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Journal articles on the topic 'Pirates in fiction'

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1

Kania, Richard R. E. "Pirates and Piracy in American Popular Culture." Romanian Journal of English Studies 11, no. 1 (2014): 183–94. http://dx.doi.org/10.2478/rjes-2014-0022.

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Abstract Piracy is both an ancient and a modern social ill. Yet in American popular culture pirates have emerged as dashing heroic figures and Robin Hoods of the Sea. Some examples of this transformation of the pirate image from criminal to popular hero are explored in British and American fiction, cinema and other forms of popular culture.
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Lane, Kris. "The sweet trade revived." New West Indian Guide / Nieuwe West-Indische Gids 74, no. 1-2 (2000): 91–97. http://dx.doi.org/10.1163/13822373-90002571.

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[First paragraph]Women Pirates and the Politics of the Jolly Roger. ULRIKE KLAUSMANN, MARION MEINZERIN & GABRIEL KUHN. New York: Black Rose Books, 1997. x + 280 pp. (Paper US$ 23.99)Pirates! Brigands, Buccaneers, and Privateers in Fact, Fiction, and Legend. JAN ROGOZINSKI. New York: Da Capo Press, 1996. xvi + 398 pp. (Paper US$ 19.95)Sir Francis Drake: The Queens Pirate. HARRY KELSEY. New Haven: Yale University Press, 1998, xviii + 566 pp. (Cloth US$ 35.00)A General History of the Robberies and Murders of the Most Notorious Pirates. CAPT. CHARLES JOHNSON (edited and with introduction by DA
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Taber, Nancy. "Women Pirates Learning Through Legitimate Peripheral Participation." Canadian Journal for the Study of Adult Education 35, no. 02 (2023): 123–32. http://dx.doi.org/10.56105/cjsae.v35i02.5745.

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In this field note article, I discuss my in-progress historical novel about privateering in the 17th century to demonstrate how adult education feminist theories of situated learning have influenced my fiction-based research. I introduce situated learning in gendered communities of practice, explain women’s experiences in (para)military organizations, and describe fiction-based research. I then compare theoretical concepts and quotations with excerpts from my fiction to explore feminist situated learning adult education theories, women in non-traditional roles, fiction-based research, and how
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Mackey, Margaret, and Jill Kedersha Mcclay. "Pirates and poachers: Fan fiction and the conventions of reading and writing." English in Education 42, no. 2 (2008): 131–47. http://dx.doi.org/10.1111/j.1754-8845.2008.00011.x.

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5

Swanson, Carl E. "Book Review: Pirates! Brigands, Buccaneers, and Privateers in Fact, Fiction and Legend." International Journal of Maritime History 8, no. 2 (1996): 256–58. http://dx.doi.org/10.1177/084387149600800228.

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6

Henderson, Alex. "From Painters to Pirates: A Study of Non-Binary Protagonists in Young Adult Fiction." International Journal of Young Adult Literature 3, no. 1 (2022): 1. http://dx.doi.org/10.24877/ijyal.62.

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7

Lesmana, Moh Eka, Alvanov Zpalanzani, Riama Maslan, and Erline Anasthasia D. "Perancangan Komik Historical Fiction Berbasis Cerita Bajak Laut Nusantara." ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia 9, no. 03 (2023): 376–95. http://dx.doi.org/10.33633/andharupa.v9i03.7653.

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AbstrakPenggunaan historical fiction pada media populer seperti komik, film, game, dan lain-lain dengan pendekatan hiburan banyak menarik minat masyarakat untuk melihat berbagai fenomena sejarah. Penyampaian dengan pendekatan hiburan ini tentunya menjadi kekuatan dari genre historical fiction untuk dapat digunakan dalam mengangkat berbagai tema-tema sejarah Indonesia. Salah satu fenomena penting dalam sejarah maritim Indonesia yang tidak umum diketahui adalah fenomena ‘bajak laut’. Fenomena bajak laut yang marak di Indonesia pada masa kolonial merupakan bagian dari sejarah Nusantara yang penti
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8

Hartner, Marcus. "Pirates, Captives, and Conversions: Rereading British Stories of White Slavery in the Early Modern Mediterranean." Anglia 135, no. 3 (2017): 417–39. http://dx.doi.org/10.1515/ang-2017-0044.

