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Relevant bibliographies by topics / Pitti Palace

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Academic literature on the topic 'Pitti Palace'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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Journal articles on the topic "Pitti Palace"

1

Fiorini, L., A. Conti, A. Meucci, V. Bonora, and G. Tucci. "BETWEEN SPATIAL AND ARCHIVAL DATA: DIGITAL HUMANITIES FOR THE HISTORY OF A STAIRCASE OF PITTI PALACE." International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLVIII-M-2-2023 (June 24, 2023): 571–77. http://dx.doi.org/10.5194/isprs-archives-xlviii-m-2-2023-571-2023.

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Abstract. In the last decades, surveys produced with geomatic techniques are increasingly used for the study and conservation of the built heritage because they automatically collect large amounts of data with an accuracy and objectivity that could not be achieved with traditional techniques. As in other fields of digital and spatial humanities, the combination of spatial data with archival and secondary sources provides new tools for reconstructing the history, construction, and transformation of a historic architecture.The new digital survey of Pitti Palace, which was carried out between 201

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Frangenberg, Thomas, and Jacopo Cicognini. "A Private Homage to Galileo. Anton Domenico Gabbiani's Frescoes in the Pitti Palace." Journal of the Warburg and Courtauld Institutes 59 (1996): 245. http://dx.doi.org/10.2307/751405.

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3

Meucci, Adele, Valentina Bonora, Lidia Fiorini, et al. "Mapping an Information Model for Historic Built Heritage into the IndoorGML Standard: The Case of the Pitti Palace." Heritage 8, no. 4 (2025): 115. https://doi.org/10.3390/heritage8040115.

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The paper explores the significance of digitalization and spatial modeling for the preservation and management of cultural heritage, addressing challenges posed by architectural complexity and extensive data volumes and developing a tailored data model to organize and integrate geometric, material, and historical information. The case study of Pitti Palace in Florence, Italy, is proposed, considering that its architectural complexity and cultural significance require innovative approaches to documentation and management. The “Pitti Data Model” is proposed as a tailored information system to or

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4

Bonora, V., I. Centauro, L. Fiorini, et al. "VIRTUAL INSPECTION BASED ON 3D SURVEY SUPPORTING RISKS DETACHMENT ANALYSIS IN PIETRAFORTE STONE BUILT HERITAGE." International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLVIII-M-2-2023 (June 24, 2023): 273–80. http://dx.doi.org/10.5194/isprs-archives-xlviii-m-2-2023-273-2023.

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Abstract. The paper presents the first results of a multidisciplinary research project launched to support the conservation and restoration of the stone façades of the Pitti Palace in Florence with innovative techniques from the fields of geomatics and diagnostic analysis. Monitoring campaigns are periodically conducted on the façades of the palace to identify stone elements in critical conditions; such surveys primarily require close and careful observation of the façade, for which a crane basket is required. The paper proposes first attempt to compare results obtained through a traditional w

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Walker, Paul. "The Pitti Palace Rock Crystal Ewer and the Sordid Story of How and Why It Came to Exist." Journal of Near Eastern Studies 77, no. 1 (2018): 41–46. http://dx.doi.org/10.1086/696294.

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Bonora, V., A. Meucci, A. Conti, L. Fiorini, and G. Tucci. "KNOWLEDGE REPRESENTATION OF BUILT HERITAGE MAPPING AN AD HOC DATA MODEL IN OGC STANDARDS: THE CASE STUDY OF PITTI PALACE IN FLORENCE, ITALY." International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLVIII-M-2-2023 (June 24, 2023): 281–88. http://dx.doi.org/10.5194/isprs-archives-xlviii-m-2-2023-281-2023.

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Abstract. The description of a historic building can be made by considering many different aspects: stylistic, technological, formal, function-related, etc. In Architecture, as in any artistic form, intangible elements also play an essential role and are closely related to individual interpretation; therefore, achieving an objective description is challenging, and several efforts have been undertaken over time to reach the goal.Nested hierarchical or complex multi-dimensional relationship structures can be defined to represent various interrelationships between a huge variety of elements and t

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Gioventù, Eleonora. "Comparison of Three Methods for Evaluating the Condition of the Collection in the Royal Apartments of the Pitti Palace, Florence." Studies in Conservation 63, sup1 (2018): 355–58. http://dx.doi.org/10.1080/00393630.2018.1471888.

