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Journal articles on the topic 'Pirate romance'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

Besbes, Mongia. "Literary Piracy and the Art of Experimental Narratives." Cultural Intertexts 8/2018 (December 21, 2018): 7–31. https://doi.org/10.5281/zenodo.7853512.

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A pirate is a ship-raider who abides by no rules. The pirate roams the tides of the ocean exploring new territories. An experimental writer is a literary pirate who explores new textual territories and toys with literary canons. The literary pirate abides by no generic laws and inscribes rebellion in the pages of his fiction. Classicists even label them as “literary outlaws”. In normative piracy, stealing, killing, destroying and ravaging are absolutely allowed. In experimental fiction, plots are either spiral, cyclic or non-existent. Characters are either strange humans or mutant

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2

Stefaniak, Alexander. "Clara Schumann's Interiorities and the Cutting Edge of Popular Pianism." Journal of the American Musicological Society 70, no. 3 (2017): 697–765. http://dx.doi.org/10.1525/jams.2017.70.3.697.

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In her contemporaries’ imaginations Clara Schumann transcended aesthetic pitfalls endemic to virtuosity. Scholars have stressed her performance of canonic repertory as a practice through which she established this image. In this study I argue that her concerts of the 1830s and 1840s also staged an elevated form of virtuosity through showpieces that inhabited the flagship genres of popular pianism and that, for contemporary critics, possessed qualities of interiority that allowed them to transcend merely physical or “mechanical” engagement with virtuosity. They include Henselt's études and vari

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3

Fernández-Rodríguez, María. "Reescrituras de un pirata en el Romanticismo. El caso de Bertram, de Charles Maturin, e Il pirata, de Felice Romani y Vincenzo Bellini." Argos 10, no. 26 (2023): 3–25. http://dx.doi.org/10.32870/argos.v10.n26.1.23b.

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Aunque John Silver y los motivos que Robert Louis Stevenson le atribuye en su novela sean los que, en mayor o menor medida, han impuesto el patrón por el que están modelados el resto de bucaneros en la ficción desde la publicación de La isla del tesoro hasta la actualidad, antes, en pleno Romanticismo, otros piratas poblaron obras, líricas, narrativas y dramáticas, que contribuyeron a su manera a enriquecer la figura del pirata literario. En este trabajo se presenta un caso concreto, el de Bertram, de Charles Maturin; personaje y obra que, a través de diversas reescrituras, y arrastrando su in

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4

Fernández Rodríguez, María. "Reescrituras de un pirata en el Romanticismo. El caso de Bertram, de Charles Maturin, e Il pirata, de Felice Romani y Vincenzo Bellini." Argos 10, no. 26 (2023): 14–35. http://dx.doi.org/10.32870/argos.v10.n26.2b23.

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Aunque John Silver y los motivos que Robert Louis Stevenson le atribuye en su novela sean los que, en mayor o menor medida, han impuesto el patrón por el que están modelados el resto de bucaneros en la ficción desde la publicación de La isla del tesoro hasta la actualidad, antes, en pleno Romanticismo, otros piratas poblaron obras, líricas, narrativas y dramáticas, que contribuyeron a su manera a enriquecer la figura del pirata literario. En este trabajo se presenta un caso concreto, el de Bertram, de Charles Maturin; personaje y obra que, a través de diversas reescrituras, y arrastrando su in

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5

Wang, Yuanfei. "Java in Discord." positions: asia critique 27, no. 4 (2019): 623–52. http://dx.doi.org/10.1215/10679847-7726916.

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In the late sixteenth century, thriving private maritime trade brought forth maritime trouble to the late Ming state. In times of rampant “Japanese” piracy and Hideyoshi’s invasion of Korea, Chinese literati composed unofficial histories and vernacular fiction on China’s foreign relations. Among them, Yan Congjian 嚴從簡 wrote Shuyu zhouzi lu 殊域周咨錄 (Records of Surrounding Strange Realms) (1574), He Qiaoyuan 何喬遠 compiled Wang Xiangji 王享記 (Records of the Emperors’ Tributes) (1597–1620), Luo Yuejiong 羅曰褧 penned Xianbin lu 咸賓錄 (Records of Tributary Guests) (1597), and Luo Maodeng 羅懋登 composed a verna

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6

Moshenska, Joe. "Sir Kenelm Digby’s Interruptions: Piracy and Lived Romance in the 1620s." Studies in Philology 113, no. 2 (2016): 424–83. http://dx.doi.org/10.1353/sip.2016.0010.