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AbstractWhile captivity narratives have long been recognized as an important field of research in American Studies, the substantial body of autobiographical tales portraying captivity in the Muslim world published in England between the late sixteenth and early eighteenth century has only recently begun to attract the attention of literary scholars. Despite a number of important pioneering works, however, British captivity narratives have not only remained at the margins of early modern studies, but even where they have received attention they have mainly been treated as historical source mate
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9

Wang, Yuanfei. "Java in Discord." positions: asia critique 27, no. 4 (2019): 623–52. http://dx.doi.org/10.1215/10679847-7726916.

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In the late sixteenth century, thriving private maritime trade brought forth maritime trouble to the late Ming state. In times of rampant “Japanese” piracy and Hideyoshi’s invasion of Korea, Chinese literati composed unofficial histories and vernacular fiction on China’s foreign relations. Among them, Yan Congjian 嚴從簡 wrote Shuyu zhouzi lu 殊域周咨錄 (Records of Surrounding Strange Realms) (1574), He Qiaoyuan 何喬遠 compiled Wang Xiangji 王享記 (Records of the Emperors’ Tributes) (1597–1620), Luo Yuejiong 羅曰褧 penned Xianbin lu 咸賓錄 (Records of Tributary Guests) (1597), and Luo Maodeng 羅懋登 composed a verna
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10

Conary, Jennifer. "“DREAMING OVER AN UNATTAINABLE END”: DISRAELI'S TANCRED AND THE FAILURE OF REFORM." Victorian Literature and Culture 38, no. 1 (2010): 75–87. http://dx.doi.org/10.1017/s1060150309990325.

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The “condition of England” in the middle of the nineteenth century was, for most Victorians (and is, indeed, for most modern scholars of the Victorian period), about as far removed from desert pirates and neo-Grecian queens as London from Jerusalem. But such was not the case in 1847 for the ambitious novelist-turned-politician Benjamin Disraeli, himself a mixture of political and social incongruities, who chose to conclude his political trilogy with a novel that bore greater resemblance to an Arabian Nights fantasy than to any mid-Victorian reform fiction. Contemporary readers of Tancred, or T
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11

Kamola, Isaac. "Pirate Capitalism, or the Primitive Accumulation of Capital Itself." Millennium: Journal of International Studies 47, no. 1 (2018): 3–24. http://dx.doi.org/10.1177/0305829818771525.

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Pirates are often described as existing on the margins of the world economy, emerging from the outskirts to disrupt otherwise free capitalist markets. With this narrative in mind, it is not surprising that the pirate remains a marginal figure within both the fictional stories and historical accounts of the emergence of capitalism. This article, however, asks: What do we learn about the capitalist world economy if we understand the pirate not as an outlaw but as a fellow capitalist? Weaving together stories of the golden age of piracy in the Atlantic world with contemporary piracy in the Gulf o
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Hill, Richard J., and Laura Eidam. "From Braemar to Hollywood: The American Appropriation of Robert Louis Stevenson’s Pirates." Humanities 9, no. 1 (2020): 10. http://dx.doi.org/10.3390/h9010010.

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The pirate tropes that pervade popular culture today can be traced in large part to Robert Louis Stevenson’s 1883 novel, Treasure Island. However, it is the novel’s afterlife on film that has generated fictional pirates as we now understand them. By tracing the transformation of the author’s pirate captain, Long John Silver, from N. C. Wyeth’s illustrations (1911) through the cinematic performances of Wallace Beery (1934) and Robert Newton (1950), this paper demonstrates that the films have created a quintessentially “American pirate”—a figure that has necessarily evolved in response to differ
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Simanto, Md Mehedi Karim. "PIRATES IN HAMLET AND HAMLET AS PIRATE: PIRATE POLITICS IN EARLY-MODERN ENGLAND." Arts Faculty Journal 12, no. 17 (2023): 157–68. http://dx.doi.org/10.62296/afj20221217009.

