Relevant bibliographies by topics / Pirate radio broadcasting

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Pirate radio broadcasting'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Pirate radio broadcasting.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Pirate radio broadcasting"

1

Jones, Steve. "Unlicensed Broadcasting: Content and Conformity." Journalism Quarterly 71, no. 2 (1994): 395–402. http://dx.doi.org/10.1177/107769909407100212.

Full text
Abstract:
This paper examines the extent and content of pirate radio broadcasting in the United States. While it is assumed that unlicensed broadcasts provide an alternative to commercial radio broadcasts, such broadcasts do not offer a substantially alternative form of programming. They rely on popular music that is often programmed on licensed, commercial radio, and they rarely program music other than pop and rock ‘n’ roll. As a result, this study claims it is spectrum use and access the FCC seeks to control, and not content.
APA, Harvard, Vancouver, ISO, and other styles
2

Davis, Glyn. "The Irish Media." Media Information Australia 42, no. 1 (1986): 37–40. http://dx.doi.org/10.1177/1329878x8604200111.

Full text
Abstract:
Three companies and one trustee own all the major Irish daily newspapers, though there are a number of independent weekly and regional publications. The state, through the Radio Telefis Eireann (the RTE, a public service broadcasting organisation modelled on the BBC but largely funded through advertising), runs all radio and television stations. At least, the state runs all official radio, for since the late 1970s several pirate radio stations have operated from Dublin. The government of Garret FitzGerald has promised to legitimise these stations through new broadcasting legislation.
APA, Harvard, Vancouver, ISO, and other styles
3

Chapman, Robert. "The 1960s pirates: a comparative analysis of Radio London and Radio Caroline." Popular Music 9, no. 2 (1990): 165–78. http://dx.doi.org/10.1017/s0261143000003883.

Full text
Abstract:
Anyone who can remember anything at all about pirate radio in the 1960s can usually remember two names: Radio Caroline and Radio London are synonymous with the offshore era. Between them they accounted for the majority of the audience who listened to the pirates, and the majority of the sponsors who advertised on them. But although they basically shared the same market rationale Caroline and London approached their task completely differently. London sought respect, prestige and accommodation. Its every move was geared towards being incorporated into the existing system of broadcasting, and it
APA, Harvard, Vancouver, ISO, and other styles
4

Morozova, T. A., P. P. Pritolyuk, A. Zh Saurbaeva, and O. V. Makarova. "Radio on the Internet: state and prospects of development." Bulletin of L.N. Gumilyov Eurasian National University. JOURNALISM Series 143, no. 2 (2023): 86–95. http://dx.doi.org/10.32523/2616-7174-2023-143-2-86-95.

Full text
Abstract:
This article discusses the main aspects of the functioning of Internet radio stations, analyzes the current content of these media, and outlines the prospects for the development of this broadcasting format. The purpose of the work is to identify the features of modern online formats in the field of mass communications, to describe the content and functional aspects of the development of online radio. Research objectives: to study the historical prerequisites for the appearance of radio; to trace the evolution in terms of the content of this type of media (ideological, musical, advertising top
APA, Harvard, Vancouver, ISO, and other styles
5

Moshe, Mira. "Right-Wing Pirate Radio Broadcasting in Israel: The Political Discourse About Channel 7, 1993–2003." Journal of Radio Studies 14, no. 1 (2007): 67–83. http://dx.doi.org/10.1080/10955040701301870.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Peters, Kimberley. "Regulating the Radio Pirates: Rethinking the Control of Offshore Broadcasting Stations Through a Maritime Perspective." Media History 19, no. 3 (2013): 337–53. http://dx.doi.org/10.1080/13688804.2013.817838.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Korshenko, V. A., M. V. Mordvyntsev, and D. V. Pashniev. "International and domestic experience of intellectual property legal protection on the Internet and separate methods of police crimes detection in this area." Bulletin of Kharkiv National University of Internal Affairs 98, no. 3 (2022): 217–30. http://dx.doi.org/10.32631/v.2022.3.20.

