as a cultural norm, while copyright law enforcement faces challenges in increasing public awareness and enforcement effectiveness. The findings of this research highlight the urgency of education to increase public awareness about copyright. The importance of further action to strengthen law enforcement and effectively protect copyright in Indonesia was also emphasized. This research has important implications for policy makers, law enforcers, and the general public to increase understanding of copyright, change cultural norms regarding piracy, and increase awareness of the importance of protecting copyright for sustainable social and economic development in Indonesia.
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Deanera, Princessa. "Electronic Book Piracy in Review of Law Number 28 Year 2014 on Copyright." JISIP (Jurnal Ilmu Sosial dan Pendidikan) 8, no. 1 (January 2, 2024): 278. http://dx.doi.org/10.58258/jisip.v8i1.6127.
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Books copyrights supported by technological developments have shifted to digital product. Digital products are products with a non-physical form or usually in electronic form which are usually traded online via internet media. Creative product that have become digital products today are books in the form of e-books. The practice of storing, distributing and utilizing digital product on the internet has become so easy and conducted without paying attention to the copyright protection of the creators. The purpose of research in this journal was to analyze copyright protection against e-book piracy in terms of the Copyright Law and described legal remedies that can be taken for violations of e-book piracy. The type of research used by the author was a type of normative legal research with statutory and conceptual approaches. The legal materials used consist of primary legal materials, namely laws and regulations, judge's decisions, treatises on making laws and secondary legal materials obtained from relevant books, journals, literature, documents and archives through literature research. The results of this study stated that a form of copyright law protection is given because not everyone can create a work that is worthy or that can be enjoyed by humans to the fullest, only certain people can employ their brain's thinking power to then put it into a work so as to produce a useful creation. That's why Copyrights Law grantees an exclusive nature, where only certain people can get these rights.
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Harwanto, Edi Ribut. "THE CRIMINALIZATION OF COVERING MUSIC SONGS WITHOUT PERMISSION: EXPLORING THE LEGAL IMPLICATIONS, PIRACY, TAX LAWS, AND ACTS OF CORRUPTION." POLICY, LAW, NOTARY AND REGULATORY ISSUES (POLRI) 2, no. 3 (July 21, 2023): 250–64. http://dx.doi.org/10.55047/polri.v2i3.621.
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Enforcement of criminal law within the Copyright Act alone is insufficient to effectively address acts of piracy, duplication, cover songs, distribution, and management of copyrighted music and songs. Offenders without a license/permit are subject to both criminal and civil sanctions. The Criminal Law No. 28 of 2014 on Copyright also imposes criminal sanctions for pirates, cover songs, and music rearrangement without permission from copyright holders or related rights. This study identifies two main issues. Firstly, there is a weak implementation of criminal sanctions in copyright law, particularly concerning juridical aspects in the formulation of criminal law provisions (penal policy). Secondly, there is a need for understanding among copyright holders, related rights, and offenders to operationalize law enforcement by employing other relevant laws outside copyright law. The use of criminal acts of corruption and taxation can be an effective effort to protect the law and ensure legal certainty. To address these issues, this research employs a socio-legal approach, which combines doctrinal studies with social studies. This integration is based on the belief that the rule of law cannot operate in isolation when dealing with copyright piracy of songs and music in Indonesia. The post-positivism paradigm underpins this study, acknowledging the reality based on experience while maintaining the researcher's objectivity towards the subject. Empirical verification, hypothesis testing, and maintaining a clear distinction between the researcher and the object under study are emphasized throughout this research.
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Arma, Riska Hanif. "LEGAL PROTECTION OF COPYRIGHT FROM THE CRIME OF COMPUTER SOFTWARE PIRACY ACCORDING TO TRIPS AGREEMENT AND ITS IMPLEMENTATION IN INDONESIA." Jurnal Multidisiplin Sahombu 1, no. 02 (January 20, 2022): 61–71. http://dx.doi.org/10.58471/jms.v1i02.118.
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Protection against computer software is often underestimated because it is considered not so important and there are no consequences, in fact piracy against computer software piracy is an unlawful act that results in criminal sanctions in the form of imprisonment and fines. As a result of rampant computer software piracy, Indonesia is faced with problems and bad impacts, both internationally and in Indonesia itself. Although in Indonesia it has been regulated in Law No. 28 of 2014 concerning Copyright, but there are no strict laws and regulations governing the act of software piracy. Where the purpose of this research is to find out and analyze the formulation of the problem. The legal research method that the author uses is normative, where the author examines library materials which are secondary data and is also called Library Legal Research, namely research on secondary data. The result of the research is that the regulation of copyright legal protection from software piracy crimes according to TRIPs is Law Number 28 of 2014 concerning Copyright which contains the ratification of the TRIPs agreement, then there is Law Number 11 of 2008 concerning Information and Electronic Transactions and Government Regulations. Republic of Indonesia Number 29 of 2004 concerning High-Tech Production Facilities for Optical Discs.
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Kreie, Jennifer, and Timothy Paul Cronan. "Copyright, Piracy, Privacy, and Security Issues." Journal of Organizational and End User Computing 11, no. 2 (April 1999): 13–20. http://dx.doi.org/10.4018/joeuc.1999040102.
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Mahmood, Khalid, and Muhammad Ilyas. "Copyright and Book Piracy in Pakistan." IFLA Journal 31, no. 4 (December 2005): 324–32. http://dx.doi.org/10.1177/0340035205061397.
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Olujide Ajidahun, Clement. "Book piracy and Nigerian copyright law." Library Management 19, no. 1 (February 1998): 22–25. http://dx.doi.org/10.1108/01435129810198558.
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Vázquez, Francisco J., and Richard Watt. "Copyright piracy as prey–predator behavior." Journal of Bioeconomics 13, no. 1 (November 20, 2010): 31–43. http://dx.doi.org/10.1007/s10818-010-9098-1.
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Randolph Beard, T., George S. Ford, Gilad Sorek, and Lawrence J. Spiwak. "Piracy, Imitation, and Optimal Copyright Policy." Southern Economic Journal 84, no. 3 (December 5, 2017): 815–30. http://dx.doi.org/10.1002/soej.12251.
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Megahayati, Kemala, Muhamad Amirulloh, and Helitha Novianty Muchtar. "Perlindungan Hukum Sinematografi Terhadap Pengaksesan Tanpa Hak Oleh Pengguna Aplikasi Telegram Berdasarkan Undang-Undang Hak Cipta Dan Undang-Undang Informasi Dan Transaksi Elektronik Di Indonesia." Ajudikasi : Jurnal Ilmu Hukum 5, no. 1 (June 3, 2021): 1–16. http://dx.doi.org/10.30656/ajudikasi.v5i1.3218.
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Film as a cinematographic work is an object protected by copyright. Film and ICT are rapidly growing in Indonesia. Along with this, digital piracy occurs very often. This happens in instant messaging application, Telegram. Public channel is an available feature on Telegram that misused by its users to spread films illegally. This research was conducted to determine regulations about accessing cinematography on Telegram and Telegram Messenger Inc. liability concerns accessing cinematography by its users. The method is juridical normative by examining secondary data from primary, secondary, and tertiary legal materials obtained through literature study related to copyright and over-the-top services. The results show that accessing cinematography on Telegram violates economic rights according to Article 9 (1) b Copyright Law which is categorized as piracy in accordance with Article 113 (4) Copyright Law and Telegram Messenger Inc. as application organizer should be responsible secondarily for piracy in a civil lawsuit according to Article 99 Copyright Law and Article 38 ITE Law, administrative and criminal that occurs due to negligence in monitoring the activities of its users. Then, primary liability can be requested to application users who do not obey the terms of services of the telegram application which has an exoneration clause as a way to prevent copyright infringement in telegram application.
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Tade, Oludayo, and Okoro Paul Mmahi. "Movie Piracy Networks at Alaba International Market, Lagos, Nigeria." International Journal of Offender Therapy and Comparative Criminology 62, no. 1 (February 15, 2017): 274–85. http://dx.doi.org/10.1177/0306624x17692208.
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This study examined the veiled chain of film piracy, a major crime in the Nigeria entertainment industry. Studies on film piracy in Nigeria have focused on its economic implications, both on the copyright owners and on the Nigerian economy. The organization of the activities of the film pirates has, however, been neglected. Narratives were extracted through in-depth interviews with pirates, “marketers,” and “producers.” Data indicated that pirates were insiders in the film marketing industry and included importers of foreign movies, registered and nonregistered retailers of Nigerian films, as well as marketers appointed by copyright owners to distribute their films. With the connivance of sales girls working with the copyright owners and dubbing companies, original copies of films (white face) are “procured.” Pirates distributed pirated copies, also secretly known as “green face,” without issuing receipts or putting the logo of the company on it. For security reasons, pirated films are sold only to buyers introduced by a member in the piracy network. Efforts aimed at fighting piracy must take into account this veiled network to effectively combat intellectual theft via aggressive ban on the public sale of such products.
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Onyshchuk, Mykhaylo, and Larуsa Tatarinova. "Copyright: fighting piracy and plagiarism in the digital age." Вісник Книжкової палати, no. 10 (October 25, 2023): 9–19. http://dx.doi.org/10.36273/2076-9555.2023.10(327).9-19.
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Every day more and more pages are appearing on the Internet with free access to works whose copyright and property rights belong to publishers or individual authors. The practice of using free content in the publishing world dates back long before the digital revolution, even before the Internet. But the main problem facing the publishing sector today is that pirated content and products create direct competition for publishing, inhibiting the development of intellectual property. Piracy in the publishing industry has grown significantly over the past four years, with a significant increase following the first quarantines of the 2019 COVID-19 pandemic. In May 2020, publishing piracy was greater than film, making it the second largest digital piracy media sector after television. The search for a reliable solution to eliminate online piracy of e-books and plagiarism is an urgent need, on which the survival of authorship as a profession, the global development of culture and the flourishing of the most important branch of the creative economy of the countries of the world — the publishing industry — depends.
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Susilo, Adhi Budi. "Renewal of Criminal Law Politics Relating to Justice Based On Justice." Walisongo Law Review (Walrev) 1, no. 2 (October 30, 2019): 155. http://dx.doi.org/10.21580/walrev.2019.1.2.4803.
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<p>Copyright is a high reality of various values, including economic value, this is because copyright that is born of copyright, taste, and intention is able to color the development of human life through objects born from the copyright process. However, in its development various copyrights were not considered in this country. The rise of piracy on song copyrights for example, is only able to benefit the perpetrators of piracy of song copyright economically. The research method used is a juridical legal research method of analysis with the object of research studies aimed at the laws and regulations relating to copyright and principles - applicable legal principles. Substantially, the material changes in Law No. 28 of 2014 is related to the change of type of criminal offense from ordinary offense to complaint offense and in the meantime there are not many creators who can seek justice about it. The results of the research are increasingly unfair with the existence of Clause 112 to Clause 119 of Law Number 28 of 2014 changing copyright offenses to complaint offenses that increasingly marginalize the rights of the creators of copyrighted works in this country. Therefore it is necessary to have a joint discussion related to the political development of criminal law related to copyright offenses.</p><p> </p><p class="IABSSS">Hak Cipta adalah suatu realitas yang tinggi akan berbagai nilai, termasuk didalamnya nilai ekonomis, hal ini dikarenakan hak cipta yang lahir dari cipta, rasa, dan karsa mampu mewarnai perkembangan kehidupan umat manusia melalui benda yang lahir dari proses cipta tersebut. Namun dalam perkembangannya berbagai hak cipta tidaklah diperhatikan di negara ini. Maraknya pembajakan akan hak cipta lagu misalnya, hanya mampu menguntungkan bagi oknum pelaku pembajakan hak cipta lagu tersebut secara ekonomis, Metode penelitian yang digunakan adalah metode penelitian hukum yuridis analisis dengan objek kajian penelitian yang ditujukan terhadap peraturan perundang-undangan yang berkaitan dengan hak cipta dan prinsip-prinsip hukum yang berlaku. Secara substansial, materi perubahan dalam UU No. 28 Tahun 2014 adalah yang berkaitan dengan perubahan jenis tindak pidana dari delik biasa menjadi delik aduan serta sementara itu pihak pencipta tidak banyak yang dapat mengupayakan keadilan akan hal itu. Hasil dari penelitian semakin bertambah tidak adil dengan adanya Pasal 112 hingga Pasal 119 Undang-Undang Nomer 28 Tahun 2014 merubah delik hak cipta menjadi delik aduan yang semakin memarjinalkan hak dari pencipta suatu karya cipta di negara ini. Oleh sebab itu perlu adanya pembahasan bersama terkait pembangunan politik hukum pidana terkai delik hak cipta.</p>
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Susilo, Adhi Budi. "Renewal of Criminal Law Politics Relating to Justice Based On Justice." Walisongo Law Review (Walrev) 1, no. 2 (October 18, 2019): 157. http://dx.doi.org/10.21580/walrev.2019.2.2.4803.
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<p>Copyright is a high reality of various values, including economic value, this is because copyright that is born of copyright, taste, and intention is able to color the development of human life through objects born from the copyright process. However, in its development various copyrights were not considered in this country. The rise of piracy on song copyrights for example, is only able to benefit the perpetrators of piracy of song copyright economically. The research method used is a juridical legal research method of analysis with the object of research studies aimed at the laws and regulations relating to copyright and principles - applicable legal principles. Substantially, the material changes in Law No. 28 of 2014 is related to the change of type of criminal offense from ordinary offense to complaint offense and in the meantime there are not many creators who can seek justice about it. The results of the research are increasingly unfair with the existence of Clause 112 to Clause 119 of Law Number 28 of 2014 changing copyright offenses to complaint offenses that increasingly marginalize the rights of the creators of copyrighted works in this country. Therefore it is necessary to have a joint discussion related to the political development of criminal law related to copyright offenses.</p><p> </p><p class="IABSSS">Hak Cipta adalah suatu realitas yang tinggi akan berbagai nilai, termasuk didalamnya nilai ekonomis, hal ini dikarenakan hak cipta yang lahir dari cipta, rasa, dan karsa mampu mewarnai perkembangan kehidupan umat manusia melalui benda yang lahir dari proses cipta tersebut. Namun dalam perkembangannya berbagai hak cipta tidaklah diperhatikan di negara ini. Maraknya pembajakan akan hak cipta lagu misalnya, hanya mampu menguntungkan bagi oknum pelaku pembajakan hak cipta lagu tersebut secara ekonomis, Metode penelitian yang digunakan adalah metode penelitian hukum yuridis analisis dengan objek kajian penelitian yang ditujukan terhadap peraturan perundang-undangan yang berkaitan dengan hak cipta dan prinsip-prinsip hukum yang berlaku. Secara substansial, materi perubahan dalam UU No. 28 Tahun 2014 adalah yang berkaitan dengan perubahan jenis tindak pidana dari delik biasa menjadi delik aduan serta sementara itu pihak pencipta tidak banyak yang dapat mengupayakan keadilan akan hal itu. Hasil dari penelitian semakin bertambah tidak adil dengan adanya Pasal 112 hingga Pasal 119 Undang-Undang Nomer 28 Tahun 2014 merubah delik hak cipta menjadi delik aduan yang semakin memarjinalkan hak dari pencipta suatu karya cipta di negara ini. Oleh sebab itu perlu adanya pembahasan bersama terkait pembangunan politik hukum pidana terkai delik hak cipta.</p>
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Meyer, Trisha, and Leo Van Audenhove. "Surveillance and Regulating Code: An Analysis of Graduated Response in France." Surveillance & Society 9, no. 4 (June 20, 2012): 365–77. http://dx.doi.org/10.24908/ss.v9i4.4341.
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This paper analyzes a recent policy initiative in France to deter copyright infringement. In 2009, France passed two laws aimed at fighting online piracy through graduated response, a warning and sanction system. Graduated response depends on surveillance of internet uses and encourages technological regulation (code), such as internet filtering and blocking. We analyze the rationales advocated for copyright and the internet and the argumentation for surveillance and technical protection measures. In the French debate on graduated response, much attention was given to the policy goal – reducing piracy, while the means of reaching the policy goal – surveillance and code, were rarely discussed. Graduated response deals with much more than copyright. It promotes informational control by copyright holders and contributes to the normalization of surveillance and to an increase of centralized control on the internet.