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This paper argues that William Shakespeare's Hamlet reveals prince Hamlet to be capable of liaising with criminals like pirates for personal gain. In the play, Hamlet fought with a gang of pirates who surprisingly turned friend from foe. Critics have long understood this fight as a dramatization of Hamlet’s transformation from a meek prince to a daring adventurer who, after his sea journey, returned with renewed courage to challenge his actual enemies. Many researches, nevertheless, have found in this episode an allusion to early modern England’s policy regarding maritime piracy and security.
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Gregory, Scott W. "Writing Pirates: Vernacular Fiction and Oceans in Late Ming China By Yuanfei Wang. Ann Arbor: University of Michigan Press, 2021. viii, 218 pp. ISBN: 9780472132546 (cloth)." Journal of Asian Studies 81, no. 3 (2022): 585–86. http://dx.doi.org/10.1017/s0021911822000742.

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KITLV, Redactie. "Book reviews." New West Indian Guide / Nieuwe West-Indische Gids 83, no. 3-4 (2009): 294–360. http://dx.doi.org/10.1163/13822373-90002456.

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David Brion Davis, Inhuman Bondage: The Rise and Fall of Slavery in the New World (Trevor Burnard)Louis Sala-Molins, Dark Side of the Light: Slavery and the French Enlightenment (R. Darrell Meadows)Stephanie E. Smallwood, Saltwater Slavery: A Middle Passage from Africa to American Diaspora (Stephen D. Behrendt)Ruben Gowricharn, Caribbean Transnationalism: Migration, Pluralization, and Social Cohesion (D. Aliss a Trotz)Vilna Francine Bashi, Survival of the Knitted: Immigrant Social Networks in a Stratified World (Riva Berleant)Dwaine E. Plaza & Frances Henry (eds.), Returning to the Source:
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16

Frohock, Richard. "The Early Literary Evolution of the Notorious Pirate Henry Avery." Humanities 9, no. 1 (2019): 6. http://dx.doi.org/10.3390/h9010006.

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Henry Avery (alternately spelled Every) was one of the most notorious pirates of the late seventeenth and early eighteenth centuries, and scholars have written much about Avery in an effort to establish the historical details of his mutiny and acts of piracy. Other scholars have focused on the substantial literary production that his life occasioned; the early literary history of Avery’s exploits evolves quickly away from the known facts of his life, offering instead a literary trajectory of accumulated tropes about Avery’s motivations, actions, and transformations. This literary invention of
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17

Keyser, Catherine. "Citrus and Surfaces: Print Media and the Appetite for the Other." Journal of Modern Periodical Studies 15, no. 1 (2024): 71–100. http://dx.doi.org/10.5325/jmodeperistud.15.1.0071.

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ABSTRACT Racial stereotypes circulate between print media, accruing affective intensities as they do so. F. Scott Fitzgerald’s story “The Offshore Pirate” provides a case study in the affective networks that connect advertising ephemera with magazine fiction. Racialized southern archetypes found on citrus crate labels—the Southern belle, the swarthy pirate, and the minstrel caricature—come to life in Fitzgerald’s story set off the coast of Florida. The racial icons of consumer culture magnify oral pleasure and tropical escape. Tapping into this racial imaginary, “The Offshore Pirate” celebrate
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18

Darussalam, Zulfardi. "Opposition and stability in Jemmy Piran’s works: An intertextuality study." LITERA 23, no. 1 (2024): 63–75. http://dx.doi.org/10.21831/ltr.v23i1.67117.

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This study seeks to explain how opposition is portrayed in Jemmy Piran's fiction works entitled Surat Dari Seorang Tawanan, Pertempuran Jarak Dekat, and Pertempuran Kedua and to describe how the characters exhibit consistent characterizations. This article adopts Julia Kristeva's intertextuality, the so-called ideologeme, and McHale's heterotopia zone. Piran's three short stories with their socio-historical themes are the main data sources. Data analysis is carried out by looking at the suprasegmental elements and synchronous relations between the short story and socio-historical readers outsi
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19

Błaszkiewicz, Bartłomiej. "On the Idea of the Secondary World in Susanna Clarke’s Piranesi." Anglica. An International Journal of English Studies, no. 30/1 (September 1, 2021): 111–32. http://dx.doi.org/10.7311/0860-5734.30.1.08.

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The paper seeks to explore the concept of the secondary world as developed in Susanna Clarke’s 2020 fantasy novel Piranesi. The analysis is conducted in the context of the evolution of the literary motif of fairy abduction between the classic medieval texts and its current incarnations in modern speculative fiction. The argument relates the unique secondary world model found in Clarke’s novel to the extensive intertextual relationship Piranesi has with the tradition of portal fantasy narratives, and discusses it in the context of the progressive cognitive internalisation of the perception of t
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Bréan, Simon. "Cyborgs et corps piratés dans la littérature de science-fiction." Critique 733-734, no. 6 (2008): 519. http://dx.doi.org/10.3917/criti.733.0519.

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21

Kelley, Mark. "Pirates, Bloodhounds, and White Heirs: Catharine Maria Sedgwick’s Fictions of Haiti." Legacy: A Journal of American Women Writers 38, no. 1-2 (2021): 1–25. http://dx.doi.org/10.1353/leg.2021.0000.

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22

Cohen, Monica F. "IMITATION FICTION: PIRATE CITINGS IN ROBERT LOUIS STEVENSON'S TREASURE ISLAND." Victorian Literature and Culture 41, no. 1 (2013): 153–73. http://dx.doi.org/10.1017/s1060150312000289.

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When Charles Dickens tried to lobby for American support of an international copyright agreement during his wildly popular 1842 tour of the United States, the English author was famously shocked to find himself lambasted as an elitist who dared expect payment for what Americans believed they had the right to read for free (McGill 109–40; Claybaugh 71; Pettitt 152). Dickens encountered in the practice of literary piracy, or what was called in the United States, the culture of reprinting, a deep fissure in capitalist democratic culture between individual ownership and public access, an ideologic
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23

Macune, Charles W. "Pirate Novels: Fictions of Nation Building in Spanish America." Hispanic American Historical Review 81, no. 2 (2001): 389–90. http://dx.doi.org/10.1215/00182168-81-2-389.

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Sasada, Hiroko. "The Otherness of Heroes: The Shonen as Outsider and Altruist in Oda Eiichiro's One Piece." International Research in Children's Literature 4, no. 2 (2011): 192–207. http://dx.doi.org/10.3366/ircl.2011.0026.

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The shonen hero in One Piece, a popular fantasy battle manga for boys, is described as a complete altruist although he longs to be the King of Pirates, that is, the top of ‘others’ in the social mainstream. Monkey D. Luffy and his crew, called the ‘Straw Hat Pirates’, seem to be derived from traditional Japanese heroes in period films or from the manly virtue called otoko-date in the Edo period: the outsiders who carry out ‘poetic justice’ by assisting the weak and resisting the strong, even at risk to their own lives. To be more powerful than those whose right and status is determined by birt
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Paige, Tamsin Phillipa. "“The Whore That Lost Everything”: The Tyranny of Law and the Queer Feminisation of Soft Power as Explored in Black Sails." Pólemos 17, no. 2 (2023): 415–29. http://dx.doi.org/10.1515/pol-2023-2014.

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Abstract Black Sails is an historical drama written as a prequel to Treasure Island. It did this by weaving the history surrounding the Pirate Republic of New Providence Island around fiction to create a compelling narrative exploring the force and evils of law and empire, and the lengths that some will go to in order to resist and be free. This paper will examine Black Sails as a social discourse text in order to critique the impact and tyranny, yet inevitability, of the law, and how soft power is feminised but requires queerness to be effective.
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Morris, Mark. "Piranesi: An Unsettling World of Architecture." Architectural Design 94, no. 4 (2024): 118–25. http://dx.doi.org/10.1002/ad.3083.

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AbstractThe vastly overscaled elements, lineaments and sculptures of a seemingly infinite house form the backdrop of Susanna Clarke's 2020 novel Piranesi. Head of Teaching and Learning at the Architectural Association, Mark Morris draws on his research into architectural models, paracosms and the representation of buildings in fiction, filtering this through the lens of an encyclopaedic knowledge of architectural history to investigate the book's narrative arc, its ghostly visitations and its beautiful if not overbearing architectural mise en scène.
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Rhee, Suk Koo. "Laundering Treasure in Stevenson's Treasure Island." International Research in Children's Literature 13, no. 1 (2020): 15–30. http://dx.doi.org/10.3366/ircl.2020.0325.

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In R. L. Stevenson's Treasure Island, the motif of the treasure hunt resonates strongly with the economic realities of eighteenth-century Britain, particularly when viewed within the context of the British joint venture boom. This boom erupted in its most hysterical form in the ‘South Sea Company Craze’ of 1720. In Stevenson's fiction, overseas joint ventures and high seas piracy share certain implicit commonalities, though one of these is never mentioned – or, more accurately, it is repressed. In Pierre Macherey's terms, this repressed element constitutes a non-dit of the fiction, something w
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Juan Pablo Dabove. "Pirate Novels. Fictions of Nation Building in Spanish America (review)." Arizona Journal of Hispanic Cultural Studies 4, no. 1 (2000): 313–15. http://dx.doi.org/10.1353/hcs.2011.0142.

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Lauterbach, Edward S. "Sherlock Holmes Among the Pirates: Copyright and Conan Doyle in America 1890-1930, and: Mother of Detective Fiction: The Life and Works of Anna Katharine Green, and: John Dickson Carr: A Critical Study, and: Eric Ambler, and: The Remarkable Case of Dorothy L. Sayers (review)." MFS Modern Fiction Studies 37, no. 2 (1991): 343–48. http://dx.doi.org/10.1353/mfs.0.0298.

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30

Doecker, Georg. "“Out, and under, and out, and out.” Self-(Dis-)Organisation and the Stories of Libertatia." Performance Philosophy 4, no. 2 (2019): 546–63. http://dx.doi.org/10.21476/pp.2019.42241.

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Recent socio-political developments in the experimental performing arts scenes from Europe have seen a strong commitment to the practices of self-organisation and their liberating impetus. Responding to the experimental nature of many such activities with a likewise experimental theoretical enquiry, this paper invests in an interpretation of self-organising principles from anarchism, cybernetics, and vitalist materialism through the fictional narrative of the pirate utopia Libertatia. The argument thus developed is that the liberating potentials of self-organisation can be located precisely in
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31

Méndez Rodenas, Adriana. "Pirate Novels. Fictions of nation building in Spanish America de Nina Gerassi-Navarro." Revista Iberoamericana 67, no. 196 (2001): 596–98. http://dx.doi.org/10.5195/reviberoamer.2001.5884.

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Baldwin, Olive, and Thelma Wilson. "Nancy Dawson, Her Hornpipe and Her Posthumous Reputation." Restoration and Eighteenth-Century Theatre Research 30, no. 1-2 (2015): 55–71. http://dx.doi.org/10.5325/rectr.30.1-2.0055.

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Abstract Nancy Dawson was famous for dancing the hornpipe during her short career on the London stage (1756-63). The tune to which she danced was quickly named after her and became popular as a ballad tune. After her death, “Nancy Dawson” was used as a name for race horses and boats and the tune took on a life of its own, while the dancer was forgotten. During her stage career she had been slandered in so-called Genuine Memoirs (quickly pirated as Authentic Memoirs) and attacked in satires over her liaison with the comic actor Edward Shuter. However, the tune’s popularity with sailors and a se
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Barbosa, Salvador E., and Mikel D. Petty. "Reinforcement Learning in an Environment Synthetically Augmented with Digital Pheromones." Advances in Artificial Intelligence 2014 (March 13, 2014): 1–23. http://dx.doi.org/10.1155/2014/932485.

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Reinforcement learning requires information about states, actions, and outcomes as the basis for learning. For many applications, it can be difficult to construct a representative model of the environment, either due to lack of required information or because of that the model's state space may become too large to allow a solution in a reasonable amount of time, using the experience of prior actions. An environment consisting solely of the occurrence or nonoccurrence of specific events attributable to a human actor may appear to lack the necessary structure for the positioning of responding ag
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Bilyk, Natalia. ""TREASURE ISLAND" BY R. L. STEVENSON: A GAME FOR CHILDREN AND ADULTS." Bulletin of Taras Shevchenko National University of Kyiv. Literary Studies. Linguistics. Folklore Studies, no. 2(34) (2023): 10–13. http://dx.doi.org/10.17721/1728-2659.2023.34.02.

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"Treasure Island" by R. L. Stevenson is presented in the context of British Neo-Romanticism, that embodied masculine culture, characteristic of the late Victorian period, and produced a special type of "everyage" reader, as well as adventure literature addressed to him. "Treasure Island" is one of the first novels (romances), which were intentionally written both for children and for adults. Still, its reputation of the masterpiece of boyhood fiction may prevent readership from capturing "adults" implications, that primarily exist at the deepest levels of human consciousness and relate to the
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Lancashire, Edel. "The Lock of the Heart Controversy in Taiwan, 1962–63: A Question of Artistic Freedom and a Writer's Social Responsibility." China Quarterly 103 (September 1985): 462–88. http://dx.doi.org/10.1017/s030574100003071x.

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The early 1960s marked a period of intellectual and literary ferment in Taiwan. The East-West Controversy, which had its roots in the debate that took place in the middle of the last century regarding the continued validity of the Chinese tradition in the face of western military and economic superiority and in the controversy regarding westernization as the road to modernization in the 1930s, had broken out afresh. Creative writers, musicians and painters were experimenting with new forms and new techniques. As early as 1954 the writers of modern Chinese poetry had started the search for a mo
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Ramadhan, Zenith Nurandini, Engliana Engliana, and Nina Dwiastuty. "Language Styles in Biography: A Descriptive Analysis of Ernle Bradford's 'The Sultan's Admiral: Barbarossa – Pirate and Empire Builder'." Eralingua: Jurnal Pendidikan Bahasa Asing dan Sastra 6, no. 1 (2022): 57. http://dx.doi.org/10.26858/eralingua.v6i1.25479.

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Abstract. This research aims to identify the language styles used in a biography book, ‘The Sultan’s Admiral.’ The identification may help us see how various language styles add to non-fiction writing and are structured in a biography book. This current research is a qualitative analysis that uses a content analysis method. The data source is available from the biography ‘The Sultan’s Admiral: Barbarossa’ written by Ernle Bradford and published in English language edition in 2008. The data comes in the form of linguistic elements such as syntax, lexis, and semantic forms of the text. The data
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Moursi, Manar. "ISLAND PHANTASMAGORIA - Exploring the Political/Philosophical Underpinnings of Fictional Islands and Imagining a Future of Plastic-Pirate-Island-Utopias." Thresholds 38 (January 2010): 52–57. http://dx.doi.org/10.1162/thld_a_00177.

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Lane, Kris. "Pirate Novels: Fictions of Nation Building in Spanish America. By Nina Gerassi-Navarro. (Durham: Duke University Press, 1999. Pp. x, 251. Illustrations. Notes. Bibliography. Index. $17.95.)." Americas 57, no. 1 (2000): 137–39. http://dx.doi.org/10.1017/s0003161500030327.

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Sigurðardóttir, Þórunn. "Ræningjarímur séra Guðmundar Erlendssonar í Felli og erlendar fréttaballöður." Gripla 34 (2023): 295–346. http://dx.doi.org/10.33112/gripla.34.10.

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News ballads are poems about recent events or the poets’ contemporaries that were printed on cheap paper and sold by street vendors or performed/sung in the squares and streets of towns and cities in Europe in the early modern period. This genre has not been studied in Icelandic literary history hitherto, since poems belonging to news ballads (or disaster ballads) have not been printed but only preserved in little-known manuscripts. We can see, however, from the book of poems by pastor Guðmundur Erlendsson (primarily in the manuscripts JS 232 4to and Lbs 1055 4to, preserved in the National Lib
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Wang, Yiwen. "Interpretation in reverse: Remixing the Three Kingdoms." Journal of Popular Culture, June 18, 2024. http://dx.doi.org/10.1111/jpcu.13354.

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AbstractThis article investigates online fan video remixes that combine footage from the televisual adaptation of the Chinese classic The Romance of Three Kingdoms, set in ancient China, with soundtracks from the American science fiction film Inception (2010) and the magical fantasy Pirates of the Caribbean (2011). Analyzing the audio‐visual aesthetics of these videos, I propose a reversal of Henry Jenkins's “additive comprehension” framework, which suggests that fan works aim to interpret and complete the original story‐verse. Instead, I argue these videos reverse the process of interpretatio
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BCR, Joshua. "The Treasure of Easter Island by G. Stilton." Deakin Review of Children's Literature 6, no. 2 (2016). http://dx.doi.org/10.20361/g2vs4v.

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Stilton, Geronimo. The Treasure of Easter Island. New York: Scholastic, 2013. Print.What happens in the book is Geronimo's sister Thea went to Easter Island to look for treasure on it. She got captured by pirates. Thea, one of the characters, met Professor Von Dusty Fur, he is an archaeologist who specializes in ancient treasure. Then Geronimo and his friends, Wild Willy and Susie Shutter mouse, trap his cousin. They all fell down a hole and landed right under the Rano Kau Volcano. After a pirate took them out of their cage then tied them up behind crates full of gold coins. I like to read thi
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"Pirate novels: fictions of nation building in Spanish America." Choice Reviews Online 37, no. 09 (2000): 37–4992. http://dx.doi.org/10.5860/choice.37-4992.

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Leheny, David. "Precarity's Pirate: The Fictive Afterlives of Idemitsu Sazō." Journal of Asian Studies, June 7, 2022, 1–15. http://dx.doi.org/10.1017/s0021911822000547.

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Abstract When the famously nationalistic Japanese author Hyakuta Naoki published his best-selling novel A Man Called Pirate (Kaizoku to yobareta otoko) in 2012, which subsequently became both a manga and a major film, he renewed interest in the midcentury oil baron Idemitsu Sazō, using him as the model for the novel's lead character. Hyakuta claims to have aimed to inspire the country, reeling from decades of slow growth as well as the 2011 tsunami and nuclear disaster, by featuring a visionary Japanese leader motivated primarily by love for his employees and his country. This article traces t
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Seager, Nicholas. "The Afterlife of Daniel Defoe’s Captain Singleton in the Seven Years’ War." Review of English Studies, December 14, 2022. http://dx.doi.org/10.1093/res/hgac082.

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Abstract Daniel Defoe’s pirate novel Captain Singleton (1720) was republished in 1757, during the political and military crises of the early stages of the Seven Years’ War. The fact that Singleton at this time was extensively rewritten has gone entirely unnoticed by scholars. The present article explains how this version of Defoe’s maritime picaresque fiction responded to national anxieties about naval performance, aristocratic leadership, and martial masculinity following the loss of Minorca, seeking to galvanize its readers during the privateering rush of this period and the more general app
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Rutherford, Leonie Margaret. "Re-imagining the Literary Brand." M/C Journal 18, no. 6 (2016). http://dx.doi.org/10.5204/mcj.1037.

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IntroductionThis paper argues that the industrial contexts of re-imagining, or transforming, literary icons deploy the promotional strategies that are associated with what are usually seen as lesser, or purely commercial, genres. Promotional paratexts (Genette Paratexts; Gray; Hills) reveal transformations of content that position audiences to receive them as creative innovations, superior in many senses to their literary precursors due to the distinctive expertise of creative professionals. This interpretation leverages Matt Hills’ argument that certain kinds of “quality” screened drama are d
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Tollance, Pascale. "« My mother called me Silver. I was born part precious metal part pirate » : nomination et appel(lation) dans Lighthousekeeping et dans la fiction de Jeanette Winterson." Études britanniques contemporaines, no. 46 (June 3, 2014). http://dx.doi.org/10.4000/ebc.1262.

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Ettler, Justine. "When I Met Kathy Acker." M/C Journal 21, no. 5 (2018). http://dx.doi.org/10.5204/mcj.1483.

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I wake up early, questions buzzing through my mind. While I sip my morning cup of tea and read The Guardian online, the writer, restless because I’m ignoring her, walks around firing questions.“Expecting the patriarchy to want to share its enormous wealth and power with women is extremely naïve.”I nod. Outside the window pieces of sky are framed by trees, fluffy white clouds alternate with bright patches of blue. The sweet, heady first wafts of lavender and citrus drift in through the open window. Spring has come to Hvar. Time to get to work.The more I understand about narcissism, the more I u
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Desmarais, Robert. "Let's Celebrate READ IN Week!" Deakin Review of Children's Literature 6, no. 2 (2016). http://dx.doi.org/10.20361/g2rw3k.

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Dear Readers,We are delighted that this special issue includes book reviews from preschool to junior high readers!We would like to acknowledge Michelle St. Jean, Steven Campbell, Natalie Burns—the grade six and eight teachers from Ben Calf Robe - St. Clare Elementary/Junior High School—whose students completed the reviews as part of their class work. Assistant Principal Sonia Mangieri was our contact at the school who coordinated with the teachers to help make the vision of an issue entirely devoted to student reviews a reality. We would also like to thank Principal Rena Methuen for her school
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Frail, Kim. "I Hate to Read! by R. Marshall." Deakin Review of Children's Literature 1, no. 4 (2012). http://dx.doi.org/10.20361/g2dw23.

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Marshall, Rita, and Etienne Delessert. I Hate to Read! Mankato, MN: Creative Education, 1992. Print. As you might guess from the title, this book invites reluctant readers to discover the wondrous adventures that can be accessed through turning the pages of a book, as opposed to tuning into TV programs. The cover features the narrator—third-grader Victor Dickens—on a dragon’s back, with flames licking out of the pages of a stack of books. Readers are told that Victor is a “really good kid” “most of the time,” and many children will be able to relate to his academic difficulties: “Victor got As
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Currie, Susan, and Donna Lee Brien. "Mythbusting Publishing: Questioning the ‘Runaway Popularity’ of Published Biography and Other Life Writing." M/C Journal 11, no. 4 (2008). http://dx.doi.org/10.5204/mcj.43.

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Introduction: Our current obsession with the lives of others “Biography—that is to say, our creative and non-fictional output devoted to recording and interpreting real lives—has enjoyed an extraordinary renaissance in recent years,” writes Nigel Hamilton in Biography: A Brief History (1). Ian Donaldson agrees that biography is back in fashion: “Once neglected within the academy and relegated to the dustier recesses of public bookstores, biography has made a notable return over recent years, emerging, somewhat surprisingly, as a new cultural phenomenon, and a new academic adventure” (23). For
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