Log in

Relevant bibliographies by topics / Pirandello, Luigi (1867-1936) – Esthétique

Contents

Journal articles
Dissertations / Theses
Books
Book chapters

Academic literature on the topic 'Pirandello, Luigi (1867-1936) – Esthétique'

Author: Grafiati

Published: 2 November 2024

Last updated: 31 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Pirandello, Luigi (1867-1936) – Esthétique.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Pirandello, Luigi (1867-1936) – Esthétique"

1

Vanagaitė, Gitana. "Luigi Pirandello’s Works in Lithuania: Why the Dialogue Did Not Take Place." Interlitteraria 21, no. 2 (2017): 216. http://dx.doi.org/10.12697/il.2016.21.2.5.

Full text

Abstract:

Luigi Pirandello (1867–1936) was an Italian modernist writer and playwright who enriched literature with questions of modern identity as it relates to the contradiction between human consciousness and reality. Pirandello pondered questions of art and reality, mask and essence, life and form, and the fragmentation of a personality. In his works, he also foresaw what would later constitute the base of existential philosophy.The reception of Pirandello’s works in Lithuania has been limited, in part because of the small number of his works translated into Lithuanian – only a dozen short stories, t

APA, Harvard, Vancouver, ISO, and other styles

2

Bajaj, Rohit. "REPRESENTATION OF ITALIAN SOCIETY IN THE WORKS OF LUIGI PIRANDELLO: AN ANALYSIS OF THE SHORT STORY THE OIL JAR." Scholarly Research Journal for Interdisciplinary Studies 4, no. 37 (2017). http://dx.doi.org/10.21922/srjis.v4i37.10532.

Full text

Abstract:

The main discussion in this paper is to show how Luigi Pirandello (1867- 1936) in The oil jar (1909) describes the different characteristics of Southern Italian agrarian society of 20th century. The protagonist of the story is a rich Italian farmer from Sicily. It is important to see physical description of the characters in the story to form an idea of the personality of the farmers. This paper reveals different aspects of the agricultural Italian society where large number of farmers is not well organized and is exposed to be exploited by rich landlords of village. The artisans are not being

APA, Harvard, Vancouver, ISO, and other styles

3

Musso, Carlos Guido. "Obras maestras del arte universal y la medicina: Esta noche se improvisa por Luigi Pirandello (1867-1936)." Evidencia, actualizacion en la práctica ambulatoria 11, no. 5 (2008). http://dx.doi.org/10.51987/evidencia.v11i5.5864.

Full text

APA, Harvard, Vancouver, ISO, and other styles

Dissertations / Theses on the topic "Pirandello, Luigi (1867-1936) – Esthétique"

1

Cucugliato, Giacomo. "Percorsi teosofici nell’opera narrativa del primo Pirandello (1886-1909)." Electronic Thesis or Diss., Sorbonne université, 2024. http://www.theses.fr/2024SORUL074.

Full text

Abstract:

L'intérêt initial de Pirandello pour la doctrine théosophique a été à maintes reprises souligné par la critique pirandellienne. En effet, il s'agit d'un intérêt qui laisse des traces évidentes, surtout dans la première partie de la production narrative de l'auteur, où à plusieurs reprises, des passages d'origine théosophique sont traduits et cités. Le travail proposé tente d'analyser l'incidence de la doctrine théosophique dans la formation de l'imaginaire de Luigi Pirandello, dans les années 1886 à 1909, en considérant la reprise par Pirandello de passages théosophiques comme le symptôme d'un

APA, Harvard, Vancouver, ISO, and other styles

2

Bertin, Marjorie. "Le pirandellisme dans le théâtre de Jean Genet. Poétique et esthétique." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030156/document.