Full text
Abstract:
The history of the development of international legislation and the conclusion of international treaties regarding the protection of intellectual property, starting with the Berne Convention on the Protection of Literary and Artistic Works, was considered. The World Convention on Copyright, the Agreement on Trade Aspects of Intellectual Property Rights, and the Copyright Agreement of the World Intellectual Property Organization were analyzed. An attempt to sign an Anti-Counterfeiting Trade Agreement was tracked. The history of the adoption of laws on the protection of intellectual property in
APA, Harvard, Vancouver, ISO, and other styles
8

Light, Evan. "From Pirates to Partners: The Legalization of Community Radio in Uruguay." Canadian Journal of Communication 36, no. 1 (2011). http://dx.doi.org/10.22230/cjc.2011v36n1a2310.

Full text
Abstract:
ABSTRACT Community radio began in Uruguay in the post-dictatorship years of the 1980s. Until December 2007, however, these stations were pirate broadcasters that had been excluded from the country’s broadcasting system. Today, not only have these stations gained legal status, they have become active partners in the regulation of Uruguay’s broadcasting system. This article documents the development of community broadcasting, the role of civil society in bringing about regulatory change, and innovative approaches to policymaking.RÉSUMÉ La radiodiffusion communautaire en Uruguay a commencé durant
APA, Harvard, Vancouver, ISO, and other styles
9

Mazur, Oleksandr. "THE DEVELOPMENT OF EARLY MUSIC BROADCASTING IN THE CONTEXT OF THE AUDIO RECORDING MEDIA EVOLUTION (UNTIL 1970s)." Scientific journal “Library Science. Record Studies. Informology”, no. 4 (March 17, 2021). http://dx.doi.org/10.32461/2409-9805.4.2020.227088.

Full text
Abstract:
The purpose of the article is to determine the stages of development of music broadcasting and to reveal their features in the context of the evolution of audio recording means. The methodology consists of the application of general scientific and special methods, namely: information and system approaches, terminological and historical methods, as well as methods of analysis and generalization of source information, comparison and interrelation of theory and practice. Scientific novelty. The significance of musical resources has been brought to the development of radio communications and the e
APA, Harvard, Vancouver, ISO, and other styles
10

Bruns, Axel. "Fight for Survival." M/C Journal 6, no. 1 (2003). http://dx.doi.org/10.5204/mcj.2142.

Full text
Abstract:
All we hear is radio gaga, radio googoo, radio blahblah Radio, what’s new? Radio, someone still loves you Queen, “Radio Gaga” Someone still loves radio—and more people are beginning to discover its online form, Webcasting, as an alternative to terrestrial radio stations. Online radio allows listeners to swap local radio fare for more exotic programming, turning everyday PCs into world receivers, and offers a large variety of special-interest Webcasts catering to very genre-specific tastes. (Spinner.com, one of the largest commercial Webcasters, offers some 175 channels from Abstract Beats to Z
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Pirate radio broadcasting"

1

Ávila, Marcos Eduardo de. "Transmissores apreendidos em estações de radiodifusão clandestinas (Rádios Piratas) - aspectos periciais e forenses." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/3/3142/tde-27052013-120054/.

Full text
Abstract:
Diariamente uma batalha de grandes dimensões é travada em cidades espalhadas por todo o Brasil envolvendo, de um lado, milhares de estações de radiodifusão que operam clandestinamente (Rádios Piratas) e, de outro, órgãos responsáveis pela fiscalização e repressão da atividade ilegal. Os equipamentos irregularmente instalados, apreendidos nessas estações, são enviados aos laboratórios da criminalística para que sejam efetuados exames periciais, cumprindo o rito legal. Neste trabalho são abordados os aspectos forenses e periciais relativos ao tema realizando-se ainda uma análise técnica dos tran
APA, Harvard, Vancouver, ISO, and other styles
2

Horák, Ondřej. "Pirátská rádia." Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-346961.

Full text
Abstract:
This paper aims to follow the development of radio broadcasting piracy. We focused on two main and very different media landscapes - the United Kingdom and the United States of America. In the beginning, the concept of piracy differed locally. The United Kingdom's pirates were people who received radio broadcasting of the British Broadcasting Company without paying an annual license for listening. In the media landscape of America, piracy was connected with the broadcasting of their own signal. US pirates were broadcasters who caused an interference with any other licensed station. This concep
APA, Harvard, Vancouver, ISO, and other styles
3

Prágrová, Šárka. "Radio Stalin jako příklad českého pirátského rozhlasového vysílání." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-357933.