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7

Biasio, Nicola. "Diálogo da natureza e um pirata: a ecocrítica por uma perspectiva descolonizadora em A visão das plantas de Djaimilia Pereira de Almeida." Abril – NEPA / UFF 13, no. 27 (2021): 137–49. http://dx.doi.org/10.22409/abriluff.v13i27.50193.

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O presente artigo propõe apresentar o romance A visão das plantas, de Djaimilia Pereira de Almeida, através de uma chave de leitura ecocrítica e pós-colonial, a fim de destacar a relevância desse livro na produção literária da autora e no panorama da literatura da pós-memória afrodescendente. Em Portugal, a ecocrítica é uma disciplina que ainda não tem sido suficientemente utilizada como possibilidade metodológica de desconstrução das oposições binárias entre cultura/natureza e humano/não-humano que fundam o binómio colonizador/colonizado. A visão das plantas possibilita essa leitura ecocrític

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8

KALEZIĆ, Sofija. "NOVELS FOR CHILDREN AND YOUTH BY ANTO STANIČIĆ." Lingua Montenegrina 21, no. 1 (2018): 147–56. https://doi.org/10.46584/lm.v21i1.622.

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The author of this paper reflects on the prose achievements of Anto Staničić (Tivat, 1909 – Belgrade, 1991), who managed to create one of the best quality forms of Montenegrin youth literature. His novels Mali pirat, Bambusov štap, Ratni brod, Velika sultanija, Afrikanac, Galebovo gnezdo, Kojim putem, Afrikanče?, Priča o Sunici, Beskućine kuće, Tajne veriga and Nemirna and prose collections Binga, Minuš and Đerdan artistically convey the stories of Budva, Tivat, and Boka Kotorska Bay, while most of the associations are related to the writer’s childhood, travel and sailing. In his works, events

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9

Gavoille, Élisabeth. "MÉMOIRE ROMAINE DES BALKANS : LES IMAGES DE L’ILLYRIE ET DE LA DALMATIE À TRAVERS LA LITTÉRATURE LATINE." La mémoire et ses enjeux. Balkans – France: regards croisés, X/ 2019 (December 30, 2019): 5–18. http://dx.doi.org/10.31902/fll.29.2019.1.

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ROMAN MEMORY OF THE BALKAN: IMAGES OF ILLYRIA AND DALMATIA IN LATIN LITERATURE This contribution focuses on recurrent images and motives by which Latin writers (historians but above all encyclopedist and technographic authors, and poets) characterize the Western Balkan space. The names of Illyria and Dalmatia are associated with the representation of warlike peoples (Ardians, Pirustae…), piracy in the Adriatic, the figures of queen Teuta and of the last king Genthios, the vision of snowy mountains, the mention of famous resources such as precious metals or pitch (asphalt), the stereotypical st

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10

Bilyk, Natalia. ""TREASURE ISLAND" BY R. L. STEVENSON: A GAME FOR CHILDREN AND ADULTS." Bulletin of Taras Shevchenko National University of Kyiv. Literary Studies. Linguistics. Folklore Studies, no. 2(34) (2023): 10–13. http://dx.doi.org/10.17721/1728-2659.2023.34.02.

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"Treasure Island" by R. L. Stevenson is presented in the context of British Neo-Romanticism, that embodied masculine culture, characteristic of the late Victorian period, and produced a special type of "everyage" reader, as well as adventure literature addressed to him. "Treasure Island" is one of the first novels (romances), which were intentionally written both for children and for adults. Still, its reputation of the masterpiece of boyhood fiction may prevent readership from capturing "adults" implications, that primarily exist at the deepest levels of human consciousness and relate to the

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11

Pearson, Mike Parker. "Reassessing ROBERT DRURY'S JOURNAL as A Historical Source for Southern Madagascar." History in Africa 23 (January 1996): 233–56. http://dx.doi.org/10.2307/3171942.

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In 1729 a book entitled Madagascar: or Robert Drury's Journal During Fifteen Years Captivity on that Island was published in London. It describes the shipwreck of an East Indiaman on the south coast of Madagascar, the enforced stay of the crew at the royal capital of the Antandroy people, the crew's escape and massacre, the survival of the midshipmen, including Drury, as royal slaves, and Drury's eventual escape to the English colony of St. Augustine. It purports to be his authentic account, digested into order by a transcriber or editor and published at the request of his friends. A certifica

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12

Rafik, Laceb, and Fatiha Haddad. "Aspects Of Romance In F. Scott Fitzgerald's “The Offshore Pirate” And Jean Sasson’s Desert Royal." مجلة الممارسات اللغوية, 2024, 547. https://doi.org/10.35269/1452-015-002-029.

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13

Wang, Yiwen. "Interpretation in reverse: Remixing the Three Kingdoms." Journal of Popular Culture, June 18, 2024. http://dx.doi.org/10.1111/jpcu.13354.

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AbstractThis article investigates online fan video remixes that combine footage from the televisual adaptation of the Chinese classic The Romance of Three Kingdoms, set in ancient China, with soundtracks from the American science fiction film Inception (2010) and the magical fantasy Pirates of the Caribbean (2011). Analyzing the audio‐visual aesthetics of these videos, I propose a reversal of Henry Jenkins's “additive comprehension” framework, which suggests that fan works aim to interpret and complete the original story‐verse. Instead, I argue these videos reverse the process of interpretatio

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14

Curiel Rivera, Adrián. "David Cordingly, Under the Black Flag: the Romance and the Reality of Life among the Pirates." Península 1, no. 1 (2006). http://dx.doi.org/10.22201/cephcis.25942743e.2006.1.1.44316.

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15

"The Great Defiance How the World took on British Empire." Pakistan Development Review, April 28, 2025, 73–76. https://doi.org/10.30541/v64i1pp.73-76.

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Introduction While much has been written about how the so-called superior Western civilization conquered and colonized vast regions of the world owing to their advancement in technology and mission civilisatrice, there have been few histories of the people who encountered the British with more advanced militaries, lavish courts, thriving cities, bustling trade and economies, and complex and developed cultures with extravagance lifestyles. Although James S Mill like historians praised the civilizing mission of the British Empire that came of age when J.S. Mills like historians developed disillu

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16

Stanislav, Južnič. "Kostel & Gottschee." July 6, 2023. https://doi.org/10.5281/zenodo.8121896.

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<em>The Auersperg-Turja&scaron;ki Germanized Slovenian family bought Gottscheers-land just after the piratic Uskoks’ Habsburgian challenge of Adriatic Sea aka Venetian Gulf collapsed in 1620-s. The Uskoks transformed their wrongdoings from their kind of British Drake’s Spanish piracy into local salt smuggling. Half of a century later the beheading of Zrnjski-Frankopan’s conspiracy ended their Bakar (Buccari) Venetian trade which avoided with Habsburgian imperial taxing: it was a kind of competition. As leading Habsburgian diplomat who was dismissed because of his greedy thirs

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17

Watson, Robert. "E-Press and Oppress." M/C Journal 8, no. 2 (2005). http://dx.doi.org/10.5204/mcj.2345.

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   From elephants to ABBA fans, silicon to hormone, the following discussion uses a new research method to look at printed text, motion pictures and a teenage rebel icon. If by ‘print’ we mean a mechanically reproduced impression of a cultural symbol in a medium, then printing has been with us since before microdot security prints were painted onto cars, before voice prints, laser prints, network servers, record pressings, motion picture prints, photo prints, colour woodblock prints, before books, textile prints, and footprints. If we accept that higher mammals such as elepha

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