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Lobato, Ramon. "Constructing the Pirate Audience: On Popular Copyright Critique, Free Culture and Cyber-Libertarianism." Media International Australia 139, no. 1 (May 2011): 113–23. http://dx.doi.org/10.1177/1329878x1113900115.
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Digital copyright has become a key site of debate and dissent as a generation of consumers accustomed to file-sharing of proprietary content seeks to assert its rights more aggressively. A vocal anti-copyright movement has emerged, rallying around a free-speech defence of piracy honed in opposition to the hardline approach to intellectual property (IP) enforcement pursued by the US entertainment lobbies. This article discusses recent attempts at collective legitimation within this movement, with a focus on the implicit critiques of copyright that underpin pro-piracy discourse. I conclude that if this kind of popular copyright critique is to be more than a pet cause for early adopters, it needs to begin with an inclusive philosophy of access that does not reify the creative consumer as the normative citizen of the information society.
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Tiawati, Sulis, and Margo Hadi Pura. "Analisa Hukum Perlindungan Hak Cipta Terhadap Pembelian Buku Elektronik Secara Ilegal." Ajudikasi : Jurnal Ilmu Hukum 4, no. 2 (January 24, 2021): 169–80. http://dx.doi.org/10.30656/ajudikasi.v4i2.2930.
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The advancement of science and technology increases over time. National development activities also make aspects of life in the community significantly improved. Similarly, in the fields of science, art, and literature that are closely related to Intellectual Property Rights. The increase in innovation technology and the development of the science sector should be supported by public awareness and market participants in understanding the importance of protecting intellectual property rights for an original product produced by a person. However, piracy of books that is still today indicates a lack of enforcement of copyright in Indonesia that harms the creator. This type of research is empirical juridical. The method of data collection used in the dissemination of questionnaires and literature studies is to study secondary legal materials related to the policy of Law No. 28 of 2014 On Copyright.The thing that affects the rise of piracy as well as from the people who become consumers, economic factors are the most chosen reason. Therefore the legal protection for copyright holders is governed by sections 99 and 113 of Law No. 28 of 2014 On Copyright, so that this piracy phenomenon can be overcome.
Keywords: Law; Protection; Copyright; Electronic; Books.
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Koster, Alexis. "Fighting Internet Piracy: The French Experience With The Hadopi Law." International Journal of Management & Information Systems (IJMIS) 16, no. 4 (September 20, 2012): 327. http://dx.doi.org/10.19030/ijmis.v16i4.7310.
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With the ever-increasing speed of the Internet and the ever-increasing power of personal computers and mobile devices, illegal downloading affects not only recorded music, but also movies and other medias. To stem the loss of revenues caused to copyright holders, France passed the Hadopi Law in September 2009 to be enforced by a new agency - the Hadopi Authority. The Hadopi Authoritys mission includes three major objectives. 1) to enforce the copyright law on the Internet through legal actions against violators, 2) to educate Internet users about illegal versus legal activities with respect to the copyright law, and 3) to facilitate the development of Internet services providing legal access to copyrighted works. To deter piracy and, at the same time, to serve as a pedagogical tool, Hadopi uses the graduated response system. Users who participate in illegal downloading are first warned two times. After a third violation, their file is forwarded to a court for possible prosecution. Between October 2010 and March 2012, the Hadopi Authority performed several surveys of Internet use to measure the effectiveness of the Law. The resulting reports show some modest positive changes in the behavior of French Internet users.
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Zalewska, Monika. "Znaczenie metafor pojęciowych na przykładzie prawa autorskiego." Filozofia Publiczna i Edukacja Demokratyczna 5, no. 1 (June 4, 2018): 111–28. http://dx.doi.org/10.14746/fped.2016.5.1.6.
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The problematic gap between legal and social norms exists in copyright law. The consequences of this gap are severe and include: not following copyright rules, and a big conflict between artists and recipients of a culture. In this context, copyright piracy is prevalent in Poland and legal tools aimed to protect interests of artists have failed. Copyright law might have been in sync with analogue era, but not to digital world. Identification of roots of the discrepancy between social expectations and legally binding rules might be the first step toward rectifying of situation. This article demonstrates the conceptual metaphors as a possible reason for malfunctioning the copyright law. Some metaphors treat intangible objects as tangible ones (intellectual or artistic work) and might pose difficulties mentioned above. Additionally, Larsson defined a group of metaphors in legal system. Bound with them are metaphors outside of law. For example, if law treats intellectual property as tangible property, than metaphors outside the copyright legal system, such as piracy apply. Polish copyright law in the context of Lakoff – Johnson theory of metaphors is a framework of the study.
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Ardianto, Sigit. "Legal Analysis Of Book Piracy." International Asia Of Law and Money Laundering (IAML) 1, no. 3 (September 23, 2022): 198–201. http://dx.doi.org/10.59712/iaml.v1i3.34.
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Book piracy is an attempt to reproduce a book by printing, photocopying or other means without obtaining written permission from the author and publisher of the related book. The phenomenon of book piracy during the Covid 19 pandemic worsened the asional book industry. Publishers experienced a decline in physical book sales in offline stores, while online sales were overshadowed by the problem of piracy of literacy works in this case books. The ranking of piracy, especially copyright in Indonesia ranks third largest in the world. With the increase in information and technology today, cases of book piracy occur more and more and have increased every year.
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Alawsi, Dr Husham. "The Role of Bahraini Law on Online Copyright Infringement." International Business & Economics Studies 2, no. 4 (November 20, 2020): p23. http://dx.doi.org/10.22158/ibes.v2n4p23.
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The main aim of this research paper is to look at the role of Bahraini law in copyright infringement. In Bahrain, many commercially pirated audio and video markets have been eliminated through various laws. However, video, software and audio piracy by end-users is still a huge problem. A copyright infringement is considered to be a violation of an organization or individual’s copyright. It describes the copyrighted material’s unauthorized use, such as images, text, videos, software, music and other original content. Copyright infringements have been formally addressed through various copyrights law in Bahrain, but there are some glaring omissions as well. No other protect has been attacked more than computer hardware and software in Bahrain, copying of computer software is “out of control” in Bahrain. Many companies have been accused of using illegal copies of Microsoft computer software products. The study argues that country might have a beautifully tidy and coherent law, but it might not be followed. The mechanisms of criminal and civil enforcement, and the working of patent and trademark offices and of the judicial system itself, are essential to the enforcement of copyright laws in practice. The absence of governmental interference helps Bahraini software pirates to work at will. The study concludes while contended that there should be a law with regard to compulsory licensing since this compulsory licensing would be required by the companies to transfer data to a domestic partner. Furthermore, stricter enforcement of copyright laws is essential because they would help prevent copyright infringements in Bahrain.
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Maliuk, Yevhen. "Social transformations and distribution of pirated media content on the example of video games." Skhid 3, no. 3 (October 31, 2022): 41–47. http://dx.doi.org/10.21847/1728-9343.2022.3(3).266199.
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The article examines the history of the distribution of pirated content and methods of combating it using the example of video games. The ambivalent impact of the phenomenon of piracy on sociocultural processes in societies, especially those that radically changed their social structure at the end of the 20th – beginning of the 21st century, is demonstrated. The author proceeds from the fact that piracy arose on the basis of the absence of the so-called “copyright culture” transformed societies, allowed individual economic actors to get rich illegally and quickly, but at the same time acted as a massive display of technical intelligence, a creative impulse to create one’s own video content in these societies and the formation of relevant regional markets, and also contributed to the development of many technical talents currently working on digitalization of socio-economic processes around the world.
According to the examples of piracy described in the article, four main motives for its spread are highlighted, namely: economic, activist, archival and creative motives. As demonstrated in the study, these motives shape relevant social patterns and change over time, as can be seen in the example of creative piracy, which was widespread in the pre-Internet era and has almost disappeared in the modern one. Although in most cases of piracy the main motive is economic, which leads to great losses for copyright holders and authors, not all methods are unequivocally harmful. For example, activist piracy is a form of social protest and allows to demonstrate one’s dissatisfaction with the policy of rights holders through the practice of “wrong” consumption; the archival motive often works in the “gray zone” of copyright and allows preservation of those products, the rights to which were handed over to the rights holders that actually no longer exist.