Full text

Abstract:

Cette thèse a pour objectif de mettre en évidence et d'analyser les thématiques pirandelliennes dans le théâtre de Jean Genet. Á cet effet, elle propose une redéfinition du pirandellisme, qui était sujet à de nombreuses controverses depuis sa première définition d'inspiration philosophique par le critique italien Adriano Tilgher en 1923. La nouvelle définition du pirandellisme proposée ici est construite à partir de cinq caractéristiques principales: le dualisme entre la vie et la forme, l'humorisme pirandellien, la suprématie de l'œuvre d'art sur la vie, l'impossibilité d'être un soi unifié e

APA, Harvard, Vancouver, ISO, and other styles

3

Dfouni, Ralph. "Les hommes ne pleurent pas, et Illuminations : de Pirandello vers Kaos." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape7/PQDD_0022/MQ50511.pdf.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Budor, Dominique. "Les raisons de l'ecriture : analyse de l'oeuvre romanesque de luigi pirandello." Paris 3, 1987. http://www.theses.fr/1987PA030144.

Full text

Abstract:

Fortement signifiante quant a l'histoire du sujet-scripteur et lourde des effets ideologiques de l'apparition de chaque texte au sein du texte general, l'oeuvre romanesque de luigi pirandello se caracterise par le jeu en elle d'une combinatoire qui situe la force productrice du sens - au-dela des configurations des enonces - dans l'enonciation meme. La tension phatique s'accentue au fil des romans : l'ecriture devoile sa fonction primordiale de mise en scene du probleme d'iden- tite tandis que le lecteur, enferme dans le texte, devient le parte- naire necessaire et soumis du dialogue avec lui-

APA, Harvard, Vancouver, ISO, and other styles

5

Dfouni, Ralph. "Les hommes ne pleurent pas, et, Illuminations : de Pirandello vers Kaos." Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=21208.

Full text

Abstract:

Men don't cry (creation). In a neighborhood of a large North American city, a loaf of rye bread brings back adolescent memories to a middle-aged man. Bill remembers his College friends, Nick, Jack and Alec. They will all pass through the same Diner, the same evening, 20 years later without recognizing each other. Those of them who will cross paths will die that same night. It's a story about chance. It's a free cinematographic adaptation of four short stories from three different authors: The Rye Bread by Ray Bradbury, Continuite des parcs and N'accusez personne by Julio Cortazar as well as Fa

APA, Harvard, Vancouver, ISO, and other styles

6

Mastrogianakos, John. "The role-within-the-role : two Pirandellian novellas and their dramatic adaptation." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=68118.

Full text

Abstract:

Luigi Pirandello's two short stories La verita and Certi obblighi and the play derived from them Il berretto a sonagli seem to be, at least on the surface, about adultery. The three male protagonists' dilemmas come about as a result of their wives' sexual transgressions, which consequently impose certain "obligations" upon them. The themes of adultery and betrayal, however, are merely surface elements, used to explore the theatrical nature of identity and of all social experience. Specifically, the three works show how role-playing-within-roles safeguards the identity of the betrayed husbands,

APA, Harvard, Vancouver, ISO, and other styles

7

Olive-Lalanne, Annie. "La condition féminine dans l'œuvre narrative et théâtrale de Luigi Pirandello." Paris 4, 1995. http://www.theses.fr/1995PA040238.

Full text

Abstract:

Pour une étude de la condition féminine et de l'image de la femme dans l'œuvre de Luigi Pirandello, un rappel historique de la condition féminine en Italie, et principalement en Sicile, et un rapide aperçu des mouvements féministes dans la première moitié du XXème siècle, nous ont paru nécessaires. Nous avons, ensuite, analysé comment Luigi Pirandello présente le personnage féminin. Nous avons mis en évidence une évolution de ce personnage : la femme destructrice et funeste se transforme progressivement en une femme sublime, idéalisée dans le mythe de la maternité. Nous avons dressé une typolo

APA, Harvard, Vancouver, ISO, and other styles

8

Marotta, Antonella. "Pirandello nel teatro di Eduardo." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79793.