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Chekan, Yurii. "Locations of the first opera performances: from elitism to general availability." Scientific herald of Tchaikovsky National Music Academy of Ukraine, no. 136 (March 28, 2023): 75–86. http://dx.doi.org/10.31318/2522-4190.2023.136.276560.

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Relevance of the study. The object of research in the history of music usually is the spiritual component of artistic culture, it's genre- and style-centric processes of the art itself. Specific conditions of artistic artifacts's existence, locations where the premiere and subsequent performances took place, draw less scientific attention. At the same time, without taking this information into account, the musico-historical aspects of the past appear devalued and deformed; certain things remain not understood completely, certain moments fall out of sight. The purpose of the study. It is

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Bonora, V., A. Meucci, and L. Fiorini. "ANALYSIS OF THE SPATIAL-SEMANTIC COHERENCE IN THE GETTY AAT VOCABULARY DATA STRUCTURE - AN EDUCATIONAL EXPERIENCE." International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLVIII-2/W4-2024 (February 14, 2024): 79–85. http://dx.doi.org/10.5194/isprs-archives-xlviii-2-w4-2024-79-2024.

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Abstract. The paper explores the integration of Geomatics and architectural surveying into the educational context of Geomatic for Built Heritage Conservation course within the Master on Architectural Design, in which a multidisciplinary teaching approach is applied, emphasizing the importance of holistic knowledge encompassing historical, geometric, material, and structural aspects for the conservation and restoration of architectural heritage.A central theme is the role of Geomatics and 3D modelling in historical built heritage documentation, assuming the creation of three-dimensional models

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Chmelinová, Katarína. "On the “Consequences of War” by Peter Paul Rubens." Quart, no. 1(31) (March 1, 2014): 24–38. https://doi.org/10.19195/quart.2014.1.65323.

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Jacob Burckhardt called Rubens’ Consequences of War (Palazzo Pitti in Florence) as the defining painting of the whole of the Thirty Years’ War. This famous painting was completed in 1638 for Ferdinand II de Medici, the Grand Duke of Tuscany. Rubens carefully explained the content of his allegory in a surviving letter dated 12 March 1638 to Justus Sustermans, the Flemish painter working in the services of the Medici in Florence. This work was repeatedly studied and interpreted. We are also partly aware of the circumstances around its creation as well as later responses to it. The National Galle

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Books on the topic "Pitti Palace"

1

Maddalena, De Luca Savelli, ed. Pitti Palace: Palatine Gallery : [the official guide]. Sillabe, 2010.

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2

Marco, Chiarini, ed. Pitti Palace: All the museums, all the works. Sillabe, 2001.

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Marco, Chiarini, Piacenti Aschengreen Cristina, and Spalleti Ettore, eds. Pitti Palace: Guide to the collections and complete catalogue of the Palatine Gallery. Sandak, 1992.

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4

Pitti, Palazzo. Pitti Palace: Guide to the collections and complete catalogue of the Palatine Gallery. Becocci/Scala, 1988.

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5

Marco, Chiarini, Piacenti Aschengreen Cristina, Spalleti Ettore, and Galleria Palatina, eds. Pitti Palace: Guide to the collections and the Royal Apartments, complete catalogue of the Palatine Gallery. Becocci/Scala, 1995.

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6

Pescio, Claudio. Pitti Palace: General catalogue of the Palatine Gallery : Ex-Royal Apartments, Silver Museum, Modern Art Gallery, Porcelain Museum, Costume Gallery, Coach Museum, The Boboli Gardens. Bonechi, Edizioni "Il Turismo", 1989.

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7

Perry, Anne. Buckingham Palace gardens. Ballantine Books Trade Paperbacks, 2011.

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8

Perry, Anne. Buckingham Palace gardens. Thorndike Press, 2008.

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Perry, Anne. Buckingham Palace Gardens. Random House Publishing Group, 2008.

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10

Perry, Anne. Un crimen en Buckingham Palace. Debolsillo, 2009.

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Book chapters on the topic "Pitti Palace"

1

Campbell, Katie. "Pitti Palace and Boboli Gardens." In Cultivating the Renaissance. Routledge, 2021. http://dx.doi.org/10.4324/9781003201212-11.

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2

Nygren, Christopher J. "Titian, Colonna, and the Gender of Pictorial Devotion." In Vittoria Colonna. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463723947_ch09.

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Titian made a painting of Mary Magdalene for Vittoria Colonna, perhaps identifiable with a painting in the Pitti Palace. Despite considerable scholarly attention over the last thirty years, scholars have not reached a consensus about most aspects of this exchange. Central to the debate has been the question of nudity: was it possible to have a devotional image that so knowingly exhibits female flesh? Can a painting gleefully subvert the rules of decorum and still discharge its function as a devotional image? Recent scholarship on the visual culture of female spirituality at this time helps ill

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Weiss, Piero. "The Medici Wedding Festivities Of 1589." In Opera. Oxford University PressNew York, NY, 2002. http://dx.doi.org/10.1093/oso/9780195116373.003.0001.

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Abstract Opera was born in Florence at the end of the sixteenth century. It derived almost seamlessly from its immediate precursor, the intermedio, or lavish between-the-acts spectacle presented in conjunction with a play on festive occasions. Plays were spoken, and their stage settings were simple: a street backed by palace façades for tragedies, by lower-class houses for comedies; for satyr plays or pastorals, the setting was a woodland or country scene. Meanwhile the ever-growing magnificence of state celebrations in Medici Florence on occasions such as dynastic weddings gave rise to a vari

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Walker, Paul E. "The Pitti Palace Rock Crystal Ewer and the Sordid Story of How and Why It Came to Exist." In The Fatimids. BRILL, 2023. http://dx.doi.org/10.1163/9789004548626_015.

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Weiss, Piero. "L’euridice, The Second Opera (1600)." In Opera. Oxford University PressNew York, NY, 2002. http://dx.doi.org/10.1093/oso/9780195116373.003.0003.

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Abstract La Dafne, a “fable” by Ottavio Rinuccini set to music by Jacopo Peri and Jacopo Corsi, was the first opera. “It was performed in a small room and sung privately,” according to Pietro Bardi, who was there (seep. 8 above). It is quite possible that Peri was first apprised of Corsi’s and Rinuccini’s project “as early as 1594,” as he himself states (p. 15 below); but the most informed guess as to its first performance would place it in the carnival season of 1597-98. There are no questions, on the other hand, about the date of the very pub!ic premiere of the second opera, L’Euridice. That

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Thackeray, William Makepeace. "Chapter XLVII." In Vanity Fair. Oxford University Press, 2015. http://dx.doi.org/10.1093/owc/9780198727712.003.0049.

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llthe world knows that Lord Steyne’s town palace stands in Gaunt Square, out of which Great Gaunt Street leads*, whither we first conducted Rebecca, in the time of the departed Sir Pitt Crawley. Peering over the railings and through the black...

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Hunneyball, Paul M. "Architecture as a Mirror of Society." In Architecture and Image-Building in Seventeenth-Century Hertfordshire. Oxford University PressOxford, 2004. http://dx.doi.org/10.1093/oso/9780199263868.003.0002.

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Abstract On 18 April 1680, the diarist and architectural expert John Evelyn took up an invitation from the earl of Essex to inspect the building-works at Cassiobury (Pl. 3), his principal seat near Watford. Evelyn was broadly impressed by what he saw, but concluded that the project could have been handled better. The House is new, a plaine fabric, built by my friend Mr. Hugh-May; there are in it divers faire and good roomes, excellent Carving of [Grinling] Gibbonss, . . . The middle Dores being round [headed] I did not approve of, but when the Hall is finishd as his Lordship designs it, . . .

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Conference papers on the topic "Pitti Palace"

1

Conti, Alessandro, Grazia Tucci, Valentina Bonora, and Lidia Fiorini. "HOW WERE THE TAPESTRIES IN THE SALA DI SATURNO OF PITTI PALACE ARRANGED? GEOMATICS AND VIRTUAL REALITY FOR ART CURATORS." In ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. Editorial Universitat Politécnica de Valéncia, 2021. http://dx.doi.org/10.4995/arqueologica9.2021.12175.

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Three-dimensional acquisition techniques, reality-based modelling and virtual reality are tools used in Digital Humanities prevalently for displaying the results of a study, but they can also suggest new methods of investigation to humanities scholars. In a case study regarding art history, these techniques made it possible to recreate the layout of the Sala di Saturno in Pitti Palace (Florence) in the 17th century, based on information obtained from archive documents on the tapestries designed for that hall and a 3D model expressly elaborated with geomatic techniques. The results were summari

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