Relevant bibliographies by topics / Pirandello, Luigi, 1867-1936 - Criticism and interpretation -

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  2. Books

Academic literature on the topic 'Pirandello, Luigi, 1867-1936 - Criticism and interpretation -'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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Dissertations / Theses on the topic "Pirandello, Luigi, 1867-1936 - Criticism and interpretation -"

1

Remington, Rachel. "Personal identity in the novels of Max Frisch and Luigi Pirandello." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=30208.

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This MA thesis is a comparative study of the novels of Luigi Pirandello (Agrigento 1867--Rome 1936) and Max Frisch (Zurich 1911--1991). Six texts are discussed: Pirandello's Il fu Mattia Pascal (1904), Quaderni di Serafino Gubbio operatore (1915), and Uno, nessuno e centomila (1925--6); and Frisch's Stiller (1954), Homo faber (1957), and Mein Name sei Gantenbein (1964). The comparison highlights the great similarities between Pirandello's and Frisch's treatment of the theme of identity as well as some important (and mainly structural) differences in their novelistic works. The analysis of the
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2

Sarrinikolaou, Irene School of Media Film &amp Theatre UNSW. "The ontological status of Pirandello???s metacharacters: six characters in search of a Platonic author." Awarded by:University of New South Wales. School of Media, Film & Theatre, 2006. http://handle.unsw.edu.au/1959.4/25974.

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This thesis proposes that a defining feature of Pirandello???s 1921 play ??? Six Characters in Search of an Author, is a relentless transcendentalism. It argues that the play embodies a fascination with existential and conceptual ???occult???, and my hypothesis is that by exploring Pirandello's transcendentalism we may enhance our understanding of how and why Pirandello's play points a mirror up to the invisible and suggests that we could be a reflection of that. Pirandello's drama alludes to some of the most convoluted and enduring debates in western philosophy. However, there is very little
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3

Meda, Anna Rosa. "Teatro dei miti in Pirandello e D'Annunzio." Thesis, 1992. http://hdl.handle.net/10500/17426.

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D'Annunzio e Pirandello come uomini e come artisti si pongono agli antipodi della scena culturale del loro tempo, eppure e nel mito, inteso come categoria psichica oltre che artistica, che la loro antitetica opera trova un punto d'incontro. In questo studio si analizza, dunque, il mito nelle tre tragedie dannunziane in cui l'elemento mitico si manifesta nel modo piu palese (La citta morta, La figlia di Iorio e Fedra) e nella trilogia dei miti pirandelliana, summa e approdo finale di tutta la sua opera. Per entrambi la necessita di mito nasce dalla sofferta consapevolezza della crisi mo
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Books on the topic "Pirandello, Luigi, 1867-1936 - Criticism and interpretation -"

1

Boschiggia, Elisabetta. Guida alla lettura di Pirandello. Milano: Mondadori, 1986.

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2

Macchia, Giovanni. Pirandello, o, La stanza della tortura. 2nd ed. Milano: A. Mondadori, 1992.

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3

Moments of selfhood: Three plays by Luigi Pirandello. New York: P. Lang, 1990.

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4

Luigi Pirandellos "surrealistische" Novellen: Eine philologische Studie unter Heranziehung von Methoden der Traumdeutung. Heidelberg: Winter, 2004.

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5

Living masks: The achievement of Pirandello. Toronto: University of Toronto Press, 2008.

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6

Self and self-compromise in the narratives of Pirandello and Moravia. New York: P. Lang, 1999.

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7

Pirandello and his muse: The plays for Marta Abba. Gainesville: University Press of Florida, 1998.

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8

Dalla novella alla commedia pirandelliana: Domenico Maceri. New York: P. Lang, 1991.

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9

A theory for reading dramatic texts: Selected plays by Pirandello and García Lorca. New York: P. Lang, 1995.

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10

The Great Black Spider On Its Knockkneed Tripod Reflections Of Cinema In Early Twentiethcentury Italy. University of Toronto Press, 2012.

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