Full text

Abstract:

The subject of this thesis is an intertextual and psycho-analytic study of the relationship between two major dramatists of twentieth century Italian Theatre, Luigi Pirandello and Eduardo De Filippo. The analysis is in part conducted according to the concept of influence developed by Harold Bloom in The Anxiety Of Influence and expressed in "Freudian" terms, in which one poet, the later (Eduardo De Filippo), is presumed to "struggle" with or try to surpass his precursor (Luigi Pirandello).

APA, Harvard, Vancouver, ISO, and other styles

9

Vittori, Gérard. "Sujet, réel et signes dans l'oeuvre de Pirandello." Nice, 1990. http://www.theses.fr/1990NICE2006.

Full text

Abstract:

Dans l'accés à la vérité, le corps n'est pas un lieu privilégié de connaissance, ni pour le sujet, ni pour les autres. Le corps est au contraire le lieu de l'équivoque du sens. Seule la volonté fournit le sens authentique : mais les signes naturels et les signes verbaux livrent le sujet à la distorsion du sens. Dieu est pour les autres la garantie de l'adéquation du langage au réel. En vérité, l'autorité, subsititut de la transcendance vraie, établit la transparence du langage parce qu'elle institute le réel par le langage. Le réel est fondé par le "texte" social. Le "texte" des autres aliène

APA, Harvard, Vancouver, ISO, and other styles

10

Remington, Rachel. "Personal identity in the novels of Max Frisch and Luigi Pirandello." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=30208.

Full text

Abstract:

This MA thesis is a comparative study of the novels of Luigi Pirandello (Agrigento 1867--Rome 1936) and Max Frisch (Zurich 1911--1991). Six texts are discussed: Pirandello's Il fu Mattia Pascal (1904), Quaderni di Serafino Gubbio operatore (1915), and Uno, nessuno e centomila (1925--6); and Frisch's Stiller (1954), Homo faber (1957), and Mein Name sei Gantenbein (1964). The comparison highlights the great similarities between Pirandello's and Frisch's treatment of the theme of identity as well as some important (and mainly structural) differences in their novelistic works. The analysis of the

APA, Harvard, Vancouver, ISO, and other styles

More sources

Books on the topic "Pirandello, Luigi (1867-1936) – Esthétique"

1

Pirandello, Luigi. Luigi Pirandello, 1867-1936: His plays in Sicilian. Edwin Mellen Press, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Bassanese, Fiora A. Understanding Luigi Pirandello. University of South Carolina Press, 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Boschiggia, Elisabetta. Guida alla lettura di Pirandello. Mondadori, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Macchia, Giovanni. Pirandello, o, La stanza della tortura. 2nd ed. A. Mondadori, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Luigi, Pirandello. Nel tempo della lontananza, 1919-1936. S.Sciascia, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

1867-1936, Pirandello Luigi, Bassnett Susan, and Lorch Jennifer, eds. Luigi Pirandello in the theatre: A documentary record. Harwood Academic Publishers, 1993.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Simposio internazionale sul teatro pirandelliano (1994 Boston, Mass.). Ars dramatica: Studi sulla poetica di Luigi Pirandello : atti del Simposio internazionale sul teatro pirandelliano, Boston College, 27-29 ottobre 1994. Peter Lang, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Paolucci, Anne. Selected essays on the plays and fiction of Luigi Pirandello. Harvard University Press, 2005.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Luigi, Pirandello. Lettere a Marta Abba. A. Mondadori, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Luigi, Pirandello. Pirandello's love letters to Marta Abba. Princeton University Press, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

More sources

Book chapters on the topic "Pirandello, Luigi (1867-1936) – Esthétique"

1

Gaudillière, Jean-Max. "Luigi Pirandello (1867–1936)." In Madness and the Social Link. Routledge, 2020. http://dx.doi.org/10.4324/9781003057468-3.

Full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!