Full text
Abstract:
Diploma thesis "Radio Stalin as an example of Czech piracy radio broadcast" is aimed to complexly present radio station Radio Stalin which was broadcasting in October 1990 in Prague. Radio Stalin is presented in the context of events of that time and related changes in politics, economy, society and media and in the context of piracy radio broadcast. First of all the emphasis is put on media transformation and changes in legislative framework of radio broadcasting after 1989. Radio Stalin is described through the method of oral history when interviews were held with its several cofounders. Thi
APA, Harvard, Vancouver, ISO, and other styles

Books on the topic "Pirate radio broadcasting"

1

Mulryan, Peter. Radio radio. Borderline Publications, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

T, Gray Earl, ed. Pirate radio operations. Loompanics Unlimited, 1997.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Stephen, Mosco, ed. Rebel radio: The full story of British pirate radio. Pluto Press, 1985.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Mulryan, Peter. Radio radio: [the story of independent, local, community and pirate radio in Ireland]. Borderline Publications, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Galway's pirate women: A global trawl. Women's Pirate Press, 1996.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

L'histoire des radios pirates: De Radio Caroline à la bande FM. Camion blanc, 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Ott, Ursula. Das freie Radio: Private Lokalradios in Frankreich. Hitzeroth, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Islands of resistance: Pirate radio in Canada. New Star Books, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Blackburn, Adrian. Radio pirates: How Hauraki rocked the boat. Shoestring Press, 2014.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Jacques, Soncin, ed. Au cœur des radios libres. L'Harmattan, 1989.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Pirate radio broadcasting"

1

Wang, Wei-Chun Victoria. "Taiwanese Radio Broadcasting: The Regulatory Policy on the Radio Spectrum and an Overview of Taiwanese Pirate Radio Stations." In The Palgrave Handbook of Global Radio. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1007/978-0-230-37332-7_21.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Potter, Simon J. "Transformation and stagnation, 1960–1979." In This is the BBC. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192898524.003.0006.

Full text
Abstract:
Under a new director general, Hugh Carleton Greene, the BBC set out during the 1960s to win at least half of the UK television audience. It competed with ITV by pouring resources into television entertainment, and by empowering producers and performers to make original, innovative, and sometimes radical content. A new television network, BBC2, meanwhile allowed it to continue to make the informative, educational, and experimental programming that commercial broadcasters shied away from. During this period, the BBC made television programmes that are still regarded as classics. It also began to grapple more seriously with issues of race and prejudice, although it was slower to deal with gender inequalities, and turned a blind eye to the crimes committed by Jimmy Savile on its premises. During the 1970s, financing television became a significant issue, and BBC television seemed to become less challenging and adventurous. Its radio services meanwhile faced a serious challenge, as listeners became viewers and peak radio audiences dwindled, and as ‘pirate’ stations attracted younger listeners with plenty of pop and rock ’n’ roll music. The BBC responded in 1967 with a fundamental restructuring of its radio services, and increasingly identified each of its networks with one particular genre of programming. The days of mixed radio schedules were over. Meanwhile, radio remained a key way to reach overseas listeners as the Cold War continued, although the first signs of the BBC’s transition to more commercial forms of international broadcasting were already apparent.
APA, Harvard, Vancouver, ISO, and other styles
3

Noam, Eli. "France." In Television in Europe. Oxford University PressNew York, NY, 1992. http://dx.doi.org/10.1093/oso/9780195069426.003.0007.

Full text
Abstract:
Abstract Early French broadcasting was a mixed public and private system. After Liberation, it became solidly centralized by the government and a tool for its political control, especially under Presidents Charles de Gaulle and Georges Pompidou. Only after 1974, under the more centrist Valery Giscard d’Estaing, was the state’s grip somewhat loosened. But it took a government of the left to create diversity, openness, and greater independence. When Fran<;ois Mitterrand became president in 1981, French broadcasting consisted of three solidly government-dominated television networks and similarly centralized radio stations. In the next few years three television channels were added, one semipublic (Canal Plus) and two commercial (La Cinq and TV-6). In addition, hundreds of independent radio stations, many of them legalized pirates, were licensed, and a semi-independent regulatory agency was established. When the right returned to power in 1986, it went a step further and privatized the major public channel, TFl, and the media firm, Havas, which controlled both Canal Plus and influenced Luxembourg’s popular RTL station. After 1988, the Socialists continued the trend and strengthened the independence of regulatory supervision.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Pirate radio broadcasting' for particular source types:
Journal articles Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography